Japanese Art in Ginza, Tokyo #7 - Nishiaki-no-Oto
This performance combines elements of Japanese Buddhist rites, fashion, dance and calligraphy. The performance is called Nishiaki-no-Oto and was held at the Honganji Temple in Tokyo, Japan.
'Japanese Art in Ginza' gives a view into the art gallery world in Tokyo, Japan. It focusses on exhibitions and events at Galerie La and Salon de La, two galleries in Tokyo's famous gallery neighbourhood: Ginza.
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Created by: Vincent Ruijters (
Thanks to: Galerie La
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The Kimono ~ a Japanese weekend with Women of the World
Women of the World productions
Boston Kimono Weekend 2015
filmed by Essomba Pierre Martial
Women of the World hosted a Kimono Weekend in Boston! We invited our friends of all ages and communities to join us for a two-day exploration of beautiful Japanese traditions, including a Kimono wearing workshop, and an opportunity to perform with Women of the World at the Boston GreenFest event, all wearing traditional Kimono or Yukata.
womenoftheworldmusic.com
Women of the World
Annette Philip
Déborah Pierre
Giorgia Renosto
Ayumi Ueda
Keyboard ~ Hinako Sato
Guitar ~ Flávio Lira
Percussion ~ Patrick Simard, Takafumi Nikaido
Sponsors:
BostonGreenFest
Boston Children's Museum
Information Development Co.,Ltd.
Snappy Sushi
JREX-The Japanese Resource Exchange
Yume Wo Katare
Berklee College of Music
Special thanks to:
Seiko Kitagawa (Kitsuke professional/dancer)
北川聖子
japanesekimonodressing.weebly.com
Special guest:
Kento Itoh
伊藤研人
kentoitoh.com
Yukata Rental:
Boston Children's Museum
ボストン日本人会婦人部
Ara Mahar
Technical/logistical support:
Taiga Kunii
Juri Ify Love
Eishun Maki
Yukihiro Kanesaka
Akemi Chayama
Photo:
Tomikazu Karl Saegusa
Camera:
Essomba Pierre Martial
Tomikazu Karl Saegusa
John Caruso
Görkem Pak
Film director and editor
Essomba Pierre Martial
Executive producer
Ayumi Ueda
Music
Akishigure
Composed by Mina Kitajima
Performed by Ayumi Ueda
We are One Family
Theme song for World Museum Project
Composed by Annette Philip
Japanese lyrics, Ayumi Ueda
English lyrics, Deborah Pierre
Thank you to all the volunteers and participants who made this event possible
The Stele of Gwanggaeto the Great of Goguryeo
The Stele of Gwanggaeto the Great of Goguryeo
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The stele of Gwanggaeto the Great of Goguryeo was erected in 414 by Jangsu of Goguryeo as a memorial to his deceased father. It is one of the major primary sources extant for the history of Goguryeo, one of the Three Kingdoms of Korea, and supplies invaluable historical detail on his reign as well as insights into Goguryeo mythology. It stands near the tomb of Gwanggaeto in what is today the city of Ji'an along the Yalu River in present-day northeast China, which was the capital of Goguryeo at that time. It is carved out of a single mass of granite, stands nearly 7 meters tall and has a girth of almost 4 meters. The inscription is written exclusively in Classical Chinese and has 1802 characters. The stele has also become a focal point of varying national rivalries in East Asia manifested in the interpretations of the stele's inscription and the place of the Empire of Goguryeo in modern historical narratives. An exact replica of the Gwanggaeto Stele stands on the grounds of War Memorial of Seoul and the rubbed copies made in 1881 and 1883 are in the custody of China and the National Museum of Japan, respectively, testament to the stele's centrality in the history of Korea and part of Manchuria. The stele's location, in Ji'an in the northeastern Chinese province of Jilin, was key to its long neglect. Following the fall of Goguryeo in 668, and to a lesser extent the fall of its successor state Balhae in 926, the region drifted outside the sway of both Chinese and Korean geopolitics. Afterwards the region came under the control of numerous Manchurian states, notably the Jurchen and from the 16th century the Manchu. When the Manchu conquered China in 1644 and established their hegemony, they guarded their ancestral homeland in Manchuria, prohibiting movement there by any non-Manchu peoples. This seclusion came to an end at the end of the 19th century, when the region was opened up for Han Chinese emigration. Manchuria thereafter became the coveted prize of vying regional powers, notably Russia and Japan for its rich natural resources and strategic location. The opening up of Manchuria also resulted in the influx of Chinese and Japanese scholars, the latter often supplemented by Japanese spies traveling incognito to spy the region's fortifications and natural layout, prescient of a future of increased international rivalry. In the late 19th century many new arrivals to the region around Ji'an began making use of the many bricks and baked tiles that could be found in the region to build new dwellings. The curious inscriptions on some of these tiles soon reached the ears of Chinese scholars and epigraphers. Many were found to bear an inscription in ancient Chinese script reading: May the mausoleum of the Great King be secure like a mountain and firm like a peak. It was around 1875 that an amateur Chinese epigrapher Guan Yueshan, scrounging for more samples of such tiles around Ji'an, discovered the mammoth stone stele of Gwanggaeto obscured under centuries of mud and overgrowth. The clearing away of the stele's face invariably led to the damaging of its engraved text. Almost every inch of the stele's four sides were found to be covered with Chinese characters (nearly 1800 in total), each about the size of a grown man's hand. The discovery soon attracted scholars from Japan, Russia, and France. In 1883 a young Japanese officer named Sakō Kageaki traveling in the guise of an itinerant Buddhist monk arrived in Ji'an. Sakō had been ordered from his last post in Beijing to proceed back to Japan via Manchuria and to make detailed observations there of the region's layout. It was while traveling through Liaoning that he apparently heard of the stele's recent discovery and managed to procure an ink rubbing of the stele's face to carry back to his homeland. It was scholars in Japan who were to make the first detailed analysis of the stele's ancient text.
The inscription of the stele can be found in some of the sites listed below.
For more information, you can visit:
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