Japan Travel: Heijo Palace impressive vermilion Suzakumon gate, Nara11
Japan Travel: Heijo Palace impressive vermilion Suzakumon gate, Nara11
During most of the Nara Period (710-794), Nara served as the Japan's capital and was called Heijo-kyo. The Heijo Palace, extending about one kilometer wide and one kilometer long, served as the site of the emperor's residence and the government offices. Due to its great historical and cultural importance, the palace site was registered on the list of UNESCO World Heritage Sites of Nara. Three major structures in the former palace complex have been reconstructed in the past several decades. The Former Audience Hall (Daigokuden) is the foremost among them, which is the largest building on the palace grounds, which was reconstructed on the occasion of the 1300th anniversary of Nara Capital and opened to the public in April 2010. The large audience hall was used for important ceremonies and meetings. Its ceiling is decorated by the four animals of the direction on the compass and the twelve animals of the lunar calendar. A throne stands in the middle of the hall. The building is called the former audience hall, because the latter audience hall replaced it in the second half of the Nara Period. The latter audience hall's foundations are visible to the east of the former audience hall.
There were two more full-scale reconstructions that took place from the 1990s; one is the Suzaku Gate (Suzakumon), which is the main gate of the palace to the south, and another is the East Palace Garden (Toin Teien), which features a pond, streams and bridges, and was used for banquets by the imperial family. Also partially reconstructed includes the offices of the Imperial Household Agency (Kunaicho).
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Japan Trip: Heijo Palace Japan's first imperial palace old capital city, Nara11
Japan Trip: Heijo Palace Japan's first imperial palace old capital city, Nara11 Japan Moopon
During most of the Nara Period (710-794), Nara served as the Japan's capital and was called Heijo-kyo. The Heijo Palace, extending about one kilometer wide and one kilometer long, served as the site of the emperor's residence and the government offices. Due to its great historical and cultural importance, the palace site was registered on the list of UNESCO World Heritage Sites of Nara. Three major structures in the former palace complex have been reconstructed in the past several decades. The Former Audience Hall (Daigokuden) is the foremost among them, which is the largest building on the palace grounds, which was reconstructed on the occasion of the 1300th anniversary of Nara Capital and opened to the public in April 2010. The large audience hall was used for important ceremonies and meetings. Its ceiling is decorated by the four animals of the direction on the compass and the twelve animals of the lunar calendar. A throne stands in the middle of the hall. The building is called the former audience hall, because the latter audience hall replaced it in the second half of the Nara Period. The latter audience hall's foundations are visible to the east of the former audience hall.
There were two more full-scale reconstructions that took place from the 1990s; one is the Suzaku Gate (Suzakumon), which is the main gate of the palace to the south, and another is the East Palace Garden (Toin Teien), which features a pond, streams and bridges, and was used for banquets by the imperial family. Also partially reconstructed includes the offices of the Imperial Household Agency (Kunaicho).
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旅日首選旅館、飯店、餐飲及娛樂・旅日精選景點(中文繁体):
旅日首选旅馆、饭店、餐饮及娱乐・旅日精选景点(中文簡体):
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日本のおすすめ旅館・ホテル・レジャー・飲食店・日本のオススメ観光地(Japanese):
The Heijo Palace Site
The Heijo Palace Site, Nara, Japan
Asuka & Nara Period | Japanese Art History | Little Art Talks
The Impact of China and Buddhism on Japanese art during the Asuka and Nara Period.
PREV PART: Jomon, Yayoi, Kofun
Shaka Image of Asuka-dera by Tori Busshi
Shaka Triad in Horyu-ji by Tori Busshi
Yumedono Kannon (also Kuze- or Guze Kannon) in Yumedono Hall of Horyu-ji, early 7th c.
Yakushi Triad, Yakushi-ji, late 7th or 8th c.
