The earliest image of the real Jesus christ a black hebrew isrealite man.wmv
The original JESUS is a black man.
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4K Floor Mosaics Michelangelo Simonetti @ Vatican Museum - Rome Italy - Eric Clark’s Travel Videos
4K Floor Mosaics Michelangelo Simonetti @ Vatican Museum - Rome Italy - Eric Clark’s Travel Videos
From Wikipedia
Designed and built by the Italian architect Michelangelo Simonetti during the pontificate of Pope Pius VI Braschi( 1775-1799), who came to constitute the entrance hall of the Pio Clementino Museum. The evidence remains in the Latin inscription Museum Pium above the imposing access, each side of which is flanked by an Egyptian style pillar-statue (telamones) in pink granite, which dates from the beginning of the 1st century A.D. In the center of the floor is a mosaic with a bust of Athena. In the hall, dominated by the presence of two huge porphyry sarcophagi, there is also the Verospi Augustus, a portrait statue of the emperor in a heroic pose, perhaps posthumous, and a statue of Gaius Caesar, a nephew of the same Augustus.
The Vatican Museums (Italian: Musei Vaticani; Latin: Musea Vaticana) are Christian art museums located within the city boundaries of the Vatican City. They display works from the immense collection amassed by popes throughout the centuries including several of the most renowned Roman sculptures and most important masterpieces of Renaissance art in the world. The museums contain roughly 70,000 works, of which 20,000 are on display,[3] and currently employ 640 people who work in 40 different administrative, scholarly, and restoration departments.[4]
Pope Julius II founded the museums in the early 16th century.[5] The Sistine Chapel, with its ceiling decorated by Michelangelo and the Stanze di Raffaello decorated by Raphael, are on the visitor route through the Vatican Museums. In 2017, they were visited by 6 million people, which combined makes it the 4th most visited art museum in the world.[6][7] It is one of the largest museums in the world.
There are 54 galleries, or sale, in total,[citation needed] with the Sistine Chapel, notably, being the very last sala within the Museum.
The Vatican Museums trace their origin to one marble sculpture, purchased in the 16th century: Laocoön and His Sons was discovered on 14 January 1506, in a vineyard near the basilica of Santa Maria Maggiore in Rome. Pope Julius II sent Giuliano da Sangallo and Michelangelo Buonarroti, who were working at the Vatican, to examine the discovery. On their recommendation, the pope immediately purchased the sculpture from the vineyard owner. The pope put the sculpture, which depicts the Trojan priest Laocoön and his two sons being attacked by giant serpents, on public display at the Vatican exactly one month after its discovery.
Benedict XIV founded the Museum Christianum, and some of the Vatican collections formed the Lateran Museum, which Pius IX founded by decree in 1854.[8]
The Museums celebrated their 500th anniversary in October 2006 by permanently opening the excavations of a Vatican Hill necropolis to the public.[9]
On 1 January 2017, Barbara Jatta became the Director of the Vatican Museums, replacing Antonio Paolucci who had been director since 2007.[10][11]
The art gallery was housed in the Borgia Apartment until Pope Pius XI ordered construction of a proper building. The new building, designed by Luca Beltrami, was inaugurated on 27 October 1932.[12] The museum's paintings include:
Giotto's Stefaneschi Triptych
Olivuccio di Ciccarello, Opere di Misericordia
Raphael's Madonna of Foligno, Oddi Altarpiece and Transfiguration
Leonardo da Vinci's St. Jerome in the Wilderness
Caravaggio's Entombment
Perugino's Madonna and Child with Saints and San Francesco al Prato Resurrection
Filippo Lippi's Marsuppini Coronation
Jan Matejko's Sobieski at Vienna
The museum takes its name from two popes; Clement XIV, who established the museum, and Pius VI, the pope who brought the museum to completion. Clement XIV came up with the idea of creating a new museum in Innocent VIII's Belvedere Palace and started the refurbishment work.[16]
Pope Clement XIV founded the Pio-Clementino museum in 1771, and originally it contained the Renaissance and antique works. The museum and collection were enlarged by Clement's successor Pius VI. Today, the museum houses works of Greek and Roman sculpture. Some notable galleries are:
Greek Cross Gallery (Sala a Croce Greca): with the porphyry sarcophagi of Constance and Saint Helen, daughter and mother of Constantine the Great.
