da Fermo a Milano con l'Adorazione dei Pastori di P. Rubens (manortiz)
Palazzo Marino, in mostra l'Adorazione dei pastori
Dal 3 dicembre al 10 gennaio, con ingresso libero in Sala Alessi, sarà esposta la tela di Rubens che il maestro fiammingo dipinse nel 1608. L'opera proviene dalla Pinacoteca della Città di Fermo
Milano, 2 dicembre 2015 – Le porte di Palazzo Marino si aprono anche quest’anno per il tradizionale appuntamento natalizio con i capolavori dell’arte. Dal 3 dicembre al 10 gennaio 2016, il Comune di Milano offre la possibilità di ammirare gratuitamente in Sala Alessi una maestosa opera di Pietro Paolo Rubens, l’Adorazione dei pastori: una grande pala d’altare riscoperta come opera del pittore fiammingo solo nel 1927 dal grande storico dell’arte Roberto Longhi, folgorato dalla sua visione nella Chiesa di San Filippo Neri a Fermo. L’opera è oggi conservata nella Pinacoteca Civica della città marchigiana.
“Si rinnova anche quest’anno l’incontro tra Milano e i grandi capolavori dell’arte che i milanesi non possono ammirare nei musei della Città – ha dichiarato l’assessore alla Cultura Filippo Del Corno –. Per le feste 2015 l’opera giunge da Fermo ed è stata realizzata da uno dei più grandi artisti di tutti i tempi proprio in Italia, e proprio per una chiesa italiana: la testimonianza di un intreccio felice, e al tempo stesso spettacolare, tra la tradizione fiamminga e l’arte del nostro Paese, che con la sua storia ha influenzato lo sviluppo di tutta l’arte europea. Un’opera grandiosa che richiama i temi della Natività, spandendo luce e bellezza intatte a distanza di quattro secoli sulle giornate di festa di tutti milanesi e i visitatori della nostra Città”.
“E’ motivo di orgoglio per la Città di Fermo – ha dichiarato il Sindaco Paolo Calcinaro - aver instaurato questo rapporto di collaborazione con la Città di Milano attraverso una delle opere simbolo del nostro patrimonio culturale, l’ “Adorazione dei Pastori” del Rubens. Un vanto per il nostro territorio che siamo lieti di poter mettere nella disponibilità dei visitatori italiani ed esteri attesi. L’arte è, da sempre, uno strumento in grado di promuovere l’Italia e le sue bellezze e di veicolare i preziosi giacimenti culturali nazionali, che sono tali grazie anche a quanto le Comunità più piccole, come la nostra, sono in grado di poter esprimere. L’auspicio è che questo percorso virtuoso intrapreso prosegua con ulteriori sviluppi come segno di contributo alla maggiore crescita culturale del nostro Paese” (...)
Anticipazione del progetto che vedrà protagonista Rubens in una grande mostra a Palazzo Reale nell’autunno del 2016, la scelta dell’opera risponde a diverse motivazioni che si intrecciano tra loro creando una felice opportunità.
In primo luogo, il tema più adatto alle festività natalizie. La grande tela dell’Adorazione dei pastori, che Rubens dipinse nel 1608, celebra infatti il momento più intimo e suggestivo della Natività e ci appare come una composizione dipinta in una luce notturna densa di bagliori, nella quale si stagliano le monumentali figure della Vergine con il Bambino, San Giuseppe e i pastori. Una scena suggestiva per rivivere un momento centrale della tradizione del Natale, un’opera grandiosa che racchiude in sé tutte quelle prerogative che raramente ritroviamo unite in un unico dipinto: la qualità altissima, che esprime tutta la forza della pittura del grande artista in questa sua fase di prima maturità, ma anche l’ampia documentazione che permette di seguire tutto l’iter dell’esecuzione, avvenuta in breve tempo e quindi di getto, senza ripensamenti, correzioni, difficoltà(...)
Pietro Paolo Rubens' Adoration of the Shepherds is to be displayed in Milan. The altar piece, which is kept in the Civic Picture Gallery of Fermo, will be shown in the Sala Alessi at Palazzo Marino, Milan's town hall from Dec 3. to Jan. 10.
The masterpiece will be shown with the support of the Intesa Sanpaolo financial group. Giovanni Bazoli, chairman of the Supervisory Council of the group, announced that: This exhibition has become an essential bond between public and private initiatives. I am very pleased to see that the administration is aware of this fact and such events are now becoming a pattern on its programme. The masterpiece on show in Palazzo Marino offers the opportunity of comparing the Flemish painter with Hayez.
