Романовы. Фильм Шестой. StarMedia. Babich-Design. Документальный Фильм
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Их обоих готовили к передаче власти в обход прямых престолонаследников: Павла Петровича и его сына Александра. Вот только Павлу пришлось ждать долгих тридцать четыре года ради четырех лет правления. Александр Павлович, более всего стремившийся жить частной жизнью и не видящий себя в роли монарха, твердой рукой руководил империей почти четверть века. Император Павел I представлялся себе идеалом средневекового рыцаря на троне. Подданные же считали его безумцем, боялись и ненавидели. Александр I, не в пример отцу, умел покорять себе человеческие умы и души. Его называли Благословенным. Однако в душе своей император и самодержец Всероссийский носил ад. До конца своих дней...
Формат: историческая реконструкция
Жанр: докудрама
Год производства: 2013
Количество серий: 8
Режиссер: Максим Беспалый
Сценарий: Марина Бандиленко, Марина Улыбышева
Оператор-постановщик: Иван Бархварт
Композитор: Борис Кукоба
Продюсеры: Валерий Бабич, Влад Ряшин, Сергей Титинков, Константин Эрнст
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Novosibirsk
Novosibirsk (Russian: Новосибирск; IPA: [nəvəsʲɪˈbʲirsk]) is the third most populous city in Russia after Moscow and St. Petersburg and the most populous city in Asian Russia, with a population of 1,523,801 (2013 est.). It is the administrative center of Novosibirsk Oblast as well as of the Siberian Federal District. The city is located in the southwestern part of Siberia on the banks of the Ob River adjacent to the Ob River Valley, near the large water reservoir formed by the dam of the Novosibirsk Hydro Power Plant. and occupies an area of 502.1 square kilometers (193.9 sq mi). The city is informally known as the Capital of Siberia.
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Elegie by Gabriel Fauré. Ian Maksin and the Racine Symphony Orchestra - live.
Stay tuned for a Hi-Def professional video of this performance!! Ian Maksin performs Faure's Elegie live with the Racine Symphony Orchestra. Pasquale Laurino, Music Director. Ian Maksin all rights reserved, 2011.
ianmaksin.com
Borodin - Symphony No.2 - 3rd & 4th Movement
Voyevoda Overture & The tempest Op.18, Borodin - Symphony No.2
There are two pairs of works in Tchaikovsky's oeuvre that are often confused, the first couple being the Op. 3 opera Voyevoda (1867-1868) and Voyevoda, the symphonic ballad for orchestra, Op. 78. The other confusable pair of siblings are the 1864 overture for orchestra The Storm, Op. 76, and the work under examination here, The Tempest, from 1873, a later composition, despite the higher opus number of the first work. The Tempest is a fantasia inspired by the Shakespeare play of the same name. It is not as well known as Tchaikovsky's other orchestral work after Shakespeare, the Romeo and Juliet Overture-Fantasy, but is nearly on the artistic level on that powerfully dramatic work. Like Romeo and Juliet it followed a written-out program; The Tempest is less complex than Romeo and Juliet partly because that program is itself simpler in structure. The Romeo and Juliet program was written by the composer Balakirev and specified a complex correspondence of themes with the characters in the play, but the program for The Tempest, written by an art historian named Stasov, specified only a loose sequence of scenes.
Pyotr Il'yich Tchaikovsky was a Russian composer of the Romantic era. His wide-ranging output includes symphonies, operas, ballets, instrumental, chamber music and songs. He wrote some of the most popular concert and theatrical music in the classical repertoire, including the ballets Swan Lake, The Sleeping Beauty and The Nutcracker, the 1812 Overture, his First Piano Concerto, his last three numbered symphonies, and the opera Eugene Onegin. Born into a middle-class family, Tchaikovsky was educated for a career as a civil servant, despite his obvious musical precocity. He pursued a musical career against the wishes of his family, entering the Saint Petersburg Conservatory in 1862 and graduating in 1865. This formal, Western-oriented training set him apart from the contemporary nationalistic movement embodied by the influential group of young Russian composers known as The Five, with whom Tchaikovsky's professional relationship was mixed.