Catedral de Girona CAT
Coneixes bé la catedral de Girona? L'església cristiana catòlica de Santa Maria de Girona és la seu catedralícia del bisbat de Girona i el major temple cristià del bisbat i de la província. També és el lloc del campaner Josafat, de la bruixa de la Catedral i del sepulcre de Ramon Berenguer II.
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Girona Cathedral, Girona, Catalonia, Spain, Europe
The Cathedral of Saint Mary of Girona is the cathedral church of the Roman Catholic Diocese of Girona, located in Girona, Catalonia, Spain. Its interior includes the widest Gothic nave in the world, with a width of 22 metres (72 ft), and the second widest overall after that of St. Peter's Basilica, just for comparison, the width of the nave of Reims is 14.65 m, Saint-Étienne de Sens, 15.25 m and 12 m, in Notre Dame de Paris. Its construction was first started in the 11th century in Romanesque style, and later continued in the 13th century in Gothic style. Of the original Romanesque edifice only the 12th century cloister and the bell tower remain. The bell tower was completed in the 18th century. A primitive Christian church existed here before the Islamic conquest of Iberia, after which it was converted into a mosque in 717. The Franks reconquered the city in 785 under Charlemagne, and the church was reconsecrated in 908. In 1015, the church was in poor condition. Bishop Peter Roger, son of count Roger I of Carcassonne, restored it with the money obtained by selling the church of St. Daniel to his brother-in-law, count Ramon Borrell of Barcelona. The church and its cloister were built until 1064, in Romanesque style. The bell tower was completed in 1117. The complex was redesigned by Pere Sacoma in 1312. After a few years of dubitation, Guillem Bofill and Antoni Canet started the project in 1416. The new design consisted of a big Gothic nave, the widest Gothic nave in the world 22.98 m and the second widest nave of all styles after St. Peter's Basilica in Rome. The elevation is 35 metres (115 ft). The church has a Baroque façade (begun in 1606, finished in 1961 in the upper part), preceded by a staircase completed in 1607. The sculptures decorating the three orders of the façade were executed by local sculptors in the 1960s. Other exterior features include the Gothic portal of St. Michael, in the northern side, and the southern portico of the Apostles, from the 14th century: it originally featured sculptures of the Twelve Apostles, executed by Antoni Claperós in the 1460 and now disappeared aside from two, depicting St. Peter and St. Paul, now in the church's capitular halls. The church has two bell towers. The oldest one, entitled to Charlemagne, is the surviving one of the two once featured by the first Romanesque church (the other disappeared in the 14th century). Begun in the early 11th century, it has a square plan with six levels separated by friezes with Lombard bands, and with double mullioned windows. The new bell tower, begun in 1590 and completed (with a changed design) in the 18th century, has an octagonal plan. It houses six bells, the oldest one dating to 1574. The interior's single nave is surmounted by cross vaults, supported by Gothic buttresses. The side walls feature a triforium with stained glass ogival windows. The apse is separated by the nave by a large wall, characterized by a large central rose window (1705, dedicated to St. Michael Archangel) flanked by two smaller ones at the sides. The polygonal apse is in turn flanked by two short galleries, with ogival arches as entrances, which correspond to the original aisles of the Romanesque edifice and introduce to the ambulatory. The latter is divided by piers with trapezoidal vaults, aligned with the ray of the apse's trapezoidal vaults, and which form ten radial chapels. The high altar, in white marble, dates to the 11th century. Other artworks include the Gothic sarcophagus of Berenguer d'Anglesola (died 1418), by Pere Oller, in the chapel of Isabella of Portugal, the Chapel of All Saints (1376). The Romanesque cloister is notable, featuring a series of columns with sculpted capitals: they depict fantastic figures and animals, and vegetable motifs. The frieze has instead scenes from the New Testament. Among the sculptors who worked at the cloister is Arnau Cadell, also author of the cloister of the Monastery of Sant Cugat. Also in the cloister is the Chapel of Our Lady of Gràcia i de Bell-Ull, which was originally a gate to the cloister, renovated in the Gothic period; its tympanum has an image of the Virgin by Master Bartomeu (13th century). The cloister's galleries are home to numerous tombs of rich members of the monastery, dating to the 14th-18th centuries, one also by Master Bartomeu (1273).
