Veria Archaeological Museum in Macedonia, Greece
Veria Archaeological Museum
The museum includes collections of Hellenistic and Roman sculpture (funerary reliefs, funerary and honorary altars, portraits, table supports, statues) from the city of Veroia and other sites of the district, Hellenistic pottery and figurines from the cemeteries of Veroia, Hellenistic and Roman architectural parts (columns, bases, capitals etc.) exhibited in the courtyard, inscriptions from Veroia and the adjacent areas.
The most important exhibits of the museum are:
Red-figure bell crater (Kertsch style). The front view bears a representation of the iconographic cycle of Aphrodite and Dionysos. Dated to the middle of the 4th century BC.
Bronze hydria-calpis used as a funerary urn in a cist-grave at Veroia. Dated to 370-360 BC.
Medusa head. Large head of the mythical Medusa, which was attached to the north-east gate of the fortification walls of Veroia. It was an apotropaic symbol, used to discourage and frighten the city attackers. Dated to the first half of the 2nd century BC.
Funerary stele of Paterinos. Tall, palmette relief stele depicting the dead Paterinos, son of Antigonos, standing in the middle of the panel. It is a good specimen of the local sculpture workshop, dated to the end of the 2nd century BC.
Gold jewellery from a female burial. Pair of gold earrings, a gold ring and a necklace made of gold and cornelian rings. Dated to the 2nd century BC.
Law concerning the Gymnasium. A remarkable inscription recording the rules of the Gymnasium of Veroia. The preserved text refers to the obligations of the youths practicing in the Gymnasium. Dated to the first half of the 2nd century BC.
Bust of Olganos from Kopanos, near Naoussa. Protome of the river-god Olganos, son of the mythical Veretos and brother of Mieza and Veroia. This elegant statue is dated to the second half of the 2nd century AD.
Marble table support (trapezophoron). It bears the relief representation of Zeus, transformed into an eagle, abducting Ganymedes. Dated to the 2nd century AD.
Archaeological Museum of Veria
The museum includes collections of Hellenistic and Roman sculpture (funerary reliefs, funerary and honorary altars, portraits, table supports, statues) from the city of Veroia and other sites of the district, Hellenistic pottery and figurines from the cemeteries of Veroia, Hellenistic and Roman architectural parts (columns, bases, capitals etc.) exhibited in the courtyard, inscriptions from Veroia and the adjacent areas.
The most important exhibits of the museum are:
Red-figure bell crater (Kertsch style). The front view bears a representation of the iconographic cycle of Aphrodite and Dionysos. Dated to the middle of the 4th century BC.
Bronze hydria-calpis used as a funerary urn in a cist-grave at Veroia. Dated to 370-360 BC.
Medusa head. Large head of the mythical Medusa, which was attached to the north-east gate of the fortification walls of Veroia. It was an apotropaic symbol, used to discourage and frighten the city attackers. Dated to the first half of the 2nd century BC.
Funerary stele of Paterinos. Tall, palmette relief stele depicting the dead Paterinos, son of Antigonos, standing in the middle of the panel. It is a good specimen of the local sculpture workshop, dated to the end of the 2nd century BC.
Gold jewellery from a female burial. Pair of gold earrings, a gold ring and a necklace made of gold and cornelian rings. Dated to the 2nd century BC.
Law concerning the Gymnasium. A remarkable inscription recording the rules of the Gymnasium of Veroia. The preserved text refers to the obligations of the youths practicing in the Gymnasium. Dated to the first half of the 2nd century BC.
Bust of Olganos from Kopanos, near Naoussa. Protome of the river-god Olganos, son of the mythical Veretos and brother of Mieza and Veroia. This elegant statue is dated to the second half of the 2nd century AD.
Marble table support (trapezophoron). It bears the relief representation of Zeus, transformed into an eagle, abducting Ganymedes. Dated to the 2nd century AD.
