Best Attractions & Things to do in Ryazan , Russia
In this video our travel specialists have listed some of the best things to do in Ryazan . We have tried to do some extensive research before giving the listing of Things To Do in Ryazan.
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List of Best Things to do in Ryazan
Assumption Cathedral
Ryazan Kremlin
Monument Mashrooms With Eyes
Academician I. Pavlov's Memorial Museum Estate
Bar-Museum of Wines and Beverages of Russia Sikera
Monument to Evpatiy Kolovrat
Museum of the History of Ryazan Lollipop
Sergey Yesenin Monument
History of Airborne Troops Museum
Church of The Transfiguration of Our Saviour On Yar
#Ryazan
#Ryazanattractions
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#Ryazanshopping
Ryazan リャザン Kremlin Assumption Cathedral At Night in Summer
Someone shot this great video, thanks guys for such a beauty!
#Russia #Yaroslavl Church of St Elijah the Prophet
The most beautiful church of the city, the Church of Elijah the Prophet is the pride and joy of Yaroslavl and the favorite tourist attraction. It was built in 1647 – 1650 and is one of the most complete and best-preserved monuments of Yaroslavl. Built on the site of two churches, the Intercession and Elijah, the church is considered a real masterpiece of ancient Russian art. The main structure of the temple is a massive building on high foundation topped with five heads resting on light drums. The drums are decorated with arches and columns and surrounded by the rows of kokoshniks. But the main thing is, of course, the interior painting, made by famous Kostroma masters. They have no equals in beauty, richness and brightness of colors.
From both sides the Church of Elijah the Prophet is surrounded by a wide two-tier covered gallery. The gallery from the north and the west is accessed by richly decorated porches. The northwest of the temple is decorated with a tall tent bell tower. Its ornate level is surrounded by arched windows. It is the chapel of the Deposition of the Robe that gives such an unusual openwork appearance to the Church of Elijah the Prophet. Its tall slender octagonal tent is surrounded by a number of kikoshniks, that make the whole structure look elegant and colorful.
Alekseevskoe Society of Mercy Community of St. George - 1900s
Дореволюционная Россия на фотографиях
Алексеевское общество дел милосердия
община Св.Георгия
Санкт-Петербургской епархии
1900-1910
Pre-revolutionary Russia in photographs
The Alekseevskoe Society of Mercy
The Community of St. George
Diocese of St. Petersburg
1900-1910
The Alekseevskoe Society of Mercy on Assumption Island was one of the largest charities in the St. Petersburg diocese in the late XIX and early XX centuries. The Society was Archpriest Alexei Bell (February 20, 1836 - January 29, 1902). He purchased the island from the state and built soon after a poorhouse, orphanage and hospital. The stone built Church of the Assumption was constructed in 1876 with a chapel in the name of Tikhon of Zadonsk. Following his death and by order of Emperor Nicholas II, the Society became a public charitable institution.
Following the Revolution, the island became the home for juvenile delinquents, and then a nursing home, which lasted until 1964.
Music:
The Andantino from Symphony No. 1 by Sergei Taneyev
Tours-TV.com: Uspensky Cathedral
Uspensky (Dormition) Cathedral, the main edifice of Rostov Kremlin's ensemble, is a monumental five-domed temple, fascinating with noble simplicity of its forms. Russia : Yaroslavskaya Oblast' : Rostov. See on map .
Ryazan' Kremlin photos part 1
Moscow Kremlin at night
Saint Basils Church laser show in Moscow _ Receptor_Friendship drum n bass playing in my car
The Life And Death Of Ivan I of Moscow
Ivan I Daniilovich Kalita (Ива́н I Дании́лович Калита́ in Russian; 1288 – 31 March 1341 was Prince of Moscow from 1325 and Grand Prince of Vladimir from 1328
Ivan was the son of Prince of Moscow Daniil Aleksandrovich.
After the death of his elder brother Yuri III, Ivan inherited the Principality of Moscow. Ivan participated in the struggle to get the title of Grand Prince of Vladimir which could be obtained with the approval of a khan of the Golden Horde. The main rivals of the princes of Moscow in this struggle were the princes of Tver – Mikhail, Dmitry the Terrible Eyes, and Alexander II, all of whom obtained the title of Grand prince of Vladimir and were deprived of it. All of them were murdered in the Golden Horde. In 1328 Ivan Kalita received the approval of khan Muhammad Ozbeg to become the Grand Prince of Vladimir with the right to collect taxes from all Russian lands.
