2015 4th Sept Rehearsal cloister of St Anne in the cafeteria of the gallery of Modern Art Keith Emer
Keith Emerson in Sicily Southern Italy Palermo, to guest star at Cloister Gallery of Modern Art, with Palermo Classical Symphony Orchestra Conducted by Scott Jackson Wiley, pianist Primavera Shima (playing Keith's Piano concerto No.1
Places to see in ( Ferrara - Italy ) Palazzo dei Diamanti
Places to see in ( Ferrara - Italy ) Palazzo dei Diamanti
Palazzo dei Diamanti is a Renaissance palace located on Corso Ercole I d'Este 21 in Ferrara, region of Emilia Romagna, Italy. The main floor of the Palace houses the Pinacoteca Nazionale di Ferrara. To accommodate the growth of Ferrara, in 1492 the Duke Ercole I d'Este demolished the medieval walls of the city on the north, and had the court architect, Biagio Rossetti, design an urban expansion known as the Addizione Erculea. Rosetti was commissioned by Sigismondo d'Este, brother of the Duke Ercole I, to build this palace at the prestigious intersection of what was to be the Decumanus Maximus (now encompassing Corsi Porta Po, Biagio Rossetti, and Porta Mare) and Cardo Maximus (Corso Ercole I d'Este) of the urban addition. It was built between 1493 and 1503. Used as a residential home by the Este family and, starting in 1641, by the Villa marquis, in 1832 the palace was acquired by the municipality of Ferrara to house the National Gallery of Art and the Civic University.
The most striking feature is the bugnato of the exterior walls: it consists of some 8,500 white (with pink veins) marble blocks carved to represent diamonds, hence its name. The positioning of the diamonds varies in order to maximize the light reflected off the building, creating quite the visual effect. The palace is also well known for its candelabra and the phytomorphic corner motifs. Inside, it has a typical Renaissance courtyard with a cloister and a marble well; the latter is a characteristic typical of gardens in Ferrara.
The main floor of the Palace houses the National Art Gallery of Ferrara, with paintings from the Ferrara school from the Middle Ages up to the 18th century. The oldest paintings are large frescoes (Triumph of sant'Agostino by Serafino da Modena) and wooden panels with gold-leaf backgrounds, such as the Madonna and Child by Gentile da Fabriano. The main artists from the 15th century in Ferrara represented in the museum are Cosmè Tura (Giudizio and Martyrdom of san Maurelio), Ercole de' Roberti, Vicino da Ferrara and Michele Pannonio. There are works from the Este family collections, including a work by Andrea Mantegna (Cristo con l'animula della Madonna).
There are also two works by unidentified artists from the collection of the Marquis Leonello d'Este at the Belfiore Palace. The major 16th-century Ferrarese painter, Garofalo, is represented by a number of works, including Pala Costabili, done in collaboration with Dosso Dossi. The period of mannerism is represented by Bastianino, who uses a technique similar to that of Michelangelo in his works. Among the other artists in the collection are Amerigo Aspertini, Giuseppe Avanzi, Baldassarre d'Este, Jacopo Bambini, Bastarolo (Giuseppe Mazzuoli), Giovanni Bellini, Jacopo Bellini, il Ortolano , Carlo Bononi (1569–1632), Vittore Carpaccio, Girolamo da Carpi (1500–1556), Agostino Carracci, Ludovico Carracci, Coltellini (1480–1535/42), Francesco del Cossa (1435/1436–1478), Lorenzo Costa (c. 1460–1535), Giulio Cromer, Girolamo Domenichini, Battista Dossi (c. 1490–1548), Francesco Francia (1450–1517), Gaetano Gandolfi, Ubaldo Gandolfi, Maestro degli Occhi Spalancati, Maineri, Giovanni da Modena (active 1398), Ludovico Mazzolino (c.1480-1528/1530), Panetti, Giacomo Parolini, Nicolò Pisano (Nicolò dell'Abrugia), Nicolò Roselli (1500–c. 1580), Maurelio Scannavini, Scarsellino (c. 1550–1620), Simone de Crocifissi, Tintoretto, Bartolomeo Vivarini, and Giuseppe Zola (1672–1743).