Places to see in ( Girona - Spain ) Girona Cathedral
Places to see in ( Girona - Spain ) Girona Cathedral
The Girona Cathedral, also known as the Cathedral of Saint Mary of Girona, is a Roman Catholic church located in Girona, Catalonia, Spain. It is the seat of the Roman Catholic Diocese of Girona. The cathedral's interior includes the widest Gothic nave in the world, with a width of 22 metres (72 ft), and the second widest of any church after that of St. Peter's Basilica (for comparison, the width of the nave of Reims Cathedral is 14.65 m, Saint-Étienne de Sens, 15.25 m and 12 m, in Notre Dame de Paris).
Girona Cathedral construction was begun in the 11th century in the Romanesque architectural style, and continued in the 13th century in the Gothic style. Of the original Romanesque edifice only the 12th-century cloister and a bell tower remain. The second bell tower was completed in the 18th century.
Girona Cathedral has a Baroque main façade (begun in 1606, with the upper part finished in 1961[2]), preceded by a large staircase completed in 1607. The sculptures decorating the three orders of the façade were executed by local sculptors in the 1960s. Other exterior features include the Gothic portal of St. Michael, on the northern façade, and the southern portico of the Apostles, from the 14th century. The latter originally featured sculptures of the Twelve Apostles, executed by Antoni Claperós in the 1460s, which have mostly been lost, aside from two depicting St. Peter and St. Paul, now in the church's chapter house.
The Girona Cathedral has two bell towers. The oldest one, named after Charlemagne, is the surviving one of the two originally flanking the first Romanesque church (the other ceased to exist in the 14th century). Begun in the early 11th century, it has a square plan with six levels separated by friezes with Lombard bands and double mullioned windows. The new bell tower, begun in 1590 and completed (with a modified design) in the 18th century, has an octagonal plan. It houses six bells, the oldest one dating to 1574.
The interior's single nave is surmounted by cross vaults, supported by Gothic buttresses. The side walls feature a triforium with pointed-arch stained glass windows. The apse is separated from the nave by a wall reaching to the vaulted ceiling and perforated with openings, namely one enormous ogive or pointed arch in the center framing the high altar, flanked by two smaller pointed arches as entrances to the ambulatory at the apse. The upper reaches of the wall bear a large central rose window (1705, dedicated to the Archangel St. Michael) flanked by two smaller ones. The polygonal apse is in turn flanked by two short galleries, with ogive or pointed arches as entrances, which correspond to the original aisles of the Romanesque building and are located at the starting point of the ambulatory. The latter is divided by piers aligned with the rays of the apse's trapezoidal vaults, forming ten radial chapels.
