itinéraire Bretagne sur les bretonnes illustres Ep. 2 Lady Mond
Itinéraire Bretagne vous emmène dans le sillage de Bretonnes aux destins hors du commun. Dans ce troisième épisode nous découvrons le fabuleux destin de Maï la Bretonne. Cette fille de meunier de Belle Isle en Terre terminera sa vie richissime et avec en prime un titre de Lady !
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Lady Mond
Life of Lady Mond at Belle-Île-en-Terre, Brittany, France.
Bretonnes d'influence. Lady Mond, la châtelaine de Belle-Isle [Podcast]
Durant la Belle Époque, Marie-Louise Le Manac’h, alias Maï, a connu un destin peu ordinaire, de Belle-Isle-en-Terre jusqu’aux palaces parisiens et londoniens où elle rencontre Robert Mond, surnommé le roi du nickel. Maï la Bretonne devient, en 1922, Lady Mond, l’une des femmes les plus riches du monde. Récit d'une vie épique.
Féministe, militaire, artiste... et Bretonnes. Elles ont influencé la société à des époques où les femmes étaient souvent dans l'ombre d'un ou de plusieurs hommes. Une série de podcasts du Télégramme, mise en son par Pauline Fercot.
Biscuiterie Menou à Plougonver - Trophées du Tourisme 2019
Lauréat de la première édition des TROPHÉES DU TOURISME EN COTES D'ARMOR (Partenaire Cerfrance Côtes d'Armor), dans la catégorie RICHESSES DU TERRITOIRE
Le goût de l'Île-de-France - Émission intégrale
Emission intégrale Des Racines et Des Ailes : Le goût de l'Île-de-France diffusée le 21/11/2018.
Nous parcourons une région très étendue mais pourtant méconnue, l’Ile-de-France. Nous serons surpris par ses trésors historiques et architecturaux, en particulier les « Affolantes », des demeures de plaisance très prisées au 19ème siècle.
Avec Sophie Cueille, historienne de l’art, nous découvrons d’abord les plus beaux édifices de villégiature, du 17e au 20e siècle, marqueurs de l’histoire de la région. Notre voyage commence au-dessus du château de Vaux-le-Vicomte. Il se poursuit jusqu’au manoir de l’artiste peintre Rosa Bonheur dont l’atelier est en pleine restauration. Sans oublier le « Wood Cottage » édifié dans la ville nouvelle du Vésinet au 19ème siècle.
A Crespières, dans les Yvelines, deux jeunes artisans créateurs Guillaume Caffin et Louis Bataille confectionnent dans leur ferme des biscuits aux saveurs franciliennes : safran, chocolat, coquelicot, miel. Ils sillonnent la région à la recherche de producteurs locaux.
A Versailles, l’architecte en chef des monuments historiques Frédéric Didier nous révèle tous les secrets et les splendeurs de cette cité royale née de la simple volonté de Louis XIV. La chapelle du lycée Hoche en est un formidable exemple puisqu’elle a révolutionné l’architecture religieuse du 18ème siècle.
Un film réalisé par Marie-Agnès Suquet et Franck Dhelens
Une production Troisième Œil Productions avec la participation de France Télévisions
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WE Plougonver.. vers le restaurant
WE moto avec le club les motards de l'Illet' les 14 et 15 juillet 2018
OrelSan - Tout va bien [CLIP OFFICIEL]
La fête est finie :
La tournée :
Instru : Stromae et Skread
Réalisateurs : Greg & Lio
Production: Quad Productions
Producteur exécutif : 23/32
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Rubik’s Cube® used by permission Rubik’s Brand Ltd. rubiks.com
Le Hangar, biscuiterie à Ploërmel
Au coeur de Brocéliande, Le Hangar est une biscuiterie entièrement traditionnelle.
Elle fabrique sur place et de façon artisanale, les biscuits d'antan remis au goût du jour !