Daibutsu of Todai-ji, Daibutsuden
Fukukenjaku Kannon, Hokkedo, Todaiji, 740s
Shukongojin, Hokedo, Todai-ji, 733
Birushana Buddha of Toshodaiji, 8th c.
Further Reading & Sources:
History of Japanese Art by Penelope Mason
Japanese Art by Joan Stanley-Baker
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Thanks so much for watching! Here at Little Art Talks, I make free educational videos on art history and all things art related. From ancient Japanese paintings to Duchamp’s readymades, we want to talk about what makes these objects art, and attempt to better understand them. Come join us in the discussion :)
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「地下の正倉院」平城京跡
奈良市の平城宮跡は「地下の正倉院」とも呼ばれ、今も足元には奈良時代の遺物が眠っている。第一次大極殿や第二次大極殿など、さまざまな遺構を通して、奈良時代の古都の雰囲気を体感できる。
Rare Japanese scrolls go on display for first time outside Japan
(26 Mar 2012) 1. Wide exterior of National Gallery of Art in Washington, DC with Colourful Realm banner
2. Interior of gallery - 15 Japanese scrolls hung on a wall
3. Interior of gallery - Sakyamuni Triptych, part of a 30-scroll set of paintings from the 1700s
4. Mid view of three scrolls Old Pine Tree with Phoenix, Nandina and Rooster and Autumn Millet and Sparrows
5. Close view detail of scroll called Nandina and Rooster
6. Pan close view of scroll called Chickens
7. Set-up of Yukio Lippit, Professor of Japanese Art, Harvard University:
8. SOUNDBITE (English) Yukio Lippit, Professor of Japanese Art, Harvard University:
When you stand in the exhibition space, in the immersive space of Colourful Realm, in combination with the Buddhist Triptych, you realise that there is a setting, a maison-sen, of the natural world as an audience for a sermon by the Buddha. So, this is a sermon for the ages.
9. Man looking at scroll
10. Pan from the Sakyamuni Triptych to gallery with scrolls
11. SOUNDBITE (English) Yukio Lippit, Professor of Japanese Art, Harvard University:
What one is seeing from the front, the hues and the sheens, the different grades of transparency and opacity, is just as much a result of what is going on in the back of the painting as what's going on in front. And, what it does, it imbues the paintings with a certain sense of inner life, a kind of muted, glow or emanation and that's essentially a transposition of techniques used for Buddhist painting.
12. Close view tilt up of scroll named Old Pine Tree and Peacock
13. Close detail of scroll named Plum Blossoms and Cranes
14. Set-up of Aya Ota, Chief Curator - Imperial Collection Museum
15. SOUNDBITE (Japanese) Aya Ota, Chief Curator - Imperial Household Collection:
At the beginning of the Meiji period many Buddhist temples and Shinto shrines experienced difficult financial times during this change of government. They were also in need of much repair. Many temples and monasteries were forced to sell their treasured art. But if the paintings were just sold in the open market they could be lost or collections destroyed, and they wouldn't get as much money. So the monks figured out how to present these works to the Imperial household to make sure that the collection remained in Japan and preserved with care.
16. Various of scroll titled, Fish
17. Pull out to show entire gallery
STORYLINE:
One of Japan's cultural treasures, a 30-scroll set of paintings from the 1700s, is being shown together outside of Japan for the first time in a rare display in Washington.
The exhibition at the National Gallery of Art coincides with the centennial of Japan's gift of three thousand cherry trees to the US as a symbol of friendship.
The paintings of birds and flowers on silk, created more than 250 years ago by artist Ito Jakuchu, will go on view on Friday.
The paintings, entitled Colourful Realm of Living Beings, were donated to Japan's Imperial Household in 1889 and have been held by the world's oldest monarchy since.
They are rarely exhibited, even in Japan.
The nature scrolls are paired with paintings that evoke their religious context as Buddhist objects of worship.
In the gallery representing the hall of the Buddhist Monastery, where the paintings originally hung, visitors will enter a vibrant collection of 30 scenes of nature including birds, insects, frogs and fish.