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Places to see in ( Ravenna - Italy ) Mar - Museo d'Arte della citta di Ravenna
Places to see in ( Ravenna - Italy ) Mar - Museo d'Arte della citta di Ravenna
The MAR - Museum of Art of the City of Ravenna is a museum located in Ravenna . It is located within the monumental complex of Loggetta Lombardesca which takes its name from the 16th century loggia. Built at the beginning of the 16th century , the cloister of the Abbey of the Basilica of Santa Maria in Porto takes its name from the Loggia del Giardino , better known as Loggetta Lombardesca , by the sampling and Lombard workers who worked there under the direction of Tullio Lombardo .
Of the original building, which from the age of Napoleonic suppressions has undergone several reconversions of use until the restoration of the early 70s of the twentieth century , remains the cloister with Renaissance proportions, the layout of the spaces and the elegant five arches, which has become the symbol and the monumental emergency of the entire complex.
Currently the Loggetta Lombardesca hosts the Museum of Art of the city of Ravenna , established in 2002 by the municipality of Ravenna , formerly the Municipal Art Gallery of Ravenna. The museum preserves a significant nucleus of more than three hundred works from the fourteenth to the twentieth century , of great interest for the documentation of the artistic scenario in Romagna in relation to influences and presences coming from the Veneto, Emilia and Ferrara areas, without neglecting the table paintings of the XIV and XV century by Lorenzo Monaco , Taddeo di Bartolo , Antonio Vivarini , as well as the significant presence of Giorgio Vasari in Ravenna in 1548 documented by the Lamentation over Christ deposed by the cross , or the paintings by famous 17th century paintersincluding Guercino and Carlo Cignani , up to the funeral slab of Guidarello Guidarelli , by Tullio Lombardo .
Among the museum's works exhibited at the museum, the most significant nucleus consists of a series of 20 mosaics , accompanied by preparatory cartoons, made for an exhibition that took place in Ravenna in 1959 . The initiative was joined by Marc Chagall and Georges Mathieu , Renato Guttuso , Afro Basaldella and Mirko Basaldella , Corrado Cagli , Giuseppe Capogrossi , Bruno Saetti , Renato Birolli , Giuseppe Santomaso , Emilio Vedova , Mattia Moreni and Antonio Corpora., Mario De Luigi and Massimo Campigli .
To this historical collection are added other contemporary mosaics, mosaic translations from works by Mimmo Paladino , Giosetta Fioroni , Balthus and Michelangelo Antonioni , Luigi Ontani and Eugenio Carmi , but also works made by the same artists as Vedova, Marco De Luca , Marco Bravura , Germano Sartelli , Paolo Raccagni , Francesca Fabbri , Luca Barberini , CaCO3 and many others. The collection is constantly expanding, also thanks to the two-year GAEM international contest - Giovani Artisti e Mosaico
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Palazzo dei Diamanti, Ferrara, Emilia-Romagna, Italy
Palazzo dei Diamanti is a palace located on Corso Ercole I d'Este 21 in Ferrara, northern Italy. It is one of the most famous palaces in Italy, as well one of the most influential examples of European Renaissance architecture. Designed by Biagio Rossetti upon commission by Sigismondo d'Este, brother of Duke Ercole I d'Este, in 1492, it was built between 1493 and 1503. Used as a residential home by the Este family and then, starting in 1641, by the Villa marquees, in 1832 the palace was acquired by the municipality of Ferrara to house the National Gallery of Art and the Civic University. The most striking feature is the bugnato of the exterior walls: it consists of some 8,500 white (with pink veins) marble blocks carved to represent diamonds, hence its name. The positioning of the diamonds varies in order to maximize the light reflected off the building, creating quite the visual effect. The palace is also well known for its candelabras and the phytomorphic corner motifs. Inside, it has a typical Renaissance courtyard with a cloister and a marble well; the latter is a particular characteristic typical of gardens in Ferrara. The main floor of the Palace houses the National Art Gallery of Ferrara, with paintings from the Ferrara school from the Middle Ages up to the 18th century. The oldest paintings are large frescoes (Triumph of sant'Agostino by Serafino da Modena) and wooden panels with gold-leaf backgrounds, such as the Madonna and Child by Gentile da Fabriano. The main artists from the 15th century are Cosmè Tura (Giudizio and the Martyrdom of san Maurelio), Ercole de' Roberti, Vicino da Ferrara and Michele