Art Gallery of Uzbekistan

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Soviet avant-garde art from Uzbekistan exhibited in Moscow

(22 Apr 2017) LEADIN
A rare exhibition of Soviet avant-garde art from Uzbekistan has gone on display in Moscow.
The show contains many works collected by 1950s painter Igor Savitsky.
STORYLINE
A group of art fans take in Alexander Volkov's 'Brigade entering the field'.
It's one of 200 paintings from the Savitsky State Art Museum of Karakalpakstan to have gone on display at the Pushkin Museum in Moscow.
This rare travelling exhibit is from a gallery widely regarded as having one of the world's best Soviet avant-garde art.
Vladimir Lysenko's painted bull stares at the viewer with flat, black eyes, one of his horns festooned in a mosaic of bright rectangles, the tip of his tail stretched toward a glowing orange globe that may be the sun.
What he intended with this classic painting of the Soviet avant-garde is unknown; it is from an era when unconventional art was literally arresting. Lysenko was arrested in 1935 and what happened to him afterwards is unclear.
Over the years, the painting has become one of the most renowned images of the artistic ferment that bubbled under the strictures of insipid Soviet social realism.
But until recently, anyone who wanted to see it had to travel to an isolated city in Uzbekistan's desert.
The show also draws attention to the history of the museum, which is as remarkable as the works it holds.
In this museum we have gathered some truly unique collections of things that, first of all, tell the story of Turkistan avant-garde. It is a very special field of study, says Director of The Pushkin State Museum of Fine Arts, Marina Loshak.
In the 1950s, painter Igor Savitsky got work in an archaeological expedition in Uzbekistan.
He became fascinated by the intricate weavings and elegant pottery of the local Karakalpak ethnic group and collected extensively. Local officials, flattered by his interest, helped him establish a museum in the city of Nukus.
Savitsky was also concerned about the fate of the works of the Soviet Union's more adventurous artists.
In the early 20th century, Russia had been a hotbed of bold art experimentations: Suprematism, Constructivism and visions too idiosyncratic to fit into any category.
But by the early 1930s, authorities decreed that art must express Soviet ideals and be comprehensible to the average worker.
Bold colours, dancing polygons and strange faces disappeared from the public view, replaced by muscular construction workers and children devotedly presenting bouquets to Josef Stalin.
Savitsky began collecting as much of the unofficial art as he could, reportedly filling train sleeping compartments with paintings to bring them to Nukus, some 2000 kilometres (1200 miles) from Moscow.
Savitsky has been praised as a patron of the Nukus art sanctuary and unknown artists of the region.
Many of the works likely would have been destroyed or become irreparably deteriorated if he had not been able to spirit them to the city far away from the central government's attention.
He collected works without taking into consideration whether this was a well-known name or not well-known. He collected art with an orientation on the art itself, says curator Irina Kim.
Bazarbai Serekeyev is an Uzbek artist whose works was spotted by Savitsky in the 70s:
Savitsky looked at my work and asked Did you paint this yourself?, I said yes. After that he bought three of my paintings and told me that I should paint more. He gave me some recommendations. His words inspired me and I started painting more, he says.
Many of the works in the show had to be lovingly restored before they were displayed.
The exhibition in Moscow runs April 21 until 10 May 2017.


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BEST HANDMADE JEWELLERY!/ART/UZBEKISTAN

Uzbekistan is the gem of Central Asia and is the next major tourism destination. This video will show you why you should visit Uzbekistan now, before it blows up.This video will Also give information about Uzbek art and how beautiful it is. I will show you guys handmade arts including knifes, jewellery and etc.. in an art gallery of Uzbekistan. I will also show you beautiful nature and a lake! Gonna be interesting! Life is amazing guys and it is what it should be!
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Kinetic Ball Sculpture at Tashkent, Uzbekistan

TASHKENT CITY CENTER 2019 : From Tashkent Palace Hotel to Independence Square

TASHKENT CITY 2019 : From Tashkent Palace Hotel to Independence Square

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Independence Square, Arch of Ezgulik, Alley of Glory and Memory, Bookstore, Uzbekistan History State Museum, Statue of Sharof Rashidov, Independence Subway Station, Gallery of Fine Arts, Palace of Youth Creativity, National Food Café Bar, School Graduation Photoshoot

