Convent of Saint Francis, Pienza, Siena, Tuscany, Italy, Europe
The history of the Chiostro di Pienza is closely linked to the history of the city of Pienza; the ancient structure was in fact at the center of the development of one of the most characteristic towns of Tuscany. In 1996 the historic center of Pienza was declared a UNESCO World Heritage Site. At the beginning of the fourteenth century, with the spread of the Franciscans of the Order of Minors, a convent of these monks also arose in Pienza, and the monastery of San Francesco was certainly the most significant religious and cultural institution of ancient Corsignano, at least until to the radical transformation of the desired city, starting from 1459, by Pope Pius II (Enea Silvio Piccolomini), born here in 1405. In the first visit made to Corsignano by Pope, in fact, Piccolomini celebrated the solemn Mass precisely in St. Francis, the church evidently more important than the village. The only certain information we have about the life of the Monastery dates back to the sixteenth century and is given by the guardian father Domenico Gabrielli, who narrates the violence with which the soldier treated the convent and the church during the war of Siena. The poor friar tells us that in 1555 the soldiers broke the cellar and then turned wine, oil and burned stuff and other woods, and it is he himself who informed us as in the following he remained without tools and furniture and the good began little by little example and industry of the friars and mercy of benefactors to come back to life. In 1634, Saint Francis hosted the Provincial Congregation with solemnity and preaching, Latin orations, beautiful music were held for the occasion.
A few years later, with a papal bull suppressing the small convents, the Franciscans had to go. But the population did not like it and so much did that, by popular acclaim, the friars were returned to San Francesco in 1658. They celebrated in the whole city, with the sound of bells and fires on all sides. The monks remained until 1788, the year in which the Bishop Giuseppe Pannilini, suppressed the convent assigning the premises to a boarding school called Ecclesiastical Academy for clerics of the dioceses of Pienza and Chiusi. This institution had a short life and was replaced by an Episcopal Seminary in 1792 (which was housed there until 1956).
Pienza, Chiostro di san Francesco (manortiz)
Church of Saint Francis, Pienza, Siena, Tuscany, Italy, Europe
The church of Saint Francis is a place of Catholic worship located in the historic center of Pienza, in the province of Siena. The church is of thirteenth-century origin. The plant is typical of the Franciscan churches, with a single nave and a small cross-vaulted terminal. The façade is also marked by medicating austerity: only the portal introduces a decorative note. Inside there are important remains of fourteenth-century frescoes, especially in the presbytery, with the Annunciation, Deposition, Prayer in the Garden, Stigmata of St. Francis and Saints, due to two Sienese painters of the second half of the fourteenth century, Cristoforo di Bindoccio and Meo di Piero . In the left altar the Madonna of Mercy and Saints Sebastiano and Bernardino, from the workshop of Luca Signorelli.
