Montescudaio con vista panoramica!!!!
Comune di Montescudaio, borgo medievale di notevole interesse turistico sia per gli amanti del mare e delle colline toscane sia per coloro che si dilettano nei percorsi enogastronomici, supportati dai vin super Tuscan di portata internazionale. In zona panoramica, residenziale e tranquilla si vende un appartamento posto al primo e ultimo piano di un fabbricato di recente costruzione privo di spese condominiali e con utenze autonome; Si accede all’appartamento mediante scala a due che porta al pianerottolo del primo e ultimo piano nel quale troviamo un locale ripostiglio privato anche ad uso lavanderia; nella zona giorno fa da indiscusso protagonista il terrazzo che affaccia sulle colline e avente come sfondo il mare della costa degli etruschi, ( mare a circa 8/10 km ) …non solo il panorama del mare rende gradevole la vista ma anche e soprattutto tenendo conto che siamo a veduta tramonto… tramonto che è possibile ammirare dal terrazzo all’ora dell’aperitivo. La zona giorno ha spazio sia per l’angolo cottura, ben distribuito, il tavolo da pranzo ed il divano che la completa. L’accesso alla zona notte si ha da disimpegno nel quale a destra vi è un bagno che serve entrambe le zone, la camera matrimoniale posta a est resta illuminata la mattina e durante l’estate resta al fresco durante il pomeriggio; un altro locale di piccole dimensioni è situato vicino la camera e l’uso che se ne può ricavare potrebbe essere di piccolo studio o camera di servizio. Vende privato, riscaldamento autonomo.
Cathedral of Pisa, Pisa, Tuscany, Italy, Europe
The Cathedral of St. Mary, the center of the homonymous square, is the medieval cathedral of Pisa and primatial church. Romanesque masterpiece, especially of the Pisan Romanesque, is the tangible evidence of the prestige and wealth achieved by the Maritime Republic of Pisa in the time of its heyday. It was begun in 1063 (1064 according to the Pisan calendar then in force) Buscheto architect, with a tenth of the spoils of the company Pisan in Sicily in the port of Palermo against Muslims (1063). We blend different stylistic elements: classic, Lombard-Emilian Byzantine and particularly Islamic, proof of the international presence of the Pisan merchants in those days. That same year was also started the reconstruction of the basilica of San Marco in Venice, so it may be that at the time there had been a rivalry between the two maritime republics to create the most beautiful place of worship and sumptuous.
The church was built in an area outside the early medieval city walls, to symbolize their power of Pisa, which did not require protection. The area chosen was already used in the Lombard period Necropolis and, already in the early eleventh century, a church was erected never finished that was to be dedicated to Santa Maria. The new large church Buscheto fact is initially called Santa Maria Maggiore until it was finally dedicated to Santa Maria Assunta. In 1092 the church, from simple cathedral, passes to be Primate, having been awarded the title of Primate Archbishop Daiberto by Pope Urban II, an honor today only formal. The cathedral was consecrated in 1118 by Pope Gelasius II, belonging to the branch of the Pisan Gaetani (or Caetani), accounts of Soil and Oriseo, but already in the first half of the twelfth century was expanded under the direction of Rainaldo which has the project of the facade, completed by workers led by the sculptors Guglielmo and Biduino. The current appearance of the building complex is the result of repeated restoration campaigns have occurred at different times. The first radical interventions followed the disastrous fire of 1595, following which the roof was rebuilt and were performed three bronze doors of the facade, the work of sculptors from the workshop of Fra Domenico Portigiani, including Gasparo Molo and Pietro Tacca; in the eighteenth century began the gradual coating of the interior walls with large paintings on canvas, the bricks with stories of saints and blessed Pisa, performed by leading artists of the time thanks to the initiative of some citizens who autofinanziarono creating a special business. Among the various interventions of note should be noted the dismantling of the pulpit by Giovanni Pisano who was reassembled in 1926 to a different location and different parts missing, including the scale, and the dismantling of the monument to Henry VII built by Francesco Lupo which was located in front of the door of San Ranieri and then replaced by a simplified and symbolic. The following interventions were made in the nineteenth century and the interior decoration is interested both the external ones, which in many cases, especially for the sculptures on the facade were replaced by copies (the originals are in the Museo dell'Opera del Duomo). The building was originally a Greek cross with a large dome where the arms, today is a Latin cross with five naves with apse and transept with three naves, inside suggests a spatial effect similar to that of the great Islamic mosques through the use of raised curve arches, alternating bands of black and white marble and the unusual elliptical dome, Moorish-inspired. The presence of the two women's galleries raised in the aisles, with the solid monolithic granite columns, is a clear sign of Byzantine influence. The architect had welcomed Buscheto stimuli from Levante Islamic and Armenia. The rich decoration includes multicolored marbles, mosaics and numerous bronze objects from the spoils of war, including the Grifo used as east of the roof, taken in Palermo in 1061. The arches in acute profile make reference to Muslim influences and the south d ' Italy. The blind arcades with lozenges recall the similar structures of the churches of Armenia. The façade of gray and white marble, decorated with inlays of colored marble, was built by master Rainaldo. The three portals are subject to four orders of loggias divided by frames with marble inlays, behind which there are single-light, mullioned windows.