Mustaqillik Maydoni, Ezgulik Arkasi, Xotira Maydoni, Sharq Nashriyoti, Sharq Ziyokori Kitoblar Markazi, O’zbekiston Tarixi Davlat Muzeyi, Sharof Rashidov Haykali, Mustaqillik Metro Bekati, Tasviriy San’at Gallereyasi, Yoshlar Ijod Saroyi, Milliy Taomlar Kafe, Maktab Bitiruvchilarni Suratga Olish

Площадь Независимости, Арка Эзгулик, Площадь Памяти, Издательство Шарк, Книжный Центр Шарк Зиёкори, Государственный Музей Истории Узбекистана, Памятник Шарафа Рашидова, Станция Метро Мустакиллик, Галерея Изобразительного Искусства, Дворец Культуры и Искусства Молодёжи, Национальные Блюда Кафе, Фотосессия Выпускников

Мустақиллик Майдони, Эзгулик Аркаси, Хотира Майдони, Шарқ Нашриёти, Шарқ Зиёкори Китоблар Маркази, Ўзбекистон Тарихи Давлат Музейи, Шароф Рашидов Ҳайкали, Мустақиллик Метро Бекати, Тасвирий Санъат Галереяси, Ёшлар Ижод Саройи, Миллий Таомлар Кафе, Мактаб Битирувчиларни Суратга Олиш

Filmed May 15, 2019

Music:
1st song: Paradelous - Interstellar Dust


2nd song:

3rd song: Hold


Outro
Termite Infested White Picket Fence

Shazina Gallery presents Shavkat Abdusalamov art

Great Wanderer-Shavkat Abdusalamov

Wandering around inter-continental landscape between the Puskin museum and the Hermitage, hermitTakvash (celebrated artist Shavkat A.) without any purpose drop in on the way at the wooden town house built at the beginning of 19 c. Here, in this miraculously preserved house, dwells most famous from all obscure galleries. Impossible to figure out Shazina Gallery from contemporary art catalogue. But Hermit have chosen long ago going along the stars, not pavement, which leads nowhere.

Cordial gallery hostess proved to be incredibly compliant. She knows - talent is a measure of time. It leaves the marks. Its feelings set a diagnosis for a society. Thus she called off the trip for presentation to Paris. Wanting dispose properly flooding feelings she set off to arrange Shavkat A.s exhibition.

Precisely this agreeable place, almost like in fiery- tale, will house Shavkat As paintings from 6 to30 July.

Tarkovsky and Antonioni admired the paintings of «Great Wanderer», as precious stone, full of life vibrancy.

They knew old patterns and tracery of tapestry will find their admirer.

MIRABAD AVENUE by ChapmanTaylor

A new residential-led urban quarter
The 2.4 hectare Mirabad project represents a new type of residential-led, mixed-use development in the uzbek city of Tashkent. Creating a striking new urban quarter, the development regenerates this entire area of the city. Discreet quarters with communal courtyard gardens will offer residents a sense of private space in a busy urban environment. The varying types of apartment will mostly face the internal courtyards, away from the street’s noise.

Luxury residential properties
The development site has a long, prime frontage on Mirabad Street, which links two main routes between the city centre and airport. The concept for this residential development is a group of four blocks, each comprising luxury residential properties, efficiently arranged around private courtyard. Each block is completed with corner feature towers containing penthouses at the top. The development at street level is fully dedicated to Retail and F&B.

'Smart' building design scheme
The scheme will incorporate ‘smart’ building – residential buildings will be designed to maximise environmental, technical and economic efficiency. Residents’ comfort is prioritised, with digital technology incorporated to reduce the need for manual operation of services as well as allowing residents to manage their apartments from anywhere in the world.

Attractive and safe
Architectural style follows that of the surrounding area, with five 12-storey towers acting as punctuation between the main nine-storey buildings, all served by two levels of underground car parking. Roadways, paths and public realm spaces are uncluttered, attractive and safe for residents and visitors alike.

Silk ikats of Central Asia - curator introduction

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Silk Ikats of Central Asia
From the collection of the Islamic Arts Museum Malaysia
2 July - 11 October 2009
Asian gallery, ground level
An exhibition of late 19th century robes, tunics and textile panels that presents the remarkable artistic achievement and technical virtuosity of the silk designers, dyers and weavers of Central Asia.
Within and without the borders of Central Asia, ikat textiles had political and social value, used as payment for services rendered, as dowry and bride price, in diplomatic exchanges and as gifts to monarchs.
Great pride was taken in the aesthetic quality and bold originality of the designs of these ikat fabrics that came to symbolise the exoticism of the Islamic world.

