Piran, Slovenia - 4K
Piran, Slovenia, 2017 - 4K
Piran is the historic town of the Slovenian coast near the Croatian border. The dominant feature of the city is the Church and the Great Square. Above the city, the old Town Walls are preserved. In the city you can visit the aquarium, cruise ships with glazed bottom around the city or take a stroll to the Tower and the town walls and enjoy the views.
Enjoy it ????
Camera & Edit: Tomáš Polášek
Youtube: youtube.com/channel/UCFL46ed6jKjse0aELQrB6tg
Web: fototravel.info
Music by:
Easier to Fade (feat. Madi Larson) by A Himitsu
Creative Commons — Attribution 3.0 Unported— CC BY 3.0
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St. Martin Church, Dob, Slovenia
View from the church as bells are ringing
Bells from St. Martin, Dob Slovenia
Bells from Grandma's church
Komorni zbor DEKOR, dir. Petra Grassi – ITALIANTICA, 2017 – Trailer
VIDEONAPOVED ǀ TRAILER:
Komorni zbor DEKOR ǀ DEKOR Chamber Choir(Slovenija ǀ Slovenia)
Dirigentka ǀ Conductor: Petra Grassi (Italija ǀ Italy – Slovenija ǀ Slovenia)
ITALIANTICA – Glasbeno zrcalo besede med renesanso in sodobnostjo
PREMIERA: BREŽICE, 16. maj 2017, 19.30
Viteška dvorana Posavskega muzeja Brežice
OSREDNJI KONCERT: LJUBLJANA, 19. maj 2017, 20.00
Cerkev sv. Frančiška Asiškega (Plečnikova cerkev, Šiška, Černetova 20)
PONOVITEV: PIRAN, 18. junij 2017, 21.00
Cerkev sv. Jurija (Ul. IX. korpusa 25)
PROGRAM:
Glasbene mojstrovine preteklosti in sedanjosti v zvočno in ambientalno navdihujočih prostorih
di Lasso, Gesualdo, Monteverdi, Palestrina, Clausetti, Pizzetti, Venturini, Donati, Bonato
Številne prve izvedbe v Sloveniji
____
ITALIANTICA - Musical mirror of words between renaissance and contemporary art
PREMIERE IN MAY 2017
MAIN CONCERT: LJUBLJANA, 19th May 2017, 20.00
The Church of St. Francis of Assisi (Plečnik's church, Šiška, Černetova 20)
OTHER CONCERTS:
BREŽICE, 16th May 2017, 19.30
The Knight's Hall of the Posavje museum Brežice
PIRAN, 18. junij 2017, 21.00
St. George's Parish Church in Piran (Ul. IX. korpusa 25, Piran)
PROGRAMME:
Musical masterpieces of the past and present in an acoustical and ambiental inspiring places
di Lasso, Gesualdo, Monteverdi, Palestrina, Clausetti, Pizzetti, Venturini, Donati, Bonato
Several first performances in Slovenia
____
VIDEONAPOVED ǀ TRAILER:
Glasba ǀ Music:
Komorni zbor DEKOR ǀ DEKOR Chamber Choir, dirigentka ǀ Conductor: Petra Grassi
Ildelbrando Pizzetti (1880–1968): Requiem – Agnus Dei (odlomek ǀ excerpt)
Posneto v Plečnikovi Cerkvi sv. Frančiška Asiškega v Ljubljani 25. marca 2017
Recorded in the Church of St. Francis of Assisi in Ljubljana on 25th March 2017
Snemalec ǀ Recorded by: analogSurviver – Aleksander Govekar
Slika ǀ Painting: Michelangelo (1475–1564): Stvarjenje Adama ǀ The Creation of Adam (1508–1512)
Foto zbora ǀ Photo of the choir: Komorni zbor DEKOR
Zasnova in izdelava videa ǀ Concept and video production:
Tanja Rupnik, Tanja Svenšek, Matej Šoster
Ljubljana, Slovenija, 2017
____
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E-mail: kzdekor.info@gmail.com
YouTube:
____
DEKOR CHAMBER CHOIR
Founded in January 2015, DEKOR Chamber Choir is composed of experienced choral singers from various parts of Slovenia, who in the past used to sing in renowned Slovene and some foreign vocal ensembles. Driven by the desire of thorough preparation of quality choral projects, the choir works under the leadership of Slovene and foreign guest conductors.