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Girona Cathedral, Girona, Catalonia, Spain, Europe
The Cathedral of Saint Mary of Girona is the cathedral church of the Roman Catholic Diocese of Girona, located in Girona, Catalonia, Spain. Its interior includes the widest Gothic nave in the world, with a width of 22 metres (72 ft), and the second widest overall after that of St. Peter's Basilica, just for comparison, the width of the nave of Reims is 14.65 m, Saint-Étienne de Sens, 15.25 m and 12 m, in Notre Dame de Paris. Its construction was first started in the 11th century in Romanesque style, and later continued in the 13th century in Gothic style. Of the original Romanesque edifice only the 12th century cloister and the bell tower remain. The bell tower was completed in the 18th century. A primitive Christian church existed here before the Islamic conquest of Iberia, after which it was converted into a mosque in 717. The Franks reconquered the city in 785 under Charlemagne, and the church was reconsecrated in 908. In 1015, the church was in poor condition. Bishop Peter Roger, son of count Roger I of Carcassonne, restored it with the money obtained by selling the church of St. Daniel to his brother-in-law, count Ramon Borrell of Barcelona. The church and its cloister were built until 1064, in Romanesque style. The bell tower was completed in 1117. The complex was redesigned by Pere Sacoma in 1312. After a few years of dubitation, Guillem Bofill and Antoni Canet started the project in 1416. The new design consisted of a big Gothic nave, the widest Gothic nave in the world 22.98 m and the second widest nave of all styles after St. Peter's Basilica in Rome. The elevation is 35 metres (115 ft). The church has a Baroque façade (begun in 1606, finished in 1961 in the upper part), preceded by a staircase completed in 1607. The sculptures decorating the three orders of the façade were executed by local sculptors in the 1960s. Other exterior features include the Gothic portal of St. Michael, in the northern side, and the southern portico of the Apostles, from the 14th century: it originally featured sculptures of the Twelve Apostles, executed by Antoni Claperós in the 1460 and now disappeared aside from two, depicting St. Peter and St. Paul, now in the church's capitular halls. The church has two bell towers. The oldest one, entitled to Charlemagne, is the surviving one of the two once featured by the first Romanesque church (the other disappeared in the 14th century). Begun in the early 11th century, it has a square plan with six levels separated by friezes with Lombard bands, and with double mullioned windows. The new bell tower, begun in 1590 and completed (with a changed design) in the 18th century, has an octagonal plan. It houses six bells, the oldest one dating to 1574. The interior's single nave is surmounted by cross vaults, supported by Gothic buttresses. The side walls feature a triforium with stained glass ogival windows. The apse is separated by the nave by a large wall, characterized by a large central rose window (1705, dedicated to St. Michael Archangel) flanked by two smaller ones at the sides. The polygonal apse is in turn flanked by two short galleries, with ogival arches as entrances, which correspond to the original aisles of the Romanesque edifice and introduce to the ambulatory. The latter is divided by piers with trapezoidal vaults, aligned with the ray of the apse's trapezoidal vaults, and which form ten radial chapels. The high altar, in white marble, dates to the 11th century. Other artworks include the Gothic sarcophagus of Berenguer d'Anglesola (died 1418), by Pere Oller, in the chapel of Isabella of Portugal, the Chapel of All Saints (1376). The Romanesque cloister is notable, featuring a series of columns with sculpted capitals: they depict fantastic figures and animals, and vegetable motifs. The frieze has instead scenes from the New Testament. Among the sculptors who worked at the cloister is Arnau Cadell, also author of the cloister of the Monastery of Sant Cugat. Also in the cloister is the Chapel of Our Lady of Gràcia i de Bell-Ull, which was originally a gate to the cloister, renovated in the Gothic period; its tympanum has an image of the Virgin by Master Bartomeu (13th century). The cloister's galleries are home to numerous tombs of rich members of the monastery, dating to the 14th-18th centuries, one also by Master Bartomeu (1273).
Girona Cathedral Spain !
The Cathedral of Saint Mary of Girona (in Catalan: Catedral de Santa Maria de Girona, or simply Catedral de Girona) is the cathedral church of the Roman Catholic Diocese of Girona, located in Girona, Catalonia, Spain. Its interior includes the widest Gothic nave in the world, with a width of 22 metres (72 ft), and the second widest of any church after that of St. Peter's Basilica (for comparison, the width of the nave of Reims is 14.65 m, Saint-Étienne de Sens, 15.25 m and 12 m, in Notre Dame de Paris). Its construction was begun in the 11th century in Romanesque style, and continued in the 13th century in Gothic style. Of the original Romanesque edifice only the 12th-century cloister and a bell tower remain. The second bell tower was completed in the 18th century.