Evgeny Bobryshev, A Life Behind the Bars
Guts. Grit. Determination. Sacrifice. ‘Evgeny Bobryshev, A Life Behind the Bars’ is the second episode in a series that opens the door on the psyches of Honda riders and what it takes to get to the top.
In this episode, Team HRC MXGP rider Evgeny Bobryshev gives an insight into his mind and what fuels him – his hunger to ride his bike, his motivation and drive to succeed, overcoming injury and what it takes to get to the top.
The first episode was with 2013 Enduro World Champion Alex Salvini. To view it, click
Stay tuned for more installations in the ‘A Life Behind the Bars’ series from the Honda Racing Family.
Fast & Furious 8
Vin Diesel, Dwayne Johnson and Jason Statham return for the eighth installment of Universal’s globally popular Fast & Furious saga. Following the record-breaking success of Furious 7, the high-octane franchise is revving up for its biggest adventure yet. Oscar®-winners Charlize Theron and Helen Mirren join the cast alongside returning favorites Michelle Rodriguez, Tyrese Gibson, Kurt Russell and Chris Bridges. The Fate of the Furious is directed by F. Gary Gray (Straight Outta Compton, The Italian Job) from a script by Chris Morgan (Furious 7, Wanted). - ( Original Title - Fast & Furious 8 )
Evento Euforiko dei 100 Iscritti - Termina il 25 Marzo 2013 - Partecipate Numerosi!
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Premessa: se non verranno rispettate le regole sottostanti, chi invierà materiale senza essersi iscritto con un commento (come da descrizione) non verrà preso in considerazione. - PUBBLICIZZATE L'EVENTO!!
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Ciao a Tutti Ragazzi!!
Benvenuti all'Evento dei 100 Iscritti!!
Ebbene si, finalmente si parla di evento e di premi!
Questo è il mio 1° evento organizzato su base grafica; voi, tramite le vostre abilità Grafiche farete (se vorrete partecipare) un Background (sfondo youtube) + Avatar Youtube + avatar facebook + sfondo diaro facebook.
Vi chiederete se il vostro lavoro e il tempo speso saranno ricompensati? Fate bene a chiedervelo, perchè sarà BEN RICONPENSATO!
1° Posto: Pacchetto Espansione Battlefield 3 - Close Quarters
2° Posto: Pacchetto Espansione Battlefield 3 - Back to Karkand
!!!ECCO COME PARTECIPARE!!!
1° - Iscriversi al Canale di Euforikk
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4° - Specs: I miei colori preferiti sono - tutte le sfumature del blu, rosso, giallo, verde
5° - le Iscrizioni e l'invio del materiale chiuderanno il 25 Marzo 2013! Al termine, dopo almeno 7 giorni lavorativi, verrà dichiarato il Vincitore ed il 2° Classificato. La mia mail è: eufo93@gmail.com
NB: Il vincitore dell'Evento ed il 2° Classificato verranno contattati tramite l'email i quali hanno inviato il proprio materiale al suddetto.
Ringraziamenti:
Voglio ringraziare tutti Voi, cari bei miei 100 Iscrittoni PUCCIOSI :3, siete la mia gioia, siete davvero il mio divertimento, la mia passione. Vi ringrazio davvero, voglio inoltre ringraziare:
- I BPMGamers, in particolar modo Black1995, cui mi sono trovato davvero bene! Senza di loro sarei ancora a 75 iscritti, fermo a guardare le lancette dell'orologio. Ecco qua il loro canale (fateci un salto!):
- Demix4fun, un grande Gamer. Ho passato dei bei momenti con lui e spero di risentirlo! Ecco qua il suo canale (fateci un salto!):
- IDueDelGame che non siamo riusci a conoscerci, ma che comunque vi ringrazio per il tentativo costante di contattarmi ;)
Materiale Utilizzato:
- Dxtory (originale - circa €35):
- Sony Movie Studio Platinum v12.0 (originale circa - €60):
- Sound Forge Audio Studio v10.0 (originale - circa €25):
Music & Images:
Intro Music: non lo so XD
End Music: Ghosts 'n Stuff, deadmau5 -
End Video: BF3 Theme Song -
BF3 Back to Karkand & Close Quarters: on Google Images
Specs del mio Portatile:
Tipologia di Portatile: DELL XPS L702X 2011
Schermo: 17,5 1920x1080p, Full HD, WLED
Audio: JBL Impianto Stereo
Processore: i7 2820QM 2.3 to 3.7ghz
RAM: 8 GB RAM
Hard Disk: 2 x 512GB HDD
Dissipatore di Calore: macally
Cuffie: Samsung In-Ear (Samsung Galaxy S III Mini)
Per Oggi è davvero tutto!