According to the Russian historian Kluchevsky, the rise of Moscow under Ivan I Kalita was determined by three factors. The first one was that the Moscow principality was situated in the middle of other Russian principalities; thus, it was protected from any invasions from the East and from the West. Compared to its neighbors, Ryazan principality and Tver principality, Moscow was less often devastated. The relative safety of the Moscow region resulted in the second factor of the rise of Moscow – an influx of working and tax-paying people who were tired of constant raids and who actively relocated to Moscow from other Russian regions. The third factor was a trade route from Novgorod to the Volga river.
Ivan Kalita intentionally pursued the policy of relocation of people to his principality by an invitation of people from other places and by purchase of Russian people captured by Mongols during their raids. He managed to eliminate all the thieves in his lands, thus insuring the safety of traveling merchants. Internal peace and order together with the absence of Mongolian raids to the Moscow principality was mentioned in Russian chronicles as “great peace, silence, and relief of Russian land.
Ivan made Moscow very wealthy by maintaining his loyalty to the Horde (hence, the nickname Kalita, or moneybag). He used this wealth to give loans to neighbouring Russian principalities. These cities gradually fell deeper and deeper into debt, a condition that would allow Ivan's successors to annex them. The people called Ivan the ‘gatherer of the Russian lands’. He bought lands around Moscow, and very often the poor owners sold their lands willingly. Some of them kept the right to rule in their lands on behalf of Ivan Kalita. In one way or another a number of cities and villages joined the Moscow principality – Uglich in 1323, the principality of Belozero in 1328–1338, the principality of Galich in 1340. Ivan's greatest success, however, was convincing the Khan in Sarai that his son, Simeon The Proud, should succeed him as the Grand Prince of Vladimir; from then on, the important position almost always belonged to the ruling house of Moscow. The Head of the Russian Church – Metropolitan Peter, whose authority was extremely high, moved from Vladimir to Moscow to Prince Ivan Kalita.
Following a Lithuanian raid on the town of Torzhok in 1335 (as part of the Muscovite–Lithuanian Wars), Ivan retaliated by burning the towns of Osechen and Riasna.
Ivan died in Moscow, 31 March 1341. He was buried 1 April in the Church of the Archangel Michael.
Legacy
Under Ivan Kalita, Moscow was actively growing, and his residence on the Borovitsky hill became the main part of the city. Erection of either wooden or white-stone constructions was started in the Kremlin. A number of churches were built: in 1326–1327 the Assumption Cathedral, in 1329 the Church of Ivan of the Ladder (John Climacus), in 1330 the Cathedral of the Saviour on the Bor (Forest), and in 1333 the Cathedral of Archangel Michael, where Ivan Kalita and his descendants were buried. Between 1339 and 1340, Ivan Kalita erected a new, bigger oaken fortress on the Borovitsky hill.
In Ivan’s will “the golden captain” was mentioned for the first time; this cap is identified with the well-known Monomakh’s crown, the main crown's of Russian sovereigns.
Rostov Kremlin / Best in Heritage
Creation Of The New Cultural Product As A Mean To Revive The Intangible Cultural Heritage, presentation of the ICOM Russia 2014 Award laureate State Museum Preserve “Rostov Kremlin”, by the Director Natalia Karovskaya
The Life And Death Of Vsevolod the Big Nest
Vsevolod III Yuryevich, or Vsevolod the Big Nest (Russian: Все́волод III Ю́рьевич Большо́е Гнездо́) (1154–1212), was the Grand Prince of Vladimir during whose long reign (1177–1212) the city reached the zenith of its glory.
Vsevolod was the tenth or eleventh son of Yuri Dolgoruky (c. 1099 – 1157), who founded the town Dmitrov to commemorate the site of Vsevolod's birth. Nikolai Karamzin (1766 - 1826) initiated the speculation identifying Vsevolod's mother Helene as a Greek princess, because after her husband's death she took Vsevolod with her to Constantinople.
Vsevolod spent his youth at the chivalric court of the Komnenoi. On his return from the Byzantine Empire to Rus' in 1170, Vsevolod supposedly visited Tbilisi, as a local chronicle records that that year the Georgian king entertained his nephew from Constantinople and married him to his relative, an Ossetian princess.
