Venom, King of The Micro Bullies Fathers 250 Pups | TRULY
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THE WORLD’S most famous micro bully - Venom – has become one of America’s most valuable dogs thanks to his ability to produce lookalike, muscular pups. According to owner Matt Siebenthal, Venom has up to three stud services per week, and each puppy is sold for around $8000. In a year Venom’s puppies in combination with his Stud Service can easily generate sales of over a million dollars, with Matt struggling to keep up with demand. Venom has gained fame worldwide for his unmistakeable bodybuilder physique and lives with his owner Matt Siebenthal, Matt’s wife Deanne and their son Christian in Lake Worth, Florida. Venom’s ability to produce puppies who look exactly the same as him has led Matt and Deanne to launch Venom’s own line, called Venomline, with Venom’s fame helping the American Bully became one of the fastest growing breeds in 2018.
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Videographer / director: Rodrigo Gomez
Producer: Rafaela Kuznec, James Thorne
Editor: Ed Rius
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Cómo PASAR tu EXAMEN de MANEJO!!! (U.S.A.)
Finalmente terminamos este video para el examen de conducir en USA. Estos son muchas de las situaciones y preguntas comunes que tendrán en el examen. En este video te vamos a enseñar cómo pasar tu examen de manejo de los Estados Unidos para que te den tu licencia de conducir.. Aunque no vivas en los Estados Unidos esto tiene mucho vocabulario para aprender inglés. Aparte de eso el examen práctico de manejo en USA no es tan difícil si entiendes un poco de Inglés. Estas son de las cosas en inglés que te van a pedir que hagas cuando hagas tu examen para el examen de la licencia de conducir en los Estados Unidos;
put your seat belt on,
go ahead and start the car when you're ready,
When you're ready go ahead and pull out of the parking lot,
when you come to the stop sign just go straight,
just stay straight on this road until the next intersection,
go ahead and perform a three point turn,
yield,
take a left for me, turn left,
turn right at the stop sign, turn right,
when I tell you to, come to a complete stop, stop,
continue,
now take us to the highway,
when you're clear get on your right lane,
pull into this parking lot at the left,
now park the car,
now reverse, put the car in reverse,
pull out of the parking lot,
do a parallel park for me,
back up until I tell you to stop,
put the car in park,
drive, neutral, park
Que le sea de mucha ayuda y no se le olvide recomendar mi canal con todos sus amistades.
Para ordenar mi curso vaya a mi sitio OFICIAL
Si está listo para ordenar apóyeme y vaya a mi sitio
Oficial. Esta es la página oficial del curso
de Inglés de Daniel Manzano
contacto:
inglesamericano101@gmail.com
How to Pass Your Driving Road Test | Driving Lessons
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So what I want to do today is give you a good understanding of what to expect on a driver's road test, and give you some tips on how to pass the test.
And the test is basically a series of turns, some rights, and some lefts, and then two maneuvers, a broken U-turn, and parallel parking.
So for the right turn, where we'll start, the basic idea for the right turn is that you're going to have your car over to the right side of the lane that you're on and you're going to make sure you make the turn into the right lane of the street that you're going onto. Pretty much no guesswork in a right turn. It's always the same, from right to right at all times. Right lane to right lane.
The left turn is a lot trickier. And the left turn is the one that may get you on that road test. And the reason for the left turn being trickier is because you've got some decisions to make on the left. Do I make the turn into this lane or that lane? That will be determined whether or not that's a one-way or a two-way street. So you're ability to recognize that will be crucial on your road test.
What are some of the ways you can tell? A one-way street typically will have a sign on either corner. If you see a sign it's usually a one-way. It'll have an arrow on it. Therefore, the rule of thumb on the turns being closest to the available lane, if you see the one-way sign, the turn has to go into the left lane. If the street doesn't have a sign and it has a line down the middle, you can tell by the color of the line whether or not it's a one-way or a two-way. A white line would indicate one-way street. Again, you'll make your turn onto the left side. A yellow line indicates a two-way street, which means that you've got to make the turn out to the right side of the street.
The most difficult one will be the street that doesn't have the line on it. The way you can tell on a street like that, look for the direction of the parked cars. If they're parked in opposite directions, that's going to indicate a two-way street. Remember your rule of thumb, you choose the closest available lane, and you're going to swing out to the right. This is the turn that typically tricks people the most on the road test.
