Deuxième Cercle, communications 4, 5 et 6
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Description de la vidéo: lecture fidèle (et inédite) des monographies du 12e degré (Illuminati) de l'ordre Rosicrucien, rendues publiques par le S.E.T.I. mais néanmoins difficiles à trouver.
Nous qui, en cette année 1936, constituons le douzième degré de ce présent
cycle, nous n’avons aucun moyen absolu ou positif de connaître qui pourront être les futurs
étudiants de ces monographies, mais nous sommes heureux de préparer des leçons et des
entretiens qui non seulement nous profiteront, à nous—mêmes, à l’époque présente, mais qui
auront aussi de la valeur pour vous, mystiques et rosicruciens inconnus de notre prochaine
incarnation et de notre prochain cycle.
Nous vous demandons de ne pas considérer ces monographies comme anciennes et
désuètes parce qu’elles ont été écrites et préparées cent, deux ou trois cents ans avant votre
naissance. Wous aussi, aujourd’hui, étudions d’après des archives, des leçons et des entretiens
qui furent écrits ily a un siècle, cinq siècles et un millier d’années de cela, et nous constatons
que les vérités que vous lisez dans ces leçons, à des centaines d’années du temps présent, sont
tout autant des vérités à votre époque qu’elles le sont en ce moment même ou nous les
introduisons dans ces monographies, après les tests et les essais les plus stricts.
Chaque jour, en tant qu ’Imperator de l’ordre et maître personnel de la classe
d’étudiants du douzième degré, je peux fermer les yeux et projeter ma conscience vers une
ville lointaine et vers la maison d’un memhre éloigné, en utilisant les formules que ces
monographies contiennent et je peux me rendre visible à un étudiant dans ce lieu éloigné et
lui donner un traitement qui améliorera sa santé ou qui l’assistera en d’autres voies. De même
qu’il peut me voir et me sentir, conformément aux formules et aux instructions de ces
monographies, de même, fratres et sorores inconnus, vous pourrez faire la même chose avec
ces mêmes formules et leçons dans cent ans, cinq cents ans ou un millier d’années d’ici.
Si je peux prouver, comme je l’ai fait ici pour les étudiants assistant
personnellement à nos cours de science à l’université Rose+Croix, qu ’en l’espace d’un instant
je peux affecter les battements de mon coeur et faire que le pouls de mon poignet gauche
batte différemment de celui du poignet droit, et vice-versa ,° que par le pouvoir de la volonté
et les suggestions du subconscient, je peux faire obéir mon coeur à mes désirs, et s’il est vrai
qu ’aujourd’hui je peux en un clin d’oeil faire se tordre, tourner et se pencher dans la direction
que je désire la flamme d’une bougie, si ces choses sont des vérités démontrables en ce
moment, ce seront des vérités aussi dans mille ans d’ici et elles seront tout autant
démontrables.
VOUS, futurs étudiants, inconnus de nous maintenant, et même insoupçonnés
mais néanmoins respectés comme nos ouvriers personnels dans la tâche de perpétuer ce grand
travail, vous ne devez pas penser que ces leçons et ces monographies sont inférieures parce
qu’elles ont été écrites entre 1925 et 1936 ou parce qu’elles ont un style de langage peut-être
différent de celui que la mentalité populaire peut avoir ou que peuvent discuter les savants,
les philosophes et les expérimentateurs.
Etudiez-les consciencieusement, en mettant honnêtement chaque principe à l’essai,
et vous découvrirez que les secrets d’aujourd’hui, qui étaient des secrets il y a des centaines
d’années, seront encore des secrets, inconnus de la mentalité des masses, dans mille ans d’ici,
car chaque cycle Je civilisation a ses incrédules et ses sceptiques et comprend cfes gens qui ne
connaîtront pas les grandes vérités secrètes de la vie, quelle que soit leur instruction en
d’autres domaines. »
Harvey Spencer LEWIS,
Monographie n°120 du 12ème Degré.
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* * * * * * * *
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You Bet Your Life: Secret Word - Name / Street / Table / Chair
Julius Henry Groucho Marx (October 2, 1890 -- August 19, 1977) was an American comedian and film and television star. He is known as a master of quick wit and widely considered one of the best comedians of the modern era. His rapid-fire, often impromptu delivery of innuendo-laden patter earned him many admirers and imitators. He made 13 feature films with his siblings the Marx Brothers, of whom he was the third-born. He also had a successful solo career, most notably as the host of the radio and television game show You Bet Your Life. His distinctive appearance, carried over from his days in vaudeville, included quirks such as an exaggerated stooped posture, glasses, cigar, and a thick greasepaint mustache and eyebrows. These exaggerated features resulted in the creation of one of the world's most ubiquitous and recognizable novelty disguises, known as Groucho glasses, a one-piece mask consisting of horn-rimmed glasses, large plastic nose, bushy eyebrows and mustache.