2017: Conductor: Petra Grassi (Italy/Slovenia) - the winner of the 1st National Matej Hubad Competition for Slovene choral conductors 2016
【K】Slovenia Travel-Bled[슬로베니아 여행-블레드]블레드 섬 2 성모 승천 교회/Pilgrimage Church of the Assumption of Maria
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[한국어 정보]
‘플레트나’를 탄 지 10분쯤 흘렀을까? 드디어 섬에 닿았다. 성모승천 성당으로 가기 위해선 99개의 계단을 딛고 올라가야 한다. 제법 가파른 계단을 한 칸 두 칸 오르다보면 어느새 100m 절벽 위에 우뚝 서 있는 성당이 눈앞에 나타난다. 슬로베니아에서 가장 오래된 성 안에 성당이 있다. “이 성당은 예수의 어머니인 마리아의 승천을 기원하기 위해 건축됐어요. 블레드 호수 위에 있어서 블레드 성당이라고 하지만 호수의 여인이라는 또 다른 이름도 있어요” 1004년 독일 황제 헨리 2세가 이 성을 건설했고 그 이후 성모승천 성당이 지어졌다. 종소리가 세 번 울리면 소원이 이뤄진다는 믿음이 있다. 그래서인지 이곳은 영원한 사랑을 맹세하는 장소로도 유명하다. “호수의 평화로움이 느껴지는 아름다운 곳이에요. 즐거운 여행 되세요” 나 역시, 간절한 소원을 담아 종을 울려 봤다. 이 영롱한 소리와 함께 블레드의 멋진 비경이 한국까지 전해지길 기대한다.
[English: Google Translator]
How about 10 minutes of 'Pletna'? I finally reached the island. To go to the Assumption Cathedral, you have to climb 99 steps. If you go up a steep staircase twice in a row, you will see a cathedral standing on a 100m cliff. There is a cathedral in the oldest castle in Slovenia. This cathedral was built to pray for the ascension of Mary, the mother of Jesus. There is another name for the Bled cathedral on the Bled lake, but it is also called the lady of the lake. In 1004, the German emperor Henry II built the castle and then the Assumption cathedral was built. There is a belief that if the bell rings three times, the wish will come true. So it is also famous as a place to swear eternal love. It's a beautiful place where you can feel the peace of the lake. Have a good trip. I, too, sang a bell with an eager wish. I hope to see Bleeck's wonderful nod to Korea.
[Slovenia : Google Translator]
Kako približno 10 minut Pletna? Končno sem prispel na otok. Če želite iti v katedralo, se morate vzpenjati 99 korakov. Če gremo po strmem stopnišču dvakrat zaporedoma, boš videl katedralo, ki stoji na 100 metri pečini. V najstarejšem gradu v Sloveniji je katedrala. Ta katedrala je bila zgrajena moliti za vzpon Marije, Jezusove matere. Za blejsko katedralo na Blejskem jezeru je še eno ime, vendar se imenuje tudi dama jezera. «Leta 1004 je nemški gradnik Henry II zgradil grad, nato pa je bila zgrajena samostanska katedrala. Obstaja prepričanje, da če zvonec trikrat zvoni, se bo želja uresničila. Tako je znana tudi kot kraj, kjer se prisegajo večne ljubezni. To je lep kraj, kjer lahko čutite mir jezera. Lepo potujte. «Tudi jaz sem pel zvonec z željno željo. Upam, da bom videl čudovito nagnjenje Bleecku v Korejo.
[Information]
■클립명: 유럽101-슬로베니아02-07 블레드 섬 2 성모 승천 교회
■여행, 촬영, 편집, 원고: 오성민 PD (travel, filming, editing, writing: KBS TV Producer)
■촬영일자: 2016년 12월December
[Keywords]
섬,island,cliff,호수,lake,volcanic, crater, caldera, mountain,종교시설,church,소원빌기,체험,,make wishes,사람,man,유럽Europe슬로베니아SloveniaRepublika Slovenija오성민201612월라도블리차Municipality of RadovljicaObcina RadovljicaDecember걸어서 세계속으로
timelapse Assisi
timelapse, Assisi,
Albert Sammons plays The Devil’s Trill
Found at The AHRC Research Centre for the History and Analysis of Recorded Music (CHARM) which was established on 1 April 2004, supported by a 5-year grant of just under £1m from the Arts and Humanities Research Council.
The Violin Sonata in G minor, more familiarly known as the Devil's Trill Sonata is a work for solo violin (with figured bass accompaniment) by Giuseppe Tartini (1692–1770).
1Larghetto affettuoso
2Allegro moderato
3Andante
4Allegro assai-Andante-Allegro assai
Giuseppi Tartini was born in Piran, a town on the peninsula of Istria, in the Republic of Venice (now in Slovenia) to Gianantonio – native of Florence – and Caterina Zangrando, a descendant of one of the oldest aristocratic Piranian families.
