#10. 100 Чудес России. Кирилло-Белозерский монастырь
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Кирилло-Белозерский монастырь (также Кириллов) монастырь — мужской православный монастырь Русской Церкви; расположен на Севере России, на берегу Сиверского озера, в черте современного города Кириллов Вологодской области. Монастырь основали монахи Кирилл Белозерский — последователь Сергия Радонежского и Ферапонт Белозерский в 1397 году. Первоначально был возведен Успенский собор артелью ростовских мастеров. В XVI веке рядом с ним появился малый Ивановский монастырь. В те времена монастырь был форпостом Московского государства во вражеских землях Новгородской республики.
Кирилло-Белозерский монастырь являлся крупным феодалом-землевладельцем. В XV—XVII веках вёл обширную торговлю, особенно солью и рыбой. В конце XV-XVI веков монастырь был одним из центров религиозно-политического течения нестяжателей. В XV—XVII веках монастырь служил местом заточения лиц из светской и церковно-феодальной знати. В последствии монастырь богател, разрастался и несмотря на большой пожар в 1557 году стал крупнейшим каменным сооружением, уступавшим разве что Троице-Сергиевому монастырю. В 1764 году указом Екатерины II монастырь был лишен крестьян и угодий. В 1776 году из монастырской слободы образован город Кириллов и в крепостной стене размещается городская и уездная тюрьма. С этого момента начинается постепенный закат монастыря. Одно из самых древних и самых известных подворий монастыря было Кремлёвское Кирилловское подворье — подворье Кирилло-Белозерского монастыря в Московском Кремле. Подворье находилось недалеко от Фроловских ворот (ныне Спасская башня) при Афанасьевском монастыре. В 1770 году по случаю предложенного к сооружению проекта Баженовского дворца, Кирилловское подворье в Кремле было упразднено, а потом в 1776 году и совсем разобрано. На месте подворья и расчищенных других дворов образовалась обширная площадь. В комплекс Кирилло-Белозерского монастыря входят ансамбли большого Успенского и Ивановского монастырей («Старый город»), «Нового города» и территория несохранившейся крепости Острог между ними. Монастырь окружен крепостными стенами с монументальными башнями, украшенными узорами из кирпича.
Last Debate with Stalin: Ukrainian Writers in Moscow, 1929, Serhy Yekelchyk
Serhy Yekelchyk: The Last Debate with Stalin: Ukrainian Writers in Moscow, 1929, Danylo Husar Struk Memorial Lecture, St. Vladimir Institute, Toronto, Canada, 3 May 2018.
- Introduction by Maxim Tarnawsky
- 6:01 Remarks by Serhy Yekelchyk
- 6:53 I will talk about an event and its implications, draw theoretical conclusions, introduce two puzzles, conclude with two epilogues
- 7:36 Event occurred on 12 February 1929. Delegation of Ukrainians arrived in Moscow by special carriage in a train
- 8:18 Substantial delegation of about 40 writers, included prominent theatre and film directors such as Olexandr Dovzhenko, Les Kurbas (Олександр Довженко, Лесь Курбас), and opera stars
- 9:48 Not all trends of Ukrainian culture were represented at this meeting e.g. Serhiy Yefremov (Сергій Єфремов) who was denounced for being a nationalist. Those who go to Moscow have to denounce Yefremov, Mykhailo Hrushevsky and others, including neo-classics such as Mykola Zerov, Maksym Rylsky (Микола Зеров, Максим Рильський)
- 11:17 Impossible to buy bread in Moscow, bread coupons
- 12:18 These Ukrainians know they are meeting Stalin. Discussed questions in advance. When they arrive at the Kremlin it is Lazar Kaganovich (Лазар Каганович) they meet instead
- 13:24 Described by Volodymyr Sosiura (Володимир Сосюра)
- 13:54 Kaganovych spoke in poor Ukrainian, but Ukrainians were shocked he spoke any Ukrainian at all
- 14:09 In the middle of Kaganovych's speech, Stalin enters. Ukrainians were shocked at how small he was
- 15:07 Stalin invites the writers to ask questions. Stalin's delivers a boring speech
- 16:21 Things start going wrong because Stalin is not prepared
- 17:47 Ukrainians start asking political questions: Valerian Polischuk (Валер'ян Поліщук) ask Stalin whether it is possible to unite areas of the Russian republic populated primarily by Ukrainians in Voronezh, Kursk Republic and Kuban
- 19:04 Stalin asks about Halychyna, a part of Ukraine not in the Soviet Union yet. Stalin thought Halychyna was the most important cultural part of Ukraine
- 20:44 Andriy Khvylya (Андрій Хвиля) explains to Stalin his misunderstanding of Halychyna
- 21:49 Stalinist campaign against Jews in late 1940s
- 22:32 Stalin asks questions about the difference of Ukrainian language in Halychyna and 'Velyka Ukrayina'. Writers arrived with their own agenda to the meeting with Stalin
- 23:32 They watch a play of Mikhail Bulgakov's (Михаил Булгаков) The White Guard (Дни Турбиных)
- 23:42 Mykola Kulish (Микола Куліш) has his wallet stolen
- 26:20 Stalin is confronted: Aren't we suppose to fight both Ukrainian nationalism and Russian imperial chauvinism? Stalin goes on the defensive
- 28:15 Ukrainian writers fight back, interrupt Stalin
- 28:56 Lazar Kaganovich interjects
- 29:10 Ostap Vyshnya (Остап Вишня)
- 29:20 Stalin becomes really upset with the Ukrainians
- 30:28 Ukrainian writers were mislead thinking they were invited to promote their agenda to Stalin
- 30:45 Maxim Gorky
- 32:09 Moment of transition: Program of 'Ukrainization' (Українізація). People leave Polish rule and return to Ukraine in the Soviet Union. Stalin's version of culture is sanitized, ethnicised, political component removed
- 33:45 Soviet monuments to Taras Shevchenko (Тарас Шевченко)
- 34:45 Ukrainian opera Zaporozhets za Dunayem (Запорожець за Дунаєм) by Semen Hulak-Artemovsky
- 36:15 Mykola Khvylovy (Микола Хвильовий); Ukrainian graphic artists; Mykhailo Boychuk (Михайло Бойчук) school of 1920s, Ukrainian monumental fresco like political art seen as an achievement
- 37:36 When Ukrainian writers return to Kharkiv and Kyiv informers report to the Secret police: Stalin was disoriented, clueless about Galicia, the Ukrainian language
- 38:45 Serhy Yefremov utters enigmatic phrase А ти, Марку, грай...