Uncertain future for Uzbekistan’s avant-garde museum

The remote Uzbek city of Nukus may seem an unlikely destination for art lovers.
But thanks largely to the efforts of by one man, Igor Savitsky, it is now home to a world-class collection of avant-garde paintings, rescued from destruction by the KGB, the committee for state security, in the Soviet era.
But the future of this unique museum could now be on the line.

Al Jazeera's Step Vaessen reports from Nukus,

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#Uzbekistan #NukusMuseum #IgorSavitsky

Muqimov Humoyun Tashkent, Uzbekistan, ART-CODE SPRING 2018

1. A. Vivaldi Concert G-dur mov I
2. A. Skryabin Etude

Savitsky Museum: the most outstanding museum in the world!

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The Karakalpakstan State Museum of Art named after I.V. Savitsky - also known, simply, as the Nukus Museum - hosts the world's second largest collection of Russian avant-garde art (after the Russian Museum in St. Petersburg). It is also home to one of the largest collections of archeological objects and folk, applied and contemporary art originating from Central Asia.

Igor Savitsky (1915-84), a Russian born in Kiev and the Museum's founder, first went to Karakalpakstan in 1950 as the artist in the Khorezm Archaeological and Ethnographic Expedition led by the world-famous scientist, Sergei P. Tolstov. Fascinated by the culture and people of the steppe, he stayed on after the dig (1950-57), methodically collecting Karakalpak carpets, costumes, jewelry, and other works of art. At the same time, he began collecting the drawings and paintings of artists linked to Central Asia, including those of the Uzbek school, and, during the late-1950s/early-1960s, those of the Russian avant-garde which the Soviet authorities were then banishing and destroying. Today, the Museum houses a collection totaling about 90,000 items, including graphics, paintings, and sculptures, as well as thousands of artifacts, textiles and jewelry, ranging from the antiquities of Khorezm’s ancient civilization to the works of contemporary Uzbek and Karakalpak artists.

Perhaps the most remarkable, indeed unique features of the Savitsky Collection are the paradoxes surrounding its existence. For example, Karakalpakstan - the remote northwestern region of Uzbekistan where the Museum was founded - was, and remains one of the poorest of the entire former Soviet Union. On the other hand, despite its poor economic prospects, Karakalpakstan’s culture has been preserved and provided the intellectual raison d'être and nourishment for the Museum’s creation in 1966.

Second, the Museum may be one of the few places in the world where Russian avant-garde art hangs alongside that of Socialist Realism - the former slandered by the Soviet State, the latter glorified by it.

Third, the Museum’s collection of Russian avant-garde is the only one that was initially condemned officially by the Soviet Union and, at the same time, financed partly by it, albeit unwittingly. Evidently, Nukus’ status as a ‘closed’ city and, especially, Savitsky’s good relations with the Karakalpak regional authorities enabled this to happen.

Finally, Savitsky, the European, trained the Karakalpaks, his Asian counterparts, in the value of their own culture and the importance of preserving it. His approach and sensitivity instilled trust not only in the older generations of Karakalpaks who sold him their textiles and jewelry but also in the local government which played a large role in the Museum’s foundation and continued existence. It was this mutual affection and trust that has ensured the renaissance of both a forgotten nation and a neglected generation of artists and their work.

This pearl in the desert - or, as the French magazine Télérama recently called it, 'Le Louvre des steppes' - is located in Nukus, the capital of the Autonomous Republic of Karakalpakstan in northwest Uzbekistan at the southern base of the now dying Aral Sea, which until the mid-1960s was the world's fourth-largest inland lake. Although the ancient Silk Road cities of Samarkand, Bukhara, and Khiva may be better known, the Nukus Museum is, in fact, the fourth splendor of Uzbekistan. Indeed, the Savitsky Collection has been called one of the most outstanding museums of the world by the UK's Guardian newspaper.