It appears Tartini's parents intended him to become a Franciscan friar and, in this way, he received basic musical training. He studied law at the University of Padua, where he became skilled at fencing. After his father's death in 1710, he married Elisabetta Premazone, a woman his father would have disapproved of because of her lower social class and age difference. Unfortunately, Elisabetta was a favorite of the powerful Cardinal Giorgio Cornaro, who promptly charged Tartini with abduction. Tartini fled Padua to go to the monastery of St. Francis in Assisi, where he could escape prosecution. While there, Tartini took up playing the violin.
Legend says when Tartini heard Francesco Maria Veracini's playing in 1716, he was impressed by it and dissatisfied with his own skill. He fled to Ancona and locked himself away in a room to practice, according to Charles Burney, in order to study the use of the bow in more tranquility, and with more convenience than at Venice, as he had a place assigned him in the opera orchestra of that city.
Tartini's skill improved tremendously and, in 1721, he was appointed Maestro di Cappella at the Basilica di Sant'Antonio in Padua, with a contract that allowed him to play for other institutions if he wished. In Padua he met and befriended fellow composer and theorist Francesco Antonio Vallotti.
Tartini was the first known owner of a violin made by Antonio Stradivari in 1715, which Tartini bestowed upon his student Salvini, who in turn bestowed it to Karol Lipiński upon hearing him perform, from which it derives its moniker, the Lipinski Stradivarius. He also owned and played the Antonio Stradivarius violin ex-Vogelweith from 1711.
In 1726, Tartini started a violin school which attracted students from all over Europe. Gradually, Tartini became more interested in the theory of harmony and acoustics, and from 1750 to the end of his life he published various treatises.
Today, Tartini's most famous work is the Devil's Trill Sonata, a solo violin sonata that requires a number of technically demanding double stop trills and is difficult even by modern standards. (One 19th-century myth had it that Tartini had six digits on his left hand, making these trills easier for him to play.) According to a legend embroidered upon by Madame Blavatsky, Tartini was inspired to write the sonata by a dream in which the Devil appeared at the foot of his bed playing the violin.
Almost all of Tartini's works are violin concerti (at least 135) and violin sonatas. Tartini's compositions include some sacred works such as a Miserere, composed between 1739 and 1741 at the request of Pope Clement XII, and a Stabat Mater, composed in 1769. He also composed trio sonatas and a sinfonia in A.
In addition to his work as a composer, Tartini was a music theorist, of a very practical bent. He is credited with the discovery of sum and difference tones, an acoustical phenomenon of particular utility on string instruments (intonation of double-stops can be judged by careful listening to the difference tone, the terzo suono). He published his discoveries in a treatise Trattato di musica secondo la vera scienza dell'armonia' (Padua, 1754). His treatise on ornamentation was eventually translated into French— though when its influence was rapidly waning, in 1771— by a certain P. Denis, whose introduction called it unique; indeed, it was the first published text devoted entirely to ornament and, though it was all but forgotten, as only the printed edition survived, has provided first-hand information on violin technique for modern historically informed performances, once it was published in English translation by Sol Babitz in 1956.
Fugue in G Major from Sei Fughe for Winds & Strings
Giuseppe Tartini (1692 – 1770) was an Italian Baroque composer and violinist. He was born in Pirano, a town on the peninsula of Istria, in the Republic of Venice (now in Slovenia) to Gianantonio – native of Florence – and Caterina Zangrando, a descendant of one of the oldest aristocratic Piranese families.
It appears Tartini's parents intended him to become a Franciscan friar and, in this way, he received basic musical training. He studied law at the University of Padua, where he became skilled at fencing. After his father's death in 1710, he married Elisabetta Premazore, a woman his father would have disapproved of because of her lower social class and age difference. Unfortunately, Elisabetta was a favorite of the powerful Cardinal Giorgio Cornaro, who promptly charged Tartini with abduction. Tartini fled Padua to go to the monastery of St. Francis in Assisi, where he could escape prosecution. While there, Tartini took up playing the violin.
Legend says when Tartini heard Francesco Maria Veracini's playing in 1716, he was impressed by it and dissatisfied with his own skill. He fled to Ancona and locked himself away in a room to practise, according to Charles Burney, in order to study the use of the bow in more tranquility, and with more convenience than at Venice, as he had a place assigned him in the opera orchestra of that city. Tartini's skill improved tremendously and, in 1721, he was appointed Maestro di Cappella at the Basilica di Sant'Antonio in Padua, with a contract that allowed him to play for other institutions if he wished. In Padua he met and befriended fellow composer and theorist Francesco Antonio Vallotti.