Pienza International Music Festival: John Hackett & Marco Lo Muscio in San Francesco Church (2017)
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Pienza International Music Festival - Ivo Petri - Season 2017
Chiesa di San Francesco - PIENZA
June 19 2017
John Hackett: Flute
Marco Lo Muscio: Organ
Genesis & Lord of the Rings
PROGRAMME:
- Steve Hackett/Genesis: Horizons
- Marco Lo Muscio: Éowin's Memories
- John Hackett: Galadriel's Memories
- Genesis: Watcher of the Skyes (Intro & Coda)
- Genesis: Hairless Heart
- John Hackett: Thoughts turn Homeward
- Marco Lo Muscio: Prelude To Lúthien
- Steve Hackett: Hands of the Priestess
- Genesis: After the Ordeal
- Marco Lo Muscio: Bilbo's Dream
- Marco Lo Muscio: Visions from Minas Tirith – The White Tree
Thanks to:
Don Silvano Nardi
Fabbriceria del Duomo di Pienza
Tamburini Digital
Giovanni Pirri (Video Recording)
Cristoforo di Bindoccio Meo di Piero, affreschi chiesa s.Francesco, Pienza (manortiz)
Cristoforo di Bindoccio soprannominato Malabarba (e a volte Malombra) e Meo di Piero
(Hoc opus pinserunt Cristofanus magistri Bindocci et Meus Peri de Senis ) (?) MCCCXLVII
affreschi 1347
Chiesa di s. Francesco, Pienza
CRISTOFORO di Bindoccio. - Ricordato anche con il soprannome di Malabarba (e a volte Malombra), questo pittore è documentato a Siena dal 1361 al 1407
(...) Dopo il 1370 il linguaggio di Cristoforo di Bindoccio si definisce in una formula vivacemente espressionistica, che si mantiene fino alla fine del secolo con una coerenza a volte al limite della fretta e della meccanicità, senza che mai la costante presenza del compagno, Meo di Pero, faccia registrare alcuna variazione. Le Storie di s. Francesco affrescate nell'abside della chiesa di S. Francesco a Pienza (Brandi, 1933) costituiscono un'impresa di grande impegno per i due pittori, che lavorarono anche sulle pareti della navata, a quanto si può giudicare dal frammento con la figura di S. Antonio abate conservato sulla parete destra. L'ambientazione spaziale complessa e affollata ricorda gli esempi di Bartolo di Fredi a San Gimignano e gli affreschi di S. Michele a Paganico; ma le figure allungate secondo il gusto gotico diffuso verso la fine del secolo sembrano suggerire una data già intorno al 1380, nonostante gli arcaismi che in questo linguaggio sono una caratteristica costante (...)
MEO di Pero. – Non si conoscono il luogo e la data di nascita di questo pittore, attivo a Siena e documentato tra il 1370 e il 1407. Fu figlio del pittore Pero o Piero di Castellano da Gerfalco, iscritto nel Libro delle Capitudini delle arti di Siena del 1363, ma già morto nel novembre del 1370, quando M. sposò Bartolomea del fu Francesco Agnolini speziario (Loseries). A quella data M. risiedeva nel «popolo» di S. Pietro a Ovile (ibid.) (Enciclopedi Treccani)
Saint Anna Monastery in Camprena Pienza Tuscany Italy
Set in the Tuscan countryside. It was a Benedictine Abbey 1324-2015. It was built as a fortified hermitage 1324-1334 and totally rebuilt in the 16th century. There are traces of the 13th century building on the side of the entrance in the main door, the small door on the side and in the remains of the machicolation. Inside the old refectory there are some frescoes by Giovanno Antonio Bazzi, known as “il Sodoma” (1477-1549). This was the first major painting commission for the 25 year old artist. It now offers tourist accommodation. Beautiful photography and presentation. The video is produced in HD
2000 Assisi, la Basilica di San Francesco e altri siti francescani - Sito UNESCO
Video realizzato dalla RAI, in collaborazione e con il contributo economico del MiBACT (fondi della legge 77/2006 nella disponibilità dell'Amministrazione per attività a favore di tutti i siti UNESCO) nell'ambito della Convenzione siglata il 3 aprile 2018
Places to see in ( Montalcino - Italy )
Places to see in ( Montalcino - Italy )
Montalcino is a hill town and comune in Tuscany, Italy. It is famous for its Brunello di Montalcino wine. The town is located to the west of Pienza, close to the Crete Senesi in Val d'Orcia. It is 42 kilometres (26 mi) from Siena, 110 kilometres (68 mi) from Florence and 150 kilometres (93 mi) from Pisa. The Monte Amiata is located nearby.
The town takes its name from a variety of oak tree that once covered the terrain. The very high site of the town offers stunning views over the Asso, Ombrone and Arbia valleys of Tuscany, dotted with silvery olive orchards, vineyards, fields and villages. The lower slopes of the Montalcino hill itself are dominated by highly productive vines and olive orchards.
Like many of the medieval towns of Tuscany, Montalcino experienced long periods of peace and often enjoyed a measure of prosperity. This peace and prosperity was, however, interrupted by a number of extremely violent episodes.