Girona Cathedral, Girona, Catalonia, Spain, Europe
The Cathedral of Saint Mary of Girona is the cathedral church of the Roman Catholic Diocese of Girona, located in Girona, Catalonia, Spain. Its interior includes the widest Gothic nave in the world, with a width of 22 metres (72 ft), and the second widest overall after that of St. Peter's Basilica, just for comparison, the width of the nave of Reims is 14.65 m, Saint-Étienne de Sens, 15.25 m and 12 m, in Notre Dame de Paris. Its construction was first started in the 11th century in Romanesque style, and later continued in the 13th century in Gothic style. Of the original Romanesque edifice only the 12th century cloister and the bell tower remain. The bell tower was completed in the 18th century. A primitive Christian church existed here before the Islamic conquest of Iberia, after which it was converted into a mosque in 717. The Franks reconquered the city in 785 under Charlemagne, and the church was reconsecrated in 908. In 1015, the church was in poor condition. Bishop Peter Roger, son of count Roger I of Carcassonne, restored it with the money obtained by selling the church of St. Daniel to his brother-in-law, count Ramon Borrell of Barcelona. The church and its cloister were built until 1064, in Romanesque style. The bell tower was completed in 1117. The complex was redesigned by Pere Sacoma in 1312. After a few years of dubitation, Guillem Bofill and Antoni Canet started the project in 1416. The new design consisted of a big Gothic nave, the widest Gothic nave in the world 22.98 m and the second widest nave of all styles after St. Peter's Basilica in Rome. The elevation is 35 metres (115 ft). The church has a Baroque façade (begun in 1606, finished in 1961 in the upper part), preceded by a staircase completed in 1607. The sculptures decorating the three orders of the façade were executed by local sculptors in the 1960s. Other exterior features include the Gothic portal of St. Michael, in the northern side, and the southern portico of the Apostles, from the 14th century: it originally featured sculptures of the Twelve Apostles, executed by Antoni Claperós in the 1460 and now disappeared aside from two, depicting St. Peter and St. Paul, now in the church's capitular halls. The church has two bell towers. The oldest one, entitled to Charlemagne, is the surviving one of the two once featured by the first Romanesque church (the other disappeared in the 14th century). Begun in the early 11th century, it has a square plan with six levels separated by friezes with Lombard bands, and with double mullioned windows. The new bell tower, begun in 1590 and completed (with a changed design) in the 18th century, has an octagonal plan. It houses six bells, the oldest one dating to 1574. The interior's single nave is surmounted by cross vaults, supported by Gothic buttresses. The side walls feature a triforium with stained glass ogival windows. The apse is separated by the nave by a large wall, characterized by a large central rose window (1705, dedicated to St. Michael Archangel) flanked by two smaller ones at the sides. The polygonal apse is in turn flanked by two short galleries, with ogival arches as entrances, which correspond to the original aisles of the Romanesque edifice and introduce to the ambulatory. The latter is divided by piers with trapezoidal vaults, aligned with the ray of the apse's trapezoidal vaults, and which form ten radial chapels. The high altar, in white marble, dates to the 11th century. Other artworks include the Gothic sarcophagus of Berenguer d'Anglesola (died 1418), by Pere Oller, in the chapel of Isabella of Portugal, the Chapel of All Saints (1376). The Romanesque cloister is notable, featuring a series of columns with sculpted capitals: they depict fantastic figures and animals, and vegetable motifs. The frieze has instead scenes from the New Testament. Among the sculptors who worked at the cloister is Arnau Cadell, also author of the cloister of the Monastery of Sant Cugat. Also in the cloister is the Chapel of Our Lady of Gràcia i de Bell-Ull, which was originally a gate to the cloister, renovated in the Gothic period; its tympanum has an image of the Virgin by Master Bartomeu (13th century). The cloister's galleries are home to numerous tombs of rich members of the monastery, dating to the 14th-18th centuries, one also by Master Bartomeu (1273).
Girona Spain Oct '09, Catedral de Girona, Onyar River
La petite Venice de Espana.
