time by Regina Huebner
Zeit (time) by Regina Hübner, 2005, 1h17'58, endless.(Excerpt)
Falling and rising milk drops.
Exhibitions, selection: April - September 2016, at MMKK Museum Moderner Kunst Kaernten, Kunstraum Burgkapelle, Klagenfurt am Wörthersee, Austria. With the special combined musik by Luca Lombardi. Curated by director Christine Wetzlinger-Grundnig. Text by Arnulf Rohsmann regina huebner / zeit .
EXPO Milano 2015 at the Casa Corriere, pavillon of Corriere della Sera, June 2015.
Also other exhibitions: 2006 Zeit/Person. Ambientation with 2 videoprjections on standing and hanging diaphanous and matt screens, reflex. Performer Vega Veridiana R., Cinecittà Studios SpA, Studio 9, Rome. La Notte Bianca Roma 2006. With the Patronage of The City of Rome. 2005 Zeit. Ambientation with the video Zeit, red light projection, parallelepiped of fabric, wires, text and performance. Curated by R. Annecchini. Change + Partner Contemporary Art, Rome. Text regina hübner / zeit by Arnulf Rohsmann. 2005 Polish Cultural Institute Rome. curated by A. Jagiello and R. Annecchini. artwork: Zeit -- time videoambientation. music by Luca Lombardi. 2015 Casa Corriere EXPO Milano 2015 with essay by Francesca Balboni at La 27ora corriere.it
digital color video, clip of 5'14'' from 1h17'58, endless, postproduction Cactustudio.
© copyright Regina Hübner, all rights reserved.
Die Flöte und das Bild. Roberto Fabbriciani. Hübner - Lombardi. by Regina Huebner
1h17'40. Fragment of the performance held by Roberto Fabbriciani, who plays compositions of Luca Lombardi with the spatial videoinstallation time and person by Regina Huebner at MMKK Museum Moderner Kunst Kärnten, baroque chapel Kunstraum Burgkapelle, Klagenfurt am Wörthersee, Austria,19th June 2016, 1h17'.
Roberto Fabbriciani played Flatus (3 Stücke), 1997/1999, Schattenspiel, 1984, Nel vento, con Ariel, 2004, all by Luca Lombardi, in a special combination with repetitions and pauses in connection to the whole cyclus of the videoambientation time and person.
On this video a fragment of ... (da Lucrezio), for bass-flute, 1998, by Luca Lombardi.
© Regina Hübner 2016 and the Authors.
Please, set HD High Definition for best viewing and listening.
Videowork by © Regina Hübner, 2016. HD Color digital video, ambient sound. Videocapturing, Enrico Realacci.
Please, set HD High Definition for best viewing and listening.
Gesprächsrunde mit Raimund Spöck
Klagenfurt / MMKK / the local (Burgkapelle) - 27. Mrz. 2013
Mag.a Christina Marktl (Projektleiterin von THE LOCAL) lud zu einer Gesprächsrunde mit Raimund Spöck, Gastronom und Leuchtturm im Kulturbereich in Klagenfurt, in die Burgkapelle im MMKK (Museum Moderner Kunst Kärnten).
Raimund Spöck erzählte, ziemlich aufschlussreich, aus seinem jahrzehntelangen Kulturschaffen und den persönlichen Erfahrungen mit Künstlern, Kulturmanagern und den für die Kultur verantwortlichen Politikern.
In der anschließenden Gesprächsrunde wurde über die Zukunft von Kunst & Kultur(veranstaltungen) in Klagenfurt/Kärnten, nach dem politischen Machtwechsel, gesprochen und Zukunftsprojekte angedeutet bzw. Hoffnungen und Wünsche geäußert.
Video unter:
Jochen Traar. the local
Programm:
Raimund Spöck / Innenhofkultur:
Fotoreportage unter:
person by Regina Huebner
person by Regina Hübner, 28', 2006 (Excerpt)
Please note: the music you hear is the original sound during the performance of the dancer. As the videowork is elaborated, also the music results NOT as the compositions really are! To hear the original sound, as it should be, please visit the website of the composer Luca Lombardi Music (alterated due to video elaboration!) in this part: Essay 3 (Steiner) by Luca Lombardi, © Rai Trade. person is part of time and person spatial videoinstallation in the baroque Artspace Burgkapelle of the MMKK Museum Moderner Kunst Kärnten in Klagenfurt am Wörthersee, Austria, in 2016. Exhibition with two hanging, diaphanous screens and the music by composer Luca Lombardi.