Dégustez pour votre propre plaisir gourmand ou offrez en cadeau un assortiment de toutes ces gourmandises à vos proches : cadeau de noël, cadeau d'anniversaire, cadeau client, cadeau de Saint Valentin, Cadeaux de fêtes des Mères, des Pères, des Grands-Mères et des Grands-Pères …
Les biscuits artisanaux du Hangar : à offrir ou à s'offrir !
Corsaire - Nicola Pellerin et Les Grands Hurleurs
Adaptation de la chanson Le corsaire le grand coureur.
Paroles:
Le corsaire le Grand Hurleur est un navire de malheur.
Quand il se met en croisière pour aller battre l'Anglais,
la mer, le vent, et la guerre tournent contre le Français.
Zimbala zim boum boum tralala...
Il est parti de Lorient, avec belle mer et bon vent
Il cinglait babord amure , naviguant comme un poisson
Un grain tombe sur la mâture, voilà le corsaire en ponton.
Il nous fallut remâter, et diablement bourlinguer
Tandis que l'ouvrage avance, on aperçoit à tribord
Un navire d'apparence, à mantelets de sabords
C'était un Anglais vraiment et à double rangée de dents
Un marchand de mort subite, mais le Français n'a pas peur
Au lieu de prendre fuite, nous le rangions à l'honneur.
Ses boulets sifflent sur nous, nous lui rendons coup pour coup
Tandis que la barbe en fume à nos braves matelots
Nous voilà pris dans la brume, nous échappons aussitôt.
Nos prises au bout d'six mois ont pu se monter à trois,
Un navire plein de patates, plus qu'à moitié chaviré,
Un second plein de savates, un troisième plein de fumier.
Pour nous refair' des combats, nous avions à nos repas
Des gourganes et du lard rance, du vinaigre au lieu du vin,
Des biscuits pourris d'avance et du camphre le matin.
Pour finir ce triste sort, nous venons périr au port
Dans cette affreuse misère quand chacun s'est cru perdu
Chacun selon sa manière s'est sauvé comme il a pu.
Le capitaine et son second se sont sauvés sur un canon
Le grand maître sur la grande ancre, le commis dans son bidon
Ah le triste vilain cancre, le voleur de rations.
Il eût fallu voir le coq avec sa cuillère et son croc
Il s'est mis dans sa chaudière, comme un vilain pot-au-feu
Il a couru vent arrière il a pris terre à l'île-de-Dieu
De notre horrible malheur le calfat serait l'auteur
En tombant de la grand' hune, dessus le gaillard d'avant
Il a bondi dans la pompe et enfoncé le bâtiment.
Gamme lingettes by Hitam
La gamme de lingettes by Hitam France, avec en demo notre lingette GVN 01 C parce qu'une démo vaut mieux ..... que 1000mots.
Lady Bird
Christine “Lady Bird” McPherson (Saoirse Ronan) fights against but is exactly like her wildly loving, deeply opinionated and strong-willed mum (Laurie Metcalf), a nurse working tirelessly to keep her family afloat after Lady Bird’s father (Tracy Letts) loses his job. Lady Bird is an affecting look at the relationships that shape us, the beliefs that define us, and the unmatched beauty of a place called home. - ( Original Title - Lady Bird )
The Great Gildersleeve: Fishing Trip / The Golf Tournament / Planting a Tree
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.
On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. You're a haa-aa-aa-aard man, McGee! became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of Gildersleeve's Diary on the Fibber McGee and Molly series (Oct. 22, 1940).
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
Our Miss Brooks: Exchanging Gifts / Halloween Party / Elephant Mascot / The Party Line
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name.
Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School.
Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win.
Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags.
Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections.
Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts.
Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty.
Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend.
Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks.
Jacques Monet (Gerald Mohr), a French teacher.
Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role.
Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try.
Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very feline in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews.
Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton, she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne.
For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended.
The Great Gildersleeve: Leroy Suspended from School / Leila Returns Home / Marjorie the Ballerina
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.
On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. You're a haa-aa-aa-aard man, McGee! became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of Gildersleeve's Diary on the Fibber McGee and Molly series (Oct. 22, 1940).
He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family.
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.