Your two maneuvers are a parking, and a broken U-turn. Broken U-turn real simple, you just pull over against the curb on the right, put your indicator on. The whole idea is to take your car from the right side here, bring it across to the other side, then you're going to back up, and then you're going to go back the same way you came on that roadway.
My tip for this is when you're doing the backing part, you don't want to back up all the way to the other curb, because usually when you do that you come out on the wrong side of the street.
The other maneuver is the parallel parking. Don't worry so much about it. You get a big space to park, and as long as you look back and go back slowly, it shouldn't be a problem for you.
And that's it. That's your road test. Usually six turns, three rights, three lefts, a park, a broken U-turn, and it's over in about 10 minutes.
Good Luck.
HTML video tutorial - 45 - html image map
HTML video tutorial - 45 - html image map
HTML Image map :
How to create more than one hyperlinks on an image?
How to create more than one hyper areas on an image?
How to create more than one hot spots on an image?
html map tag: is a paired tag, used to create a map for an image.
attributes:
name = name of the map used by img tag
area tag: is an unpaired tag, it is a child tag of map tag.
attributes:
shape=rect/circle/poly
coords=x,y,x+width,y+height / centerx,centery,radius
href=file to navigate
img tag: is an unpaired tag.
attributes:
src=source image file path
usemap=#name of map tag
Note: don't forget use of # symbol and don't change the size of image.
You can change the position of image.
=========================================
Follow the link for next video:
HTML video tutorial - 46 - html form tag
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HTML video tutorial - 44 - html link to email address
======= HTML Questions & Answers ==========
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The Dirty Secrets of George Bush
A number of allegations have been written about several investigations that have taken place related to the Mena Airport as a CIA drop point in large scale cocaine trafficking beginning in the latter part of the 1980s. More from the author:
The topic has received some press coverage that has included allegations of awareness, participation and/or coverup involvement of figures such as future presidents Bill Clinton, George H. W. Bush, and George W. Bush, as well future Florida Governor Jeb Bush and Saline County prosecutor Dan Harmon (who was convicted of numerous felonies including drug and racketeering charges in 1997). The Mena airport was also associated with Adler Berriman (Barry) Seal, an American drug smuggler and aircraft pilot who flew covert flights for the CIA and the Medellín Cartel.
A criminal investigator from the Arkansas State Police, Russell Welch, who was assigned to investigate Mena airport claimed that he opened a letter which released electrostatically charged Anthrax spores in his face, and that he had his life saved after a prompt diagnosis by a doctor. He also claimed that later, his doctor's office was vandalized, robbed, and test results and correspondence with the CDC in Atlanta were stolen,
An investigation by the CIA's inspector general concluded that the CIA had no involvement in or knowledge of any illegal activities that may have occurred in Mena. The report said that the agency had conducted a training exercise at the airport in partnership with another Federal agency and that companies located at the airport had performed routine aviation-related services on equipment owned by the CIA.
LIVE Painting an Acrylic Landscape with Spoons & Palette Knives Impasto Art Technique Demonstration
Come join professional artist Dena Tollefson in her art studio! This fun, relaxing video is a great way to unwind and increase your creativity. Today's video is in acrylic as she paints a new Tree Series painting in acrylic paint.
Tollefson uses palette knives and spoons in the art technique she developed in 2000 called Daubism. The painting method leaves cupped marks of paint on the canvas which create a hybrid between low relief sculpture, traditional impasto painting, and mosaic. This casual view into her studio includes topics of mixing paint, warm vs cool colors, how to use a gray scale and how to mix paint colors based on the gray scale.
Tollefson is known for deep, vibrant colors in her signature painting technique.
Find Dena Tollefson's favorite art supplies at
As an Amazon Influencer, Tollefson receives compensation at no additional cost to you.
My technique can be done in either oil paint and acrylic paint.
Tollefson uses both palette knives and spoons to paint 3D, touchable, textured works of art on canvas.
Be sure to subscribe to her channel for more painting tips.
Learn more at her website
Tollefson is a Christian and her artwork is positive message, uplifting and healing. Collectors use her paintings for meditation, calming, and healing thought.
Artist’s Statement: I am a Colorist and am known for contemporary realism focusing on botanicals and landscapes, especially ponds, flowers and skies. My sky paintings are my idea of how God created Earth with one breath. Every morning and every evening He creates a new sky for us.