Tartini was the first known owner of a violin made by Antonio Stradivari in 1715, which Tartini bestowed upon his student Salvini, who in turn gave it to the Polish composer and virtuoso violinist Karol Lipiński upon hearing him perform: the instrument is thus known as the Lipinski Stradivarius. Tartini also owned and played the Antonio Stradivarius violin ex-Vogelweith from 1711. Today, Tartini's most famous work is the Devil's Trill Sonata, a solo violin sonata that requires a number of technically demanding double stop trills and is difficult even by modern standards. According to a legend embroidered upon by Madame Blavatsky, Tartini was inspired to write the sonata by a dream in which the Devil appeared at the foot of his bed playing the violin.
Almost all of Tartini's works are violin concerti (at least 135) and violin sonatas. Tartini's compositions include some sacred works such as a Miserere, composed between 1739 and 1741 at the request of Pope Clement XII, and a Stabat Mater, composed in 1769.[4] He also composed trio sonatas and a sinfonia in A. Tartini's music is problematic to scholars and editors because Tartini never dated his manuscripts, and he also revised works that had been published or even finished years before, making it difficult to determine when a work was written, when it was revised and what the extent of those revisions were. The scholars Minos Dounias and Paul Brainard have attempted to divide Tartini's works into periods based entirely on the stylistic characteristics of the music.
Source: Wikipedia ( ).
Although originally written for Flute & Orchestra, I created this Interpretation of the Fugue in G Major from Sei Fughe for Winds (Flute, Oboe, Bb Clarinet, French Horn & Bassoon) and Strings (2 Violins, Viola, cello & Bass).
The Church Bells Ringing at Noon in Rainy Ljubljana
Kristen and I listen to the church bells ring on a rainy day in Ljubljana.
Fugue in G Major from Sei Fughe for Winds & Strings
Giuseppe Tartini (1692 – 1770) was an Italian Baroque composer and violinist. He was born in Pirano, a town on the peninsula of Istria, in the Republic of Venice (now in Slovenia) to Gianantonio – native of Florence – and Caterina Zangrando, a descendant of one of the oldest aristocratic Piranese families.
It appears Tartini's parents intended him to become a Franciscan friar and, in this way, he received basic musical training. He studied law at the University of Padua, where he became skilled at fencing. After his father's death in 1710, he married Elisabetta Premazore, a woman his father would have disapproved of because of her lower social class and age difference. Unfortunately, Elisabetta was a favorite of the powerful Cardinal Giorgio Cornaro, who promptly charged Tartini with abduction. Tartini fled Padua to go to the monastery of St. Francis in Assisi, where he could escape prosecution. While there, Tartini took up playing the violin.
Legend says when Tartini heard Francesco Maria Veracini's playing in 1716, he was impressed by it and dissatisfied with his own skill. He fled to Ancona and locked himself away in a room to practise, according to Charles Burney, in order to study the use of the bow in more tranquility, and with more convenience than at Venice, as he had a place assigned him in the opera orchestra of that city. Tartini's skill improved tremendously and, in 1721, he was appointed Maestro di Cappella at the Basilica di Sant'Antonio in Padua, with a contract that allowed him to play for other institutions if he wished. In Padua he met and befriended fellow composer and theorist Francesco Antonio Vallotti.
Tartini was the first known owner of a violin made by Antonio Stradivari in 1715, which Tartini bestowed upon his student Salvini, who in turn gave it to the Polish composer and virtuoso violinist Karol Lipinski upon hearing him perform: the instrument is thus known as the Lipinski Stradivarius. Tartini also owned and played the Antonio Stradivarius violin ex-Vogelweith from 1711. Today, Tartini's most famous work is the Devil's Trill Sonata, a solo violin sonata that requires a number of technically demanding double stop trills and is difficult even by modern standards. According to a legend embroidered upon by Madame Blavatsky, Tartini was inspired to write the sonata by a dream in which the Devil appeared at the foot of his bed playing the violin.
Almost all of Tartini's works are violin concerti (at least 135) and violin sonatas. Tartini's compositions include some sacred works such as a Miserere, composed between 1739 and 1741 at the request of Pope Clement XII, and a Stabat Mater, composed in 1769.[4] He also composed trio sonatas and a sinfonia in A. Tartini's music is problematic to scholars and editors because Tartini never dated his manuscripts, and he also revised works that had been published or even finished years before, making it difficult to determine when a work was written, when it was revised and what the extent of those revisions were. The scholars Minos Dounias and Paul Brainard have attempted to divide Tartini's works into periods based entirely on the stylistic characteristics of the music.
