Giles Norman Photography Exhibition, Kinsale, Ireland, July 2018
Irish photographer, Giles Norman, launches a large-scale exhibition in the historical Old Mill Building to celebrate his gallery’s 30th anniversary.
This month-long exhibition takes visitors on a journey through Giles’s expansive portfolio from his early analogue years, through to the advent of the digital era, and the launch of his new Aran Islands 2018 and Rome 2018 collections. Both his Irish and international collections are on display, exhibiting Ireland’s dramatic landscape, alongside street scenes from the world’s greatest cities and bold abstract pieces.
This project is supported by the Arts Office, Cork County Council, and the Creative Ireland Programme.
All images in the exhibition are available to order in various sizes (unframed / framed) from gilesnorman.com
For more information, contact info@gilesnorman.com
Video by Jakub Walutek Photography
Giles Norman Townhouse Guest Accommodation, Kinsale
To book directly: gilesnormantownhouse.com
E: info@gilesnorman.com
T: +353 (0) 21 4774 373
Lost in the Landscape: Take a Journey with Irish Photographer, Giles Norman
2018 marks the 30th Anniversary of the Giles Norman Gallery
The first click of a shutter by the hands of Giles Norman was for a school project. The first camera he could call his own arrived on his 18th birthday. And the first darkroom to bring his photographs to life was in the attic of an old friend’s house.
Relocating his darkroom to a rented space in Kinsale, Giles began working on his first portfolio in 1981. Both locals and tourists flocked to the tiny window of this studio, which offered a glimpse into his growing collection. This welcomed curiosity encouraged Giles to open his first gallery in 1988, with 2018 marking the gallery’s 30th anniversary.
In addition to his Kinsale gallery, Giles has an online gallery showcasing his entire portfolio.
His many collections range from the romantic streets of Paris to the ancient canals of Venice and the vibrant skylines of London and New York. Giles moved from England to Ireland at the age of fifteen, and it was Ireland’s dramatic landscape that first inspired Giles to become a photographer and which compels him still. His favourite terrain to explore, with his camera in hand, has always been the Irish coastline.
This video was shot by Jakub Walutek Photography
Giles Norman 30th Exhibition Walk
Irish photographer, Giles Norman, has launched a large-scale exhibition in the historical Old Mill Building in Kinsale to celebrate his gallery’s 30th anniversary. The exhibition runs from the 29th June – 29th July 2018
Gary O'Neill, 'The other half lives' Gallery of Photography, Dublin.
Gary O'Neill, new book 'The Other Half Lives' by Wally Cassidy
Gallery of Photography, Dublin, 16th May 2014.
Design Sprint Case Study - Gallery Of Photography Ireland
Design Sprint Case Study. Gallery of Photography used the design sprint methodology to investigate a future tense of Art Photography Awards.
REFLECTING 1916 – Trish Lambe of the Gallery of Photography
REFLECTING 1916 – Photography and the Easter Rising is a photography-based programme which includes a specially curated photographic exhibition and publication by the Gallery of Photography Ireland. The programme extends to street-based art installations at key locations around the city, outdoor projections, free public talks & tours, a book launch and workshops on how to preserve your family photographs.
The exhibition features photographs taken by eyewitnesses to this pivotal period in Ireland’s history, a number of which are being shown in public for the first time. A key album on show is the Smith Album which was contributed by an anonymous Dublin photographer. The Smith Album is the most amazing set of photographs taken by an anonymous eyewitness at the time which is an ordinary persons view of the week of the Rising, says Trish Lambe, co-director of the gallery. We've got an incredible picture of Moore Lane – 'Rebel Stronghold' – depicting the infamous address, riddled with bullet holes, on the day of the surrender.
A centerpiece installation of large-scale photos captures the destruction of Dublin and offers viewers a dramatic, immersive experience. This is contextualised by explorations of the use of photography to represent the idealism and growing militarism of the revolutionary generation. The wider use of photography as a vital tool for propaganda focusses on Roger Casement and his use of photography to highlight crimes against humanity.
Casement’s own documentary photographs from the Putamayo offer an insight into his evolution from British imperialist to Irish revolutionary.
A further sequence includes images of the widows and orphans of the Rising that were reproduced in the Catholic Bulletin in 1916, highlighting how photography was used to sway public opinion in the immediate aftermath.
There's also a fascinating series of photographs (annotated by Captain Wheeler, who took the surrender from commandant Mallon at the Royal College of Surgeons) showing guns, pouches and canteens: Included in this set is an intriguing photograph of the canteen belonging to commandant Pearse (see above) containing two large onions which he was carrying when he surrendered, says Lambe.
The final section looks at how the Rising has been represented in subsequent commemorations.