Αρχαιολογικό Μουσείο Βέροιας / Archaeological Museum of Veria, Greece
Το αρχαιολογικό Μουσείο της Βέροιας φιλοξενεί ευρήματα από αρχαιολογικούς χώρους του νομού Ημαθίας που χρονολογούνται στους ελληνιστικούς και ρωμαϊκούς χρόνους. Η εικόνα όμως αυτή δεν είναι αντιπροσωπευτική, καθώς στις αποθήκες υπάρχει πλήθος σημαντικών ευρημάτων και από τους προϊστορικούς χρόνους (π.χ. Νέα Νικομήδεια), αλλά και από την εποχή του Σιδήρου (Νεκροταφείο Τύμβων Βεργίνας). Στον κήπο επίσης του Μουσείου υπάρχει μεγάλος αριθμός επιτύμβιων και τιμητικών βωμών, καθώς και διαφόρων τύπων επιγραφές. Σημαντικότερο έκθεμα του Μουσείου έιναι η επιγραφή με το Γυμνασιαρχικό Νόμο της Βέροιας (κανονιστικό κείμενο της λειτουργίας του Γυμνασίου της αρχαίας πόλης).
Το κτίριο του Μουσείου είναι ισόγειο και περιλαμβάνει τρεις αίθουσες εκθεμάτων. Στην πρώτη εκτίθενται ευρήματα από ταφικά σύνολα των ελληνιστικών χρόνων (αγγεία, όπλα, κοσμήματα) και μια μακέτα θαλαμωτού τάφου της Βέροιας. Η δεύτερη αίθουσα περιλαμβάνει γλυπτά, επιγραφές, αγγεία και ειδώλια των ελληνιστικών χρόνων, ενώ η τρίτη γλυπτά έργα, πορτραίτα, ειδώλια και κοσμήματα της ρωμαϊκής περιόδου.
Το Μουσείο υπάγεται υπηρεσιακά στην Εφορεία Αρχαιοτήτων Ημαθίας και κατά το παρελθόν οργάνωσε πολιτιστική εκδήλωση με έργα ζωγραφικής, σε συνεργασία με την Πολιτιστική Επιχείρηση του Δήμου Βέροιας (Ιούνιος 1999).
Discover Veria
Discover Veria
The land of culture and religion
Veria: 2500 years of History
Built on the foothills of Mt Vermion and surrounded to the northeast by the Pieria Mountains and the River Aliakmonas, Veria is widely known for its rich, long history. Here is Vergina (Aigai), an archaeological site designated as a World Heritage Site by UNESCO, the first capital of the Macedonian Kingdom, the place where Alexander the Great was crowned King and began his legendary campaign that united people and cultures.
Here stands the Tribune of Apostle Paul, “a global monument of religious heritage”, the place where 2000 years ago the Apostle of Nations conveyed the message of Jesus to the people of Veria. Additionally, 48 Byzantine and post-Byzantine churches, Ottoman religious monuments and the oldest Jewish Synagogue in Northern Greece are well preserved, proof that the city was an important religious crossroad from ancient times until today.
Apart from the monuments and attractions, visitors have the opportunity to experience a vibrant and dynamic city and taste the local cuisine, with influences from Asia Minor, Vlachs and Black Sea tradition, combined with the intoxicating “tsipouro” and regional wines and juicy syrupy sweets such as the famous local Revani. Nature, history and gastronomy become one in Veria, offering a unique experience to the visitor.
Veria of Imathia The City
Veria of Imathia The City
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Veria (Greek: Βέροια or Βέρροια), officially transliterated Veroia, historically also spelled Berea, is a city in Macedonia, northern Greece, located 511 kilometres (318 miles) north-northwest of the capital Athens and 73 km (45 mi) west-southwest of Thessalonica.
Even by the standards of Greece, Veria is an old city; first mentioned in the writings of Thucydides in 432 BC, there is evidence that it was populated as early as 1000 BC.[2] Veria was an important possession for Philip II of Macedon (father of Alexander the Great) and later for the Romans. Apostle Paul famously preached in the city, and its inhabitants were among the first Christians in the Empire. Later, under the Byzantine and Ottoman empires, Veria was a center of Greek culture and learning. Today Veria is a commercial center of Central Macedonia, the capital of the regional unit of Imathia and the seat of a Church of Greece Metropolitan bishop in the Ecumenical Patriarchate as well as a Latin Catholic titular see.
Byzantine Veria
Resurrection of Christ Byzantine church
Crucifixion fresco (1315) by Georgios Kalliergis in the Resurrection of Christ church
Saint Patapius
Under the Byzantine Empire Berrhoea continued to grow and prosper, developing a large and well-educated commercial class (Greek and Jewish) and becoming a center of medieval Greek learning; signs of this prosperity are reflected in the many Byzantine churches that were built at this time, during which it was a Christian bishopric (see below).
Byzantine museum
In the 7th century, the Slavic tribe of the Drougoubitai raided the lowlands below the city, while in the late 8th century Empress Irene of Athens is said to have rebuilt and expanded the city and named it Irenopolis (Ειρηνούπολις) after herself, although some sources place this Berrhoea-Irenopolis further east, towards Thrace.[5]
The city was apparently held by the Bulgarian Empire at some point in the late 9th century. The 11th century Greek bishop Theophylact of Ohrid wrote that during the brief period of Bulgarian dominance, Tsar Boris I built there one of the seven cathedral churches built by him and refers to it as one of the beautiful Bulgarian churches.[6] In the Escorial Taktikon of ca. 975, the city is mentioned as the seat of a strategos, and it apparently was the capital of a theme in the 11th century.[5] The city briefly fell to Tsar Samuel of Bulgaria at the end of the 10th century, but the Byzantine emperor Basil II quickly regained it in 1001 since its Bulgarian governor, Dobromir, surrendered the city without a fight.[5] The city is not mentioned again until the late 12th century, when it was briefly held by the Normans (1185) during their invasion of the Byzantine Empire.[5] After the Fourth Crusade (1204), it briefly became part of Boniface of Montferrat's Kingdom of Thessalonica, until the latter was conquered by the Despotate of Epirus in 1224. It changed hands again in 1246, being taken by the Emperor of Nicaea John III Doukas Vatatzes, and formed part of the restored Byzantine Empire after 1261.[5]
The 14th century was tumultuous: captured by the Serbian ruler Stephen Dushan in 1343/4, it became part of his Serbian Empire. It was recovered for Byzantium by John VI Kantakouzenos in 1350, but lost again to the Serbians soon after, becoming the domain of Radoslav Hlapen after 1358.[5] With the disintegration of the Serbian Empire, it passed once more to Byzantium by ca. 1375, but was henceforth menaced by the rising power of the Ottoman Turks. The city changed hands several times over the next decades, until the final Turkish conquest around 1430.[5]
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Ulysses & Useless - Famous Ouzo Table Dance (PART 2)
Ulysses & Useless - Famous Ouzo Table Dance (PART 2)
old veria
Δημιούργησα αυτό το βίντεο με το YouTube Slideshow Creator (
Veria - play tour Video by Greecevirtual
Veria City
Veria (officially transliterated as Veroia, historically Beroea, is a city in northern Greece. Located 511 km (317 mi) north-northwest of the capital Athens and 73 km (45 mi) west-southwest of Thessaloniki, Veria is a commercial center of Central Macedonia, the capital of the regional unit of Imathia and the seat of a metropolitan bishop of the Ecumenical Patriarchate and the Church of Greece. Veria is located at the eastern foot of the Vermio Mountain. It lies on a plateau at the western edge of the Central Macedonia plain, north of the Haliacmon River. The town straddles the Tripotamos (river), a Haliacmon tributary that provides hydroelectric power to the national electric power transmission network and irrigation water to agricultural customers of the Veria plain.
...πριν την έκθεση...
Έκθεση Φωτογραφίας
Μνήμης Αποτύπωση (πλάθοντας μορφές με ένα κλικ).
Στο Αρχαιολογικό Μουσείο Βέροιας
από 18 Μαίου 2015.