Alexandr Barkovskiy Project Myths and Legends of the East series Surkhandarya Province

Alexandr Barkovskiy Project
Myths and Legends of the East series
Surkhandarya Province
with the support of the Swiss Agency for Culture and Cooperation in Uzbekistan
and Art and Fact Gallery

Hello friends, lovers of Asian culture! I am Aleksandr Barkovskiy, an artist living and working in Tashkent. I would like to present to you my project dedicated to Surkhandarya province, Uzbekistan.
Surkhandarya is one of the ancient cultural centres of Uzbekistan that has a unique history and a unique development path. Having been a part of highly developed Asian civilizations, at the heart of Greco-Bactrian and Kushan Empires and located at the crossing of the trade routes, modern day Surkhandarya is heir to ancient traditions and guardian of unique monuments of material and spiritual culture, an authentic preserve of national arts and crafts, where a tree of traditions is cared for and is blossoming. The importance of a long-established Surkhandarian culture was rightfully appraised by a number of international organizations - in March 2001 UNESCO recognized the Surkhandarian cultural area of Boysun a masterpiece of verbal and non-material human heritage.
I chose one of the most interesting Central Asian ethnic groups as the subject of my research; it differs in its colourful specific character and complicated historical development. Yet, at the same time, it's the least researched group in the region. There are very few studies about the Boysun region, with most existing information fragmentary, coming from sources of differing degrees of credibility and in need of comprehensive examination. The next important aim of the project is the promotion of accessibility to first-hand information about secluded ethno-cultural communities and the use of visual art technologies as the means of cultural interaction between different social groups.
A unique ethnic group exists in Surkhandarya that embodies a multitude of uncertainties in respect to the scientific standpoint. Its culture contains plenty of interesting aspects - the rudiments of Hindu and Mongolian layers, extraneous features of Asiatic and Central Asian cultural elements, interweaving of religions, ways of living and traditional occupations.
Inhabitants of Surkhandarya are one of the most interesting groups in the region and have kept their original way of life, culture and own identity. In particular, the way the group has adapted to modern conditions of social and economic life, the way it interacts with the surrounding world and the changes that happen within the community in the present day are all subjects of great interest. Having visited Surkhandarya it was as if I had discovered another world. A world in which there are no fences between the neighbors, where people call each other brother or sister, where there is no crime. While traveling around I felt famous Asian hospitality in its true meaning, which when living in Tashkent I considered a myth. I was called a mekhmon, which is translated as a valued guest. In each and every house I was being met with a prayer and a piala of hot green tea. After I'd take my pictures I was being sent off with another prayer and presented with pears and apples. Life in mountain villages is harsh and lacking urban comfort. People wake up at dawn to bring water, light the fire, feed the animals and prepare breakfast. Mostly people live off their own land and only buy those things they can't produce themselves. I was fascinated by their faces, the wrinkles of which reflected their simplistic yet complicated life. Life lacking the vulgarity and vices of the city, pure and undisguised.
There are 30 photos in the series. They were printed with the offset printing technique on aquarelle paper which was preliminarily primed with tea to give it a vintage look. Then photos were hand painted with water-colours and tempera. Each work has its own serial number and a name. For example, there is one called A woman wearing a dzhilak.

«dzhilak» - is a traditional headscarf, a part of women's clothing. It's normally worn by women after they get married. In Tajik it's pronounced kurtah. The woman in the photo is half Uzbek, half Tajik, she is a housewife and is married with 5 children. I captured her in a rare moment of rest when she was carrying water to the animals and stopped in the shade of a tree to regain her strength.
There will also be some video art in the exhibition; a few video works, short stories about people and their life. A group of my friends is also taking part in the exhibition, they are musicians performing in an ethno-electro style. Their band is called Gashjam Bakr. They produced original soundtracks to all of my videos to create an atmosphere for the visual part of the project. The soundtracks are based on traditional Surkhandarian music in «bakhshi» style

Bibi Hanum Tashkent Artisan Fashion

Dear Friends!

Welcome to Bibi Hanum!

Bibi Hanum is a socially responsible enterprise that creates garments and accessories using traditional hand-woven silk/cotton ikat fiber. Our mission is to provide economic opportunities for women while preserving Uzbekistan’s rich cultural heritage.

Since its creation in 2006 Bibi Hanum has been able to provide work for over fifty women who live in Tashkent, Ferghana Valley and the Navoi region. Without the hard work of these capable women Bibi Hanum’s exquisite clothing and beautiful home decor would not be possible.

Bibi Hanum creates new seasonal collections which range from luxury traditional kaftans to contemporary high end fashions.

The clothes are designed incorporating traditional crafts of Uzbekistan artisans such as suzani embroiderers and silk weavers. Each season Bibi Hanum presents its customers with new collections made with new ikat designs and unique combinations of embroidered patterns.

