RAVAGES - ABRAXAS (Official video) (Subs FR/ES)
Extrait du EP Renaissance :
Réalisé par Cédric Nussli pour Adronaline Prod
Avec :
Adolé : Directrice de casting
Barbara : Pupitre digital
Carole : Influenceuse
Catherine : Donuts collector
Cédric Nussli : Smooth drone operator
Charline : Pêcheuse d'huître
Charlotte : Secouriste
Christophe Crénel : Chef opérateur
Seep : Électronicien
Clotilde : Spationaute
Edward Barrow : Chanteur de charme
Emma Broughton : Cosmonaute
Erwan Ranchoux : Monowheel pilot
Gisèle Pape : Ornithologue
Hanaé : Travelling avant
Hélène : Cascades aquatiques
Ingrid : Scuba diver
JD : Astronaute
Jean-Yves Prieur : Technicien Mac OS 9
Juan Loaiza : Minipouss
Julien Delanoë : Doublure MacBeth
Léo : Mec baston
Lola : Travelling arrière
Mai-Liên : Scandinavian troll hunter
Manon : Animal stunt
Martin Chourrout : Burberry model
Martin Lefebvre : Hogwarts teacher
Maud Lübeck : Chanteuse de charme
Mehdi : Amicale du parti
Naël : Responsable table régie sans gluten
Nicolas : Chauffeur
Rachid : Dancing Queen
Ricardo Bofill : Dieu créateur
Simon Beaudoux : Saint-James model
Sophie Le Cam : Poursuite lumière
Victor Martin : Agent secret
Wavi : Responsable table régie vegan
Yash : Commis d'office
Abraxas
Ecrit et produit par RAVAGES
Basse : Quentin Rochas
Enregistré au studio Interference
Mixé par Fred Lefranc
Masterisé par Antoine Bernard @ Square Mastering
Merci à Cédric Nussli, Romain Turzi, Alex Firla, Stéphane Werner.
Taïkonaute : taj.ko.not masculin et féminin identiques
(Astronautique) Voyageur de l’espace ayant dépassé le niveau de vol 2650 (altitude de 80 km depuis le sol de la Terre) à bord d'une fusée chinoise.
Traduction espagnole : Alvaro Gastmans
ABRAXAS
Par la fenêtre je vois
au loin le monde disparaître
des flèches lancées jusqu'au ciel
qui jamais ne s'arrêtent
comme des fusées
pour la pensée
Par la fenêtre je vois
et à l'intérieur de ma tête
un nouveau décor s'illumine
mais demain tout doit disparaître
un labyrinthe, et une étreinte
Je vais revenir
et retarder encore
l'envoi dans le décor
du seul souvenir
du futur d'alors,
du béton, mais de l'or,
de ce nouveau monde
qui m'a laissé dehors
La ville brûle de mille flammes
coûte que coûte, je reste la
des routes sans trafic
des avions qui ne décollent pas
c'est pas la faute, des taïkonautes
Je vais revenir
et retarder encore
l'envoi dans le décor
du seul souvenir
du futur d'alors,
du béton, mais de l'or,
de ce nouveau monde
qui m'a laissé dehors
Comme des fusées , pour la pensée
Je vais revenir
et retarder encore
l'envoi dans le décor
du seul souvenir
du futur d'alors,
du béton, mais de l'or,
de ce nouveau monde
qui m'a laissé dehors
Comme des fusées , pour la pensée
ABRAXAS
Por la ventana veo
a lo lejos el mundo desaparecer
flechas lanzadas al cielo
que nunca se paran
como cohetes
para el pensamiento
Por la ventana veo
y en el interior de mi cabeza
un nuevo decorado se ilumina
pero mañana todo debe desaparecer
un laberinto, y un abrazo
Voy a volver
y retrasar todavía
el mandar a paseo
el solo recuerdo
del futuro de entonces,
del hormigón, pero de oro,
de este mundo nuevo
que me ha dejado fuera.
La ciudad arde con mil llamas
cueste lo que cueste, me quedo allí
carreteras sin tráfico
aviones que no despegan
no es la culpa, de los taikonautas
Voy a volver
y retrasar todavía
el mandar a paseo
el solo recuerdo
del futuro de entonces,
del hormigón, pero de oro,
de este mundo nuevo
que me ha dejado fuera.
como cohetes, para el pensamiento
Voy a volver
y retrasar todavía
el mandar a paseo
el solo recuerdo
del futuro de entonces,
del hormigón, pero de oro,
de este mundo nuevo
que me ha dejado fuera.
como cohetes, para el pensamiento
Moorea, l'île tortue - Episode 23 - Eco Sailing Project
Musique : Dare (DFA Remix)-Gorillaz
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The World's End
Simon Pegg and Nick Frost reteam with director Edgar Wright (Shaun of the Dead, Hot Fuzz) in this wildly entertaining thrill ride that critics call funny as hell (Richard Roeper, WLS-AM Chicago) and sheer comic perfection (Peter Travers, Rolling Stone). Twenty years after their first epic pub crawl attempt, the five musketeers reunite in their home town to complete the ultimate challenge -one night, five friends, twelve bars -a boozy quest on which only the strongest will survive. But after a bizarre series of encounters with the out-of-this-world locals, they soon realize that reaching their final pub, The World's End, may be the least of their troubles. They're having the time of their lives, ready to take on the world...but tonight they may have to save it.
The Great Gildersleeve: Apartment Hunting / Leroy Buys a Goat / Marjorie's Wedding Gown
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
The Great Gildersleeve: Leila Leaves Town / Gildy Investigates Retirement / Gildy Needs a Raise
Aiding and abetting the periodically frantic life in the Gildersleeve home was family cook and housekeeper Birdie Lee Coggins (Lillian Randolph). Although in the first season, under writer Levinson, Birdie was often portrayed as saliently less than bright, she slowly developed as the real brains and caretaker of the household under writers John Whedon, Sam Moore and Andy White. In many of the later episodes Gildersleeve has to acknowledge Birdie's commonsense approach to some of his predicaments. By the early 1950s, Birdie was heavily depended on by the rest of the family in fulfilling many of the functions of the household matriarch, whether it be giving sound advice to an adolescent Leroy or tending Marjorie's children.
By the late 1940s, Marjorie slowly matures to a young woman of marrying age. During the 9th season (September 1949-June 1950) Marjorie meets and marries (May 10) Walter Bronco Thompson (Richard Crenna), star football player at the local college. The event was popular enough that Look devoted five pages in its May 23, 1950 issue to the wedding. After living in the same household for a few years with their twin babies Ronnie and Linda, the newlyweds move next door to keep the expanding Gildersleeve clan close together.
Leroy, aged 10--11 during most of the 1940s, is the all-American boy who grudgingly practices his piano lessons, gets bad report cards, fights with his friends and cannot remember to not slam the door. Although he is loyal to his Uncle Mort, he is always the first to deflate his ego with a well-placed Ha!!! or What a character! Beginning in the Spring of 1949, he finds himself in junior high and is at last allowed to grow up, establishing relationships with the girls in the Bullard home across the street. From an awkward adolescent who hangs his head, kicks the ground and giggles whenever Brenda Knickerbocker comes near, he transforms himself overnight (November 28, 1951) into a more mature young man when Babs Winthrop (both girls played by Barbara Whiting) approaches him about studying together. From then on, he branches out with interests in driving, playing the drums and dreaming of a musical career.