Student Operations 2019, LIVE!
MATC TV Students once again take over WMVT 36.1, Milwaukee PBS on Saturday May 11, 2019!
Tune in or watch the LIVE STREAM all day from Noon to 2am as advanced students program the airwaves for the 45th year in a row!
Programs ranging from dance to drama, awesome music to adorable puppets fill the day- LIVE noon to 4pm from the studios of Milwaukee PBS on the MATC Campus.
Tune in all day!
City of Santa Rosa Council Meeting Part 2 January 14, 2020
City meeting agendas, packets, archives, and live stream are always available at
How to Make Papier-Mache
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Homemade papier-mache is art on the cheap, allowing your imagination to soar without breaking your budget.
Step 1: Make paste
Make papier-mache paste by mixing equal parts flour and water in a bowl, stirring the mixture with a spoon until it is smooth and soupy.
Tip
Substitute white glue for water for big projects, such as a volcano or large masks or figures.
Step 2: Tear newsprint
Tear newsprint into long, thin strips for round papier-mache project forms and wider strips for other shapes.
Step 3: Make form
Use inflated balloons, cardboard boxes, wire mesh, or any combination of rigid materials to make a skeleton or frame for your project.
Step 4: Oil the form
Lightly oil the skeleton so you can easily remove it when the papier-mache dries.
Step 5: Dip strips into paste
Dip your newsprint strips into the paste, making sure each side gets thoroughly covered.
Step 6: Lay strips
Lay strips on the skeleton, overlapping them and smoothing them out with your fingers. Continue adding strips until the form is covered with at least three layers.
Tip
Use powdered wallpaper glue if you want to preserve your papier-mache project for many years.
Step 7: Allow to dry
Allow the project to dry completely, adding more layers if necessary. Carefully remove the skeleton after final layers have had time to dry.
Step 8: Paint
Paint your project using any type of paint you like and get ready to hear some oohhs and ahhs when you show off your original paper mache dolls, animals, and other creations.
Did You Know?
Papier-mache models of the human body were used for study by medical students in the 1800s.
A Day In the Sky,.. - ( news full video )
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Easter Seals Ontario Toronto Telethon Live Stream
This live on-air fundraising event showcases Easter Seals families and their personal stories, celebrates the year’s fundraising successes, recognizes generous supporters and raises essential funds for kids with physical disabilities.
Tune into the annual Easter Seals Telethon broadcasting live Sunday, April 7, 2019 on CBC in communities across Ontario. The show will be hosted by various media personalities and will feature live musical performances by Juno Award winner, Jully Black, Tim Hicks, Buck Twenty, James Favron, Leondro, Mirvish Productions, Alyssa Mackenzie, ALLO and Studio K from CBC Kids.
To learn more or to donate, visit EasterSealsTelethon.org/Toronto/.
My Man Jeeves by P. G. Wodehouse | Audiobook with subtitles
Bertram Wooster is an English gentleman living in New York, who seems to get himself into all sorts of jams. It’s up to his manservant Jeeves to come up with the plan to save the day from unpleasant houseguests, stingy uncles, broken hearts, and hard-partying aunts. (Summary by Mark Nelson)
My Man Jeeves
P. G. WODEHOUSE
Genre(s): Humorous Fiction Audio Book Audiobooks All Rights Reserved. This is a Librivox recording. All Librivox recordings are in the public domain. For more information or to volunteer visit librivox.org.
AIR Dibrugarh Online Radio Live Stream
Auburn Coach Wife Kristi Malzahn Agrees with Match & eHarmony: Men are Jerks
My advice is this: Settle! That's right. Don't worry about passion or intense connection. Don't nix a guy based on his annoying habit of yelling Bravo! in movie theaters. Overlook his halitosis or abysmal sense of aesthetics. Because if you want to have the infrastructure in place to have a family, settling is the way to go. Based on my observations, in fact, settling will probably make you happier in the long run, since many of those who marry with great expectations become more disillusioned with each passing year. (It's hard to maintain that level of zing when the conversation morphs into discussions about who's changing the diapers or balancing the checkbook.)
Obviously, I wasn't always an advocate of settling. In fact, it took not settling to make me realize that settling is the better option, and even though settling is a rampant phenomenon, talking about it in a positive light makes people profoundly uncomfortable. Whenever I make the case for settling, people look at me with creased brows of disapproval or frowns of disappointment, the way a child might look at an older sibling who just informed her that Jerry's Kids aren't going to walk, even if you send them money. It's not only politically incorrect to get behind settling, it's downright un-American. Our culture tells us to keep our eyes on the prize (while our mothers, who know better, tell us not to be so picky), and the theme of holding out for true love (whatever that is—look at the divorce rate) permeates our collective mentality.
Even situation comedies, starting in the 1970s with The Mary Tyler Moore Show and going all the way to Friends, feature endearing single women in the dating trenches, and there's supposed to be something romantic and even heroic about their search for true love. Of course, the crucial difference is that, whereas the earlier series begins after Mary has been jilted by her fiancé, the more modern-day Friends opens as Rachel Green leaves her nice-guy orthodontist fiancé at the altar simply because she isn't feeling it. But either way, in episode after episode, as both women continue to be unlucky in love, settling starts to look pretty darn appealing. Mary is supposed to be contentedly independent and fulfilled by her newsroom family, but in fact her life seems lonely. Are we to assume that at the end of the series, Mary, by then in her late 30s, found her soul mate after the lights in the newsroom went out and her work family was disbanded? If her experience was anything like mine or that of my single friends, it's unlikely.
And while Rachel and her supposed soul mate, Ross, finally get together (for the umpteenth time) in the finale of Friends, do we feel confident that she'll be happier with Ross than she would have been had she settled down with Barry, the orthodontist, 10 years earlier? She and Ross have passion but have never had long-term stability, and the fireworks she experiences with him but not with Barry might actually turn out to be a liability, given how many times their relationship has already gone up in flames. It's equally questionable whether Sex and the City's Carrie Bradshaw, who cheated on her kindhearted and generous boyfriend, Aidan, only to end up with the more exciting but self-absorbed Mr. Big, will be better off in the framework of marriage and family. (Some time after the breakup, when Carrie ran into Aidan on the street, he was carrying his infant in a Baby Björn. Can anyone imagine Mr. Big walking around with a Björn?)
The Great Gildersleeve: Halloween Party / Hayride / A Coat for Marjorie
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.