Chiese di campagna della Valnerina
Una raccolta di immagini delle più belle e caratteristiche chiese campestri della Valnerina. Insieme alle abbazie benedettine, ai borghi storici e naturalmente alle cattedrali più conosciute, le chiese di campagna sono uno dei fattori che vanno ad arricchire la bellezza di questa Valle. Dei tesori unici, sia in termini storici che artistici, che donano un valore incommensurabile all'intero comprensorio...
Italy, as I have seen it ........... Tuscany, Pisa
Pisa (/ˈpiːzə/; Italian pronunciation: [ˈpiːsa; ˈpiːza] (About this sound listen)) is a city in Tuscany, Central Italy, straddling the Arno just before it empties into the Ligurian Sea. It is the capital city of the Province of Pisa. Although Pisa is known worldwide for its leaning tower (the bell tower of the city's cathedral), the city of over 91,104 residents (around 200,000 with the metropolitan area) contains more than 20 other historic churches, several medieval palaces and various bridges across the Arno. Much of the city's architecture was financed from its history as one of the Italian maritime republics.
The city is also home of the University of Pisa, which has a history going back to the 12th century and also has the Scuola Normale Superiore di Pisa, founded by Napoleon in 1810, and its offshoot, the Sant'Anna School of Advanced Studies as the best sanctioned Superior Graduate Schools in Italy.
Locations coverd in the video
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Leaning Tower of Pisa
Fallen Angel sculpture By Igor Mitoraj
Camposanto Monumentale
The Campo Santo
Cattedrale Metropolitana Primaziale di Santa Maria Assunta
Duomo di Pisa
Pisa Cathedral
The chapel Of San Ranieri
Pisa Baptistery
La Fontana dei putti
The Fountain with Angels
Palazzo della Carovana
Palazzo dei Cavalieri
The Knights’ Palace
Statue of Cosimo I de Medici, Grand Duke of Tuscany
Palazzo dell'Orologio
Clock Palace
Arch of the Gualandi family
Palazzo del Consiglio dei Dodici
Palace of the Council of the Twelve
Portal of Ferdinand
The bell-tower of Chiesa (church) di Santo Stefano dei cavalieri
Pisa streets
Pisa doors
Music used in this video
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Blue_Danube_by_Strauss
Je mag dit nummer in al je video's gebruiken als je de volgende verklaring opneemt in elke videobeschrijving:
Agnus Dei X - Bitter Suite van Kevin MacLeod is gelicentieerd onder een Creative Commons Attribution-licentie (
Bron:
Artiest:
Women of Credo Choir sing the Tartini Stabat Mater at St Therese Church
Notre Dame Basilica Schola (2013)
Basilica of the Sacred Heart, Notre Dame - Indiana
Director of Music: Dr. Andrew McShane
canti del Rinnovamento Carismatico Cattolico Servi di Cristo vivo -
Video Servi di Cristo vivo - video karaoke
Wolfgang Amadeus Mozart started composing the Requiem Mass in D minor (K. 626) in Vienna in 1791, following an anonymous commision from Count Franz von Walsegg, who requested the piece to commemorate the anniversary of his wife's death. Mozart passed away on December of 1791, however, having finished and orchestrated only one movement. The Requiem is widely considered one of Mozart's greatest works, and its composition process is surrounded a shroud of mistery and myths, usually attributed to Mozart's wife Constanze, who had to keep secret the fact that Mozart hadn't completed the work in order to be able to collect the final payment from the commision. It is commonly accepted that Mozart finished the Introitus, and left detailed sketches of the Kyrie and Dies Irae all the way to the first eight bars of the Lacrimosa and parts of the Offertory. There are now several completions of the Requiem Mass, though the most common by far (considered the standard version of the piece) is the one by Franz Xaver Süssmayr. He not only completed the movements Mozart left (borrowing an unespecified amount from Joseph von Eybler's attemps to complete the Requiem) but also added several movements of his own: Sanctus, Benedictus, and Agnus Dei. He then added a final section, Lux aeterna by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass. The myth surrounding this work was increased by the fictional rivarly between Mozart and Antonio Salieri first expressed in 'Mozart and Salieri', a play by Alexander Pushkin, which in turn inspired an opera by Rismky Korsakov of the same name, the inmensely popular 1979 play 'Amadeus', by Peter Shaffer, and it's 1984 film adaptation by Miloš Forman. The Requiem is scored for 2 basset horns in F, 2 bassoons, 2 trumpets in D, 3 trombones (alto, tenor & bass), timpani (2 drums), violins, viola, and basso continuo (cello, double bass, and organ). The vocal forces include soprano, contralto, tenor, bass soloists, and an SATB mixed choir.