Jakuchu retired from the family grocery business at the age of 40 in the middle of the 18th century.
He devoted the next ten years to the scrolls and the study of Zen Buddhism.
One of his most important influences were the monks of the major Zen monastery in Kyoto, Shokokuji.
He painted a triptych of the Buddha, along with two disciples, for the monastery.
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It's SHO time! - Mouth Organs with iPods - Ko ISHIKAWA / MORITA (石川高, 森田泰之進)
石川高「音/輪II」(作曲: 森田泰之進)
Sho & Uoo : Ko ISHIKAWA
composition & direction : Yasnoshin MORITA
video : Tsuyoshi KATO
COMPLETE VERSION --
Ko ISHIKAWA, a leading Japanese Gagaku musician plays Sho and U, Japanese traditional mouth organs with 8 iPods in ReincarnatiOn Ring II - Hommage à Maurice Duruflé composed by Yasnoshin MORITA.
In this performance, the mouth organ player is supposed to be a mediator for reincarnation of the half-broken iPods.
Walking through the aisles in the concert hall during the performance, he puts the iPods, which make sound through the attached speakers, at the designated places on the stage and seats.
Surround audio by iPods makes a beautiful combination with the mouth organs and gives the audience mysterious anacatesthesia.
rehearsal
An restored ancient Japanese song
Amazing harp
Mouth Organ with 8 iPods - Ko ISHIKAWA / Yasnoshin MORITA 石川高「音/輪 II」(作曲 : 森田泰之進)
ReincarnatiOn Ring II for Sho, Uoo & 8 iPods with speakers
Sho & Uoo by Ko ISHIKAWA
camera by Tsuyoshi KATO
composed and produced by Yasnoshin MORITA
Tokyo Opera City Recital Hall, Oct. 29, 2014
short version
Ko ISHIKAWA, a leading Japanese Gagaku musician plays Sho and U, Japanese traditional mouth organs in ReincarnatiOn Ring II - Hommage à Maurice Duruflé composed by Yasnoshin MORITA.
In this performance, the mouth organ player is supposed to be a mediator for reincarnation of the half-broken iPods.
Walking through the aisles in the concert hall during the performance, he puts the iPods, which make sound through the attached speakers, at the designated places on the stage and seats.
Surrounded audio by the iPods makes a beautiful combination with the mouth organs and gives the audience anacatesthesia.
森田泰之進 音/輪 II
พาลูกเที่ยว พระราชวังเฮโจเคียว นารา เมืองหลวงเมื่อ 1,300 ปีก่อน ญี่ปุ่นทริปตุลาคม 2019
