Ediciones El Puente was a literary project for young writers in Cuba just after the 1959 revolution. Between 1961 and 1965 they published each other's work, introduced dozens of new voices - among them poet and translator Nancy Morejón, playwright Gerardo Fulleda León, playwright-activist Ana Maria Simo and folklorist Miguel Barnet - and held readings and performances. Nevertheless, El Puente is remembered primarily as one of the casualties of the wave of social repression in Cuba in the 1960s and 1970s. Accused, among other things, of fostering homosexuality, Black Power, publishing exiles, and consorting with foreigners, some members were detained, and/or sent to the UMAP concentration camps. A few left the country. Cuban literary critics are beginning to address the group, and in 2005, the Gaceta de Cuba published a series of pieces on El Puente. Much of the group's work was republished and analyzed in the 2011 book Ediciones El Puente en la Habana de los años 60: Lecturas críticas y libros de poesía, edited and introduced by Jesús J. Barquet.
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