Bibi Hanum’s online presence and its participation in numerous prestigious exhibitions and trade shows have permitted the expansion of its customer base around the world. Bibi Hanum’s products are sold in many exclusive boutiques in the U.S., Europe and theMiddle East.

Enjoy our expanded clothing collection - exciting, luxurious, and one-of a kind. And there is no place like Bibi Hanum for the most delightful gifts.

Best wishes,

Muhayo Aliyeva
Founder | Fashion Artist
BIBI HANUM™

STEFANO RICCI Fashion Show at the Tashkent Circus in Uzbekistan

On the occasion of the seventh edition of Uzbekistan's Art Week Style, the Florentine maison of luxury menswear has been invited as guest of honor to showcase its collection in Tashkent on October 25th 2013. A spectacular event that follows STEFANO RICCI's fashion shows at Gostiny Dvor in Moscow (2011) and at the Uffizi Gallery in Florence (2012), bringing the best representation of 100% Made in Italy in one of the most dynamic states of the CIS area. Inspired by the circus' atmosphere, that has always been a worldwide point of reference for literature and visual arts, the STEFANO RICCI fashion show featured eleven thematic outfits interpreted in different artistic settings.

The choice of this unique location has been dictated by two missions - said Filippo Ricci, Creative Director of the STEFANO RICCI company - on the one hand, to face a new challenge in a whole new scenery, capable of transmitting magical emotions; on the other hand, to honour the memory of Federico Fellini, one of the greatest Italian directors, much praised by the world and particularly in Eastern Europe.

Uzbekistan/Beautiful Khiva City Walls Part 2

Welcome to my travelchannel. ☛☛☞☛
On my channel you can find more than 1000 films of almost 80 countries. See the playlist on my youtube channel.Enjoy!
Khiva-Uzbekistan
Though Khiva is about 2500 years old, it acquired its present appearance in the 18th – early 20th centuries. Khiva consists of two urban parts: the inner town Ichan-Kala and the outer town Dishan-Kala. From the very beginning the core of the city –Ichan-Kala, rectangular in plan, was enclosed in fortification walls.
For centuries these walls served ideally the purpose of the town’s defense. But in 1220 they were destroyed by Mongol invaders and in later period gentle slopes of the collapsed walls were used for burying the dead. In 1790 the wall was rebuilt by order of Khiva’s khan Muhammad-Amin-Inak. It was 1200 meters long, 7-8 meters high and about 6 meters thick at the base. Since Khiva stood at an important intersection of the Great Silk Road, there were built four monumental gates directing north, south, east and west. Ark-Darvoza gate located next to Kunya-Ark Citadel let in the caravans from the west. Kosh-Darvoza (‘Double Gate’) with two entrance arches faced south. Tash-Darvoza (‘Stone Gate) was built in the northern part of the city.
The most remarkable is the eastern gate Palvan-Darvoza (‘Hero Warrior’s Gate’), through which ran the road to the Amu Darya River and to the ancient trade town Khazarasp. The survived marble slab above the arch of the gate shows the date the construction was completed: 1221 anno hegirae (1806). Adjoining the gate is the gallery with six domes – a shopping arcade. Soon after the gate had been built, near it there appeared Allakuli-Khan Madrassah, caravanserai and a tim domed trading center. This was also the place where executions used to be carried out. Next to the gate, behind the Ichan-Kala walls, there was the Asian largest slave market. In 1842 a new fortification wall around larger area was built. Supervised by Mahammad Yakub Mekhtar, the construction was completed within 30 days. The wall was 6 kilometers long; it had 10 gates and a lot of turrets. Three out-of-town gardens – Rafanik, Nurullabay and Nurullabek – became part of the town. The larger ring of the town was then called Dishan-Kala (‘Outer Fortress’). Today only separate parts of this unique fortification structure remain. Yet these strong pahsa adobe walls narrowing to the top, are rather impressive. Every 30-50 meters along the length of the wall there are semicircular watching turrets; they seem to support the wall with their abutments. Looking at Khiva’s walls it is hard to believe that outside this well-preserved medieval town is the 21st century.

Шахноз Абудуллаева (Автопортрет, 1999)

Shakhnoz Abdullaeva was born in 1965 in the art capital of Central Asia city of Tashkent, Uzbekistan. In 1989 she graduated from The Theatrical Art Institute of Ostrovsky. Shakhnoz has been an active participant in international art exhibitions since 1988, and her original paintings can be found in both private and national collections.