- 39:42 White Guard by Bulgakov is not a typical Stalinist play
- 41:10 Why would a white, monarchist play be made into a film shown a loop on Soviet television? It allows for Russian nationalist monarchist identity without adding a name to it, sends a signal about Russian identity. It rehabilitates Russian empire and its attitude to Ukrainians. Stalin rehabilitated Bulgakov twice
- 44:21 Allows for the belittlement of Ukrainian culture and language as laughable
- 44:54 Olexandr Dovzhenko brought his film 1929 Arsenal (Арсенал) to Moscow
- 50:40 Pavlo Usenko (Павло Усенко) report of the 1929 meeting with Stalin amazed me
- 52:24 When the writers return to Kharkiv and Kyiv arrests begin. Maksym Rilsky and Mykhailo Hrushevsky both arrested and confess
- 53:35 Great Terror of 1933-34 comes early to Ukraine. Some arrested then are killed in 1937 in Sandarmokh, a whole generation of Ukrainian culture die in Stalin's gulag, in a way predicted by Pavlo Usenko. Ostap Vyshnya, a satirist, survived the gulag. His funeral in 1956 was an early sign of De-Stalinization (десталинизация) of Ukrainian cultural life
Recording sponsored by St. Vladimir Institute
Journey to the Russia's North - part 1 - EN subtitles
Journey to the North of Russia - part 1:
Hint: some links are in Russian.
1. Uglich -
1.1 Church of Dmitri on Blood -
1.2 Transfiguration Cathedral -
1.3 Palace of Uglich's Dukes -
1.4 Church of Flor and Paul -
1.5 Epiphany Cathedral -
1.6 Smolensk Church -
1.7 Fiodor's Church -
1.8 Church of Elijah -
2. Kirillo-Belozersky Monastery -
2.1 Dormition Cathedral -
2.2 Gabriel's Church -
2.3 Euphemia's Church-
2.4 Transfiguration Church -
3. Горицы -
3.1 Goritsky Monastery -
3.1.1 Intercession of the Theotokos Church -
3.1.2 Trinity Cathedral -
3.1.3 Church of Presentation of Mary -
4. Kizhi Island -
4.1 The Church of the Transfiguration -
4.2 The Church of the Intercession
5. Verkhnie Mandrogi -
UK: Patriarch Kirill leads ceremonies of consecration in London
His Holiness Patriarch Kirill of Moscow and All Russia led the ceremonies of consecration of the Cathedral of the Dormition and All Saints in London, Sunday. Patriarch Kirill is visiting London to commemorate the 300th anniversary of the Russian Church presence in the British Islands. The visit marks the first ever visit by a Russian patriarch to the country.
SOT, Patriarch Kirill of Moscow and All Russia (Russian): I remember that this was a very small community, united by the orthodox faith, under the guidance of the ever memorable metropolitan, Antony Lund, who has done a lot to strengthen this beginning. And today we are grateful to witness that the Russian orthodox presence has strengthened. This can be explained by an ever greater number of Russians, also Ukrainians, who live today in Great Britain.
SOT, Patriarch Kirill of Moscow and All Russia (Russian): But the very great number of Russia-speaking people in the UK cannot be the only reason explaining the growth of the Orthodox community. The ever growing community is testament to the fact that the Orthodox religion is growing stronger. And what we are seeing today in London, we are also seeing back there in Russia, in Ukraine and in Belarus.
Video ID: 20161016-017
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O Gladsome Light (Sung in Russian) : Svete tikhij (O Gladsome Light)
Provided to YouTube by NAXOS of America
O Gladsome Light (Sung in Russian) : Svete tikhij (O Gladsome Light) · Puhtica Convent Dormition Choir
There Is a Small Convent In the Far Land
℗ 2011 Russian Compact Disc
Released on: 2011-10-04
Choir: Puhtica Convent Dormition Choir
Conductor: Sister Georgia
Composer: Traditional
Auto-generated by YouTube.
Вельск (с англ. субтитрами): история, музей, св. Кирилл Вельский, Успенская церковь, крестный ход.
Do You Know?
Icons from the Assumption of the Theotokos Greek Orthodox Cathedral of Denver and the music is by the Nuns of St. Paisius Orthodox Monastery in Safford, AZ.
Мы идем на Север, а не в Крым! Самостоятельное путешествие на Кольский и Рыбачий - Kola Peninsula
Отчет -
Фильм о самостоятельном путешествии на Север России - Кольский полуостров.
День города. Белозерск 9 июля 2000г. Звонница.
Колокольный звон. Звонница.
Multimedia press conference of the director of the Moscow Kremlin Museums