Pannonio, who each have several works here. From the Este family collections, there are works by various artists, one of whom is Andrea Mantegna (Cristo con l'animula della Madonna). There are also two works by unidentified artists from the collection of the Marquee Leonello d'Este at the Belfiore Palace. The 16th century is represented by the master of classicism Garofalo; there are many works here by this artist, one of the most noteworthy being Pala Costabili, done in collaboration with Dosso Dossi. The period of mannerism is represented by Bastianino, who uses a technique similar to that of Michelangelo in his works. Other artists present are Vittore Carpaccio, Ortolano, Manieri, Panetti, Coltellini, Maestro degli Occhi Spalancati and many more. From September 11, 2011 to January 8, 2012, Palazzo dei Diamanti will host The Crazy Years dedicated to the extraordinary artistic work that characterized Paris from the end of the Great War to the 1930s. There will be works by, among others, Monet, Matisse, Mondrian, Picasso, Braque, Modigliani, Chagall, Duchamp, De Chirico, Miró, Magritte and Dalí. There will be paintings on display as well as sculptures, theatre costumes, photographs, ready made art, and sketches from the most important museums and private collections in the world. From October 13th 2012 to January 13th 2013, visitors will have the opportunity to discover the masterpieces from the collections of the Museo Boldini and the other modern and contemporary art galleries of Palazzo Massari.
Palazzo dei Diamanti, Ferrara, Emilia-Romagna, Italy
Palazzo dei Diamanti is a palace located on Corso Ercole I d'Este 21 in Ferrara, northern Italy. It is one of the most famous palaces in Italy, as well one of the most influential examples of European Renaissance architecture. Designed by Biagio Rossetti upon commission by Sigismondo d'Este, brother of Duke Ercole I d'Este, in 1492, it was built between 1493 and 1503. Used as a residential home by the Este family and then, starting in 1641, by the Villa marquees, in 1832 the palace was acquired by the municipality of Ferrara to house the National Gallery of Art and the Civic University. The most striking feature is the bugnato of the exterior walls: it consists of some 8,500 white (with pink veins) marble blocks carved to represent diamonds, hence its name. The positioning of the diamonds varies in order to maximize the light reflected off the building, creating quite the visual effect. The palace is also well known for its candelabras and the phytomorphic corner motifs. Inside, it has a typical Renaissance courtyard with a cloister and a marble well; the latter is a particular characteristic typical of gardens in Ferrara. The main floor of the Palace houses the National Art Gallery of Ferrara, with paintings from the Ferrara school from the Middle Ages up to the 18th century. The oldest paintings are large frescoes (Triumph of sant'Agostino by Serafino da Modena) and wooden panels with gold-leaf backgrounds, such as the Madonna and Child by Gentile da Fabriano. The main artists from the 15th century are Cosmè Tura (Giudizio and the Martyrdom of san Maurelio), Ercole de' Roberti, Vicino da Ferrara and Michele Pannonio, who each have several works here. From the Este family collections, there are works by various artists, one of whom is Andrea Mantegna (Cristo con l'animula della Madonna). There are also two works by unidentified artists from the collection of the Marquee Leonello d'Este at the Belfiore Palace. The 16th century is represented by the master of classicism Garofalo; there are many works here by this artist, one of the most noteworthy being Pala Costabili, done in collaboration with Dosso Dossi. The period of mannerism is represented by Bastianino, who uses a technique similar to that of Michelangelo in his works. Other artists present are Vittore Carpaccio, Ortolano, Manieri, Panetti, Coltellini, Maestro degli Occhi Spalancati and many more. From September 11, 2011 to January 8, 2012, Palazzo dei Diamanti will host The Crazy Years dedicated to the extraordinary artistic work that characterized Paris from the end of the Great War to the 1930s. There will be works by, among others, Monet, Matisse, Mondrian, Picasso, Braque, Modigliani, Chagall, Duchamp, De Chirico, Miró, Magritte and Dalí. There will be paintings on display as well as sculptures, theatre costumes, photographs, ready made art, and sketches from the most important museums and private collections in the world. From October 13th 2012 to January 13th 2013, visitors will have the opportunity to discover the masterpieces from the collections of the Museo Boldini and the other modern and contemporary art galleries of Palazzo Massari.