La Catedral de Girona(Girona Cathedral)
Girona, The Cathedral, Catalonia - Spain 4K Travel Channel
The Cathedral of Saint Mary of Girona is the most famous church in the city. The construction of this monumental building lasted over 400 years. The construction, designed by Guillem Bofill and Antoni Canet, started in the 14th century, however, the vault was only completed in the 18th century. The nave has a width of 23 m and a height of 34 m. This makes it the widest Gothic nave in the world and behind St. Peter's Basilica the second widest overall. The decision to build only one nave took 600 years. 7 out of 12 architects were against it, but one assumes that the bishop had taken the final decision. The Tower of Charlemagne, characterized by mullioned windows, serves as support.
In addition to the architecture that inspires, a inside a treasure vault chest inside houses the Creation Tapestry. This masterpiece of medieval art is one of the oldest of its kind in Europe.
One feels small when standing in front of a Gothic cathedral. This was also the intention of the builders. We enter the church building by a mighty gate and have our eyes get adapted to the diffuse light.
The view is attracted by the altar with its precious baldachin. Only when the eye wanders around, you perceive the dimensions of room.
In the side niches are precious altars. The visitor has to switch on the light, so that some are lying in the dark.
Our guide Gloria has prepared a surprise for us. We are invited to an exclusive visit to the church roof. To this, however, we must climb some exhausting stairs first. But we are rewarded with an unusual sight, the nave from above.
A tour allows us the view from different perspectives. However, the parapet wall in the niche is not too high, so you have to take care while filming or taking photos. From this perspective the visitors of the cathedral appear tiny. One is closer to the fine stained glass windows, fitted with Christian motifs.
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Die Kathedrale Santa Maria ist die berühmteste Kirche der Stadt. Die Bauzeit dieses monumentalen Bauwerks erstreckte sich über 400 Jahre. Im 14. Jahrhundert wurde mit dem von Guillem Bofill and Antoni Canet geplanten Bau begonnen. Das Gewölbe wurde aber erst im 18 Jahrhundert vollendet. Das Kirchenschiff hat eine Breite von 23 m und eine Höhe von 34 m. Damit ist es das breiteste gotische Kirchenschiff der Welt und nach dem Petersdom das zweitgrößte insgesamt. Die Entscheidung, nur ein Kirchenschiff zu bauen dauerte 600 Jahre. 7 von 12 Architekten waren dagegen, aber man geht davon aus, dass der Bischof hatte die endgültige Entscheidung getroffen. Der Turm Karls des Großen, gekennzeichnet durch Sprossenfenster, dient als Stütze
Neben der Architektur, die begeistert, befindet sich im Inneren eine Schatzkammer in dem der Schöpfungsteppich aufbewahrt wird. Dieses Meisterwerk Mittelalterlicher Kunst zählt zu den ältesten seiner Art in Europa.
Man kommt sich immer klein vor, wenn man vor einer gotischen Kathedrale steht, dies war auch die Absicht der Erbauer. Wir betreten das Kirchenhaus durch ein mächtiges Tor und müssen unsere Augen erst an das diffuse Licht gewöhnen.
Der Blick wird vom Altar mit seinem kostbaren Baldachin angezogen. Erst wenn der Blick herum schweift nimmt man die Dimensionen des Raumes wahr.
In den Seitennischen sind kostbare Altäre aufgebaut. Die Beleuchtung erfolgt durch Tastendruck des Besuchers, wodurch manche im Dunkeln Liegen
Unsere wundervolle Führerin von Girona Tourism, Gloria Lomes hat eine Überraschung für uns vorbereitet. Wir werden zu einer exklusiven Besichtigung des Kirchendaches eingeladen. Dazu müssen wir aber erst einige anstrengende Treppen erklimmen. Doch dann werden wir mit einem ungewöhnlichen Anblick belohnt, das Kirchenschiff von oben.