I employ vigorous brushwork and texture through the palette knife in my work so that people may experience along with me the feel of the painting. I find mosaics fascinating how the individual pieces all contribute to the whole- I want my paintings to have a similar idea where overlapping petals of paint all stand on their own and then contribute to the total.
My work known as Daubism is created using a palette knife where each stroke of color is isolated from the others. Most paintings will have hundreds of different colors, these colors are all individually hand-mixed from a limited set of colors creating unique colors which relate to one another. I am striving for a sensual, tactile surface in paint.
I am always excited when someone connects with my artwork- I am delighted to share a vision of color and beauty with my collectors- Dena Tollefson
Dena Tollefson is an American artist whose bold contemporary paintings focus on joyful use of color, texture and movement, creating a low relief effect in paint- a hybrid between low relief sculpture, mosaic, and traditional painting.
She is known for floral painting, especially how to paint sunflowers.
Dena Tollefson (nee Dena Schaefer), born 1965, is a full-time, professional artist. Tollefson graduated from Iowa State University in 1988 and lived in Dallas Texas before returning to Iowa in 1991 where she developed her unique, highly textured painting style. She lives in Cedar Rapids, Iowa with her husband and family.
Tollefson is represented in galleries nationally in New Mexico, California, Iowa, Wisconsin and Illinois.
Her Daubism body of work is a unique process she developed, where daubs of individually mixed paint are applied with a palette knife. The largest daubs are applied with a serving spoon, allowing ridges of paint which catch the light and appear to dance and scintillate as the viewer moves past the painting. Tollefson’s work focuses on botanicals, ponds, skies, and her Corn Series of work, biographies where people are depicted as ears of corn. Her work is highly tactile.
Museum, Corporate & Selected Private Collections
Cedar Rapids Museum of Art, Cedar Rapids, IA.
Farm Credit Services Omaha, NE
Terso Solutions Corporation Madison, WI
Iowa Department of Human Services, Cedar Rapids, IA
Genesis Hospital, Davenport, IA
Monsanto Corporation St Louis, MO
Ronald McDonald Facility/Unity Point Health Cedar Rapids, IA
Ruberry, Stalmack and Garvey Law Firm Chicago, IL
Marion Arts Council Marion, IA
Mercy Hospital Cedar Rapids, IA
PCI Cardiologists Inc., Cedar Rapids, Iowa
St Luke’s Hospice Cedar Rapids, IA
StarcomMediaVest CEO, Chicago, IL
St Luke’s hospital, Cedar Rapids, IA.
United Fire and Casualty Owner, Cedar Rapids, IA
Mableton Bank, Mabelton, GA
Lil’ Drug Stores CEO, Scottsdale, AZ
Two of Dena Tollefson's paintings are in the permanent collection of the Cedar Rapids Museum of Art. Her work hangs publicly and in private collections throughout the world.
History of American newspapers | Wikipedia audio article
This is an audio version of the Wikipedia Article:
History of American newspapers
Listening is a more natural way of learning, when compared to reading. Written language only began at around 3200 BC, but spoken language has existed long ago.
Learning by listening is a great way to:
- increases imagination and understanding
- improves your listening skills
- improves your own spoken accent
- learn while on the move
- reduce eye strain
Now learn the vast amount of general knowledge available on Wikipedia through audio (audio article). You could even learn subconsciously by playing the audio while you are sleeping! If you are planning to listen a lot, you could try using a bone conduction headphone, or a standard speaker instead of an earphone.
You can find other Wikipedia audio articles too at:
You can upload your own Wikipedia articles through:
The only true wisdom is in knowing you know nothing.
- Socrates
SUMMARY
=======
The history of American newspapers begins in the early 18th century with the publication of the first colonial newspapers. American newspapers began as modest affairs—a sideline for printers. They became a political force in the campaign for American independence. Following independence the first article of U.S. Constitution guaranteed freedom of the press. The U.S. Postal Service Act of 1792 provided substantial subsidies: Newspapers were delivered up to 100 miles for a penny and beyond for 1.5 cents, when first class postage ranged from six cents to a quarter.
The American press grew rapidly during the First Party System (1790s-1810s) when both parties sponsored papers to reach their loyal partisans. From the 1830s onward, the Penny press began to play a major role in American journalism. Technological advancements such as the telegraph and faster printing presses in the 1840s also helped to expand the press of the nation as it experienced rapid economic and demographic growth. Editors typically became the local party spokesman, and hard-hitting editorials were widely reprinted.