Accompanied by a catalogue REFLECTING 1916 - Photography and the Easter Rising with essays contributed by leading writers and historians, Brenda Malone, Orla Fitzpatrick, Professor Luke Gibbons, Dr Justin Carville & Angus Mitchell REFLECTING 1916 is an exploration of the role played by photography in shaping our memory of the Easter Rising.
The gallery's unique and compact interior space, a landmark building which was designed by O’Donnell + Tuomey architects in 1996, has proved a major challenge for staff in accommodating a large-scale exhibition of the likes of REFLECTING 1916.
In 2016, it is evident the gallery requires a more suitable interior to accommodate the ever-increasing larger shows: It's quite a tight squeeze – we now find that the gallery is actually too small to accommodate the type of exhibition we'd like to curate here, says Lambe. We've got a really rich photographic heritage, as you can see with the material on show on the walls. But what we really need now, in order to deliver on the potential of the photography, is a bigger space in the centre of Dublin that can really engage with the public.
Photo exhibition (landscape)
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DIT Graduate Photography 2012 - Gallery of Photography
Dublin Launch
Gallery of Photography
4th Landscapes International Art Exhibition – January 2019 (Digital & Photography Category)
The 4th Annual Landscapes Art Exhibition is now open.
Thank you to all the artists who participated. Congratulations to Best in Show winners Duke Windsor (Traditional) and Paul M. Murray (Digital & Photography) and all the other winners and finalists.
This is the video for the Digital & Photography category. Please also watch part 1 for the Traditional & 3D winners and finalists at this link:
Visit our site for the current exhibition and open competitions.
See the exhibition here:
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Giacomo Vanetti si racconta al Mia Photo Fair 2019
Giacomo Vanetti, fotografo, racconta la sua arte esposta presso lo stand di Bertè, con il progetto A Quattro Mani.
Video by Tobia Bearzotti
Editing by Marco de Bernardi
Interview by Eleonora Galiotto
MIA Photo Fair 2018. - Mizerák kiállítás, Milánó
A 2018-as milánói MIA Photo Fair kiállításra a Mizerák Alapítvány is meghívást kapott.
MIA Photo Fair 2017, Claudio Argentiero, AFI e Festival Fotografico Europeo
MIA Photo Fair 2017 Milano - Federicapaola Capecchi intervista Claudio Argentiero, fotografo, allo stand AFI Archivio Fotografico Italiano per Milano Arte Expo magazine.
Wet Plate Landscape SOURCE Series @ Continuum Gallery
Dear Friends of Photography,
my name is Christian Klant and I’m a wet plate photographer.
Today I want to show you a sneak preview of my current exhibition with my brand new wet plate landscapes series SOURCE.
The exhibition is taking place at the Continuum Gallery in Königswinter, Germany.
Come along and see these beautiful place!
Continuum Gallery:
More about the series:
Landscape Photo Exhibition - The Other Side Of North Sulawesi
New photography exhibition
A quick promo for my latest hanging...of photography that is.
Arkaim 2005-2016 Exhibition Hanging
Arkaim was a settlement in the Bronze Age that has gained wide popularity in Russia as a mystical place. Every summer, at the day of solstice, it attracts thousands of visitors looking for something special. But what is found are mostly rumors and superstitions. Everyone sees a different picture, depending on their beliefs and value systems.
Dubravka Bencic - LIGHT & LANDSCAPE - piano composition for a photography series by Joey Kennedy
One the compositions created for the photography series titled LIGHT & LANDSCAPE by Joey Kennedy. Performed live & improvisationally to the photo-slideshow during the opening reception at the Pittsburgh Cultural Trust. 3/6/15.
(one-take / single mic recording)
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Hello! My name is Dubravka Bencic and I am a contemporary / avant / neo classical composer, experimental improviser, collaborator, creative director, designer and events curator in the Pittsburgh area, dedicated to personal and cultural wholeness. I take great joy in designing multi-disciplinary events that encourage the integration of artistic communities. My ‘piano dancing’ performances and compositions treat the soundscape as a vessel for reflective enchantment, exploration and discovery. I've been very fortunate to collaborate and co-compose music with artists from many different genres (electronic, hip-hop, experimental, classical, metaphysical...) and give birth to the THIRD -- that which we could only create together, by expanding our boundaries and surrendering completely to the creative process in the raw...
Red telephone box
The red telephone box, a telephone kiosk for a public telephone designed by Sir Giles Gilbert Scott, was a familiar sight on the streets of the United Kingdom, Malta, Bermuda and Gibraltar.
Despite a reduction in their numbers in recent years, the traditional British red telephone kiosk can still be seen in many places throughout the UK, and in current or former British colonies around the world. The colour red was chosen to make them easy to spot.
This video is targeted to blind users.
Attribution:
Article text available under CC-BY-SA
Creative Commons image source in video