ANCORA GRAZIE
------CONDIVIDETE IL VIDEO------
Stay Tuned!!!
Cià! Cià!
Dragnet: Homicide / The Werewolf / Homicide
Dragnet is a radio and television crime drama about the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name from an actual police term, a dragnet, meaning a system of coordinated measures for apprehending criminals or suspects.
Dragnet debuted inauspiciously. The first several months were bumpy, as Webb and company worked out the program's format and eventually became comfortable with their characters (Friday was originally portrayed as more brash and forceful than his later usually relaxed demeanor). Gradually, Friday's deadpan, fast-talking persona emerged, described by John Dunning as a cop's cop, tough but not hard, conservative but caring. (Dunning, 210) Friday's first partner was Sergeant Ben Romero, portrayed by Barton Yarborough, a longtime radio actor. After Yarborough's death in 1951 (and therefore Romero's, who also died of a heart attack, as acknowledged on the December 27, 1951 episode The Big Sorrow), Friday was partnered with Sergeant Ed Jacobs (December 27, 1951 - April 10, 1952, subsequently transferred to the Police Academy as an instructor), played by Barney Phillips; Officer Bill Lockwood (Ben Romero's nephew, April 17, 1952 - May 8, 1952), played by Martin Milner (with Ken Peters taking the role for the June 12, 1952 episode The Big Donation); and finally Frank Smith, played first by Herb Ellis (1952), then Ben Alexander (September 21, 1952-1959). Raymond Burr was on board to play the Chief of Detectives. When Dragnet hit its stride, it became one of radio's top-rated shows.
Webb insisted on realism in every aspect of the show. The dialogue was clipped, understated and sparse, influenced by the hardboiled school of crime fiction. Scripts were fast moving but didn't seem rushed. Every aspect of police work was chronicled, step by step: From patrols and paperwork, to crime scene investigation, lab work and questioning witnesses or suspects. The detectives' personal lives were mentioned but rarely took center stage. (Friday was a bachelor who lived with his mother; Romero, a Mexican-American from Texas, was an ever fretful husband and father.) Underplaying is still acting, Webb told Time. We try to make it as real as a guy pouring a cup of coffee. (Dunning, 209) Los Angeles police chiefs C.B. Horrall, William A. Worton, and (later) William H. Parker were credited as consultants, and many police officers were fans.
Most of the later episodes were entitled The Big _____, where the key word denoted a person or thing in the plot. In numerous episodes, this would the principal suspect, victim, or physical target of the crime, but in others was often a seemingly inconsequential detail eventually revealed to be key evidence in solving the crime. For example, in The Big Streetcar the background noise of a passing streetcar helps to establish the location of a phone booth used by the suspect.
Throughout the series' radio years, one can find interesting glimpses of pre-renewal Downtown L.A., still full of working class residents and the cheap bars, cafes, hotels and boarding houses which served them. At the climax of the early episode James Vickers, the chase leads to the Subway Terminal Building, where the robber flees into one of the tunnels only to be killed by an oncoming train. Meanwhile, by contrast, in other episodes set in outlying areas, it is clear that the locations in question are far less built up than they are today. Today, the Imperial Highway, extending 40 miles east from El Segundo to Anaheim, is a heavily used boulevard lined almost entirely with low-rise commercial development. In an early Dragnet episode scenes along the Highway, at the road to San Pedro, clearly indicate that it still retained much the character of a country highway at that time.
The Great Gildersleeve: Investigating the City Jail / School Pranks / A Visit from Oliver
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.
On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. You're a haa-aa-aa-aard man, McGee! became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of Gildersleeve's Diary on the Fibber McGee and Molly series (Oct. 22, 1940).
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
Randocabo_ViaAlpina
Randocabo - Randonner avec son chien (Éléonore Petit, Joël Percheron) - 1 ½ months of cani-cross hiking for Éléonore, Joël et William and their 3 dogs Diego, Chip et Sherpa, mostly along the Via Alpina Blue Trail from Riale to Monaco.
En français / in French with English subtitles / sottotitoli italiani / deutsche Untertitel / slovenski podnaslovi
More info on this project: