Everyman cinema
Always entertaining
Everyman Media Group (EMAN) H1 results September 2019
Everyman CEO Crispin Lilly talks about the Group's half year results for the period ended 4th July 2019.
About Everyman - 00:22
Financial highlights - 02:31
Roll out Strategy - 03:07
Operational performance - 05:04
Outlook - 06:43
Everyman Media Group plc is a United Kingdom-based holding company. The Company is an independent cinema group in terms of cinema venues, screens and admissions. The Company's segments include film and entertainment, food and beverages, and other. The Company and its subsidiaries are engaged in the ownership and management of cinemas in the United Kingdom. It has a portfolio of over 20 venues and approximately 40 screens operating under the Everyman brand. It shows a range of current and classic films alongside event cinema productions. The Company has its venues in the following locations, such as at the Mailbox in Birmingham; Hampstead, Baker Street, Barnet, Belsize Park, Canary Wharf, Islington, Maida Vale and Muswell Hill in London; Hampshire in Winchester; Surrey in Walton-On-Thames, Surrey in Reigate and others. The Company's subsidiaries include Everyman Media Holdings Limited and Everyman Media Limited, both of which are engaged in the cinema management and ownership.
Everyman Media Group (EMAN) H1 results presentation September 2019
An overview of Everyman H1 results by Crispin Lilly, CEO & Elizabeth Lake, CFO, presenting in the Everyman cinema at Kings Cross.
Crispin Lilly, CEO
Introduction - 00:18
Overview - 01:36
The evolution of Everyman - 03:04
What makes EMAN unique - 05:28
Food and drink - 06:31
Film content - 07:42
Motivated team - 09:13
Highlights of the period - 10:11
KPIs – 18:08
Elizabeth Lake, CFO
Introduction - 19:37
P&L - 20:17
EBITDA bridge - 24:20
Balance sheet - 25:33
Cashflow statement - 27:13
Crispin Lilly, CEO
Estate profile – 29:04
New markets - 33:20
UK cinema market - 34:43
Streaming - 36:28
Conclusion - 38:23
Q&A - 38:58
Everyman Media Group plc is a United Kingdom-based holding company. The Company is an independent cinema group in terms of cinema venues, screens and admissions. The Company's segments include film and entertainment, food and beverages, and other. The Company and its subsidiaries are engaged in the ownership and management of cinemas in the United Kingdom. It has a portfolio of over 20 venues and approximately 40 screens operating under the Everyman brand. It shows a range of current and classic films alongside event cinema productions. The Company has its venues in the following locations, such as at the Mailbox in Birmingham; Hampstead, Baker Street, Barnet, Belsize Park, Canary Wharf, Islington, Maida Vale and Muswell Hill in London; Hampshire in Winchester; Surrey in Walton-On-Thames, Surrey in Reigate and others. The Company's subsidiaries include Everyman Media Holdings Limited and Everyman Media Limited, both of which are engaged in the cinema management and ownership.
Piries Place Horsham
A walkthrough of our new Piries Place development in Horsham, West Sussex for Reef Estates, in collaboration with Holder Mathias architects. The development completely transforms this part of the town and incorporates a new Premier Inn and Everyman Cinema.
Lunch at Toff’s of Muswell Hill – London, England 6/5/19
In this video, we are eating lunch at Toff’s of Muswell Hill in London, England.
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Dunn Family Bloopers
Dunn Family Bloopers Part II
Dunn Family Bloopers Part III
Dunn Family Bloopers Part IV
Dunn Family Bloopers Part V
Dunn Family Bloopers Part VI
Super 8 Home Movie #1
Home movie of family. Late 1960s.
SPIDER-MAN FAR FROM HOME Official Trailer (2019) Tom Holland Movie HD
SPIDER-MAN FAR FROM HOME Official Trailer (2019) Tom Holland Movie HD
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Brighton Rock Production Trailer | Pilot Theatre
★★★★ The Times
★★★★ The Observer
★★★★ The Stage
As the mob fight for control over Brighton, an innocent girl is dragged into a cycle of vicious murders while one courageous woman frantically searches for the truth.
Pilot Theatre and York Theatre Royal are proud to bring the dark underworld of Graham Greene's classic novel Brighton Rock to the stage, adapted by Bryony Lavery with a soundtrack by Hannah Peel.
An unmissable new version of this gripping noir thriller, co-commissioned by The Lowry for Week 53 festival, will be touring the UK in 2018.
Tour Venues & Dates:
York Theatre Royal
16 Feb - 3 Mar
Theatre Royal Brighton
6 Mar - 10 Mar
Mercury Theatre Colchester
13 Mar - 17 Mar
Hull Truck Theatre
20 Mar - 24 Mar
Everyman Theatre - Cheltenham
27 Mar - 31 Mar
Birmingham Repertory Theatre
10 Apr – 14 Apr
Theatre Royal Winchester
19 Apr - 21 Apr
Watford Palace Theatre
24 Apr - 28 April
Northern Stage
1 May - 5 May
Theatr Clwyd
8 May - 12 May
Derby Theatre
15 May - 19 May
The Lowry
22 May - 26 May
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Wokingham Theatre: Summon up the Blood Theatre Production Trailer
Summon up the Blood
By William Shakespeare; adapted by Nicky Allpress for Wokingham Theatre
Summon yourselves… What would it be like if 24/7 media coverage followed Henry VI, England’s last Lancastrian king, through his father’s and grandfather’s roles in the Wars of the Roses? We have distilled down Shakespeare’s History plays (Henry IV, Henry V and Henry VI) to create our own unique take on the timeless topics of war, leadership and purpose through the experience of an ‘unwilling’ king. In collaboration with the Royal Shakespeare Company’s Open Stages scheme, this lavish production showcases WT’s expansive talents to the full.
wokinghamtheatre.org.uk
Motocross Experience Silverstone
You can enjoy a high-octane two-wheeled driving thrill at the home of British motorsport with this motocross experience at Silverstone. Your heart will race as you tackle Silverstone's fantastic motocross track on a powerful dirt bike, taking on various types of terrain including muddy sections and woodland. With a full day of riding and expert tuition from a highly experienced instructor, you're sure to be a master of the dirt by the end of your experience! Your day includes lunch at the venue.