Source: Wikipedia ( ).
Although originally written for Flute & Orchestra, I created this Interpretation of the Fugue in G Major from Sei Fughe for Winds (Flute, Oboe, Bb Clarinet, French Horn & Bassoon) and Strings (2 Violins, Viola, cello & Bass).
Christmas story in Postojna cave:25.-30.12 2018
Singer :Alex Volasko
Tartini - Violin Concerto in A major D96 - Mov. 1/3
GIUSEPPE TARTINI (1692 - 1770)
Concerto for violin, strings, and basso continuo in A major D. 96
1. Allegro
Performed by the Venice Baroque Orchestra
Featuring Giuliano Carmignola, violin
Directed by Andrea Marcon
*Giuseppe Tartini was an Italian composer and violinist.
Tartini was born in Piran, a town on the peninsula of Istria, in the Republic of Venice (now in Slovenia) to Gianantonio - native of Florence - and Caterina Zangrando, a descendant of one of the oldest aristocratic Piranian families.
It appears Tartini's parents intended him to become a Franciscan friar, and in this way he received a basic musical training. He studied law at the University of Padua, where he became very good at fencing. After his father's death in 1710, he married Elisabetta Premazone, a woman his father would have disapproved of because of her lower social class and age difference. Unfortunately, Elisabetta was a favorite of the powerful Cardinal Giorgio Cornaro, who promptly charged Tartini with abduction. Tartini fled Padua to go to the monastery of St. Francis in Assisi, where he could escape prosecution; while there he took up playing the violin.
There is a legend that when Giuseppe Tartini heard Francesco Maria Veracini's playing in 1716, he was so impressed by it and so dissatisfied with his own skill, that he fled to Ancona and locked himself away in a room to practice.
Tartini's skill improved tremendously and in 1721 he was appointed Maestro di Capella at the Basilica di Sant'Antonio in Padua, with a contract that allowed him to play for other institutions if he wanted to. In Padua he met and befriended fellow composer and theorist Francesco Antonio Vallotti.
Tartini was the first known owner of a violin made by Antonio Stradivari in 1715, which Tartini bestowed upon his student Signor Salvini, who in turn bestowed it to Karol Lipiński upon hearing him perform, from which it derives its moniker, the Lipinski Stradivarius.
In 1726 Tartini started a violin school which attracted students from all over Europe. Gradually Tartini became more interested in the theory of harmony and acoustics, and from 1750 to the end of his life he published various treatises.
Today, Tartini's most famous work is the Devil's Trill Sonata, a solo violin sonata that requires a number of technically demanding double stop trills and is difficult even by modern standards. (One 19th-century myth had it that Tartini had six digits on his left hand, making these trills easier for him to play.) According to a legend embroidered upon by Madame Blavatsky, Tartini was inspired to write the sonata by a dream in which the Devil appeared at the foot of his bed playing the violin.
Almost all of Tartini's works are violin concerti (at least 135) and violin sonatas. Tartini's compositions include some sacred works such as a Miserere, composed between 1739 and 1741 at the request of Pope Clement XII, and a Stabat Mater, composed in 1769. Tartini's music is problematic to scholars and editors because Tartini never dated his manuscripts, and he also revised works that had been published or even finished years before, making it difficult to determine when a work was written, when it was revised and what the extent of those revisions were. The scholars Minos Dounias and Paul Brainard have attempted to divide Tartini's works into periods based entirely on the stylistic characteristics of the music.
In addition to his work as a composer, Tartini was a music theorist, of a very practical bent. He is credited with the discovery of sum and difference tones, an acoustical phenomenon of particular utility on string instruments (intonation of double-stops can be judged by careful listening to the difference tone, the terzo suono). He published his discoveries in a treatise Trattato di musica secondo la vera scienza dell'armonia (Padua, 1754). His treatise on ornamentation was eventually translated into French— though when its influence was rapidly waning, in 1771— by a certain P. Denis, whose introduction called it unique; indeed, it was the first published text devoted entirely to ornament and, though it was all but forgotten, as only the printed edition survived, has provided first-hand information on violin technique for modern historically informed performances, once it was published in English translation by Sol Babitz in 1956.
Luigi Dallapiccola wrote a piece called Tartiniana based on various themes by Tartini.
His home town, Piran, now has a statue of Tartini in the square, which was the old harbour, originally Roman, named Tartinijev trg. Silted up and obsolete, the port was cleared of debris, filled, and redeveloped. One of the old stone warehouses is now the Hotel Giuseppe Tartini. His birthday is celebrated by a concert in the main town cathedral.