【K】Canada Travel-Yellowknife[캐나다 여행-옐로나이프]오로라 헌터가 모이는 옐로나이프/Aurora/Hunter/Eagle/Cultural crossroad
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[한국어 정보]
세계적으로 오로라 헌터들이 가장 많이 찾는 곳, 캐나다 북부에 위치한 옐로나이프는 사방 천 킬로미터 안에 산이 없기 때문에 시야를 방해받지 않아 오로라의 감동을 더욱 가까이서 만날 수 있다. 황량한 툰드라의 땅이 유일하게 초록으로 물든 시기, 북위 62도로 북극권과 가깝지만 이곳에서도 여름을 즐긴다. 반팔을 입고 거리로 나온 주민들이 눈에 띈다. “캐나다와 미국 관광객뿐 만 아니라 전 세계에서 이곳으로 오로라를 보러 옵니다. 오로라를 쉽게 만나기 어려울 수도 있지만 보게 되면 마법 같은 순간을 경험하실 수 있을 거예요.” “이곳의 오로라는 정말 아름답습니다. 겨울에는 제가 사는 아파트에서도 볼 수 있어요.” “오로라를 집의 베란다에서도 볼 수 있다는 말인가요?” “네, 바로 정면에서 볼 수 있죠 겨울에는 굉장한 색깔의 오로라와 별들이 너무 많아서 하늘을 다 덮을 정도에요. 옐로나이프의 겨울은 호수 위 빙판을 거니는 것만으로도 아름다운 경험이 되죠.” 독수리 벽화가 그려진 이 거대한 암석과 함께 옐로나이프를 대표하는 설치 미술들이 한 곳에 모여 있다. ‘컬쳐럴 크로스로드’는 지역의 문화 교차로로 무려 1500여 개의 작품들이 설치돼 있다. 모두, 다민족 문화를 상징하는 작품들이다.
[English: Google Translator]
The Yellowknife, located in northern Canada, is the most sought after auroral hunters in the world, and because there is no mountain within four thousand kilometers, you can get closer to the aurora's touch without being disturbed by your field of view. It is close to the Arctic Circle at 62 degrees north latitude, when the land of the desolate tundra is the only green, but it also enjoys summer here. The people who wear short sleeves and come out into the streets stand out. I am coming here to see the aurora from all over the world as well as from Canadian and American tourists. It may be difficult to see the aurora easily, but if you see it, you will experience magical moments. The aurora here is beautiful. I can see it in my apartment in winter. Can you see the aurora on the veranda of the house? Yes, you can see it right in front of you. In the winter there are so many colorful auroras and stars, It is. The winter in Yellowknife is a beautiful experience just by walking on the ice above the lake. With this giant rock painting of eagle murals, there is a collection of installations that represent the Yellowknife. 'Cultural Crossroads' is a cultural crossroads of the region and has about 1500 works. All are works that symbolize multi-ethnic culture.
[Information]
■클립명: 북미018-캐나다-15-01 오로라 헌터가 모이는 옐로나이프
■여행, 촬영, 편집, 원고: 오성민 PD (travel, filming, editing, writing: KBS TV Producer)
■촬영일자: 2018년 2월February
[Keywords]
역사/자연지역,historic site,길,street,구조물,structure,기타등장,appear,북아메리카North America북미캐나다CanadaCanada오성민20182월노스웨스트 준주Northwest TerritoriesFebruary걸어서 세계속으로
Bob Ross - Northern Lights (Season 8 Episode 13)
Bob Ross begins with a black canvas to create this startling rendition of a snowy landscape with the notorious lights of the northern sky.
Season 8 of The Joy of Painting with Bob Ross features the following wonderful painting instructions: Misty Rolling Hills, Lakeside Cabin, Warm Winter Day, Waterside Way, Hunter's Haven, Bubbling Mountain Brook, Winter Hideaway, Foot of the Mountain, Majestic Pine, Cactus at Sunset, Mountain Range, Lonely Retreat, and Northern Lights.
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Originally aired on 3/27/1986
Anatomy of RCAF Mural: G-1 Arena '17
Residents determined to find future for Churchill, Manitoba
The population in the isolated community of Churchill, Manitoba steadily declined after a rail line to the town washed out in 2017. The Chamber of Commerce president says affordable access to the northern town is key to economic development. (July 24)
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Bianca Andreescu wins Lou Marsh Trophy
Tennis star Bianca Andreescu has won the 2019 Lou Marsh Trophy as Canada's athlete of the year, becoming the first tennis player to win the award.
