Ever Stand Lacquerware Workshop
A brief introduction to myanmar lacquerware
Lacquerware workshop by Jasmine Family in Bagan, Myanmar
Traditional handcraft prospers in Bagan
Handcraft lacquerware producers in the ancient city of Bagan in central Burma are seeing good business this year amid an influx of foreign tourists and the introduction of international credit card payment systems.
U BA NYEIN LACQUERWARE MAKING IN BAGAN, MYANMAR
Yun-de.” The word might not mean much to you, but Yun-de is the Myanma word for lacquerware, one of the country’s oldest and finest traditional products. The craftsmanship is thought to have originated in China in the 1st century AD. Myanmar, along with China and Japan is part of the triad of countries that produce the finest lacquerware products in the world.
Lacquerware Herstellung in Bagan
The Process of making Burmese Handmade Lacquerware explained
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I have visited one of many lacquer-ware workshops in Myinkaba in Myanmar as the village has the long-standing tradition for the craft. I was able to observe how they work on their lacquer-ware and was impressed at the precision and meticulous details. Aung designs and manufactures etched lacquer-ware - a craft that dates back to the 11 century when the Kingdom on Bagan was at the height of its power.
His large showroom is filled with bowls, boxes, trays and furniture - all produced in the same manner it has been for thousands of years. Aung began his apprenticeship with his grandfather when he was nine years old. He worked for four years without pay in order to perfect his craft. The figures in Aung's designs are highly stylised and filled with patterns.
The British Museum in London displays a fivefold screen of Aung's that was completed in 1996. More intricate pieces of furniture take over a year to complete.
Maung Aung Myin Art Gallery of Bagan
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English
Kumano-Kodo, the ancient pilgrimage route designated as a world heritage site has taken its form through the wonders of nature interwoven with people's prayers.
Koyasan, another world heritage site, is a sacred mountain worshipped for over 1200 years of Buddhist history in Japan.
Kainan, a northern coast city of Wakayama Prefecture where these two world heritage sites are located, is known as the home of Kishu Lacquerware, one of Japan's three major lacquer works.
Kishu Lacquerware epitomizes the most exquisite craftsmanship refined through 400 years' long tradition.
Hashimoto Shitsugei, a Kishu Lacquerware brand with a history of more than 160 years, commits itself to redefining the Japanese tradition through the brand's solid foundation on the lacquerware craftsmanship.
Lacquerware is a culture that literally represents the country, as it is also known as Japan in English.
The lacquerware making process is largely divided into four procedures, namely kiji (wood material preparation), shitaji (surface preparation), nuri (lacquer coating), and kashoku (decoration), which as a whole requires more than a decade's practice to master.
One type of the finishing processes, kashoku, is the art of makie, which was originally developed in Japan before the 16th century.
Makie refers to a technique to manually paint pictures and patterns with sprinkled gold or silver powders.
As makie works are done by sprinkling metal powders by hand, each craftwork carries subtly unique qualites attributed to each craftsman.
To sprinkle, or maku in Japanese, become the name of artwork, makie (sprinkled drawing).
As makie drawings are painted with gold or silver powders, the color stands well against the passing of time.
Even some of the oldest makie craftworks are still preserved and on display in various museums in Japan.
One of the masterpieces embodying the pinnacle of makie craftsmanship is yatsuhashi-makie-raden-suzuribako (a makie casket decorated with mother-of-pearl inlay featuring the picture of eight-bridges) by Korin Ogata.
Today, Hashimoto Shitsugei craftsmen continue to redefine the art of lacquerwares created upon the solid foundation of long tradition.
It is our greatest pleasure that our makie product, epitomizing the nation's longstanding traditional craftsmanship, serves you for many years to come.
Applying final touches to lacquerware, Bagan, Myanmar (C)
Lacquer shop 1
Old style, family run traditional lacquerware shop in Bagan, Myanmar.
Taken in 2016
Manufacturer of Bamboo L Banner,
Product Name: Easy L Bamboo
Item No.: ED12-33
Graphic size (cm): 80*200cm
Material: Bamboo
Color: Claybank
Package: double cotton fabric bag (green color)
Inner box size (cm): (if have) 88*24*12.4/single layer box
Qty/ctn (pcs): 4pcs/ctn
Out box size (cm): 90*50*28/double layber box
N.W (kg): 24.6kgs
G.W (kg): 26.4kgs
lacquerware
Evidence for Extended Project Qualification
Bagan's Famous Lacquerware
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BAGAN - MYANMAR
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This temple town is one of Myanmar’s main attractions. Once the capital of a powerful ancient kingdom, the area known as Bagan (ပုဂံ) or, bureaucratically, as the ‘Bagan Archaeological Zone’ occupies an impressive 26-sq-mile area.
- The Ayeyarwady (Irrawaddy) River drifts past its northern and western sides.
The area’s most active town and main transport hub is Nyaung U, in the northeastern corner. About 2.5 miles west, Old Bagan is the former site of the village that was relocated 2 miles south to New Bagan in 1990. Between the two is Myinkaba, a village boasting a long-running lacquerware tradition.
- Bagan has been hit by earthquakes over the centuries. The most recent, in August 2016, damaged 400 temples; work on repairing them is ongoing. Bear in mind that Bagan is not a traveller destination with nightlife like Siem Reap (Cambodia) or even Luang Prabang (Laos). It's an overgrown village, so party elsewhere.
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Myanmar, Lacquer Ware. Мьянма, Лаковый промысел (230sp)
By E. Polozova: Bagan, Burma, traditional handicrafts, lacquer ware on bamboo and horse hair. Снято Е. Полозовой: Баган, Бирма, производство традиционных лаковых изделий по бамбуку и конскому волосу.
Making the Lacquerware, Burma (Part 3)
Making Lacquerware, Burma