During the late Middle Ages it was an independent commune with considerable importance owing to its location on the old Via Francigena, the main road between France and Rome, but increasingly Montalcino came under the sway of the larger and more aggressive city of Siena.
The first walls of the town were built in the 13th century. The fortress, built in 1361 atop the highest point of the town, was designed with a pentagonal layout by the Sienese architects Mino Foresi and Domenico di Feo. The fortress incorporates some of the pre-existing southern walls, the pre-existing structures including the keep of Santo Martini, the San Giovanni tower and an ancient basilica which now serves as the fortress chapel. Though the town itself was eventually conquered, the fortress itself never submitted, an admirable feat, considering the size of the Sienese and Florentine forces that besieged Montalcino at varying intervals.
The narrow, short street leads down from the main gate of the fortress to the Chiesa di Sant'Agostino with its simple 13th-century, Romanesque façade. Adjacent to the church is the former convent, now the Musei Riuniti, both a civic and diocesan museum, housing among its collections: a wooden crucifix by an unknown artist of the Sienese school, two 15th century wooden sculptures, including a Madonna by an anonymous artist, and several terracotta sculptures attributed which to the Della Robbia school. The collection also includes a St Peter and St Paul by Ambrogio Lorenzetti and a Virgin and Child by Simone Martini. There are also modern works from the early 20th century in the museum.
The Duomo (cathedral), dedicated to San Salvatore, was built originally in the 14th Century, but now has a 19th-century Neoclassical façade designed by the Sienese architect Agostino Fantasici. The Piazza della Principessa Margherita is down the hill from the fortress and Duomo on the via Matteotti. The principal building on the piazza is the former Palazzo dei Priori or Palazzo Comunale (built late 13th, early 14th century), now town hall. The palace is adorned with the coats of arms of the Podesta, once rulers of the city. A tall medieval tower is incorporated into the palazzo.
Montalcino is divided, like most medieval Tuscan cities, into quarters called contrade, Borghetto, Travaglio, Pianello and Ruga, each with their own colors, songs and separate drum rhythms to distinguish them. Twice a year they meet together in a breath taking archery contest under the walls of the Fortezza, conducted in Medieval dress, with lords and ladies of each contrada who accompany the proceedings. The 13th-century church of San Francesco in the Castlevecchio contrada has undergone several renovations. It contains 16th-century frescoes by Vincenzo Tamagni. The medieval quarter in Montalcino is denominated as the centro storico (historical center).
( Montalcino - Italy ) is well know as a tourist destination because of the variety of places you can enjoy while you are visiting Montalcino . Through a series of videos we will try to show you recommended places to visit in Montalcino - Italy
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Via del Bacio e dell'Amore a Pienza (manortiz)
San Francesco Monastery in Fiesole / Florence
Walk to San Francesco Monastery in Fiesole / Florence
april 2017.
