Great Wall Site of Yan Dynasty
Great Wall Site of Yan Dynasty
Great Wall Site of Yan Dynasty
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Shaoguoyingzi Country, Jianping County 122414, China
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Great Wall Site of Yan Dynasty Videos
《国家宝藏》第二季 宋佳化身最美琵琶女 蒋雯丽王劲松倾情讲述燕赵传奇 20181223 | CCTV综艺
本期节目主要内容:黄河以北,沧桑变迁,长城似巨龙,盘旋出燕赵之地。大禹治水,依山川之势曾将华夏划为九州,九州之首是冀州,也就是今天的河北。本期节目中,蒋雯丽、王劲松、宋佳通过他们精彩的演绎带来长信宫灯、错金银四龙四凤铜方案座、彩绘散乐浮雕三件国宝的前世传奇,讲述燕赵之门背后的绝世佳人与英雄往事。
06:10 错金银四龙四凤铜方案座国宝守护人:王劲松;
09:52 王劲松化身“中山王厝” 解密战国“第八雄”制衡之术;
19:53 不可小觑的神秘小国——中山国;
22:28 敬事如神“古铜张”派第四代传人——雷金明;
25:53 一刀修复四龙四凤圆座;
30:07 一份执着的热爱 一份传承的责任;
35:19 彩绘散乐浮雕国宝守护人:宋佳;
38:26 宋佳演绎最美“琵琶女” 反解“商女不知亡国恨”;
49:11 彩绘散乐浮雕——勾栏中的石雕艺术;
51:37 彩绘散乐浮雕的今生守护者 重现大唐的声音;
53:28 “民乐之王”琵琶——四个王字就已彰显霸气;
54:51 《丝路飞天》致敬白居易《琵琶行》;
56:45 千年之后 盛唐余韵再现光芒;
01:01:37 袅袅箜篌音 浓浓传承情;
01:04:59 古今民族之音共谱一曲《醉太平》;
01:07:50 长信宫灯国宝守护人:蒋雯丽;
01:11:21 蒋雯丽演绎别样“窦太后” 倾情讲述盛世“天子之道”;
01:21:39 长信宫灯原始所有者之谜;
01:24:45 长信宫灯——文明交流之光;
01:26:18 精美的东方文物 揭开神秘中国的面纱;
01:30:02 张国立、蒋雯丽重塑长信宫灯复制品 再现通体鎏金的长信宫灯;
01:31:18 中国瑰宝,永远的独一无二;
01:33:23 文化不灭,国家永生。
《国家宝藏》第二季,每集以一个博物馆为主题,亮相三件文物,每件文物绑定一位与之气质相符的明星嘉宾,他们或娓娓道来文物传奇的前世,或打扮成古人的形象演绎宝藏诞生的故事,带领观众进入一个神秘的探寻空间。
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The Sixty-Eighth A. W. Mellon Lectures in the Fine Arts End as Beginning: Chinese Art and Dynastic T
Wu Hung, Harrie A. Vanderstappen Distinguished Service Professor of Art History, University of Chicago. In the six-part lecture series End as Beginning: Chinese Art and Dynastic Time, Wu Hung explores the narratives of Chinese art and their relationship to artistic production while reflecting on a series of questions: How did dynastic time emerge and permeate writings on traditional Chinese art? How did it enrich and redefine itself in specific historical contexts? How did it interact with temporalities in different historical, religious, and political systems? How did narratives based on dynastic time respond to and inspire artistic creation? In the third lecture, “Conflicting Temporalities: Heaven’s Mandate and Its Antitheses,” delivered on April 14, 2019, Wu Hung discusses the art of the Han dynasty, which evolved through complex interactions with a new political ideology and historiography rooted in the concept of the Mandate of Heaven, either by legitimating dynastic power or by challenging it with antithetical visual modes.