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Hannah goes to Yellowknife: Take 2
In which Hannah goes to Yellowknife for a second time!
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Yellowknife : CIBC Mud Run for our lives 2018
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‘Run for Our Lives’ raises money for cancer services to improve the quality of life for NWT residents.
CHEAP escape from the COLD of WINTER - MEXICO on a BUDGET
Mexico might be your next budget vacation. This is the cheapest way for Americans and Canadians to escape the cold winter. Excluding the 440 USD I spent on a road trip flight, I managed to explore Bacalar, Holbox, Chichen Itza, Cenote Suytan, Cenote Oxman and much more for just around 350 USD over the 4 days.
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MANITOULIN MOMENT: Snowy Saturday Pasture
A small slice of the kind of wintertime solitude that's abundant here at the end of Bailey Line Road on Manitoulin Island. Click to let simple beauty refresh you.
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Home Automation Ideas for your Smart Home Toronto Fall Home Show
National Home show interview with Best Buy talking about Home Automation. Smart Home devices like automated blinds and the Philips Hue. Best Buy also discusses the nanoleaf, meural, and the Samsung QLED smart TV. The Samsung Smart Fridge is the latest in tech appliances. To save on energy there is the Nest Thermostat. The last two items Best Buy talks about are the Ring Video Doorbell and the Oculus Rift video googles. There are more Home Automation devices but these are just a few we discussed.
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Paradise in Service | Official Trailer [HD] | Award-Winning Taiwanese Drama
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Stationed at Taiwan’s most dangerous military base, a young officer’s greatest struggle isn’t his intense physical training–it’s holding onto his virginity. This historical drama touches on the aches and absurdities of coming-of-age in a nation on the brink of war.
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Wild Kingdom | Polar Bears of Churchill Manitoba | Forecasting Their Future
We look at how scientists help these remarkable animals and the hopeful outlook for their future.
July 11, 2017 City Council Meeting
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Dawn of Day: Stories from the Underground Railroad
Dawn of Day is a historical documentary about the Underground Railroad in Kansas that brings to light Wabaunsee County’s unsung heroes who traversed one of the most turbulent times in our nation’s history. Faith, family, and politics united a community of neighbors who lived and died to ensure Kansas was a free state. Richard Pitts, director of the Wonder Workshop in Manhattan, Kansas, narrates the film and interviews educators, historians and descendants of abolitionists whose shared heritage lives on in the freedom we enjoy today.
Produced by: Dean Mercer
College of Education, Kansas State University
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Cooper Reflected Motion
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1964 New York World's Fair | Wikipedia audio article
This is an audio version of the Wikipedia Article:
00:03:11 1 Site history
00:04:38 2 Beginnings
00:08:54 3 Architecture
00:11:08 4 International participation
00:16:19 5 Federal and state exhibits
00:16:29 5.1 US Pavilion
00:17:19 5.2 United States Space Park
00:18:29 5.3 New York State Pavilion
00:20:03 5.4 Other state pavilions
00:20:40 5.5 New York City Pavilion
00:21:11 5.6 Bourbon Street Pavilion
00:22:59 6 American industry
00:23:19 6.1 General Motors
00:24:14 6.2 IBM
00:25:07 6.3 Bell System
00:25:34 6.4 Westinghouse
00:26:10 6.5 Sinclair Oil
00:26:38 6.6 Ford
00:27:13 6.7 DuPont
00:27:30 6.8 Parker Pen
00:27:46 6.9 Chunky Candy
00:28:17 7 Films
00:29:48 8 Disney influence
00:32:59 9 Failure of amusements
00:34:54 10 Controversial ending
00:36:28 11 On-site legacy
00:40:08 12 Reuse of pavilions and major exhibits elsewhere
00:48:31 13 Cultural references
00:49:45 14 Gallery
00:49:54 15 See also
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Speaking Rate: 0.8818896438607282
Voice name: en-US-Wavenet-D
I cannot teach anybody anything, I can only make them think.