Κάμερα, επεξεργασία: Φρη Ράιντερ
Φωτογραφική Ομάδα Βέροιας Αντίθεσις
και Εφορεία Αρχαιοτήτων Ημαθίας.
Greece, Mount Olympus, Vergina, Veria, Edessa, Pella, Macedonia - Edited by Carmine Salituro
Journey into the historic, archaeological and natural sites most incredible of Macedonia.
Viaggio nei siti storici, archeologici e naturalistici più incredibili della Macedonia.
Υποδοχή της ομάδας μας στην Βέροια / Reception of our team at Veria
Δείτε το video με την «θερμή» υποδοχή στην πρωτεύουσα της Ημαθίας για την αποστολή του Ολυμπιακού, από τη Σχολή Βέροιας και φιλάθλους της πόλης!
Βεργίνα/Vergina - Μακεδονία/Makedonia/Makedonien/Macedoine/Macedonia (Ελλάς/Griechenland/Greece)
Vergina (Greek: Βεργίνα) is a small town in northern Greece, located in the regional unit of Imathia, Central Macedonia. Since the 2011 local government reform it is part of the municipality Veroia, of which it is a municipal unit.The town became internationally famous in 1977, when the Greek archaeologist Manolis Andronikos unearthed the burial site of the kings of Macedon, including the tomb of Philip II, father of Alexander the Great. The finds established the site as the ancient Aigai (Greek: Αἰγαί).
ΑΡΧΑΙΟΛΟΓΙΚΟ ΜΟΥΣΕΙΟ ΒΕΡΟΙΑΣ ΣΥΝΕΧΕΙΑ.
Περιγραφή
Ulysses & Useless - Famous Ouzo Table Dance (PART 1)
Ulysses & Useless - Famous Ouzo Table Dance (PART 1)
Βέροια - Η Ανάδυση μιας Αρχαίας Πολιτείας
Βέροια - Η Ανάδυση μιας Αρχαίας Πολιτείας.
Ένα επιστημονικό ντοκυμανταίρ για την προβολή των δραστηριοτήτων του Ινστιτούτου Ελληνικής και Ρωμαϊκής Αρχαιότητας (ΚΕΡΑ/ΕΙΕ).
Παραγωγή: Εθνικό Ίδρυμα Ερευνών, 1996.
Σκηνοθ.: Ν. Γραμματικόπουλος [Διάρκεια: 36΄]
Επίσημη ιστοσελίδα:
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Beroia: The emergence of an ancient city. (IGRA/NHRF)
Directed by N. Grammatikopoulos [Duration: 36’, 1997]
Πατρίδα Βέροιας Ημαθίας Κεντρική Μακεδονία Patrida Veria Imathia Central Macedonia Greece
Video from Greece
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Εκθέματα του Βυζαντινού και του Αρχαιολογικού Μουσείου Βέροιας
«Εκθέματα Βυζαντινού και Αρχαιολογικού Μουσείου Βέροιας»
Η πόλη της Βέροιας , ένα κόσμημα στα μονοπάτια της Ιστορίας, ένας τόπος ευλογημένος, ξεχωριστός στο σταυροδρόμι πολιτισμών της Μακεδονίας γεμάτος φυσικές ομορφιές και πολιτισμό, αιώνες τώρα, συνεχίζει να ανθίζει, να γοητεύει τον επισκέπτη, που επιθυμεί με τις ψυχαγωγικές πολιτιστικές του εξορμήσεις να μυείται συνεχώς στο Κάλλος, την Αρμονία στην έννοια της ιστορικότητας, ανθρώπων και μνημείων. Οι χριστιανικές - βυζαντινές εκκλησίες και τα λιθόστρωτα σοκάκια της «ταξιδεύουν» τον επισκέπτη σε άλλη εποχή. Ναι, υπάρχουν παντού εκκλησίες στη Βέροια, σε κάθε στενό, σε κάθε γειτονιά, για αυτό δικαιολογημένα χαρακτηρίστηκε ως «Μικρή Ιερουσαλήμ».