By 1900 major newspapers had become profitable powerhouses of advocacy, muckraking and sensationalism, along with serious, and objective news-gathering. During the early 20th century, prior to rise of television, the average American read several newspapers per-day. Starting in the 1920s changes in technology again morphed the nature of American journalism as radio and later, television, began to play increasingly important competitive roles.
In the late 20th century, much of American journalism became housed in big media chains. With the coming of digital journalism in the 21st century, all newspapers faced a business crisis as readers turned to the Internet for sources and advertisers followed them.
Varsity Quiz 2017 Episode: 11 - Championship Season Final Match
The championship match of the 48th season of Varsity Quiz between Clark and Coronado. Learn more:
VARQUI0111HDBA
You Bet Your Life: Secret Word - Door / Paper / Fire
Julius Henry Groucho Marx (October 2, 1890 -- August 19, 1977) was an American comedian and film and television star. He is known as a master of quick wit and widely considered one of the best comedians of the modern era. His rapid-fire, often impromptu delivery of innuendo-laden patter earned him many admirers and imitators. He made 13 feature films with his siblings the Marx Brothers, of whom he was the third-born. He also had a successful solo career, most notably as the host of the radio and television game show You Bet Your Life. His distinctive appearance, carried over from his days in vaudeville, included quirks such as an exaggerated stooped posture, glasses, cigar, and a thick greasepaint mustache and eyebrows. These exaggerated features resulted in the creation of one of the world's most ubiquitous and recognizable novelty disguises, known as Groucho glasses, a one-piece mask consisting of horn-rimmed glasses, large plastic nose, bushy eyebrows and mustache.
Groucho Marx was, and is, the most recognizable and well-known of the Marx Brothers. Groucho-like characters and references have appeared in popular culture both during and after his life, some aimed at audiences who may never have seen a Marx Brothers movie. Groucho's trademark eye glasses, nose, mustache, and cigar have become icons of comedy—glasses with fake noses and mustaches (referred to as Groucho glasses, nose-glasses, and other names) are sold by novelty and costume shops around the world.
Nat Perrin, close friend of Groucho Marx and writer of several Marx Brothers films, inspired John Astin's portrayal of Gomez Addams on the 1960s TV series The Addams Family with similarly thick mustache, eyebrows, sardonic remarks, backward logic, and ever-present cigar (pulled from his breast pocket already lit).
Alan Alda often vamped in the manner of Groucho on M*A*S*H. In one episode, Yankee Doodle Doctor, Hawkeye and Trapper put on a Marx Brothers act at the 4077, with Hawkeye playing Groucho and Trapper playing Harpo. In three other episodes, a character appeared who was named Captain Calvin Spalding (played by Loudon Wainwright III). Groucho's character in Animal Crackers was Captain Geoffrey T. Spaulding.
On many occasions, on the 1970s television sitcom All In The Family, Michael Stivic (Rob Reiner), would briefly imitate Groucho Marx and his mannerisms.
Two albums by British rock band Queen, A Night at the Opera (1975) and A Day at the Races (1976), are named after Marx Brothers films. In March 1977, Groucho invited Queen to visit him in his Los Angeles home; there they performed '39 a capella. A long-running ad campaign for Vlasic Pickles features an animated stork that imitates Groucho's mannerisms and voice. On the famous Hollywood Sign in California, one of the Os is dedicated to Groucho. Alice Cooper contributed over $27,000 to remodel the sign, in memory of his friend.
In 1982, Gabe Kaplan portrayed Marx in the film Groucho, in a one-man stage production. He also imitated Marx occasionally on his previous TV sitcom Welcome Back, Kotter.
Actor Frank Ferrante has performed as Groucho Marx on stage for more than two decades. He continues to tour under rights granted by the Marx family in a one-man show entitled An Evening With Groucho in theaters throughout the United States and Canada with piano accompanist Jim Furmston. In the late 1980s Ferrante starred as Groucho in the off-Broadway and London show Groucho: A Life in Revue penned by Groucho's son Arthur. Ferrante portrayed the comedian from age 15 to 85. The show was later filmed for PBS in 2001. Woody Allen's 1996 musical Everyone Says I Love You, in addition to being named for one of Groucho's signature songs, ends with a Groucho-themed New Year's Eve party in Paris, which some of the stars, including Allen and Goldie Hawn, attend in full Groucho costume. The highlight of the scene is an ensemble song-and-dance performance of Hooray for Captain Spaulding—done entirely in French.