Famous Palazzo dei Diamanti Palace in Ferarra of Italy
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The Palazzo dei Diamanti is one of the most famous monuments of Ferrara and the Italian Renaissance, located in Corso Ercole I d'Este 21, the Crossroads of the Angels, right in the middle of the ' Herculean Addition. The palace was designed by Biagio Rossetti on behalf of Sigismondo d'Este, brother of Duke Ercole I d'Este in 1492. The actual construction took place between 1493 and 1503. The building was modified between 1567 and 1570 by Galasso Alghisi (sometimes referred to as Galeazzo Alghisi or Galeazzo da Carpi), according to some scholars such interventions could have affected the brick fascia that crowns the building, the inclusion of the balcony d ' angle, the shape and arrangement of windows in facade.
Its main feature is the ashlar -shaped outer tips of the diamond, which gives its name to the palace. The approximately 8,500 blocks of marble white tinged with pink create valuable perspective effects due to the different orientation of the tips, oriented differently depending on the location in order to capture the best light (now toward the ground, and now centrally upward climb in the the lower part of the monument). Celebrate also the candelabras and decorations phytomorphic corner traditionally attributed to Gabriele Frisoni a stonemason born in Mantua. Inside features a typical courtyard with Renaissance cloister and a shaft of marble; the latter is the special characteristic of the gardens of Ferrara.
On the main floor the Palace houses the National Art Gallery, with paintings of the fundamental school of Ferrara from the thirteenth to the eighteenth century.
Among the oldest paintings we find the great fresco depicting the Triumph of St Augustine of Modena Serafino de'Serafini or boards with a gold background, such as the Madonna and Child by Gentile da Fabriano. Cosme Tura (with the present Judgment and the Martyrdom of san Maurelio ), Ercole de 'Roberti, close to Ferrara and Michael Pannonio are the main Ferrarese artists of the fifteenth century, represented by several works. From the collections come Este works by various artists, including Andrea Mantegna ( animula Christ with the Virgin Mary ). Author are uncertain of the Muse Erato and Urania Musa, who come from Belfiore Study of the Marquis Leonello d'Este, a palace of Belfiore.
The sixteenth century is the master of classicism Garofalo, present with numerous works, among which stands out the Pala Costabili, opera collaboration with Dosso Dossi. The period of Mannerism is testified by the works of Bastianino, characterized by a physicality derived from the works of Michelangelo, which thins the more ethereal late works; other teachers present with their works are Vittore Carpaccio, l ' Ortolano, the Maineri, the Panetti, the Boxcutters, the Master of Eyes Wide Open, and others.
In the basement of the Gallery of Modern Art is housed in which temporary exhibitions since 1992. The Palazzo dei Diamanti (German: Palace of Diamonds ) is a museum building in the provincial capital of Ferrara, in the region of Emilia Romagna in northern Italy, home to an important, Ferraresischer mainly from existing works Painters Art Gallery.
The palazzo was built by order of Ercole d'Este in 1492 and performed by Biagio Rossetti. The actual building was constructed between 1493 and 1503. Its main feature is the padded outer tips shaped diamond, which give name to the palace. The nearly 8,500 blocks marble pink white marbled effects of perspective created by the different orientation of beams, as variously oriented placement allows better capture light.
They are also famous chandeliers and decorations fitomorfas angle. The interior has a typical Renaissance courtyard with cloister and marble well; the latter is peculiar feature of the gardens of Ferrara.
The sixteenth century is represented by the master of classicism Benvenuto Tisi ( Garofalo ), present many works among which the Pala Costabili, collaborative work with Dosso Dossi. The period of Mannerism is also represented by the works of Bastianino, characterized by physicality derived from the works of Michelangelo, which is lost in successive works. Other figures present their works are Vittore Carpaccio, the Ortolano, Manieri, Panetti, Coltellini, the Maestro degli Occhi Spalancati and others.
On the lower floor is the civic gallery modern art and contemporary housing temporary exhibits high level from 1992, when the show opened on Claude Monet and his friends.