- Socrates
SUMMARY
=======
The 1964/1965 New York World's Fair held over 140 pavilions, 110 restaurants, for 80 nations (hosted by 37), 24 US states, and over 45 corporations to build exhibits or attractions at Flushing Meadows Park in Queens, NY. The immense fair covered 646 acres (261 ha) on half the park, with numerous pools or fountains, and an amusement park with rides near the lake. However, the fair did not receive official sanctioning from the Bureau of International Expositions (BIE). Hailing itself as a universal and international exposition, the fair's theme was Peace Through Understanding, dedicated to Man's Achievement on a Shrinking Globe in an Expanding Universe. American companies dominated the exposition as exhibitors. The theme was symbolized by a 12-story-high, stainless-steel model of the earth called the Unisphere, built on the foundation of the Perisphere from the 1939 NYC fair. The fair ran for two six-month seasons, April 22 – October 18, 1964, and April 21 – October 17, 1965. Admission price for adults (13 and older) was $2 in 1964 (equivalent to $16.16 in 2018) but $2.50 (equivalent to $19.88 in 2018) in 1965, and $1 for children (2–12) both years (equivalent to $8.08 in 2018).The fair is noted as a showcase of mid-20th-century American culture and technology. The nascent Space Age, with its vista of promise, was well represented. More than 51 million people attended the fair, though fewer than the hoped-for 70 million. It remains a touchstone for many American Baby Boomers, who visited the optimistic fair as children before the turbulent years of the Vietnam War and many cultural changes.
In many ways the fair symbolized a grand consumer show covering many products produced in America at the time for transportation, living, and consumer electronic needs in a way that would never be repeated at future world's fairs in North America. Many major American manufacturing companies from pen manufacturers, to chemical companies, to computers, to automobiles had a major presence. This fair gave many attendees their first interaction with computer equipment. Corporations demonstrated the use of mainframe computers, computer terminals with keyboards and CRT displays, teletype machines, punch cards, and telephone modems in an era when computer equipment was kept in back offices away from the public, decades before the Internet and home computers were at everyone's disposal.
How to Move a Mountain: the Documentation and Display of Displaced Art Environments
Since the 1970s the John Michael Kohler Arts Center (JMKAC) has been involved in the preservation, scholarly examination, and exhibition of work by vernacular artists, and has worked closely with Kohler Foundation, Inc. (KFI) and on occasion, Preservation Services, Inc. (PSI), to preserve a range of remarkable environments and collections. Along with many extensive projects that have preserved art environments in situ, when environments could be retained on their original sites, some environments could not be preserved where they were built, due to a range of ultimately insurmountable circumstances. Preserving the components of such environments has entailed in-depth documentation by preservation professionals prior to moving components or entire sites, and exploring a range of solutions for conveying the power of displaced and relocated works in ensuing installations, whether in permanent settings, or museum exhibitions. The Arts Center now cares for 26 large bodies of inter-related objects from dismantled art-environments.
Reflecting our collective conviction that the components of art environments are integrally related and express overall meaning in profound ways––that isolated components do not––we propose a session in which we will discuss the critical questions that the disconnection of environmental works from their original locations poses to preservationists. Karen Patterson and Lisa Stone will explore these questions in relation to current preservation theories and the realities of preservation practice. The challenges of moving an entire site to a new landscape permanently, and the curation, exhibition, and interpretation of dismantled components of environments, are current exigencies of the field of preserving vernacular art environments. In this presentation, the relationships between preservation professionals and museum curators will be examined in four case studies: Loy Bowlin’s Holy Jewel Home (McComb, MS), Emery Blagdon’s Healing Machine (Callaway, NB), Dr. Charles Smith’s African American Heritage Museum and Black Veteran’s Archive (Aurora, IL) and the current, major challenge of documenting and relocating Mary Nohl’s sculptural environment, built in Fox Point, WI. The circumstances that led to the decision to relocate this environment followed a 26-year attempt to preserve it in situ. The project to document, comprehend, and eventually move Nohl’s entire home, studio, and sculptural environment, from Milwaukee County to Sheboygan County (both in Wisconsin) is currently being explored by JMKAC and PSI staff, architects, and preservationists. This presentation will be an opportunity to examine the at-times thorny issues of how vernacular environments––as original artistic expressions––are either embraced or vehemently opposed by neighborhoods and communities, and to share details of the complex and currently unfolding Nohl project. Each case offers insights and lessons in the realms of documentation, material analysis, stabilization, conservation, exhibition, interpretation, and storage. Moreover, the presentation will focus on how these preservation lessons have informed curatorial practices and exhibition design at the John Michael Kohler Arts Center. Patterson and Stone are committed to the preservation of environments in situ; as curators and preservationists they have both encountered, and continue to encounter situations in which environments will be destroyed if they’re not moved. Together they will discuss the challenges of moving mountains: how to best capture and convey the essence of an artist’s environment through its components, either through re-creation or evocation, when the original context of its place had to be left behind.