Church of St. Francis, Treviso, Veneto, Italy, Europe
In the early 13th century the municipality of Treviso issued statutes that allowed mendicant orders to settle within the walls. A small group of minor friars, sent by the same Francis of Assisi, came to Treviso in 1216, and took up residence north-east of the city center, in the area beyond the Cagnan Grande. In this area, which the tradition has granted them from the Da Camino, the Franciscans built a simple convent and a chapel dedicated to the Virgin Mary. The community soon became numerous and in 1231 the church and the convent began to be built. The municipality gave a sum of one thousand lire for the works. In 1270 the constructions were completed. An important role in the endowment of the convent was given by Gherardo da Camino, perhaps due to an act of reparation for the killing of Giacomo Casale, bishop of Feltre and Friar Minor, in 1298. The major families of Treviso had their own chapel in this church: in addition to the grandiose ark of the da Camino, one can remember the disappeared tombs of the Bonaparte, the Brandolini, the Coderta, the Rovèr, the Rinaldi, the Sugana, and the Calandri. Being a regular church, in 1797 the church was occupied by the French and the minor conventual friars were expelled. In 1806 the convent was suppressed by the laws of the Kingdom of Italy. The church was thus used for military purposes and as a stable, while the two large cloisters were demolished. Only in 1928, after a restoration, it was reopened. The church, owned by the Municipality of Treviso, was again entrusted to the pastoral animation of the Conventual Franciscan friars. It is not a parish church, being included in the territory of Santa Maria Maddalena. To a Franciscan, between Benvenuto delle Celle, according to the tradition also author of the project for the church of San Nicolò, is perhaps the design of the church. The grandeur of the Dominican temple is opposed by the simple and severe structure, of transition between the Romanesque and early Gothic, of St. Francis. The gabled façade, as well as the two sides, is decorated with pilasters crowned by small arches, and has a lunette above the portal with a Byzantine fresco. The church has a Latin cross plan, with a single, large nave covered by a wooden ship-like ceiling. On the right there is a small nave consisting of the union of five side chapels, covered by masonry cross vaults that form five bays. In the lunette above the portal there is a Byzantine fresco, attributed to Marco Veneziano (1235). Inside, on the left wall, there is a gigantic fresco depicting St. Christopher, a Romanesque-Byzantine work of the late thirteenth century. On the sails of the vault of the main chapel of the apse are the Four Evangelists, the Stigmata of St. Francis, a Madonna with Child and Adam, of the fourteenth-century Venetian-Emilian school, probably the work of a pupil of Tommaso da Modena. In the first chapel on the left (Giacomelli chapel) there is a work by Tommaso da Modena, the fresco of the Madonna and Child with seven saints (1350), a true artistic masterpiece of the church and testimony to the refined Gothic style of the Emilian master then active in city. Three of the saints, however, were later added by pupils of Thomas. In the second chapel on the left there is a fresco by a pupil of Tommaso da Modena, the Master of Feltre: Madonna and four saints, from 1351.
2011 Italia Toscana, Siena, Basilica San Francesco, Territorio Contrada Giraffa, Sienne, Giraffe
Source : :
La Piazza San Francesco est une place de Sienne, en regard de la basilique Saint-François.
Elle permet d'accéder au musée diocésain d'Art sacré situé dans l'Oratorio di San Bernardino à droite de la façade.
La via Sinitraia, qui la longe venant du bas côté gauche de la basilique, se prolonge en via Rossi vers le centre historique, passant sous des arcades entre ses murs.
Montepulciano Cathedral, Montepulciano, Siena, Tuscany, Italy, Europe
The Cathedral of Montepulciano is the main place of Catholic worship in Montepulciano, in the province of Siena, cathedral of the diocese of Montepulciano-Chiusi-Pienza. The cathedral was built between 1586 and 1680 on a design by the Orvieto Ippolito Scalza; the building was built in place of the ancient parish church of Santa Maria, whose plebeian rights, acquired around the year 1000, derived from an ancient church located outside the castle walls, where the church of San Biagio is today. The church was solemnly consecrated June 19, 1712 by Francesco Maria Arrighi, bishop of Montepulciano. The only surviving structure of the ancient parish is the massive bell tower in ashlars of travertine and bricks, built in the third quarter of the fifteenth century by Iacomo and Checco di Meo da Settignano. The apical part, denoted by the slender bell-shaped mullioned windows, was never completed. The salient façade is also unfinished, while the sides, terminated by brick and travertine ashlars, are enlivened by Tuscan pilasters between which round arches are inserted. Inside, the architectural warp, clearly of Florentine ancestry, is austere and elegant due to the sharpness of the plaster surfaces that alternate with the stone facing walls. The plan is a Latin cross divided into three naves by powerful pillars supporting round arches. In the central nave, in the transepts and in the apsidal scarsella, reported entablatures support a barrel vault; at the intersection of the two orthogonal bodies the angular plumes support the drum (architecture) on which the dome is set. The aisles are covered by cross vaults; on the walls, in correspondence of each bay, there are barrel-vaulted chapels. The pulpit supported by ionic columns is placed against a right-hand pillar.