Ein Rundgang erlaubt uns den Anblick aus unterschiedlichsten Perspektiven. Die Brüstungsmauer in den Nischen ist aber nicht all zu hoch, so dass Vorsicht beim Filmen und photographieren schon angebracht ist. Die Besucher der Kathedrale erscheinen aus dieser Perspektive schon winzig. Allerdings kommt man den wunderschönen Buntglasfenstern näher, die mit christlichen Motiven ausgestattet sind.
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Cathedral Area, Girona, Spain
Video of the Cathedral area in Girona.
Girona Cathedral, Girona, Catalonia, Spain, Europe
The Cathedral of Saint Mary of Girona is the cathedral church of the Roman Catholic Diocese of Girona, located in Girona, Catalonia, Spain. Its interior includes the widest Gothic nave in the world, with a width of 22 metres (72 ft), and the second widest overall after that of St. Peter's Basilica, just for comparison, the width of the nave of Reims is 14.65 m, Saint-Étienne de Sens, 15.25 m and 12 m, in Notre Dame de Paris. Its construction was first started in the 11th century in Romanesque style, and later continued in the 13th century in Gothic style. Of the original Romanesque edifice only the 12th century cloister and the bell tower remain. The bell tower was completed in the 18th century. A primitive Christian church existed here before the Islamic conquest of Iberia, after which it was converted into a mosque in 717. The Franks reconquered the city in 785 under Charlemagne, and the church was reconsecrated in 908. In 1015, the church was in poor condition. Bishop Peter Roger, son of count Roger I of Carcassonne, restored it with the money obtained by selling the church of St. Daniel to his brother-in-law, count Ramon Borrell of Barcelona. The church and its cloister were built until 1064, in Romanesque style. The bell tower was completed in 1117. The complex was redesigned by Pere Sacoma in 1312. After a few years of dubitation, Guillem Bofill and Antoni Canet started the project in 1416. The new design consisted of a big Gothic nave, the widest Gothic nave in the world 22.98 m and the second widest nave of all styles after St. Peter's Basilica in Rome. The elevation is 35 metres (115 ft). The church has a Baroque façade (begun in 1606, finished in 1961 in the upper part), preceded by a staircase completed in 1607. The sculptures decorating the three orders of the façade were executed by local sculptors in the 1960s. Other exterior features include the Gothic portal of St. Michael, in the northern side, and the southern portico of the Apostles, from the 14th century: it originally featured sculptures of the Twelve Apostles, executed by Antoni Claperós in the 1460 and now disappeared aside from two, depicting St. Peter and St. Paul, now in the church's capitular halls. The church has two bell towers. The oldest one, entitled to Charlemagne, is the surviving one of the two once featured by the first Romanesque church (the other disappeared in the 14th century). Begun in the early 11th century, it has a square plan with six levels separated by friezes with Lombard bands, and with double mullioned windows. The new bell tower, begun in 1590 and completed (with a changed design) in the 18th century, has an octagonal plan. It houses six bells, the oldest one dating to 1574. The interior's single nave is surmounted by cross vaults, supported by Gothic buttresses. The side walls feature a triforium with stained glass ogival windows. The apse is separated by the nave by a large wall, characterized by a large central rose window (1705, dedicated to St. Michael Archangel) flanked by two smaller ones at the sides. The polygonal apse is in turn flanked by two short galleries, with ogival arches as entrances, which correspond to the original aisles of the Romanesque edifice and introduce to the ambulatory. The latter is divided by piers with trapezoidal vaults, aligned with the ray of the apse's trapezoidal vaults, and which form ten radial chapels. The high altar, in white marble, dates to the 11th century. Other artworks include the Gothic sarcophagus of Berenguer d'Anglesola (died 1418), by Pere Oller, in the chapel of Isabella of Portugal, the Chapel of All Saints (1376). The Romanesque cloister is notable, featuring a series of columns with sculpted capitals: they depict fantastic figures and animals, and vegetable motifs. The frieze has instead scenes from the New Testament. Among the sculptors who worked at the cloister is Arnau Cadell, also author of the cloister of the Monastery of Sant Cugat. Also in the cloister is the Chapel of Our Lady of Gràcia i de Bell-Ull, which was originally a gate to the cloister, renovated in the Gothic period; its tympanum has an image of the Virgin by Master Bartomeu (13th century). The cloister's galleries are home to numerous tombs of rich members of the monastery, dating to the 14th-18th centuries, one also by Master Bartomeu (1273).