Το Βυζαντινό Μουσείο της Βέροιας στεγάζεται στον Μύλο του Μάρκου, ένα πρόσφατα ανακαινισμένο βιομηχανικό κτίριο των αρχών του αιώνα, το οποίο βρίσκεται στη γειτονιά της διατηρητέας συνοικίας της Κυριώτισσας. Το υλικό της μόνιμης έκθεσης περιλαμβάνει μέρος της πλούσιας συλλογής φορητών εικόνων, τοιχογραφίες από ναούς και κοσμικά κτίρια, ψηφιδωτά δάπεδα, χειρόγραφα και παλαίτυπα, έργα αγγειοπλαστικής και μικροτεχνίας, νομίσματα και ξυλόγλυπτα, ταφικά ευρήματα, αρχιτεκτονικά γλυπτά και μαρμάρινες επιγραφές.
Το αρχαιολογικό Μουσείο της Βέροιας φιλοξενεί ευρήματα από αρχαιολογικούς χώρους του νομού Ημαθίας που χρονολογούνται στους ελληνιστικούς και ρωμαϊκούς χρόνους.
Κολυμπήθρα και χωνευτήρι επιδρομέων, φύλων, σταυροδρόμι λαών και πολιτισμών, η Βέροια ενσωμάτωσε ήθη και έθιμα, παραδόσεις και θρησκείες στον καμβά ενός πλούσιου πολιτισμικού παρελθόντος. Μια πόλη κόσμημα στην οποία ο ταξιδιώτης μπορεί να ζήσει μοναδικές εμπειρίες και να επιστρέψει ξανά για να συνεχίσει να ζει το γοητευτικό του όνειρο.
Στη συνέχεια του πολιτιστικού μας δρομολογίου, οι δυο φιλόλογοι καθηγήτριες Ηλιάδη Αμαλία και Αγναντή Μαρία που σχεδιάσαμε και βιώσαμε αυτή την αξέχαστη πολιτιστική διαδρομή, άξια σήμερα νοσταλγικής αναπόλησης, ανηφορίσαμε στην αρχοντική Σιάτιστα. Η Σιάτιστα αν και κατέχει μια απομονωμένη θέση στη Δυτική Μακεδονία, αποτελεί, από το 1600 περίπου, ένα αξιόλογο βιοτεχνικό κέντρο και φτάνει να γνωρίσει κατά το 18ο και 19ο αιώνα τεράστια οικονομική ακμή, που υπέστη κάποια κάμψη στις αρχές του 19ου αιώνα.
Ακόμα, λοιπόν, και οι ιδιωτικές εκπαιδευτικές μας εξορμήσεις, ουσιαστικού περιπατητικού-περιηγητικού χαρακτήρα, μας εφοδιάζουν με πλήθος μορφωτικά ερεθίσματα και πάμπολλα κίνητρα μελέτης: Γιατί για ορισμένους εκπαιδευτικούς το επάγγελμα-λειτούργημά είναι ένα από τα πιο ικανοποιητικά, δημιουργικά και ενδιαφέροντα επαγγέλματα. Το γεγονός αυτό δεν έχει αναγνωρισθεί στις πραγματικές του διαστάσεις ακόμα και από τους ίδιους τους εκπαιδευτικούς. Γιατί οι εκπαιδευτικοί συνήθως δεν αντιμετωπίζουν τον εαυτό τους ως ενήλικες διανοούμενοι. Οι θέσεις και οι απόψεις τους που έχουν ως επίκεντρο τον εκπαιδευτικό τους ρόλο, συνήθως, πάσχουν από την πρακτική της καθημερινότητάς τους: ότι δηλαδή βιώνουν «λύσεις» εκπαιδευτικών προβλημάτων σε κοινωνικοπολιτικό και ιδεολογικό κενό, καθώς «αποσιωπούν», ως προς την πρακτική τους αξιοποίηση, τις κοινωνικές- διαπροσωπικές δημιουργικές-επιμορφωτικές σχέσεις στην κοινωνία και στο σχολείο, με αποτέλεσμα τα βιώματά τους να μην έχουν ουσιαστικό αντίκρισμα στις καθημερινές συνθήκες εργασίας και στο έργο τους και να μη δημιουργούν προϋποθέσεις για μετασχηματιστική παρέμβαση και αλλαγή.
Αμαλία Κ. Ηλιάδη-Αγναντή Μαρία
φιλόλογοι στο Μουσικό Σχολείο Τρικάλων
(Βλ. το σχετικό βίντεο-ταινιάκι της πολιτιστικής μας εξόρμησης: ).
Macedonia - the way to AEGAE - VERGINA techno
Vergina (Greek: Βεργίνα) is a small town in northern Greece, located in the regional unit of Imathia, Central Macedonia. Since the 2011 local government reform it is part of the municipality Veroia, of which it is a municipal unit.[2] The town became internationally famous in 1977, when the Greek archaeologist Manolis Andronikos unearthed the burial site of the kings of Macedon, including the tomb of Philip II, father of Alexander the Great. The finds established the site as the ancient Aigai (Greek: Αἰγαί).
The modern town of Vergina is about 13 km (8 mi) southeast of the district centre of Veroia and about 80 km (50 mi) southwest of Thessaloniki, the capital of Greek Macedonia. The town has a population of about two thousand people and stands on the foothills of Mount Pieria, at an elevation of 120 m (394 ft) above sea level.
Ancient Macedonia had two major centres that could be called capitals. The older was Aegae: the burial place of the kings of Macedonia, the site of the palace -- the world's first peristyle building -- and of the theatre where Philip II was assassinated, and where his son Alexander took over. However, in the 5th century a new capital was founded at Pella, 40 miles to the east, halfway between Aegae and modern Thessalonika.
The site of Pella has long been well known, but where was Aegae? In 1861, Léon Heuzey excavated his find outside Palatitsia but, unfortunately, misidentified the site's location in his notes. For a century archaeologists and historians were led astray. It was supposed that Aegae was at Edessa, a charming town on the edge of the hills and centred round a spectacular waterfall. The only trouble was that at Edessa remains from the Macedonian period are conspicuous by their absence.
Meanwhile, Vergina itself was changing -- or rather, coming into existence. In 1923, Greece wanted to bring the Greek cities of Asia Minor into its expanding state, provoking Turkey, under Kemal Atatürk, to intervene. Turkish forces roundly defeated the Greek army, the coast of Asia Minor became part of Turkey, and a massive exchange of populations followed. Many Greeks marooned in Turkey were resettled in Greece. A group from the Caucuses and Pontus area arrived in a new town -- the amalgamation of two small villages -- which was named Vergina. Sadly, the ruined palace was an attractive quarry for cut stone to build their new houses.
It was only in the 1960s that archaeologists began to realise that Vergina must be Aegae. The first to make the identification was the British historian N G L Hammond, a Cambridge classicist, former wartime secret operator and later headmaster of Clifton School. The young Robin Lane Fox, in his pioneering biography of Alexander the Great, agreed with him; as did Manolis Andronikos, the Greek archaeologist who was professor at the Aristotle University at Thessalonika. It was Andronikos who began exploring the great mound which, he argued, must surely be a royal burial place.
The site at Vergina is extensive, but can be divided into two parts.
ΕΚΠΤΩΣΕΙΣ ΒΕΡΟΙΑ 22/1/2015
Χωρίς αξιοσημείωτες διαφορές με την περσινή περίοδο
συνεχίζονται οι εκπτώσεις στη Βέροια, όπου παρά την πληθώρα
προϊόντων η κίνηση είναι υποτονική αν και όπως τονίζει η
πρόεδρος του εμπορικού συλλόγου υπάρχουν πολύ καλές τιμές.
Σύμφωνα με την ίδια κάτι άρχισε να κινείται μετά τις πρώτες
ημέρες.
OUZO READY? ONE SHOT: Vlogmas Day 12!
Yes exactly