Italy Tour Vlog - 5. San Gimignano, Siena, Assisi, and Montepulciano
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Italy/Assisi Part 36/84
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Assisi:
Assisi is a town and comune of Italy in the province of Perugia in the Umbria region, on the western flank of Monte Subasio.
It was the birthplace of St. Francis, who founded the Franciscan religious order in the town in 1208, and St. Clare (Chiara d'Offreducci), the founder of the Poor Sisters, which later became the Order of Poor Clares after her death. The 19th-century Saint Gabriel of Our Lady of Sorrows was also born in Assisi.
Around 1000 BC a wave of immigrants settled in the upper Tiber valley as far as the Adriatic Sea, and also in the neighborhood of Assisi. These were the Umbrians, living in small fortified settlements on high ground. From 450 BC these settlements were gradually taken over by the Etruscans. The Romans took control of central Italy by the Battle of Sentinum in 295 BC. They built the flourishing municipium Asisium on a series of terraces on Monte Subasio. Roman remains can still be found in Assisi: city walls, the forum (now Piazza del Comune), a theatre, an amphitheatre and the Temple of Minerva (now transformed into the Church of Santa Maria sopra Minerva). In 1997, the remains of a Roman villa were also discovered containing several well preserved rooms with frescoes and mosaics in a condition rarely found outside sites such as Pompei.
In 238 AD Assisi was converted to Christianity by bishop Rufino, who was martyred at Costano. According to tradition, his remains rest in the Cathedral Church of San Rufino in Assisi.
The Ostrogoths of king Totila destroyed most of the town in 545. Assisi then came under the rule of the Lombards as part of the Lombard and then Frankish Duchy of Spoleto.
The thriving commune became an independent Ghibelline commune in the 11th century. Constantly struggling with the Guelph Perugia, it was during one of those battles, the battle at Ponte San Giovanni, that Francesco di Bernardone, (Saint Francis of Assisi), was taken prisoner, setting in motion the events that eventually led him to live as a beggar, renounce the world and establish the Order of Friars Minor.
The city, which had remained within the confines of the Roman walls, began to expand outside these walls in the 13th century. In this period the city was under papal jurisdiction. The Rocca Maggiore, the imperial fortress on top of the hill above the city, which had been plundered by the people in 1189, was rebuilt in 1367 on orders of the papal legate, cardinal Gil de Albornoz.
In the beginning Assisi fell under the rule of Perugia and later under several despots, such as the soldier of fortune Biordo Michelotti, Gian Galeazzo Visconti and his successor Francesco I Sforza, dukes of Milan, Jacopo Piccinino and Federico II da Montefeltro, lord of Urbino. The city went into a deep decline through the plague of the Black Death in 1348.
The city came again under papal jurisdiction under the rule of Pope Pius II (1458–1464).
In 1569 construction was started of the Basilica of Santa Maria degli Angeli. During the Renaissance and in later centuries, the city continued to develop peacefully, as the 17th-century palazzi of the Bernabei and Giacobetti attest.Now the site of many a pilgrimage, Assisi is linked in legend with its native son, St. Francis. The gentle saint founded the Franciscan order and shares honors with St. Catherine of Siena as the patron saint of Italy. He is remembered by many, even non-Christians, as a lover of nature (his preaching to an audience of birds is one of the legends of his life).
Assisi was hit by two devastating earthquakes, that shook Umbria in September 1997. But the recovery and restoration have been remarkable, although much remains to be done. Massive damage was caused to many historical sites, but the major attraction, the Basilica di San Francesco, reopened less than 2 years later.
Pienza International Music Festival - Ivo Petri - Season 2016: June 11/26 (Video Presentation)
Pienza International Festival - Stagione 2016 (Season 2016)
Sabato 11 Giugno ore 19.00 - Cripta della Cattedrale
(Organista: Marco Lo Muscio)
Domenica 12 Giugno ore 19.00 - Cripta della Cattedrale
(Organista: Katerina Chrobokova)
Sabato 18 Giugno ore 20.00 - Chiesa di San Francesco
(Pianista: Johannes Skudlik)
Domenica 19 Giugno ore 20.00 - Chiesa di San Francesco (Clavicembalista: Mara Fanelli)
Domenica 26 Giugno ore 19.00 - Pieve di Corsignano
(Pianista: Andrea Padova)
Master classes: Venerdì 24, Sabato 25 e Domenica 26: Pieve di Corsignano dalle ore 10.00
Concerto dei migliori allievi della master class:
Domenica 26, ore 16.00
Crowdfunding for Pienza:
Assisi Eremo di San Francesco
Assisi di lunedi - Eremo delle Carceri
Places to see in ( Poggibonsi - Italy )
Places to see in ( Poggibonsi - Italy )
Poggibonsi is a town in the province of Siena, Tuscany, central Italy. It is located on the Elsa River and is the main centre of the Valdelsa Valley. The area around Poggibonsi was already settled in the Neolithic age, although the first traces of civilisation dates from Etruscan-Roman age, attested by a series of necropolises and by placenames such as Talciona or Marturi (from the Etruscan name of Mars).
The importance of the area dates from the 10th century, thanks to its position across the Via Francigena, the main road from Rome to France. At that time, the development of Borgo di Marte (later Marturi, Borgo Vecchio and then Poggibonsi) was started, a settlement whose origins are debated. Around 1010, Borgo di Camaldo appeared. In 1155 or 1156, the inhabitants of these and other nearby towns were moved by Guido Guerra, of the Guidi Counts, to a hill where a new settlement, Poggiobonizio, was established. In the 12th century, the Cathars had a major theological school in Poggibonsi.
The Palazzo Pretorio (late 13th century), with the annexed Torre del Podestà was the seat of the local government until the construction of the Palazzo Comunale in the 19th century. The lower floor, with the loggia, is travertine, while the upper section is brick and travertine. Since 1997, it has housed a palaeontological museum. The Church of San Lorenzo, built by the Augustinian order in Gothic-Romanesque style. In 1495, it was the seat of the meeting between Charles VIII of France and Girolamo Savonarola.
Santuario del Romituzzo: 15th-century oratory-sanctuary with campanile and portico housing a venerated image of the Madonna della Neve (Madonna of the Snows). Basilica of San Luccese Large Gothic church, built around 1252 over a pre-existing church of San Camaldo, traces of which can be seen in the façade and left wall.
The Fonte delle Fate (Fairies' Spring) is one of the few remains of the destroyed Poggiobonizio, from the early 13th century. It was discovered in 1803. Castello della Magione, once home of the Knights Templars, and then given to the Knights Hospitallers after the Templars were abolished in 1312, is on the Via Francigena.
In the frazione of Staggia Senese is a notable castle (Rocca), probably dating from Lombard times, which belonged to the Florentine family of the Franzesi from the 13th century. Castello di Strozzavolpe (Castle of the Fox-Strangler) is an ancient fortress of the Guidi family. According to legend, it was connected to Poggibonizio by a tunnel. San Martino a Luco romanesque Pieve church.
The Church of Sant'Andrea a Palapiano, one of the most notable Romanesque edifices in the area. Santa Maria a Talciona: 12th-13th century church with bas-relief (1234) in portal portraying the Adoration of the Magi. San Lorenzo in Pian de' Campi: church houses a 15th-century fresco by Pier Francesco Fiorentino.
( Poggibonsi - Italy ) is well know as a tourist destination because of the variety of places you can enjoy while you are visiting Poggibonsi . Through a series of videos we will try to show you recommended places to visit in Poggibonsi - Italy
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Pienza, i dintorni e la nebbia
Un volo sopra Pienza e la sua campagna circostante.