In the last of the Tintin comics, Tintin and the Picaros, a balloon shaped like the face of Groucho could be seen in the Annual Carnival.
In the Italian horror comic Dylan Dog, the protagonist's sidekick is a Groucho impersonator whose character became his permanent personality.
The BBC remade the radio sitcom Flywheel, Shyster and Flywheel, with contemporary actors playing the parts of the original cast. The series was repeated on digital radio station BBC7. Scottish playwright Louise Oliver wrote a play named Waiting For Groucho about Chico and Harpo waiting for Groucho to turn up for the filming of their last project together. This was performed by Glasgow theatre company Rhymes with Purple Productions at the Edinburgh Fringe and in Glasgow and Hamilton in 2007-08. Groucho was played by Scottish actor Frodo McDaniel.
Dragnet: Big Escape / Big Man Part 1 / Big Man Part 2
Dragnet is a radio and television crime drama about the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name from an actual police term, a dragnet, meaning a system of coordinated measures for apprehending criminals or suspects.
Dragnet debuted inauspiciously. The first several months were bumpy, as Webb and company worked out the program's format and eventually became comfortable with their characters (Friday was originally portrayed as more brash and forceful than his later usually relaxed demeanor). Gradually, Friday's deadpan, fast-talking persona emerged, described by John Dunning as a cop's cop, tough but not hard, conservative but caring. (Dunning, 210) Friday's first partner was Sergeant Ben Romero, portrayed by Barton Yarborough, a longtime radio actor. After Yarborough's death in 1951 (and therefore Romero's, who also died of a heart attack, as acknowledged on the December 27, 1951 episode The Big Sorrow), Friday was partnered with Sergeant Ed Jacobs (December 27, 1951 - April 10, 1952, subsequently transferred to the Police Academy as an instructor), played by Barney Phillips; Officer Bill Lockwood (Ben Romero's nephew, April 17, 1952 - May 8, 1952), played by Martin Milner (with Ken Peters taking the role for the June 12, 1952 episode The Big Donation); and finally Frank Smith, played first by Herb Ellis (1952), then Ben Alexander (September 21, 1952-1959). Raymond Burr was on board to play the Chief of Detectives. When Dragnet hit its stride, it became one of radio's top-rated shows.
Webb insisted on realism in every aspect of the show. The dialogue was clipped, understated and sparse, influenced by the hardboiled school of crime fiction. Scripts were fast moving but didn't seem rushed. Every aspect of police work was chronicled, step by step: From patrols and paperwork, to crime scene investigation, lab work and questioning witnesses or suspects. The detectives' personal lives were mentioned but rarely took center stage. (Friday was a bachelor who lived with his mother; Romero, a Mexican-American from Texas, was an ever fretful husband and father.) Underplaying is still acting, Webb told Time. We try to make it as real as a guy pouring a cup of coffee. (Dunning, 209) Los Angeles police chiefs C.B. Horrall, William A. Worton, and (later) William H. Parker were credited as consultants, and many police officers were fans.
Most of the later episodes were entitled The Big _____, where the key word denoted a person or thing in the plot. In numerous episodes, this would the principal suspect, victim, or physical target of the crime, but in others was often a seemingly inconsequential detail eventually revealed to be key evidence in solving the crime. For example, in The Big Streetcar the background noise of a passing streetcar helps to establish the location of a phone booth used by the suspect.
Throughout the series' radio years, one can find interesting glimpses of pre-renewal Downtown L.A., still full of working class residents and the cheap bars, cafes, hotels and boarding houses which served them. At the climax of the early episode James Vickers, the chase leads to the Subway Terminal Building, where the robber flees into one of the tunnels only to be killed by an oncoming train. Meanwhile, by contrast, in other episodes set in outlying areas, it is clear that the locations in question are far less built up than they are today. Today, the Imperial Highway, extending 40 miles east from El Segundo to Anaheim, is a heavily used boulevard lined almost entirely with low-rise commercial development. In an early Dragnet episode scenes along the Highway, at the road to San Pedro, clearly indicate that it still retained much the character of a country highway at that time.
The Great Gildersleeve: A Motor for Leroy's Bike / Katie Lee Visits / Bronco Wants to Build a Wall
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.