Zeit/Person (time/person), an ambientation with 2 videoprojections on standing and hanging diaphanous screens, reflex and music, shown at Cinecittà Studios SpA, Studio 9, Rome, during La Notte Bianca Roma 2006, with the Patronage of The City of Rome. Performer Vega Veridiana R.
digital b/w video, clip 5'26'' of 28', endless.
© copyright Regina Hübner, all rights reserved.
Galerie nächst St. Stephan: A Talk with Luisa Kasalicky and Jakob Neulinger
LUISA KASALICKY Invitrospektive 27 June – 9 August 2014
Luisa Kasalicky’s painterly approach toward the exploration of space in all its dimensions (second, third, and fourth) has recently taken the form of moving images. The artist has expanded the distances and dependencies between viewer, picture, and pictorial medium in her sculptural arrangements in stages. Many of her décor-like, background elements, informed by fragmentation, seem to display the need to break out of two-dimensional flatness into three-dimensional space. Kasalicky then coerces these fragments into collage-like cooperatives formed along a common pictorial interest.
Both beyond and within the limits of panel painting, Kasalicky’s works seem to want to focus and direct our gaze. Since the late Renaissance, such stark contrasts between light and dark and choreographed lighting effects have acted as productive tools for highlighting and singling out individual elements from the dark masses, declaring them protagonists. As a painter, the entrance of her work into the three-dimensional realm means, just as in her two-dimensional practice, facing difficult decisions concerning light and shadow.
Luisa Kasalicky employed this strategy in her recent exhibitions “Frontispiz: Juxtaposition” in the Burgkapelle art space of the Museum Moderner Kunst Kärnten in Klagenfurt and “Intro: desiderio” in the Lentos Kunstmuseum Linz. In these projects, revolving spotlights were programmed in a loop to reveal details of the room and the works installed there. This influenced, with dramatic tenacity, what could be seen and what remained in the dark. The lights fell briefly on microcosms of organized groups of objects, allowing viewers a fleeting encounter with Kasilicky’s sculptural miniatures. No sooner had these disappeared again in the darkness that the afterglow of many objects remained in the viewer’s mind, gathering intellectual potential.
Continuing in this reflective vein, Luisa Kasalicky has installed a set of memory images in Galerie nächst St. Stephan. “Intro” (2013), which was originally directly integrated into the museum wall with pigment and thread as a wall piece, has been reproduced in fabric, stitch by stitch. In a cinematic style, the theatrical appearance of the same twilight groups of objects unfolds into an enchanted, playful choreography in which a shadow can carry more weight than its material counterpart.
If we follow the train of thought behind “Invitrospektive,” we must let go of the need to recognize something in an instant. We should not try to give things names. Instead, we should let the images settle in our minds. It’s not about instantaneously realizing exactly how something was – it’s about conceiving what it could be for us in the future.
Jakob Neulinger
Invitrospektive is Luisa Kasalicky’s first solo exhibition in the gallery’s main rooms. She has previously shown works in the gallery’s Login (2010) and the Projektraum (2012). New works by Sonia Leimer and Christoph Weber will be shown simultaneously in the gallery’s fourth room.
Luisa Kasalicky was born in Prague in 1974. She studied painting and graphic arts at the Akademie der bildenden Künste (Academy of Fine Arts) in Vienna, where she currently lives. She won the Otto Mauer Preis in 2013.
Selected exhibitions: 2013 Intro: Desiderio, Lentos Kunstmuseum, Linz (solo); Frontispiz, Juxtaposition, Kunstraum Burg-kapelle, Museum Moderner Kunst Kärnten, Klagenfurt (solo); 2012 Immer bunter, Galerie im Taxispalais, Innsbruck; 2011 En suite, BAWAG Contemporary, Vienna (solo); 2010 Galerie der Stadt Schwaz, Schwaz (solo); Lebt und arbeitet in Wien III, Kunsthalle Wien, Vienna; 2009 Twilight Zone, Kunstraum Niederösterreich, Vienna; 2008 Delay Tacitcs of Second Rate Quality, Austrian Cultural Forum, London; 2006 Erzählungen -35/65+, Kunsthaus Graz