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SABINA ALBANO MODART GALLERY: GENNARO 2016 III Edizione *COLLETTIVA D'ARTE*
SABINA ALBANO MODART GALLERY: GENNARO 2016 III Edizione *COLLETTIVA D'ARTE*
vernissage 19 Settembre 2016
Artisti partecipanti alla Collettiva:
Marco Abbamondi
Gianni Abbamondi
Gloria Pastore
Roberto di Bianco
Costantino Sgamato
Pippo Panariello
Peppe Esposito
Schatzy Mosca
Roberta Cordisco
Salvio Capiamo
Maurizio Rodriguez
Salvio Parisi
Carmine dello Ioio
Antonio Iazzetta
Salvatore Graf
Vicoli Santi x abiti
Tappeto sonoro :BETTER MAN
Sponsor
Cantine ASTRONI x Piedirosso
ARGENZIANO Italia x olio bio
Carraturo a Porta Capuana x dolce a forma di Mitra di San Gennaro impostato con riduzione di Piedirosso
CARRATURO, ANDOLI E VERNAZZARO, OMAGGIANO SAN GENNARO CON FACCIA GIALLA
Faccia gialla”, i dolci a forma di mitra di San Gennaro creati da Uderico Carraturo (Pasticceria Carraturo a Porta Capuana dal 1837 ndr) insieme a Francesco Andoli e Gerardo Vernazzaro: pasta sfoglia caramellata all’esterno a richiamare il luccichio dell’oro, gelatine rosse e verdi per le gemme, un ripieno di crema gialla (dall’appellativo tutto napoletano del santo “faccia gialla”) e fragoline lasciate a macerare nel vino (il Piedirosso Cantine Astroni ndr) per aggiungere la nota sanguigna.
Video: TV Cultura Bruno Aymone Channel
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Soundtrack: Dat Groove (Full Track) di Audionautix è un brano autorizzato da Creative Commons Attribution (
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Regia: Bruno Aymone
31th December 2014 Ferrara, Italy, the Castle burning (music by Keith Emerson)
The year is going to end in Ferrara, and the Castle burns
Places to see in ( Piacenza - Italy ) Basilica di Sant'Antonino
Places to see in ( Piacenza - Italy ) Basilica di Sant'Antonino
The Basilica of Sant'Antonino is a medieval Roman Catholic basilica in the city of Piacenza in the Province of Piacenza, Italy. Sant'Antonino is the patron saint of the city. The Basilica on pilgrimage routes was designed by Pietro Vago in 1350. In 1998, a large statue of Gregory X, sculpted by Giorgio Groppi, was placed under the large Portico of Paradise. The Portico was itself completed in the 12th century with carvings by the school of Niccolò da Ferrara.
The church has been rebuilt and modified across the century. The carved wood ceiling was substituted by Gothic tracery. In the 19th century pseudo-gothic decroation was added to the interior. The adjacent cloister dates to 1483.
The interior of the church contains frescoes by Camillo Gavasetti in the presbytery, and canvases by Robert de Longe. Many of the works have been transferred to the Civic Gallery. Among the works retained is a Coronation of the Virgin by Gian Battista Trotti (il Malosso)
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Zurbarán: Incarnate Images (1988)
A Christmas holiday special presenting the paintings of Francisco de Zurbarán, the great seventeenth-century Spanish artist. The broadcast, emphasizing the artist's works related to the Nativity, originates from the Metropolitan Museum of Art and the Cloisters in New York City. Hosted by Katina Kalin and produced by CBS in 1988.
Restaurant Music 10 Hours - Relax Instrumental Jazz for Dinner
The Best Compilation of Relaxing Instrumental Restaurant Jazz Background Music for Full 10 Hours perfect for elegant dinner! .
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Romanesque Art - 5 Italy
Fifth video about the Romanesque Art serie. Any doubt? Send me a message.
Historia del Arte:
Land of the Art:
In Italy the medieval styles weren’t very well assimilated by the artists, who always looked to the classical past. There are various zones.
North of Italy, Lombardy. Churches of lombard type, following the first romanesque.
Parma: from the original building only remains some rests. The baptistery is the other building. Stand out the renaissance frescoes by Il Correggio.
Ferrara: big building with nice paintings in the interior.
Sant’Ambrogio of Milan: poor material. The quadriportic was for the catechumens, but it lost its function with time. The belltower has aesthetic of defensive tower.
Tuscany. The main here is the group of Pisa, with the leaning belltower of Pisa. Fresco in the apse with Christ with the Virgin and St. John. The marble has a decorative function too. Multicolored marble. Other church here is San Miniato.