วันที่เรา หลบภัยในญี่ปุ่น ก่อนที่ พายุไต้ฝุ่น หมายเลข 19 ฮากีบิส (Typhoon Hagibis) จะขึ้นฝั่งในช่วงเย็นของวันที่ 12 ตุลาคม 25 เรายังพอมีเวลาในช่วงเช้า และที่พักของเราอยุ่ในเขตปลอดภัย เลยพาเด็กๆ ออกมาเที่ยวชม Nara Palace Site Historical Park หรือ อุทยานประวัติศาสตร์ พระราชวังเฮโจ ( Heijo Palace, Nara ) เมืองหลวงเก่าเมื่อ 1,300 ปี ก่อน ด้านหน้าทางเข้า จะมีเรือ สำเภา ที่จำลอง ดั้งไว้โดดเด่นมากๆค่ะ ที่นี่ เป็นสถานที่ท่องเที่ยวสำคัญที่ได้รับการยกย่องให้เป็นมรดกโลกด้านวัฒนธรรมจากองค์การยูเนสโก ด้วยค่ะ “พระราชวังเฮโจ” ที่ถูกสร้างขึ้นเนื่องจากนาราเคยเป็นเมืองหลวงเก่า ด้วยพื้นที่ขนาดใหญ่มากๆ ก่อนการขุดพบ ซากเมืองร้าง ในช่วง หลังสงครามโลกครั้งที่ 2 จะเป็น พื้นที่โล่งๆ จากการขุดพบ โครงสร้างใต้ดินบางส่วน ที่ลึกจากผิวดินเกือบ 2 เมตร เมื่อขุดไปเรื่องๆ ก็พบ ว่า เป็นพื้นที่ที่กว้างมากๆ แสดงให้เห็น ถึงความเจริญ รุ่งเรืองของเมืองนี้มากๆค่ะ
นอกจากนี้ ภายในบริเวณ พระราชวังเฮโจ ยังมีสถานที่ต่างๆ ได้แก่ Excuvation Site Exhibition Hall , Imperial Audience Hall และ Nara Palace Site Museum ให้นักท่องเที่ยวสามารถเดินชมและศึกษาฟรี
เวลาทำการ : 09.00 - 16.30 น. (ปิดวันจันทร์)
เด็กๆ ชอบมากๆ เพราะได้เช่าชุด แต่งตัว แบบ ชาววัง สมัยก่อน ตรง Heijokyu Izanai-kan (Guidance Center)
และในส่วน Exhibition Hall ก็มีการบอกเล่า เรื่องราวต่างๆ ผ่าน หุ่นจำลอง ผ่าน VDO ที่ทำออกมาได้เข้าใจง่ายจริงๆค่ะ ใช้เวลา ในการเที่ยวชม 2-3 ชม หรือมากว่านั้นก็ได้ค่ะ เห็นเด็กมาทัศนศึกษา กับโรงเรียน เยอะอยู่เหมือนกันค่ะ
เย็น ของวันนั้น เราก็ได้ อยู่ในเขต ปล่อยภัย เพื่อหลบไต้ฝุ่นค่ะ ชื่นชม ระบบการเตือนภัย และวินัยของคนญี่ปุ่นมากๆค่ะ ทำให้การช่วยเหลือ ไปถึงอย่างรวดเร็ว มีการรายงาน ความคืบหน้า ในทุกช่องทาง ตื่นตัว พร้อมตั้งรับ มากๆ ส่วนลมนั้น แรงมากจริงๆค่ะ
平城宮跡 第二次大極殿跡から。
平城宮の大極殿跡から半周回ってみました。
復元した朱雀門は右手前にありますが
写ってませんね。
遷都1300年祭にあわせて復元中の第一次大極殿は
鉄骨の覆いの中にあります。
平城京は710年から740年、そして745年から784年まで
日本の首都として機能しました。
広さは南北4.7km 東西6.3kmの規模がありました。
動画には中枢施設があった平城宮の部分が写ってます。
El Gran Salón de Audiencia Imperial Daigokuden fue la estructura más
importante del Palacio Imperial donde se celebraban las ceremonias
importantes como la ascensión al trono del emperador.
Cuando el emperador Shômu se trasladó desde la capital Shigaraki-no
-miya a Nara en el año 745, construyó el segundo Gran Salón de
Audiencia Imperial Daigokuden.
The Imperial Audience Hall was the most important of all the architectures
of the Imperial Palace where the cremony of ascension to the throne was
performed.
When emperor Shômu moved the capital back to Heijô-kyô from Shigaki-
no-miya, he built the Second Imperial Audience Hall.
Nagoya Castle Hommaru Palace, Nagoya, Japan GoPro 1080p
Hommaru Palace is a restoration of a typical example of Japanese traditional structure called Shoin-zukuri. The palace was built in 1615. Nagoya, Japan 2018. Shots were taken with GoPro Hero 5 Black 1080p HD.