Groucho Marx was, and is, the most recognizable and well-known of the Marx Brothers. Groucho-like characters and references have appeared in popular culture both during and after his life, some aimed at audiences who may never have seen a Marx Brothers movie. Groucho's trademark eye glasses, nose, mustache, and cigar have become icons of comedy—glasses with fake noses and mustaches (referred to as Groucho glasses, nose-glasses, and other names) are sold by novelty and costume shops around the world.
Nat Perrin, close friend of Groucho Marx and writer of several Marx Brothers films, inspired John Astin's portrayal of Gomez Addams on the 1960s TV series The Addams Family with similarly thick mustache, eyebrows, sardonic remarks, backward logic, and ever-present cigar (pulled from his breast pocket already lit).
Alan Alda often vamped in the manner of Groucho on M*A*S*H. In one episode, Yankee Doodle Doctor, Hawkeye and Trapper put on a Marx Brothers act at the 4077, with Hawkeye playing Groucho and Trapper playing Harpo. In three other episodes, a character appeared who was named Captain Calvin Spalding (played by Loudon Wainwright III). Groucho's character in Animal Crackers was Captain Geoffrey T. Spaulding.
On many occasions, on the 1970s television sitcom All In The Family, Michael Stivic (Rob Reiner), would briefly imitate Groucho Marx and his mannerisms.
Two albums by British rock band Queen, A Night at the Opera (1975) and A Day at the Races (1976), are named after Marx Brothers films. In March 1977, Groucho invited Queen to visit him in his Los Angeles home; there they performed '39 a capella. A long-running ad campaign for Vlasic Pickles features an animated stork that imitates Groucho's mannerisms and voice. On the famous Hollywood Sign in California, one of the Os is dedicated to Groucho. Alice Cooper contributed over $27,000 to remodel the sign, in memory of his friend.
In 1982, Gabe Kaplan portrayed Marx in the film Groucho, in a one-man stage production. He also imitated Marx occasionally on his previous TV sitcom Welcome Back, Kotter.
Actor Frank Ferrante has performed as Groucho Marx on stage for more than two decades. He continues to tour under rights granted by the Marx family in a one-man show entitled An Evening With Groucho in theaters throughout the United States and Canada with piano accompanist Jim Furmston. In the late 1980s Ferrante starred as Groucho in the off-Broadway and London show Groucho: A Life in Revue penned by Groucho's son Arthur. Ferrante portrayed the comedian from age 15 to 85. The show was later filmed for PBS in 2001. Woody Allen's 1996 musical Everyone Says I Love You, in addition to being named for one of Groucho's signature songs, ends with a Groucho-themed New Year's Eve party in Paris, which some of the stars, including Allen and Goldie Hawn, attend in full Groucho costume. The highlight of the scene is an ensemble song-and-dance performance of Hooray for Captain Spaulding—done entirely in French.
In the last of the Tintin comics, Tintin and the Picaros, a balloon shaped like the face of Groucho could be seen in the Annual Carnival.
In the Italian horror comic Dylan Dog, the protagonist's sidekick is a Groucho impersonator whose character became his permanent personality.
The BBC remade the radio sitcom Flywheel, Shyster and Flywheel, with contemporary actors playing the parts of the original cast. The series was repeated on digital radio station BBC7. Scottish playwright Louise Oliver wrote a play named Waiting For Groucho about Chico and Harpo waiting for Groucho to turn up for the filming of their last project together. This was performed by Glasgow theatre company Rhymes with Purple Productions at the Edinburgh Fringe and in Glasgow and Hamilton in 2007-08. Groucho was played by Scottish actor Frodo McDaniel.
The Great Gildersleeve: Gildy Gets Eyeglasses / Adeline Fairchild Arrives / Be Kind to Birdie
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
LE RETOUR DE LA LUTTE DES CLASSES - VRAIMENT POLITIQUE
Après Le Journal, Aude Lancelin et Virginie Cresci sont de retour pour le direct politique du Média.
Gérard Filoche, Elsa Faucillon, Eric Coquerel, Alexandre Devecchio et Gaël Quirante débattront sur... Le retour de la lutte des classes
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LE MATIN DES MAGICIENS (AUDIOBOOK) - JACQUES BERGIER, LOUIS PAUWELS - PARTIE 2
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The Great Gildersleeve: Gildy Drives a Mercedes / Gildy Is Fired / Mystery Baby
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
The End of Suburbia - La fin de Suburbia (Sous - titres Fr)
La fin de Suburbia est un film documentaire canadien réalisé en 2004 par Gregory Greene à propos du pic pétrolier et de ses conséquences sur la vie dans les banlieues.
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LE MATIN DES MAGICIENS (AUDIOBOOK) - JACQUES BERGIER + LOUIS PAUWELS - PARTIE 1
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