...
Jean-Leon Gerome 讓-里奧·傑洛姆 (1824-1904) Academicism Romanticism Orientalism French
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Jean-Leon Gerome, (born May 11, 1824, Vesoul, France—died Jan. 10, 1904, Paris), painter, sculptor, and teacher, one of the most prominent late 19th-century academic artists in France.
Gerome, whose father was a goldsmith, studied with Paul Delaroche. His historical and mythological compositions, such as Pygmalion and Galatea, were anecdotal, painstaking, often melodramatic, and frequently erotic. The surfaces of his paintings were highly finished, and he was fascinated with technical virtuosity. He was a good draftsman in the tight linear style of Jean-Auguste-Dominique Ingres and an inventive illustrator in the manner of Delaroche. A trip to Egypt in 1856 introduced an exotic element into his painting—e.g., Prayer in the Mosque of ʿAmr, Old Cairo (c. 1860). During the last 25 years of his life he concentrated on sculpture. As a teacher at the École des Beaux-Arts, he counted among his many pupils Odilon Redon and the American artists Thomas Eakins and J. Alden Weir. A highly successful artist, Gérôme exerted great influence in the Paris art world. He was exceedingly hostile to the Impressionists and, as late as 1893, urged the government to refuse a bequest of 65 of their works.
讓-里奧·傑洛姆（Jean-Léon Gérôme，1824年5月11日出生於法國上索恩省威蘇爾，1904年1月10日逝世於巴黎）是一位法國歷史畫畫家。
在十九世紀中、後期，印象主義風行法國甚至全世界，不過在當時的法國也有另一股逆流，堅守學院派的古典主義，讓-里奧·傑洛姆就是其中之一。
傑洛姆17歲時赴巴黎成為德拉羅什的學生。1844年和1845年他隨他的導師週遊意大利。兩年後他在巴黎沙龍的展覽上就展示了他自己的作品《鬥雞》（1847年），他的作品獲獎。此後他經常參加這個法國最重要的藝術展覽。他的畫的主要內容是歷史和傳說題材。1854年他週遊土耳其，1857年他週遊埃及，這兩次旅行對他的風格均有很大的影響。
1872年他畫的《角鬥士》是他的代表作。這幅畫被看作是以角鬥士為題材的最佳作品之一。它對今天人們對角鬥士的概念有很大的影響。
傑洛姆在畫這幅畫前做了許多考察工作，他在龐培城仔細地研究了發掘出來的武器和盔甲。因此他的這幅作品反應了當時學術世界對角鬥士的認識，不過按照今天的認識他的畫裏武器和盔甲的組合是錯誤的。這幅畫可能也很確切地描繪了當時的氣氛：在被遮日布低檔了酷日的光下狂烈的觀眾決定處戰敗的角鬥士的死刑。即使作為祭司參加作為國家大事的穿白衣的維斯太貞女也被角斗的氣氛感染了。使用遮日布和維斯太貞女參加角斗均是被確定的史實。《角鬥士》的導演雷德利·斯科特承認他是受這幅畫的影響而拍攝了他的電影的。
角鬥士，1872年
傑洛姆畫的歷史人物的肖像比較不知名，但是他畫的路易十四和莫里哀的肖像也值得一提。
此外傑洛姆還創作雕塑作品。他的一個組像在1881年的巴黎沙龍展覽上獲得了金獎。
傑洛姆是學院藝術畫家, 是新興的印象派繪畫的強烈反對者。
傑洛姆有許多學生，包括湯姆·艾金斯等。
The pharaoh that wouldn't be forgotten - Kate Green
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Hatshepsut was a female pharaoh during the New Kingdom in Egypt. Twenty years after her death, somebody smashed her statues, took a chisel and attempted to erase the pharaoh’s name and image from history. But who did it? And why? Kate Green investigates Hatshepsut's history for clues to this ancient puzzle.
Lesson by Kate Green, animation by Steff Lee.
Supreme Court to Consider Seizure of Ancient Persian Artifacts From University of Chicago Oriental I
On Monday, the US Supreme Court expressed skepticism over whether ancient Persian artifacts housed in a Chicago museum can be seized in order to pay for a seventy-one million dollar court judgement against Iran for its alleged role in a 1997 bombing attack in Jerusalem. The justices must determine when a foreign state’s assets may be seized under federal law to pay for damages awarded by U.S. courts to victims of militant attacks. Iran is one of several countries and organizations who have been ordered by U.S. courts to pay for damages in similar cases, however such orders have proven difficult to enforce.
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Manila Cathedral | Wikipedia audio article
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Manila Cathedral
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SUMMARY
=======
The Minor Basilica and Metropolitan Cathedral of the Immaculate Conception (Filipino: Basilika Menore at Kalakhang Katedral ng Kalinis-linisang Paglilihi; Spanish: Basílica Menor y Catedral Metropolitana de la Inmaculada Concepción), also known as Manila Cathedral (Spanish: Iglesia Parroquial de Manila), is the cathedral of Manila and basilica located in Intramuros, the historic walled city within today's modern city of Manila, Philippines. It is dedicated to the Immaculate Conception, a title for the Blessed Virgin Mary, the principal patroness for the Philippines. The cathedral serves as the episcopal see of the Archbishop of Manila, and is also considered as the Mother Church of the Philippines, along with Basilica of Sto. Nino in Cebu.
The cathedral was originally a parish church in Manila under the Archdiocese of Mexico in 1571, until it became a separate diocese on February 6, 1579 upon the issuance of the papal bull, Illius Fulti Præsidocode: lat promoted to code: la by Pope Gregory XIII. The cathedral was damaged and destroyed several times since the original structure was built in 1581 while the eighth and current structure of the cathedral was completed in 1958.The basilica has merited a papal endorsement from Pope Gregory XIII and three apostolic visits from Pope Paul VI, Pope John Paul II and Pope Francis. On 27 April 1981, Pope John Paul II issued papal bull Quod Ipsumcode: lat promoted to code: la designating the cathedral as a minor basilica by his own Motu Propriocode: lat promoted to code: la .
Arabella Azur Resort Employees Appreciation Day 2019
Arabella Azur Resort
Contact
El-Cornich St, Hurghada, Red Sea - Egypt
Phone 002-065-3615086/7/8/9
Email arabellaazur@azur.travel
HOTEL OVERVIEW
Escape and soothe your senses at the Arabella Azur Resort. Our Nubian white domes, covered in fuchsia bougainvillea, immediately make you feel that you are on a vacation mode.
You can almost touch the crystal water, as you dine in our signature Grill Restaurant offering international and oriental all inclusive themes buffets.
Spot a puffer fish, as it camouflages itself behind the lush, and colorful corals in our private house reef, which is situated just footsteps away from your beach bed.
Entertain your senses with our talented animation team, immersing you in authentic Egyptian folkloric dance and music performances every evening.
Go island hopping on one of our day boat excursions and picnic in complete seclusion and pure relaxation.
Unwind from the sun and sand and enjoy a cup of coffee and slice of cake in our well-liked El Khan Bar, a hotspot to unite and socialize.
Swimming Pool Rules:
For health & safety reasons proper swim-wear must be worn in all hotel swimming pools. Loose, cotton clothes are not allowed.
BENEFITS
ALL INCLUSIVE FEATURES:
• 296 air conditioned rooms with private balcony or terrace
• Safety deposit boxes at the reception
• Sea, pool or garden views
• 12 km from Hurghada airport and 3 km from the city center
• All inclusive full board including snacks and ice cream
• All inclusive non-motorized recreational activities
• Hair dryer, free mini bar( refilled daily with water), tea and coffee corner
• Satellite TV
• Tennis courts, squash courts, fitness center, table tennis, volleyball and billiards
• Live international and local evening entertainment programs.
EXTRA CHARGE FEATURES:
• Land and water motorized sports.
• International Diving Center.
• Shop gallery.
• Doctor.
• Internet service
• Limousine service.
• Snooker Table.
• Laundry service.
• Massage, sauna, Jacuzzi, and steam.
• Hairdresser.
DINING
GRILL RESTAURANT:
The main restaurant serving an array of international and oriental theme open
buffets for breakfast, lunch and dinner with a spectacular panoramic sea view
BORDIEHN’S RESTAURANT:
A unique gastronomic experience offering exquisite quality menus. As a guest of Arabella Azur, you benefit from a credit of 45 LE. Beverages are against charge and obligatory. Live dance and music performances make Bordiehn’s a place you should definitely not miss (for an extra charge)
AL RAUCHE LEBANESE RESTAURANT
A peculiar a la carte restaurant that opens its doors to you twice a week and invites you to try Lebanese cuisine (against extra charge).
BARS
OASIS BAR:
Pool side bar offering ice cream, pizza and drinks.
PALMS SNACK BAR:
Beach bar offering warm snacks and drinks
BIERKELLER BAR:
A quaint German Pub offers beer, alcoholic and non-alcoholic drinks.
EL KHAN BAR:
Relax and enjoy the authentic ambience of this hotspot bar that offer unlimited drinks and delicate pastries for an afternoon tea break.
POOL BAR:
Chill beside the pool with a refreshing drink.
WHAT SETS ARABELLA AZUR RESORT APART
– Authentic Nubian ambience
– Incredibly beautiful house reef
– Private beach, marina with boats for rent
– Renowned international Dive Center
– Diverse dining options
– Exceptional personalized service
Jean-Léon Gérôme (1824–1904) A collection of paintings 4K Ultra HD
Jean-Léon Gérôme (11 May 1824 – 10 January 1904) was a French painter and sculptor in the style now known as academicism.
The range of his oeuvre included historical painting, Greek mythology, Orientalism, portraits, and other subjects, bringing the academic painting tradition to an artistic climax. He is considered one of the most important painters from this academic period. He was also a teacher with a long list of students.
Jean-Léon Gérôme was born at Vesoul, Haute-Saône. He went to Paris in 1840 where he studied under Paul Delaroche, whom he accompanied to Italy (1843–44). He visited Florence, Rome, the Vatican and Pompeii, but he was more attracted to the world of nature. Taken by a fever, he was forced to return to Paris in 1844. On his return, he followed, like many other students of Delaroche, into the atelier of Charles Gleyre and studied there for a brief time. He then attended the École des Beaux-Arts. In 1846 he tried to enter the prestigious Prix de Rome, but failed in the final stage because his figure drawing was inadequate.
The Cock Fight (1846); now in the Musée d'Orsay, Paris
His painting, The Cock Fight (1846), is an academic exercise, depicting a nude young man and a lightly draped young woman with two fighting cocks, the Bay of Naples in the background. He sent this painting to the Salon of 1847, where it gained him a third-class medal. This work was seen as the epitome of the Neo-Grec movement that had formed out of Gleyre's studio (such as Henri-Pierre Picou (1824–1895) and Jean-Louis Hamon), and was championed by the influential French critic Théophile Gautier.
Gérôme abandoned his dream of winning the Prix de Rome and took advantage of his sudden success. His paintings The Virgin, the Infant Jesus and St John (private collection) and Anacreon, Bacchus and Cupid (Musée des Augustins, Toulouse, France) took a second-class medal in 1848. In 1849, he produced the paintings Michelangelo (also called In his studio) (now in private collection) and A portrait of a Lady (Musée Ingres, Montauban).
In 1851, he decorated a vase, later offered by Emperor Napoleon III of France to Prince Albert, now part of the Royal Collection at St. James's Palace, London. He exhibited Bacchus and Love, Drunk, a Greek Interior and Souvenir d'Italie, in 1851; Paestum (1852); and An Idyll (1853).
In 1856, he visited Egypt for the first time. Gérôme's recurrent itinerary followed the classic grand tour of most occidental visitors to the Orient; up the Nile to Cairo, across to Fayoum, then further up the Nile to Abu Simbel, then back to Cairo, across the Sinai Peninsula through Sinai and up the Wadi el-Araba to the Holy land, Jerusalem and finally Damascus.This would herald the start of many orientalist paintings depicting Arab religion, genre scenes and North African landscapes. In an autobiographical essay of 1878, Gérôme described how important oil sketches made on the spot were for him: even when worn out after long marched under the bright sun, as soon as our camping spot was reached I got down to work with concentration. But Oh! How many things were left behind of which I carried only the memory away! And I prefer three touches of colour on a piece of canvas to the most vivid memory, but one had to continue on with some regret. He did not only gather themes, artefacts and costumes for his oriental scenes, but also made oil studies from nature for their backgrounds. Several of these quick sketches are filled with details that exceed his wished for three touches of colour.
Gérôme's reputation was greatly enhanced at the Salon of 1857 by a collection of works of a more popular kind: the Duel: after the Masked Ball (Musée Condé, Chantilly), Egyptian Recruits crossing the Desert, Memnon and Sesostris and Camels Watering, the drawing of which was criticized by Edmond About.
In 1858, he helped to decorate the Paris house of Prince Napoléon Joseph Charles Paul Bonaparte in the Pompeian style. The prince had bought his Greek Interior (1850), a depiction of a brothel also in the Pompeian manner.
Jean-Léon Gérôme died in his atelier on 10 January 1904. He was found in front of a portrait of Rembrandt and close to his own painting Truth Coming Out of Her Well. At his own request, he was given a simple burial service without flowers. But the Requiem Mass given in his memory was attended by a former president of the Republic, most prominent politicians, and many painters and writers. He was buried in the Montmartre Cemetery in front of the statue Sorrow that he had cast for his son Jean who had died in 1891.
He was the father-in-law of the painter Aimé Morot.
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César e Cleópatra - 1945 - Legendado
Vivien Leigh e Claude Rains saltam da tela em cores vivas Technicolor nesta brilhante e inspirada adaptação de Gabriel Pascal da peça de George Bernard Shaw, onde beleza e poder, amor e política, se colidem. Na época, o filme britânico mais caro até então produzido (com direito a areia do Egito importada). César e Cleópatra, parte aventura egípcia e parte thriller político, é um épico pródigo e espetacular, com performances de destaque de suas duas estrelas.
Em 48 a.C., quando Roma invade o Egito, César encontra a jovem princesa Cleópatra escondida na Esfinge. O general romano toma posse de Alexandria, a capital egípcia, e tenta resolver a disputa pelo trono entre Cleópatra e seu irmão mais novo, Ptolomeu XIII. Em meio as intrigas às vezes assassinas da corte, César, impressionado por sua atitude e inteligência e seduzido por seu charme, desenvolve uma relação especial com Cleópatra, ensinando-lhe a como usar seu poder e a tornando rainha.
PAUL DELAROCHE AND JEAN LEON GEROME FRENCH PAINTINGS
PAUL DELAROCHE AND JEAN LEON GEROME FRENCH PAINTINGS OF THE 19TH CENTURY
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How To Catch A Bird - Best Bird/pigeon Trap Work 100 %
How To Catch A Bird - Best Bird/pigeon Trap Work 100 % for sure in easy and effective ways use feed and some techniques to catch bird.
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Les Aventuriers de l'Egypte Ancienne Pierre Montet 1885 1966 Documentaire Vidéo dailymotion
Real painting of imam Hussain karbala { YouTube } ????✅
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The DIG - Music of Fritz Heede
A song from the music album Quest for the Secret Chamber.
During the filming in Egypt of the Emmy Winning NBC Special Mystery of the Sphinx hosted by Charlton Heston a hidden chamber was located using ground penetrating radar under the left paw of the Sphinx. The famed sleeping prophet Edgar Cayce had predicted that in the mid 1990's a secret chamber would be discovered under the left paw of the Sphinx and that it would contain the Hall of Records of Atlantis.
An expedition was formed in 1996 to return to Giza and gain access to this chamber. Composer Fritz Heede joined the scientific team and took recording equipment along with three talented musicians, Nijole Sparkis, Heather Douglas and Shannon Michael Terry and spent evenings in candle light recording in the King's Chamber of the Great Pyramid of Giza. These foundational tracks where then enhanced with local Egyptian musicians and ambient wide track of the sounds of Cairo. Later in Los Angeles, Fritz added more tracks working with the multi-instrumentalist David Brown and others and did the final mixing. Finally, this unique album of music is being released in 2013.
Edwin Lord Weeks
Edwin Lord Weeks (1849 1903), American artist, was born at Boston, Massachusetts, in 1849. He was a pupil of Léon Bonnat and of Jean-Léon Gérôme, at Paris. He made many voyages to the East, and was distinguished as a painter of oriental scenes.
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The Pyramids of Egypt - How and Why - Documentary Full (1080 X 1920 60fps)