Festival of traditional Japanese food
Kyoto - December 14, 2007
1. An exhibit in the 102nd exhibition of Kyoto Cuisine held at the Miyako Meisen Hall
2. Red and White turnips carved to look like camellias (flowers) dried, crumbled egg yolk in centre
3. Red and White turnips carved to look like camellias
4. Pan of event hall
5. Shrimp and other seafood - each exhibit shows the techniques of a different Kyoto Restaurant
6. Detail of one compartment of a box lunch
7. Takahashi Eiichi, President of the Kyo Ryori Kumiai (Kyoto Cuisine Association)
8. SOUNDBITE (Japanese) Takahashi Eiichi, President of the Kyo Ryori Kumiai (Kyoto Cuisine Association)
The exhibition was started during the 9th year of the Meiji era (1876) and is now occurring for the 102nd time.
(Editors note: The exhibition wasn't held during the war years).
9. Visitors look at exhibits
10. The trays on which the food is served are called Shima Dai (this kind of decoration is known as Horai Kasari and originated with a style of presentation associated with the Japanese nobility)
11. SOUNDBITE (Japanese) Takahashi Eiichi, President of the Kyo Ryori Kumiai (Kyoto Cuisine Association)
The main reason that the exhibition was founded was to introduce common people to the techniques used in Kyoto cuisine (or Kyo Ryori.) It was also a forum to compare methods of expressing various themes in Kyo Ryori like the seasons and the twelve signs of the zodiac in Chinese astrology. It was also (and still is) a chance for different restaurants to show their distinctive characteristics.
12. A 150 kilogram tuna is carved by skilled trade men in front of the audience (the cut tuna is then sold to visitors)
13. Tuna being cut
14. Tuna being cut
15. Saba Sushi (salted mackerel soused in vinegar, served on sushi rice and topped with kombu, a kind of kelp, being wrapped in bamboo bark)
16. Package being tied
17. Ebi Ten' (Shrimp tempura)
18. Exhibition of Sado (Tea ceremony)
19. Exhibition of Sado (Tea ceremony)
20. Exhibition of Sado (Tea ceremony)
21. Iyama Kazuhiko give a cooking demonstration
22. Cooking demonstration
23. Audience
24. Iyama Kazuhiko
25. SOUNDBITE (Japanese) Iyama Kazuhiko, Restaurateur ( His family has run a restaurant in Kyoto for around 150 years)
Rather than a style of cooking for the royalty, our restaurant catered for common people. Customers were often kimono makers or merchants selling cloth to be made into kimonos.
26. Horai Kasari
27. Four kinds of sushi, each decorated with an ingredient representing a particular season
28. SOUNDBITE (Japanese) Takahashi Eiichi
Essential to Kyo Ryori (Kyoto Cuisine) are the four season. The season should be expressed in the food and presentation. When you look at Kyo Ryori you should be able to feel the season. It should look beautiful and it should taste good.
29. An exhibit expressing both autumn and the year of the Rat
30. Shrimp, shitake mushroom, and wasabi. The maple leaves express autumn.
31. Crockery used is also an integral part of the presentation of Kyo Ryori. Here the hand painted pattern on each dish depicts a season.
32. Dishes depicting spring and summer
33. Urushi black or orange lacquered dishes decorated with gold leaf.
34. Rat at the back of the tray. Chinese sign of Zodiac.
LEAD IN:
Cuisine is an integral element of Japanese culture and cuisine in Kyoto, the former imperial capital is as rich and complex as the history of the city itself.
The 102nd annual Kyo Ryori (Kyoto Cuisine) exhibition which took place on December 13th and 14th, 2007, is a must visit event for the city's food lovers.
STORY LINE :
Over one hundred traditional Kyoto restaurants are participating in this year's Kyo Ryori exhibition.
Keyword wacky
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獨家探訪唐招提寺展,一年只能看三天的國寶有哪些看點?