Reign
In 1173 two Smolensk princes captured Kiev, captured Vsevolod and briefly installed him on the throne. Ransomed a year later, Vsevolod took his brother Mikhalko's side in his struggle against the powerful boyars of Rostov and Suzdal. Upon Mikhalko's death in 1176, Vsevolod succeeded him in Vladimir. He promptly subjugated the boyars and systematically raided the Volga peoples, notably Volga Bulgaria. He installed puppet rulers on the throne of Novgorod and married his daughters to princes of Chernigov and Kiev.
Vsevolod showed little mercy to those who disobeyed his commands. In 1180 and 1187 he punished the princes of Ryazan by ousting them from their lands. In 1207 he burnt to the ground both Ryazan and Belgorod. His military fame spread quickly. The Tale of Igor's Campaign, thought to be written during Vsevolod's reign, addresses him thus: Great prince Vsevolod! Don't you think of flying here from afar to safeguard the paternal golden throne of Kiev? For you can with your oars scatter in drops the Volga, and with your helmets scoop dry the Don.
But Kievan matters concerned Vsevolod little in the latter part of his reign. He concentrated on building up his own capital, Vladimir. His Ossetian wife, Maria Shvarnovna, who devoted herself to works of piety and founded several convents, was glorified by the Russian church as a saint. By her Vsevolod had no fewer than fourteen children, thus earning for himself the sobriquet Big Nest. Four of them—Konstantin, George, Yaroslav and Sviatoslav—succeeded him as Grand Dukes of Vladimir. He died on April 12, 1212 and was buried at the Assumption Cathedral in Vladimir.
Marriage and children
Vsevolod married first Maria, whose origins are disputed. She has been variously identified as Ossetian, Alan and Moravian. They had at least fourteen children:
Sbyslava (Pelaghea) Vsevolodovna (born 26 October 1178).
Vseslava Vsevolodovna. Married Rostislav Yaroslavich, Prince of Snov. He was a son of Yaroslav II Vsevolodovich, Prince of Chernigov. His paternal grandfather was Vsevolod II of Kiev.
Verchoslava Vsevolodovna. Married Rostislav II of Kiev.
Konstantin of Rostov (18 May 1186 – 2 February 1218).
Boris Vsevolodovich. (c. 1187–1238).
Gleb Vsevolodovich (d. 29 September 1189).
Yuri II of Vladimir (1189 – 4 March 1238).
Yaroslav II of Vladimir (8 February 1191 – 30 September 1246).
Helena Vsevolodovna (d. 1204).
Vladimir Vsevolodovich, Prince of Yuryev-Polsky (25 October 1192 – 6 January 1227).
Sviatoslav III of Vladimir (27 March 1196 – 3 February 1252).
Ivan Vsevolodovich, Prince of Starodub (28 November 1197 – after 1247).
Anna Vsevolodovna. Married Vladimir, Prince of Belgorod (d. 1239).
Maria died in 1205 or 1206. Vsevolod married Liubov Vasilkovna in 1209. She was a daughter of Vasilko Bryacheslavich, Prince of Vitebsk. They had no known children.
Moscow Kremlin Cathedral Square part 2
Description
Review Novhorod-Siverskyi - Огляд Новгород-Сіверський
This video is a brief overview of - the city of #NovgorodSeversky, #Ukraine, fortress, monastery and museum, The Tale of Igor's Campaign.
#The #town was first chronicled in 1044. From 1098 it was the capital of the Siverian Principality, which served as a buffer zone against incursions of the Cumans (Polovtsy) and other steppe peoples. One of the numerous campaigns of local princes against the Cumans produced the great monument of early East Slavic literature, the #Tale of #Igor's #Campaign.
After the town's destruction by Mongols in 1239, it passed to the princes of Bryansk and then to the Grand Dukes of Lithuania. It was ruled by Dymitr Korybut (Kaributas), son of Algirdas. Muscovy obtained the area following the Battle of Vedrosha in 1503, but lost it to Poland after the Time of Troubles. The town finally passed to Russia as a result of the Russo-Polish War (1654-1667). During the Cossack epoch, the town received the status of sotenny (literally, 'relating to a hundred') and later polkovoi (regimental) town; these were military and administrative divisions in the Cossack army and country. Also Novhorod-Siverskyi became a cultural center of Left-Bank Ukraine. It was made the capital of a separate namestnichestvo in 1782–97. Thereafter its importance steadily declined.
During World War II, Novhorod-Siverskyi was occupied by the German Army from 26 August 1941 to 16 September 1943.
The Principality of Novgorod-Seversk was a medieval Rus' principality centered on the town now called Novhorod-Siverskyi. The principality was aligned to the Principality of Chernigov. It may have been created in 1139, the date of one modern authority.In 1185, a large Rus'ian campaign against the Polovtsy ended in defeat for Prince Igor, famously recorded in The Tale of Igor's Campaign. The principality was taken by the principality of Briansk after the Mongol invasions, and then by the Lithuanians when the power of the Golden Horde began to decline. In the fifteenth-century the principality was given to Prince Ivan of Mozhaisk when he fled from Grand Prince Vasily II.
Prince of Novgorod-Seversk was the kniaz, the ruler or sub-ruler, of the Principality of Novgorod-Seversk. It may have been created in 1139, the date of one modern authority, and is most famous for Igor Sviatoslavich, hero of the Old Russian Tale of Igor's Campaign.
The Tale of Igor's Campaign (Old East Slavic: Слово о плъкоу Игоревѣ, Slovo o plŭku Igorevě) is an anonymous epic poem written in the Old East Slavic language. The title is occasionally translated as The Song of Igor's Campaign, The Lay of Igor's Campaign, The Lay of the Host of Igor, and The Lay of the Warfare Waged by Igor.
The poem gives an account of a failed raid of Igor Svyatoslavich (d. 1202) against the Polovtsians of the Don River region. While some have disputed the authenticity of the poem, the current scholarly consensus is that the poem is authentic and dates to the medieval period (late 12th century).
The Tale of Igor's Campaign was adapted by Alexander Borodin as an opera and became one of the great classics of Russian theatre. Entitled Prince Igor, it was first performed in 1890.
According to the Primary Chronicle, before the 11th century the principality was ruled by local tribal elders and voivodes from Kiev who were appointed by the Grand Prince to collect tribute from the local population, manage judicial trials, and defend the land from external enemies. In the years 1024–1036 the principality of Chernigov was passed under the administration of son of the Vladimir the Great, Mstislav of Chernigov, who came there from Tmutorokan. Together with Yaroslav the Wise, Mstislav ruled the Kievan Rus' establishing Chernigov as one of the most important administration centers in Rus'. Upon the death of Mstislav, Chernigov was incorporated into the realm of Kiev.
After Yaroslav the Wise the principality of Chernigov was passed to one of his sons, Grand Prince Sviatoslav, who initiated the Chernigov branch of the Rurikids. During the civil war of the Yaroslavichi, Chernigov was contested between sons of Svyatoslav and Vsevolod. By the decision of the Liubech Congress in 1097, the sons of Sviatoslav, Oleg, Davyd, and their descendants, secured the principality. After that the principality obtained a certain degree of autonomy and was primarily secured after the Oleg's descendants.
The Principality was later split into three main apanage principalities: Chernigov, Novgorod-Seversk, and Murom-Ryazan, while Tmutarakan, due to its remoteness, often became contested and eventually was overtaken. Murom and later the Ryazan principality drifted away from the influence of Chernigov and after some time was contested by the Principality of Vladimir. Nonetheless the influence of Chernigov princes remained large and they retained the title of Kiev Grand Prince for some time. Chernigov was one of the largest economic and cultural centers of Kievan Rus.
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The Moscow Kremlin: Cathedral Square
Sergiev Posad. Trinity-St. Sergius Lavra. The Museum of Russian soap.
Upon arrival in Sergiev Posad, you will be introduced to the
Trinity-St. Sergius Lavra, the main spiritual shrine of the Russian
Orthodox Church and the true gem of Russian art. A great
impression is made by the beauty and harmony of the monastery
ensemble, where there is a whole constellation of architectural
masterpieces.
It is the Trinity Cathedral, full of greatness and power, built in the
style of early Moscow architecture, for which 42 icons were painted
by the masters of the school of Andrei Rublev. It is located in the
center of the monastery Uspensky Cathedral with paintings by
Simon Ushakov, its shapes and size repeating the Assumption
Cathedral of the Moscow Kremlin. High up in the sky is the Lavra
belltower in Baroque style with a unique set of bells completely
restored in our day. Many items of monastic usage are made of gold
and silver thanks to the contributions of numerous pilgrims.
