ARoS Aarhus Kunstmuseum - Museum of Modern Art - Visit Aarhus Denmark
ARoS is the main art museum in Aarhus and one of the largest museums in Northern Europe with impressive monumental sculptures. On the roof of ARoS, you can move around 360 degrees. Its 150 meters long and you can have an amazing panoramic picture around the city.
ARoS Aarhus Kunstmuseum | allthegoodies.com
A visit to the modern art museum ARoS in Aarhus, Denmark. Great architecture and Olafur Eliasson's fantastic installation Your Rainbow Panorama at the roof.
A visit to ARoS (Aarhus, Denmark) The most visited art museum in Scandinavia! (June 2019)
More information about ARoS here
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Your rainbow panorama, ARoS, Aarhus, Denmark
ARoS Aarhus Kunstmuseum (UCEAP Denmark)
Aros Aarhus art Museum|Filipina Swedish Couple
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ARoS, Aarhus Museum of Modern Art, Denmark - A guided tour
ARoS Aarhus Museum of Modern Art is the only international art museum outside Copenhagen. It has a fantastic reputation in the art world and has recently hosted a six month long Edward Munch exhibition.
ARos is a must if you visit Denmark. The museum is situated in the center of Aarhus, the second larges city in Denmark.
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ARoS Aarhus Kunstmuseum
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ARoS Aarhus Kunstmuseum fylder 150 år
Vi var med til fødselsdagen på ARoS,hvor bl.a. borgmester Nicolai Wammen fra Århus holdt fødselsdags talen.
Fredrik Raddum om udstillingen Get Lost på ARoS Aarhus Kunstmuseum
Fredrik Raddums udstilling Get Lost på ARoS Aarhus Kunstmuseum er den norske kunstners første store udstilling i Danmark. Hans kunst beskrives som fræk, humoristisk og vedrørende med et samfundssatirisk bid. I videoen præsenterer Fredrik Raddum værkerne og de tanker, der ligger til grund for dem.
Christian Lemmerz @ ARoS Aarhus Kunstmuseum (Aarhus 2010)
Installation part of the Christian Lemmerz exhibition at ARoS Kunstmuseum during 2010.
Your Rainbow Panorama. ARoS Aarhus Kunstmuseum
Your Rainbow Panorama
Det unikke kunstværk af den dansk-islandske kunstner
Olafur Eliasson er etableret på taget af ARoS.
Gæsten kan bevæge sig rundt i kunstværket i et 150
meter langt forløb med 360º udsyn til byen, himlen
og horisonten. Den cirkulære rundgang er formet i
glas i hele lysets farvespektrum
CATCH16 ARoS Aarhus Kunstmuseum
Andreas Schulenburg fortæller om sin workshop til CATCH16 på ARoS Aarhus Kunstmuseum.
Film af Joanna Mikkelsen
ARoS Aarhus Art Museum ofw denmark
ARoS Aarhus Art Museum
Birds - Aros, Aarhus, Denmark - Noelia Mora Solvez
B I R D S
The songs of birds carry the sound of freedom. They are a thing of serenity. Composed as clear, pure and innocent melodies that chirp through even the darkest night. At least that seems to be the meaning of this phenomenon in popular culture. In Lennon/McCartney's classic Blackbird from 1968, the singing of the bird through the dead of night gives rise to images of freedom, resurrection and destiny. The white dove stands as an almost eternal symbol of peace. The American bald Eagle remains a kind of mascot for freedom, while in Disney, there is a long and wide history of birds with human traits serving as messengers or helpers, while always singing in beautiful voices. The bird as a cultural symbol mirrors its calm and peaceful nature: A free spirit, whose fragility is counterweighted by the serene beauty of its song. A song of peace, tranquility and beauty.
But if we shift our perspective only slightly, we get a different answer to the question of why the bird is really singing in the dead of night. Surely we, sitting on a bench in the park, are intrigued by the appealing voices of these small creatures, while for the birds themselves the message is of course fundamentally different:
“I'll rip your head off and eat your unborn children.”
And the most usual of suspects:
“Please have sex with me, please have sex with me, please have sex with me!”
The point here is however not that underneath the apparent beauty lies a brutal and honest truth – a harsh reality of some sort. But rather that the very foundation of beauty rests upon a certain kind of projection. It is not the bird's fault that we want it to be our symbol of freedom and serenity. But this relationship maybe tells us something crucial about heavily laden ideological ideas; that they are indeed in need of a certain external empty canvas that can defenselessly accommodate our fantasies to have them arise in the field of the Other, as if to give them the substantial reality they were lacking when they were merely ideas of our own.
This, perhaps, is the precise lack we are bringing with us into this room. The room of the birds. The lack encountered by a man in one of the old stories by the Greek essayist Plutarch, who, after plucking a nightingale and finding nothing to eat on what little body it had, proclaimed:
“Vox et praeterea nihil.”
“You are but a voice and nought else.”
Plutarch, Apophthegmata Laconica, 233a
Text by Anders Ruby
CATCH16 ARoS Aarhus Kunstmuseum
Sofie Hesselholdt fortæller om sin workshop på CATCH16 på ARoS Aarhus Kunstmuseum.
Film af Joanna Mikkelsen
ARoS Aarhus Kunstmuseum (2 part)
Marie Nipper - Overinspektør, ARoS Aarhus Kunstmuseum
Biblioteket for mig har altid været sådan en vidensbuffet. Marie Nipper havde som barn og helt ung lyst til at smage på alle retterne i den store vidensbuffet, som hun synes, biblioteket er. Hun slæbte bøger hjem, fordybede sig i alverdens emner og havde lyst til at vide noget om alting. Samtidig med at biblioteket åbnede døre til nye verdner, var biblioteket også med til at afgrænse og indkredse, hvad der skulle blive Marie Nippers fremtidige fag og karriere.
CATCH16 Junior Biennale ARoS Aarhus Kunstmuseum
By GoodJobStudios