Exclusive Trip to the Tōshōdaiji Exhibition, Lingering around the National Treasures that Are on Display Only Three Days a Year
【這個展覽真好逛】近1300年前,揚州和尚鑒真,用10年跨越東海,到達日本,從此開啟了一人改變整個日本的傳奇。 2019年12月,上海博物館跨年大展開幕,講的就是鑒真的故事。 5組11件珍品,從日本被運到上海,很多珍寶,你去日本都看不到。這次在上博,做了沉浸式體驗的展陳,現場復原了文物在唐招提寺展陳的原貌。
【This is such an Attractive Exhibition】Almost 1300 years ago, Monk jianzhen, born in Yangzhou, took 10 years to cross the East Sea and arrived in Japan, hence initiating a legend of changing a whole country on his own. December, 2019, Shanghai Museum unveiled its year end exhibition, which tells the story of Jianzhen. 11 collections in 5 groups were delivered to Shanghai from Japan, many of which is even not seen before in Japan. This time, Shanghai Museum created an immersive exhibition where you can see the the cultural relics exactly as they are in Tōshōdaiji.
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Nichiren | Wikipedia audio article
This is an audio version of the Wikipedia Article:
Nichiren
Listening is a more natural way of learning, when compared to reading. Written language only began at around 3200 BC, but spoken language has existed long ago.
Learning by listening is a great way to:
- increases imagination and understanding
- improves your listening skills
- improves your own spoken accent
- learn while on the move
- reduce eye strain
Now learn the vast amount of general knowledge available on Wikipedia through audio (audio article). You could even learn subconsciously by playing the audio while you are sleeping! If you are planning to listen a lot, you could try using a bone conduction headphone, or a standard speaker instead of an earphone.
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The only true wisdom is in knowing you know nothing.
- Socrates
SUMMARY
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Nichiren (日蓮; born as Zennichimaro (善日麿), Dharma name: Rencho - 16 February 1222 – 13 October 1282) was a Japanese Buddhist priest who lived during the Kamakura period (1185–1333) and developed the teachings that are now considered Nichiren Buddhism, a branch school of Mahayana Buddhism.Nichiren was highly controversial in his day and was known for preaching that the Lotus Sutra alone contains the highest truth of Buddhist teachings and represents the effective teaching for the Third Age of Buddhism. He declared that social and political peace are dependent on the quality of the belief system that is upheld in a nation. He advocated the repeated recitation of the Sutra's title, Nam(u)-myoho-renge-kyo. In addition, he held that the historical Shakyamuni Buddha was the manifestation of a Buddha-nature that is equally accessible to all. He insisted that those who claim to be believers of the Sutra must propagate it even in the face of persecution.Nichiren was a prolific writer and his biography, temperament, and the evolution of his thinking has been primarily gleaned from his own writings. He launched his teachings in 1253, advocating an exclusive return to the Lotus Sutra as based on its original Tendai interpretations. His 1260 treatise Risshō Ankoku Ron (立正安国論) (On Establishing the Correct Teaching for the Peace of the Land) argued that a nation that embraces the Lotus Sutra will experience peace and prosperity whereas rulers who support inferior religious teachings invite disorder and disaster into their realms. In a 1264 essay he stated that the title of the Lotus Sutra, Nam(u)-myoho-renge-kyo, encompasses all Buddhist teachings and its recitation leads to enlightenment. As a result of his adamant stance he experienced severe persecution imposed by the Kamakura Shogunate and consequently began to see himself as bodily reading the Lotus Sutra (Jpn. Hokke shikidoku). In some of his writings during a second exile (1271-1274) he began to identify himself with the key Lotus Sutra characters Sadāparibhūta and Visistacaritra and saw himself in the role of leading a vast outpouring of Bodhisattvas of the Earth.In 1274, after his two predictions of foreign invasion and political strife were seemingly actualized by the first attempted Mongol invasion of Japan along with an unsuccessful coup within the Hōjō clan, Nichiren was pardoned by the Shogunate authorities and his advice was sought but not heeded. The Risshō Ankoku Ron in which he first predicted foreign invasion and civil disorder is now considered by Japanese historians to be a literary classic illustrating the apprehensions of that period. In 1358 he was bestowed the title Nichiren Dai-Bosatsu (日蓮大菩薩) (Great Bodhisattva Nichiren) by Emperor Go-Kōgon and in 1922 the title Risshō Daishi (立正大師) (Great Teacher of Rectification) was conferred posthumously by imperial edict.Nichiren remains a controversial figure among scholars who cast him as either a fervent nationalist or a social reformer with a transnational religious vision. Critical scholars have used words such as intolerant, nationalistic, militaristic, and self-righteous to portray him. On the other hand, Nichiren has been presented as a revolutionary, a classic reformer, and as a prophet.