Among them were both simple pilgrims, and all Russian tsars and
queens, and the Empress Elizabeth Petrovna in the XVIII century
gave the Troitsky monastery the title of Lavra.The Museum of Russian soap.
The Museum of Russian soap.
You will become participants of the theatrical
performance, learn how to cut and wrap soap, receive gifts.
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study mbbs in abroad- Introduction of Yaroslavl City
Dublin, Ireland St. Patricks Cathedral Summer 2011
Vladimir
Vladimir is a city and the administrative center of Vladimir Oblast, Russia, located on the Klyazma River, 200 kilometers to the east of Moscow. It is served by a railway and the M7 motorway. Population: 345,373 (2010 Census); 315,954 (2002 Census); 349,702 (1989 Census).
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Annunciation Cathedral Complex email info@kosmostrip.net
Annunciation Cathedral Complex
The Annunciation Cathedral Complex is located in a north-east part of the Kremlin, gradually developed from XVI century as the orthodox authority centre of the region. The Complex includes the Annunciation Cathedral, the Bishop’s House, the Consistory, and also archaeological fragments of stone constructions of different periods.
Annunciation Cathedral
The Annunciation Cathedral is the largest construction of the Kazan Kremlin and most ancient one among remained stone constructions of Kazan; it is located in the centre of the Complex. It was constructed in 1561-1562 by the Pskov masters led by Postnik Yakovlev and Ivan Shiriay. It was reconstructed in 1691, 1736, 1835-1843; it was reconstructed in 1970-1980 and it was restored in 1996-2005 years.
Originally it was five-domed triapsidal temple with two side-altars connected by the church porch which bent around central cubical cathedral volume. Cathedral heads were of helmet-shaped forms.
Cathedral consecration took place in 1562. The cathedral was exposed to numerous repairing and three reconstructions after fires. In 1694 narrow windows of the Annunciation Cathedral were expanded, the temple was decorated by the wall scripts. At same time the five –circled bell tower had been erected at the southwest side of cathedral porch. In 1736 helmet-shaped domes of lateral heads had been replaced for bulbous, and the central dome received finishing in a style of the Ukrainian Baroque.
In 1842-1843 new large double lighted refectory was attached from a west side; the high open porch was transformed into the covered church porch in 1863; the oven heating was arranged and air-stove replaced it later. Within carrying out civil works the architectural details were found, probably they were connected with constructions of the Khan Period, which were in front of church at its northern limits as it was described in a Scribal Book in 1566-1568. The cathedral had been painted again in 1869-1870.
The bell-tower, the western porch, cathedral heads were demolished in 1930s.
Initially the 5-headed, 5-apsidal temple surrounded by two lateral side-altars had been built. Central 6-pillar volume with four lateral dome drums with bulbous finishing and one middle dome drum in style of Ukrainian Baroque, three apses, lateral side-altars with apses; preservation of three fragments of internal fresco list in the main space and three fragments in apses of altar parts was done.
A number of the decorative elements, one of which was the Tatar gravestone of XVI century, which had been built in masonry in the form of a crosspiece over the niche for church utensils, have remained. Restoration of oil frescos, executed in the beginning of XIX century by a Safronovs’ family brigade of icon painters belonging to Vladimir School, had been hold. XVII century beginning the templon Iconostasis decorated wrought silver with gold leafy gilding had been recreated completely.
Carved shade over reliquary with hallows of St. Gurias, 4 kiots with icons in refectory and 2 in tambour of the main entrance had been recreated too. North and South Pillars with frescoes and iconostasis are restored. In the basic volume there is a ground floor of XVI century functioned originally as separate six-column temple of All Sacred. Walls and intersecting vaults of that premise are laid out from hewn limestone blocks. Now it is adapting under the Museum of Orthodox Art.
The influence of the Pskov, Vladimir, Ukrainian and Moscow Architecture is traced in forms and design accurately. The Cathedral is a unique monument of XVI-XIX centuries.
The central volume of Cathedral is made from a white stone, it has kept the initial volume-spatial composition; it is triapsidal, six-column building having with five heads. Internal columns in a temple are round as in the Uspensky Cathedral in Moscow Kremlin;
Trumpet vaults are used instead of sailing passing to the main dome; it is the reception inherent to the Oriental Architecture and unique for temple building of that time. Figured corbels (“roller”, a brick on edge) are connected with arches in decorative processing of facades.
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