Girona Cathedral - Cathedral of Saint Mary - Catalonia , Spain, August 2019 , Game Of Thrones
A tour round the inside of the beautiful Girona Cathedral
Catedral de Girona España HD 1080p
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Church of St. Felix, Girona, Catalonia, Spain, Europe
The church of San Félix or basílica Sant Feliu is located in the Spanish city of Gerona, originally from the early days of Christianity. Houses the offices of the parish church of Sant Feliu the Bishopric of Gerona, so named because it was the main temple of Gerona before building the catedral. Its construction, in honor of the martyr St. Felix, was lengthened from the twelfth century until the seventeenth and retains much of the Romanesque building was later completed with Gothic naves and roofs and the Baroque façade. The main attraction consists of eight extraordinary Roman and early Christian sarcophagi of the third and fourth centuries, found to build the church, along with the Gothic tomb of San Narciso. The building originates near a Roman road where it is believed he was the martyrium, or Christian church, built in honor of the martyr Saint Félix. It follows that I had a great prestige, since the king Recaredo gave the church a votive crown . During the Muslim occupation of Gerona seems that the old church had cathedral functions as the cathedral had been converted into mezquita. After the Frankish conquest, towards the end of the eighth century, housed a community of dependent elders of the cathedral, which would strongly linked since. As it was out of the wall, was the subject of several fortifications and architectural styles are observed. In the old Romanesque church plan and elevation of the head (XII-XIII centuries) is preserved, since the rest of the structure is erected Gothic work from the fourteenth century and reached its maximum splendor in the XVI century. In 1835, however, it became a simple parish. On May 31, 2011, Pope Benedict XVI granted the title of basilica menor at the request of the bishop of Gerona, Francisco Pardo, the second out of having the county, after the church of Santa María de Ampurias. Eminently Gothic building of a Romanesque scheme. It is a basilica with three separate formeros four arches on each side of the nave, on which faces a clerestory ships. The nave ends in a great Romanesque semicircular apse pierced by high Gothic windows that let light into the interior. As for the aisles, the south side contains two apses, which are not on the north side, as they disappeared built the chapel of San Narciso in the eighteenth century. The current Gothic bell tower replaced the old Romanesque and was built between the fourteenth and sixteenth centuries, to the left of the main entrance, Baroque, located on the south facade. The other two entrances to the collegiate Gothic, are also found in the south and north part. Most of the capitals located in the apse, decorated with plant or animal motifs correspond to the late Romanesque cloister, some depicting scenes from the life of Felix and Narciso saints, whom the church was dedicated in the eleventh century. In the fourteenth century Gothic cloister (1357), which has not survived to this day was built. During recent restoration work carried out in the late twentieth century revealed the Gothic polychrome vaults and the nerves of the central nave, which were covered with lime during the Baroque period. It preserves a valuable furniture, in addition to that stored in the Museum of Art Gerona.
Catedral de Girona España
Cerca de la frontera catalana con Francia, este hermosa ciudad y sus iglesias.
The Cathedral
Girona Cathedral takes you back a thousand years ago of artistic expression, inspired by spirituality and worship. Built in different styles (11th - 17th century ), it preserves original romanesque elements, The nave shows the unique feature of its world widest arched span.
catedraldegirona.org
10-03 Girona Cathedral
Salma Mohammed Anwar
Game of Thrones in Girona
In the 6th season of Game of Thrones appears Girona and its cobbled streets, medieval churches... and we interview the producer, Peter Welter, and some spots not to miss