Nichiren is often compared to other religious figures who shared similar rebellious and revolutionary drives to reform degeneration in their respective societies or schools.Today, Nichiren Buddhism includes traditional temple schools such as the confederation of Nichiren-shū and Nichiren Shōshū temples, as well as modern lay movements such as Soka Gakkai, Risshō Kōsei Kai, Reiyūkai, Kenshōkai, Honmon Butsuryū-shū, Kempon Hokke, and Shōshinkai. Each group has varying views of Nichiren's teachings with interpretations of Nichiren's identity ranging from the reincarnation of bodhisattva Visistacaritra to the ...
Muromachi Period | Japanese Art History | Little Art Talks
Art history of Japan's Muromachi Period.
PREV PART: Kamakura Period
This video is a part of Japanese Art History Series by Little Art Talks. Hope you enjoyed it and learned something new. Keep watching more videos in this series:
Further Reading & Sources:
History of Japanese Art by Penelope Mason
Japanese Art by Joan Stanley-Baker
Mentioned:
Rakuchu Rakugai-zu
Tofukuji sanmon
Zen garden of Ryoanji
Kichizan Mincho
Mokuan
Josetsu - Catching a Catfish with a Gourd
Tenshoo Shuubun - Reading in the Bamboo Study
Sesshu Toyo - Winter Landscape , Haboku
Kinkakuji / Temple of the Golden Pavilion
Ginkakuji / Temple of the Silver Pavilion
Kano Masanobu
Kano Motonobu
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Thanks so much for watching! Here at Little Art Talks, I make free educational videos on art history and all things art related. From ancient Japanese paintings to Duchamp’s readymades, we want to talk about what makes these objects art, and attempt to better understand them. Come join us in the discussion :)
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Middle and Late Heian Period | Japanese Art History | Little Art Talks
Art History of mid- and late- Heian period of Japan.
PREV PART: Heian period Part 1 (Intro + Early Heian)
Mentioned
Shotoku Taishi Eden
Raigōzu & Amida Buddha in Phoenix Hall of the Byōdō-in, a temple in Uji, Kyoto
Genji Monogatari Emaki
Shigisan Engi Emaki
Ban Dainagon Ekotoba
Further Reading & Sources:
History of Japanese Art by Penelope Mason
Japanese Art by Joan Stanley-Baker
This video is a part of Japanese Art History Series by Little Art Talks. Hope you enjoyed it and learned something new. Keep watching more videos in this series:
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Thanks so much for watching! Here at Little Art Talks, I make free educational videos on art history and all things art related. From ancient Japanese paintings to Duchamp’s readymades, we want to talk about what makes these objects art, and attempt to better understand them. Come join us in the discussion :)
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Kamakura Period | Japanese Art History | Little Art Talks
Art history of Japan's Kamakura Period.