La Pieve dei Santi Vito e Modesto a Corsignano e la chiesetta di Vitaleta, nei pressi delle Cretaiole ... il Monte Amiata, tanta nebbia e ... gli amici di FotoZoom
Places to see in ( Cortona - Italy )
Places to see in ( Cortona - Italy )
Cortona is a town and comune in the province of Arezzo, in Tuscany, Italy. Cortona is the main cultural and artistic center of the Val di Chiana after Arezzo. Cortona may be accessed by rail: the closest station is Camucia-Cortona, 3 kilometres (1.9 miles) away. There are direct trains from Florence, Rome, and Foligno (via Perugia).
The foundation of Cortona remains mixed in legends dating to classical times. These were later reworked especially in the late Renaissance period under Cosimo I de' Medici. The 17th-century Guide of Giacomo Lauro, reworked from writings of Annio da Viterbo, states that 108 years after the Great Flood, Noah entered the Valdichiana via the Tiber and Paglia rivers. He preferred this place better than anywhere else in Italy, because it was so fertile, and dwelt there for thirty years. One of Noah's descendants was Crano, his son who came to the hilltop and, liking the high position, the fine countryside and the calm air, built the city of Cortona on it in 273 years after the Great Flood.
The prevailing character of Cortona’s architecture is medieval with steep narrow streets situated on a hillside at an elevation of 600 metres (2,000 ft) that embraces a view of the whole of the Valdichiana. From the Piazza Garibaldi (still referred to by the local population by its older name, Piazza Carbonaia) is a fine prospect of Lake Trasimeno, scene of Hannibal's ambush of the Roman army in 217 BC (Battle of Lake Trasimene). Parts of the Etruscan city wall can still be seen today as the basis of the present wall. The main street, via Nazionale, is the only street in the town with no gradient, and is still usually referred to by locals by its older name of Ruga Piana.
Inside the Palazzo Casali is the Museo dell'Accademia Etrusca, displaying items from Etruscan, Roman, and Egyptian civilizations, as well as art and artefacts from the Medieval and Renaissance eras. The distinguished Etruscan Academy Museum had its foundation in 1727 with the collections and library of Onofrio Baldelli. Among its most famous ancient artefacts is the bronze lampadario or Etruscan hanging lamp, found at Fratta near Cortona in 1840 and then acquired by the Academy for the large sum of 1600 Florentine scudi. Its iconography includes (under the 16 burners) alternating figures of Silenus playing panpipes or double flutes, and of sirens or harpies. Within zones representing waves, dolphins and fiercer sea-creatures is a gorgon-like face with protruding tongue. Between each burner is a modelled horned head of Achelous. It is supposed that the lampadario derived from some important north Etruscan religious shrine of around the second half of the 4th century BC. A later (2nd century BC) inscription shows it was rededicated for votive purposes (tinscvil) by the Musni family at that time.
Alot to see in ( Cortona - Italy ) such as :
Diocesan Museum
Cortona Cathedral
Museo dell'Accademia Etrusca e città di Cortona
Church of San Francesco, Cortona
Santa Margherita, Cortona
Piazza della Repubblica
Fortezza Medicea di Girifalco
Molesini
Porta Bifora
Porta Sant'Agostino
Porta Colonia
Porta Berarda
Porta Montanina
Porta Santa Margherita
Audit Artea
Galleria Etrusca
Cathedral (Duomo) of Cortona (Santa Maria)
Basilica of Santa Margherita
Guzzetti Chapel
Spirito Santo
San Benedetto
San Cristoforo
San Domenico
San Filippo Neri
San Francesco
San Marco
San Niccolò
Santa Chiara
(Former) church of the Gesù
Abbey of Farneta
Franciscan Convent de Le Celle
San Donnino (or, Madonna della Croce)
Pieve di San Michele Arcangelo at Metelliano
Sanctuary of the Madonna del Bagno
San Biagio at Pierle
San Marco Evangelista
( Cortona - Italy ) is well know as a tourist destination because of the variety of places you can enjoy while you are visiting the city of Cortona . Through a series of videos we will try to show you recommended places to visit in Cortona - Italy
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