1989 - Exhibition of Young Artists of Uzbekistan Bulgaria.
1991 - Exhibition of Uzbek artists in the gallery, Zaman, London.
1991 - Exhibition of Uzbek artists in Bonn, Germany.
1992 - Art Asia Tashkent.
1993 - Exhibition of Uzbek artists in St. Petersburg.
1994 - Exhibition of Uzbek artists, Switzerland.
1995 - Personal exhibition in gallery Center of folk traditions and arts of Uzbekistan in Tashkent.
1996 - Exhibition Akhmarov and students Business Center, Tashkent.
2000, 2003 - Solo exhibition at the Central Exhibition Hall, Tashkent.
2003 - Personal exhibition at the Center for Contemporary Arts, Tashkent.
2003 - Biennale, Tashkent.
2004, 2005 - Exhibition of Uzbek artists, Moscow.
2004 - Exhibition of Uzbek artists, Cairo.
2005 - II Biennale Beijing, China.
2005 – Medal “Shuhrat” awarded by the President of Uzbekistan for the highest achievement in the field of the Fine Arts
2006 - Personal exhibition at the Youth Theater Ilkhom.
2007 - Biennale, Tashkent.
2008 - Exhibition of Uzbek artists, Switzerland.
2009 - Personal exhibition at the National Arts Centre, Tashkent.
2013 - Personal Exhibition at the gallery of the National Bank of Uzbekistan
2013 – Fond Forum Uzbek Artists Exhibition in Qatar

Original art by Shakhnoz can be viewed at the State Art Museum of Uzbekistan, Directorate of Art Exhibitions in Tashkent, Urgench National Art Gallery, Ministry of Foreign Economic Relations, Uzbek Senate, Art Gallery of the National Bank of Uzbekistan, World Bank in Washington, Gallery of Zaman in England, Gallery Bonn at the Embassy of Japan; and other collections in Morocco, Lebanon, Finland, Saudi Arabia, Russia, United Kingdom and India.

The exhibition Artist and Nature. Rifat Gumerov

Rifat Gumerov
The exhibition Artist and Nature

The exhibition Artist and Nature was held on December 27, 2017 in the Central Exhibition Hall of the Academy of Arts of Uzbekistan.

Music
Estas Tonne

Camera
Rifat Gumerov

Tashkent
Uzbekistan

_______________________________________

Рифат Гумеров
Выставка «Художник и природа».

Выставка «Художник и природа» состоялась 27 декабря 2017 года в Центральном выставочном зале Академии художеств Узбекистана.

Ташкент
Узбекистан

Живопись современного Узбекистана: Серия1 Шахноз Абудуллаева (Дубль1)

Shakhnoz Abdullaeva was born in 1965 in the art capital of Central Asia city of Tashkent, Uzbekistan. In 1989 she graduated from The Theatrical Art Institute of Ostrovsky. Shakhnoz has been an active participant in international art exhibitions since 1988, and her original paintings can be found in both private and national collections.

1989 - Exhibition of Young Artists of Uzbekistan Bulgaria.
1991 - Exhibition of Uzbek artists in the gallery, Zaman, London.
1991 - Exhibition of Uzbek artists in Bonn, Germany.
1992 - Art Asia Tashkent.
1993 - Exhibition of Uzbek artists in St. Petersburg.
1994 - Exhibition of Uzbek artists, Switzerland.
1995 - Personal exhibition in gallery Center of folk traditions and arts of Uzbekistan in Tashkent.
1996 - Exhibition Akhmarov and students Business Center, Tashkent.
2000, 2003 - Solo exhibition at the Central Exhibition Hall, Tashkent.
2003 - Personal exhibition at the Center for Contemporary Arts, Tashkent.
2003 - Biennale, Tashkent.
2004, 2005 - Exhibition of Uzbek artists, Moscow.
2004 - Exhibition of Uzbek artists, Cairo.
2005 - II Biennale Beijing, China.
2005 – Medal “Shuhrat” awarded by the President of Uzbekistan for the highest achievement in the field of the Fine Arts
2006 - Personal exhibition at the Youth Theater Ilkhom.
2007 - Biennale, Tashkent.
2008 - Exhibition of Uzbek artists, Switzerland.
2009 - Personal exhibition at the National Arts Centre, Tashkent.
2013 - Personal Exhibition at the gallery of the National Bank of Uzbekistan
2013 – Fond Forum Uzbek Artists Exhibition in Qatar