Double act
A double act, also known as a comedy duo, is a comic pairing in which humor is derived from the uneven relationship between two partners, usually of the same gender, age, ethnic origin and profession but drastically different in terms of personality or behavior. Often one of the members of the duo—the straight man, feed, dead wood, or stooge—is portrayed as reasonable and serious, while the other one—the funny man, banana man or comic—is portrayed as funny, less educated or less intelligent, silly, or unorthodox. If the audience identifies primarily with one character, the other will often be referred to as a comic foil. The term feed comes from the way a straight man is wont to set up jokes and feed them to his partner.
Despite the names often given to the roles, the straight man need not be humorless and it is not always the comic who provides the act's humor. Sometimes it is the straight man who gets the laughs through his or her sarcastic reactions to the comic's antics, as was often the case with Stewart Lee's deadpan, reasoned reactions to Richard Herring's more ridiculous antics in their pairing. Where the straight man serves no personal comic purpose but acts as a device to make the comic look good, he is known as a stooge. This is sometimes considered a derogatory term. Most often, however, the humor in a double act comes from the way the two personalities play off each other, rather than from the individuals themselves. In many successful acts the roles are interchangeable.
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Omnitheater Film Projection Booth
A Projectionist Is Shown Threading 15/70mm Motion Picture Film On The Equipment Inside The Projection Booth Of The Omnitheater Located At The Science Museum Of Minnesota. Music By Film Score Composer Andrew Nixon Of Frame Of Mind.
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Conf. on Gender, Law & the British Novel: Scenes from The Beaux' Stratagem & Mrs Warren's Profession
These scenes from George Bernard Shaw's Mrs Warren's Profession and George Farquhar's The Beaux' Strategem were part of a conference on Gender, Law, and the British Novel that was held at the University of Chicago Law School on May 14-15, 2010. The conference was co-sponsored by the Center for Gender Studies.
Mrs Warren's Profession
George Bernard Shaw: Dean Michael Schill
Mrs Warren: Martha Nussbaum
Vivie Warren, her daughter: Alison Looman
This controversial play, which frankly discusses prostitution as a form of labor and marriage as a middle-class form of prostitution, was banned by the Lord Chamberlain and was performed only in 1902. When it was perfomed in New York in 1905 the entire cast was arrested. Shaw said that he wrote the play to draw attention to the truth that prostitution is caused, not by female depravity and male licentiousness, but by underpaying, undervaluing, and overworking women so shamefully that the poorest of them are forced to resort to prostitution to keep body and soul together. Mrs Warren has led a respectable life in England, giving her daughter Vivie a first-class education. Having finished her mathematics degree at Cambridge with great distinction, Vivie wants to go into business as an accountant, but she is urged by everyone around her to marry. In the scene we perform, she decides to confront her mother about her origins and the origins of their money. Mrs Warren describes the circumstances that led her first to go into sex work and then to set up a house of prostitution in Brussels.
Shaw's Preface to the play became famous later on, and Dean Schill will read a portion of it.
The Beaux' Strategem, Act 2 Scene 1
Aimwell, a gentleman of broken fortunes: Daniel Abebe
Archer, servant to Aimwell: Douglas Baird
Count Bellaire, a French Office: Guillaume Briant
Mr. Sullen, a country blockhead: M. Todd Henderson
Sir Charles Freeman, a gentleman form London: William Birdthistle
Father Foigard, chaplain to the French officers: Jajah Wu
Scrub, servant to Mr. Sullen: George Desh
Dorinda, daughter of Lady Bountiful: Alison LaCroix
Mrs. Sullen, Dorinda's sister-in-law and wife to Mr. Sullen: Rosalind Dixon
Gipsy: Arsineh Ananian
Directed by: Arsineh Ananian
MUSICAL INTERLUDE (during the final scene from BEAUX' STRATAGEM)
Plays of this era typically had musical interludes, and this one is indicated in the script. The music we have chosen is the final love-duet from Monteverdi's L'Incoronazione Di Poppaea (1642-43), a work that would be well known to the audience of Farquhar's play. The opera is based freely on Tacitus' account of the reign of Nero. It depicts Nero's adulterous affair with Poppaea, a courtesan, his banishment of his wife, and his eventual installation of Poppaea as empress. After the formal ceremony, the two lovers, alone on the stage, celebrate the triumph of love over morality. The role of Nero was originally written for a castrato; today it is sung either by a tenor or (as we perform it here) by a mezzo-soprano. It complicates the play's happy ending, reminding us that love is not always perfectly aligned with morality. (We think that this is consistent with Farquhar's intentions, since he gives the last words of the play to the scheming seducer Archer.)
Poppaea: Jajah Wu
Nero: Martha Nussbaum
Accompanist: Lokchi Lam
Translation:
I wonder at you, I delight in you,
I fold my arms around you, I embrace you,
No more pain, no more death
Oh my life, oh my treasure.
I am yours, my hope,
Speak, oh speak, my idol, my darling,
Yes, my heart, yes, my life, yes yes yes yes yes.
Special thanks to Laura Dieli, Assistant Production Manager and Company Manager of the Court Theatre, for costumes.