Lazio. Decoration of cosmatesque style, use of geometric forms, marble, and tesellas of mosaics to decorate.
Southern area of Italy. Different influences, like arab, byzantine and norman. One of these buildings is the cathedral of Palermo, of strong eastern style. It was firstly a byzantine basilica, and was reconstructed. The cathedral of Monreale has influence of arab art. The cloister is the most arab place of this building.
Others. There are a lot of romanesque works in Italy. I will say more examples.
San Vicenzo in Prato: nice decoration and a gallery called little gallery. Wooden cover. Exterior baptistery.
Modena: here worked Wiligelmo. Stands out the facade. The Girlendine Tower is decorated with lombard arches divided in bodies.
Pomposa: it was a clunisian abbey. Central nave covered with wood. Stands out the tower, well decorated.
San Michele Maggiore (Pavia): stands out the facade. Buttress with chiaroscurist effects.
San Zeno Maggiore (Verona): bicolor marble in exterior. Gothic rosette.
Baptistery of Saint John: octogonal plant, with dome. Great interior decoration. The three doors are very important. The south door is by Andrea Pisano and tells the life of Saint John the Baptist. The north door is by Lorenzo Ghiberti and tells the life of Jesus and the four Evangelists. The third door, also by Ghiberti, was called the “Door of Paradise” by Michelangelo, and tells scenes of the Old Testament.
Spoleto: stand out the paintings in the interior. Byzantine style.
San Michele in Foro: the most important here is the facade. Very amazing sculptoric decoration. There is a statue of the Archangel Michael in the act of killing a dragon with a spear.
Cloister of St. John Lateran: the biggest cloister of Rome. Its columns are each one of a different style, plain or with mosaics. The wavy forms give harmony.
Cloister of Paradise: in the cathedral of Amalfi, a very beautiful cloister.
Trani: stands out the facade.
San Nicola (Bari): important church of pilgrimage for ortodoxian people. It contains the Throne of Bari, artwork by Wilicelmo of Modena.
Cefalu: two belltowers. Mosaics of byzantine style.
About sculpture, it has different influences, mostly french and byzantines, interpreted in a classical sense, announce of Renaissance.
Zone of Lombardy. Here works the master Wilicelmo of Modena, working in the facade of the cathedral of Modena. Guglielmo of Verone works with his disciple Nicola in the cathedral of Ferrara, Saint Zeno, and the cathedral of Verona. Benedetto Antelami is the most important sculptor of the italian romanesque. He works in the cathedral of Parma, where is his Descent. Also is by him the equestrian statue of Oldrado da Tresseno in the facade of the Palacio della Regione (Milan).
Zone of Tuscany. It follows the byzantine tradition. Guglielmo makes the Pulpit of the cathedral of Pisa.
Southern zone of Italy. Very important. Wilicelmo de Modena makes the Throne of Bari. Mix of influences between classical, eastern and romanesque. The cloister of the cathedral of Monreale stands out here by its capitals.
About painting, the byzantine influence is evident. Use of mosaic. To know some, I can name the paintings of San Vicenzo-di-Galliano and San Angelo in Formis.
Music: Cantigas de Santa María by Alfonso X el Sabio
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Museo Civico di Padova Pinacoteca
The oldest museum complex in the Veneto, the Civic Museums of Padua, is housed in the cloisters of the former monastery of the Eremitans. It includes the Archaeological Museum and the Museum of Medieval and Modern Art, as well as the Scrovegni Chapel.
4 ARTISTI
Maurizio Bonora, Gianni Guidi, Gianfranco Goberti e Segio Zanni sono 4 artisti ferraresi che hanno incrociato le loro esistenze più e più volte.
Stesse scuole, stessa professione, insegnati nello stesso istituto e stessa città, Ferrara. Coetanei, hanno vissuto in pieno il movimentato mondo dell'arte dalla seconda metà del 1900 ad oggi.
ANTONIO ALLEGRI DA CORREGGIO BIGRAPHY, ART, AND ANALYSIS OF WORKS | HILMA AF KLINT BIOGRAPHY
This video was created from parts of the Wikipedia article used under the Creative Commons Attribution-Sharealike 3.0 Unported License (CC-BY-SA).
................................................................ ANTONIO ALLEGRI DA CORREGGIO BIGRAPHY, ART, AND ANALYSIS OF WORKS | HILMA AF KLINT BIOGRAPHY
Born Antonio Allegri public prosecutor Antonio Allegri da Correggio, he was AN Italian Renaissance painter of the Parma college. His art foreshadowed the Rococo art of the eighteenth century with dynamic compositions ANd an illusive perspective. very little is understood regarding Correggio’s youth or coaching. what's proverbial is that he was bound to Francesco Bianchi Ferrara between 1503 and 1505, once that he traveled through European country painting non secular works, turning into more and more famed. In 1514, he came back to his town of Antonio Allegri da Correggio, ANd signed an agreement to complete the Madonna screen within the St. Francis cloister.
Correggio received his 1st major commission in 1519, once he united to color the ceiling of the non-public eating salon of the prioress of the St. Paul Convent in Parma, Italy. additional frescoes and paintings within the early 1520’s exhibit dynamic compositions, that convey movement that was theretofore unprecedented . This dynamism ANd Correggio’s use of an unreal perspective characterised the new Baroque vogue.
Although his works square measure currently thought of to possess had a revolutionary impact on modern artists, they're all terribly eclectic, and no direct rhetorical link connects all of them in one class. very little is understood of his teachings, then it's additionally tough to work out the rhetorical qualities that brought forth his abilities. His character as a person was remembered as introspective , melancholic, and dark. He failed to have any direct disciples, however his works were extremely authoritative on painters outside of Parma, wherever he lived and worked. Parmigiano, Giorgio Gandini del Grano, and Giovanni Maria Francesco Rondani all show influences of his works.
subscribe to channel Important note: due to copyright limitations in Europe all the images inside any video are for indicative art purpose only, it does not necessarily done by the artist himself the video is talking about or the art movement a video talks about. sorry if it might seem to be a misleading.
I will try to append at the end of any video the reference link so in case the artworks needed to be seen by viewer it would be easy to find. Thnx
Piacenza
Piacenza [pjaˈtʃɛntsa] listen is a city and comune in the Emilia-Romagna region of northern Italy. It is the capital of the province of Piacenza. Modern forms of the name descend from Latin Placentia. The etymology is long-standing, tracing an origin from the Latin verb, placēre, to please. In French, and occasionally in English, it is called Plaisance. The name means a pleasant abode, or as James Boswell reported some of the etymologists of his time to have translated it, comely. This was a name of good omen.
Piacenza is located at a major crossroads at the intersection of Route E35/A1 between Bologna and Milan, and Route E70/A21 between Brescia and Tortona. Piacenza is also at the confluence of the Trebbia, draining the northern Apennines, and the Po, draining to the east. Piacenza also hosts two universities, Università Cattolica del Sacro Cuore and Politecnico di Milano.
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Ventagli di Fuoco - CREATIVITY STREET - Milano
con :
MARTINA La Poiana TAURO
Livio Caiulo
CREATIVITY STREET
e con:
Il Calzolaio di Milano
Studio Caiulo
ARTE&GESSO Arreda
House Gallery
Ristorante Dagli Amici di Patty
Milano giugno 2015
Civilisation: Man The Measure of all Things (1969)- Part 04 of 13
Piacenza | Wikipedia audio article
This is an audio version of the Wikipedia Article:
Piacenza
00:01:04 1 History
00:01:12 1.1 Ancient history
00:01:21 1.1.1 Pre-Roman era
00:01:54 1.1.2 Roman age
00:05:26 1.2 Middle Ages
00:07:54 1.3 Modern era
00:09:54 1.4 Union with Italy
00:10:57 1.5 World War II
00:12:41 2 Geography
00:12:50 2.1 Climate
00:13:13 3 Government
00:13:22 4 Main sights
00:13:38 4.1 Palaces
00:15:06 4.2 Other places of interest
00:20:35 5 Dialect
00:21:20 6 Sport
00:22:22 7 Cuisine
00:24:33 8 People
00:28:45 9 International relations
00:28:55 9.1 Twin towns — Sister cities
00:29:12 10 See also
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The only true wisdom is in knowing you know nothing.
- Socrates
SUMMARY
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Piacenza (Italian pronunciation: [pjaˈtʃɛntsa] (listen); Piacentino: Piaṡëinsa [pi.aˈzəi̯sɐ]; Latin: Placentia) is a city and comune in the Emilia-Romagna region of northern Italy, the capital of the eponymous province. The etymology is long-standing, tracing an origin from the Latin verb placēre, to please. In French, and occasionally in English, it is called Plaisance. The name means a pleasant abode, or as James Boswell reported some of the etymologists of his time to have translated it, comely. This was a name of good omen.Piacenza is located at a major crossroads at the intersection of Route E35/A1 between Bologna and Milan, and Route E70/A21 between Brescia and Tortona. Piacenza is also at the confluence of the Trebbia, draining the northern Apennine Mountains, and the Po, draining to the east. Piacenza also hosts two universities, Università Cattolica del Sacro Cuore and Polytechnic University of Milan.
Padua | Wikipedia audio article
This is an audio version of the Wikipedia Article:
00:01:56 1 Etymology
00:02:54 2 History
00:03:02 2.1 Antiquity
00:07:43 2.2 Late Antiquity
00:09:29 2.3 Frankish and Episcopal Supremacy
00:10:27 2.4 Emergence of the Commune
00:14:11 2.5 Venetian rule
00:16:07 2.6 Austrian rule
00:17:43 2.7 Italian rule
00:18:23 2.8 The 20th century
00:22:35 3 Geography
00:22:44 3.1 Climate
00:23:05 4 Main sights
00:32:23 4.1 Villas
00:33:19 4.2 Churches
00:34:50 4.3 Gallery
00:34:58 5 Culture
00:38:20 6 Demographics
00:40:09 7 Government
00:41:00 8 Consulates
00:41:27 9 Economy
00:42:11 10 Transport
00:42:20 10.1 By car
00:43:10 10.2 By rail
00:45:02 10.3 By aeroplane
00:45:46 10.4 Public transport
00:46:49 10.5 Statistics
00:47:38 11 Sports
00:50:44 12 Governance
00:50:53 12.1 Town twinning
00:51:04 13 Notable people
00:56:27 14 See also
Listening is a more natural way of learning, when compared to reading. Written language only began at around 3200 BC, but spoken language has existed long ago.
Learning by listening is a great way to:
- increases imagination and understanding
- improves your listening skills
- improves your own spoken accent
- learn while on the move
- reduce eye strain
Now learn the vast amount of general knowledge available on Wikipedia through audio (audio article). You could even learn subconsciously by playing the audio while you are sleeping! If you are planning to listen a lot, you could try using a bone conduction headphone, or a standard speaker instead of an earphone.
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Speaking Rate: 0.9019289129272804
Voice name: en-AU-Wavenet-A
I cannot teach anybody anything, I can only make them think.
- Socrates
SUMMARY
=======
Padua (; Italian: Padova [ˈpaːdova] (listen); Venetian: Pàdova) is a city and comune in Veneto, northern Italy. It is the capital of the province of Padua and the economic and communications hub of the area. Padua's population is 214,000 (as of 2011). The city is sometimes included, with Venice (Italian Venezia) and Treviso, in the Padua-Treviso-Venice Metropolitan Area (PATREVE) which has a population of c. 2,600,000.
Padua stands on the Bacchiglione River, 40 kilometres (25 miles) west of Venice and 29 km (18 miles) southeast of Vicenza. The Brenta River, which once ran through the city, still touches the northern districts. Its agricultural setting is the Venetian Plain (Pianura Veneta). To the city's south west lies the Euganaean Hills, praised by Lucan and Martial, Petrarch, Ugo Foscolo, and Shelley.
It hosts the University of Padua, founded in 1222, where later Galileo Galilei was a lecturer between 1592 and 1610.
The city is picturesque, with a dense network of arcaded streets opening into large communal piazze, and many bridges crossing the various branches of the Bacchiglione, which once surrounded the ancient walls like a moat.
Padua is the setting for most of the action in Shakespeare's The Taming of the Shrew. There is a play by the Irish writer Oscar Wilde entitled The Duchess of Padua.
The city is also known for being the city where Saint Anthony, a Portuguese Franciscan (Anthony of Padua, also known as Anthony of Lisbon - city where he was born in 1195), spent part of his life and died in 1231.