Organ Recital 26. April 2015. Selections from Couperin Mass for the Convents with improvisation.
Rev. Anthony Mark LaMort (Lamourt) organist.
Hauptwerk Virtual Pipe Organ. Mt. Caramel EM Skinner Sample Set,
Recorded live in Rockledge, FL
ROMEO LIVIERI VE CUMPA` NICOLA Italian Pub Music.
Bells of Giuncarico, Italia
Pienza
The sound of the bells of the Chiesa di San Francesco (Pienza)
Suvereto
Panoramica di Suvereto
Una Parrocchia con una pieve millenaria
Prosegue il nostro viaggio all'interno della Diocesi di Volterra. In questa puntata è di scena la parrocchia di Gambassi Terme e la Pieva millenaria di Santa Maria a Chianni con il suo ostello. Una Pieve che segna l'antico tracciato della via dei pellegrini, la Via Francigena.
www.soggiornoapienza.it +39 338 1226421 Il Rossellino Pienza
soggiornoapienza.it +39 338 12 26 421 La terrazza del Principe. Appartamento il Rossellino. Corso Rossellino n° 97 Pienza (Siena) Telefono: +39 0578 748 322 E.mail posta@soggiornoapienza.it - Camere-Rooms-Zimmer-Cambres a Pienza. Bed and Breakfast pienza.
La terrazza del Principe offre un sapore di favola.. Con un solo sguardo lo scenario si armonizza in una sua naturale simmetria. si fondono fra loro, l'architettura della piazza e dei palazzi principali insieme alla natura e alle linee morbide delle colline e del monte Amiata, creando un cocktail di emozioni.
Pienza bells
Bells at a Pienza cathedral from our courtyard
Tornate a casa le campane della chiesa di S. Maria di Nazareth a Sestri Levante
Torneranno a suonare anche la notte di Pasqua le campane della chiesa di S. Maria di Nazareth a Sestri Levante. Dopo un'assenza forzata di due anni, necessari per i lavori di rifacimento alla torre campanaria che le ospita, i cinque bronzi sono stati ricollocati questa mattina con l'ausilio di una gru. Tanti i curiosi che hanno assistito alle operazioni.
Montalcino
Video-impressie van Montalcino (Toscane) in Italië
Church Bells in Capoliveri
The church of the picturesque village of Capoliveri, a hillside town on the island of Elba, Tuscany
Pienza Wall.mov
On the southern edge of Pienze, Italy, you'll find this walkway on the top of the city wall. You'll see the Duomo bell tower at the end. Just beyond the Duomo is the palace of Pope Pius II. Look for a panaramic video from the palace veranda...
Pienza bells
Pienza village resonanst with the sound of church bells. Awesome!
Judy's Trip to Orvieto (Civita) W/Church Bells
compilation of several short videos
Church Bells in Stia (AR): Corpus Domini 2019
The bells of the Pieve di Santa Maria Assunta, Stia, Arezzo Province, Tuscany, Italy, ringing to announce the evening mass for the feast of Corpus Domini: 23/06/2019.
Buon giorno from Cortona!
Bells singing in Cortona, spring is coming, tell us when you are coming?