——— Expand for Links ———
PREV PART: Mid- & Late Heian period
This video is a part of Japanese Art History Series by Little Art Talks. Hope you enjoyed it and learned something new. Keep watching more videos in this series:
Further Reading & Sources:
History of Japanese Art by Penelope Mason
Japanese Art by Joan Stanley-Baker
Shunjobo Chogen sculpture
Todaiji Nandaimon Kongo-rikishi (Nio guardian) statues by Unkei and Kaikei
Hokuendo (North Octagonal Hall), Kofukuji - Miroku, Muchaku, Seshin by Unkei
Priest Kuya statue by Kosho
Portrait of Priest Myoe
Kegon engi emaki
Genji Monogatari Emaki
Murasaki Shikibu's Diary Emaki
Haya Raigo at Chionin
Yamagoshi Raigo at Zenrinji
Yasumigaoka Triad (Hachiman)
Kitano Tenjin engi emaki
Kitano Tenmangu
Kasuga Shrine Deer Mandala
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Thanks so much for watching! Here at Little Art Talks, I make free educational videos on art history and all things art related. From ancient Japanese paintings to Duchamp’s readymades, we want to talk about what makes these objects art, and attempt to better understand them. Come join us in the discussion :)
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感受Lo娘的優雅世界!JEJ上海茶會 - 走秀初體驗 ~ JEJ Lolita Tea Party in Shanghai ! My first catwalk | Shiyin
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說好的JEJ茶會vlog,不咕咕!
第一次茶會走秀,據說我跟別人畫風都不太一樣2333
Tea Party vlog that I promised you, no stood up !
It was my first tea party walk-show. (I think my style was different from others... lol)
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JAPÓN 2: Antigüedad (Parte 1) - Periodo Asuka (Documental Historia)
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Historia de Japón 2: Antigüedad (Parte 1) - Periodo Asuka
EPISODIO 68 de PERO ESO ES OTRA HISTORIA (web serie documental)
El periodo Asuka de Japón nace cuando los inmigrantes del continente (China y Corea) introducen el budismo y el confucionismo entre la clase alta japonesa, incluida la corte imperial. Fue el emperador Bidatsu quien se rodeó de un clan pro-budista, el de los Soga, mientras que los Mononobe y los Nakatomi eran más pro-sintoístas.
Los Soga alcanzaron gran poder, especialmente con el príncipe Shotoku Taishi, quien elaboró multitud de palacios y templos y también la primera constitución de Japón. Sin embargo, el poderío soga acabó con el Incidente Isshi del 645, donde los Nakatomi les eliminaron del lugar.
Es aquí, con el emperador Kotoku, cuando empieza una era de reformas conocida como la era Taika, basada en sistemas de leyes chinos conocido como ritshuryo. La época Asuka acabó cuando la emperatriz Genmei cambió la capital de Asuka a Nara, conocida como Heijo-kyo, en el 710 d.C.
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Pero eso es otra Historia es una serie documental semanal emitida a través de Youtube que busca ser un resumen divertido de toda la historia de la humanidad, desde la creación de la Tierra hasta la actualidad. Si buscas curiosidades sobre la Historia, este es tu sitio.
Si eres estudiante de historia o estás haciendo las oposiciones para geografía e historia estos resúmenes te van a venir genial. No te olvides de compartirlos con tus compañeros. Resúmenes para la carrera de Historia, resúmenes UNED, resúmenes para selectividad, esquemas, gráficos, animaciones, mapas, ilustraciones... todo lo que necesitas para aprobar.
2017 Virtual Genealogy Fair: Beyond the War Relocation Administration
Session 6: Beyond the War Relocation Administration: Finding Japanese Relocatees in Other Records with Director, Gwen Granados, National Archives at Riverside, CA
Many genealogists and scholars researching individuals removed from the West Coast under Executive Order 9066 are familiar with the records of the War Relocation Authority (WRA), the Federal agency charged with relocating and housing those individuals. Outside of these often researched materials are records created by a number of other agencies, including the Immigration and Naturalization Service (INS), the U.S. military and the Federal courts – where many Japanese and Japanese Americans confronted the Federal Government over issues extending from the relocation.
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⇒ Transcript taken from the captioning is available upon request to KYR@nara.gov.
⇒ Learn more about the Know Your Records program: