Hertzog Square

Fluttering Chroma Keys | #BlackMonday South Africa Flag

Shallow thoughts on point cloud colonialism, capture, overcoding, fireworks sbj, obj, #BlackMonday Zuma must Fall, Black South African flag and Chroma keying.
The Black Monday movement want to save the legacy that Nelson Mandela, Ahmed Kathrada and liberation leaders fought for.  Colour / Chroma keying is a visual effects / CGI / post production technique to remove colour fields and backgrounds like green / blue screen which are distinct to skin colours.

0:45 Voortrekker monument in Pretoria is described as the great temple of apartheid.
1:05 Pretoria Church Square. 2:15 Nelson Mandela statue & union buildings.
2:38 Assemblage.co.za. 3:06 Arts on Main.
5:38 Paint it Black exhibit UK City of Culture bid. Warrington2021.
7:23 Chinese New Year celebration in Old Chinatown Commissioner Street.
11:07 After Effects Chroma keying.
11:36 Johannesburg raw gold.
11:46 Cinema 4D & Realflow fluid simulation daily animation.
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[vlog fall] was a idiosyncratic creative daily vlog of absent minded forgetful recordings, shallow thoughts and elastic edits that play with the affects of authenticity in youtuber vlogs. It is a hypersubject production in self exploitation and surveillance, a life as archive in filter bubbles. Recordings were used as a lossy cultural battery / info / dataset for 3D CGI animations sequences touching on the tensions of representation and artificiality.
Floating Reverie is a postdigital art collective based in Johannesburg, South Africa.


[vlogfall] playlist:

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The [vlog fall] videos developed into YUNo Disface A Thousand Frames a 3D CGI animation. Hypersubjects in an electro libidinal loop with a mobile phone displace into a schizofaciality, data driven by the [vlogfall] videos.
Virtual ready made portrait busts created from 3D scans and point clouds are surfaces not volumes. This CGI surface event of the Self is a reflection of my engagement and production with vlogs and video selfies in social media. It is the consumption part of three works on the process. Void/impulse: Absent Noumena | Joziplicities, production: [vlogfall] Selfie Production. Occupants of the photogrammatic and digital panopticon are self exploiters exhibiting a filtered authenticity that dismantles the real, eliminates the Other and totalizes the imaginary in an enclosed narcissistic space.
The title refers to You Know in SMS shorthand [Yuno] and the Y U NO rage memes, hair triggered shitstorms of communicative noise from an immediate discharge of impulsive reactions. Digi-comms becomes a medium of affect and displacement. A Thousand Frames alludes to Deleuze and Guattari’s work A Thousand Plateaus and Damien Hirst’s installation A Thousand Years. The cube enclosure refers to Francis Bacon’s isolating cubes, vitrines, computer vision facial detection boxes, CGI software viewports and kill daemon spaces for chaotic simulations in visual effects software. The 3D models are made up of a surface mesh of polygons [faces] which displace like the hollow hypersubject as folding chaosmic membranes that mediate subject/object, intrusions and extrusions.
A depiction of an existential ontology of the now now now for the subject project in a shrine to be consumed by gluttonous digital ghosts. Being and your digital avatar are becoming one.
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Chris Boyd is an award winning artist & filmmaker whose multi-media work is preoccupied with the interrelationships with technology and modes of Being.
Boyd's work has been described by filmmaker Werner Herzog as remarkable & as a poet in a frenzy at his Rogue Film School & as a undisciplined genius by the late art critic Brian Sewell.

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#BlackMonday #Eish #2021 #C4D #dailyrender #postdoc #postdigital #UKCityofCulture #hypersubject #vlogfall #hashtag
international art english tags, post meta post-cultural ting word salad, novelty merchant labels, fake creative fashionable hashtag, social approval signals, originality simulator, special status keywords, taste maker generation, tusty tuss snuffkins, eish XP

CHURCHILL SYMPOSIUM - SHORT - SOUND

Cut story. CU Churchill incivilian clothes. Driving thru crowded & cheering streets. Churchill enters bldg. Cheering Churchill. CU Mrs. Churchill. CU Mary Churchill in ATS uniform. Ch.walks thru factory. Drives thru crowded streets, standing in car. Churchill climbs aboard tank. Churchill riding on tank. Churchill handling rifle, opening & closing bolt, pretends to present arms. Churchill laying bricks. Churchill with a Mayor, walks thru cheering crowds. Churchill in naval uniform. CU ditto. Pan of ruins. Churchill wears bowler walks thru cheering crowds, acknowledging them,raising hat. Insxecpts heavy guns. GV guns firing. Churchill with Alexander(Gen). Guns firing - fade. Mary Churchill in ATS uniform & tin helmet, beside Churchill seated. Ditto shot only Mary kneeling on ground. GV AA gunsite. GV AA guns firing, Churchill with fingers in his ears. Churchill CU seated on chair wears tin helmet. Shot from bridge of Prince of Wales shot of her bows ploughing thru the water. Naval personnel on bridge with Churchill. Churchill walks along deck in raincoat. Churchill with four other officer(VIPs) on deck. GV ship lines ahead. Below deck, at conference. Churchill walks along deck, crew lining same, shakes hands with Roosevelt coming aboard with SCU Roosevelt & son, with Churchill. CU Roosevelt & Churchill. MS Ch. & Roosevelt seated with officers standing behind chairs. SCU C. & Roosevelt seated on deck. MS crew on deck, in bkgd. shot of coast. GV Capitol, Washington. Churchill alights from car, greeted. Churchill inside Congress, addresses them, MS of him speaking. Churchill leaves dais amid cheers & applause. Churchill gives 'V' sign on leaving. Churchill with Roosevelt in grounds. CU Churchill & Roosevelt. CU Churchill bareheaded,smiling. MS. Churchill & Roosevelt seated. CU Churchill bareheaded, smiling. MS Churchill in cap & gown arrives to receive degree.(honorary). SCU Ch. in cap & gown. MS Churchill alighting from under carriage of plane, greeted by Molotov. SCU Churchill raising his hat. MS Churchill & Molotov walk towards camera. SCU Churchill looking serious. Elev.shots of streets of Moscow. Churchill car drives thru. SCU Churchill, Stalin & Molotov. CU Churchill & Stalin. Churchill on drome walks across same. SCU Churchill in Army uniform. MS Churchill in topee. GV Middle East British troops around Churchill. Churchill inspects troops & RAF men. Churchill enters tent. Inside tent,various shots of Churchill with VIPs & officers seated, in conference. Cutbstory cont'd. SCU Churchill lighting & smoking a cigar. Troops crowds round tent as he leaves, this is in the desert. Churchill raises topee to crowds of soldiers. Churchill in Army uniform addresses(silent) troops. SCU Churchill in somberero looks at child in pram(believe this is Mr.Smuts child). CU child. Churchill holds child in arms, Mrs.Smuts junior beside them. LS Churchill seated on wooden seat in grounds. SCU Churchill & F/M.Smuts in grounds,seated. Group shot - Churchill in topee


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Rhodesian Light Infantry | Wikipedia audio article

This is an audio version of the Wikipedia Article:



00:02:32 1 History
00:02:40 2 Organisation
00:02:49 2.1 Commandos
00:03:52 2.2 Base Group
00:04:33 2.2.1 Signals Troop and Tracking Troop
00:06:15 2.3 Support Group/Commando
00:07:43 3 Ranks
00:09:18 4 Operations
00:10:01 5 Fireforce Actions
00:15:01 5.1 Tactics
00:18:32 5.1.1 The Sweep
00:20:13 5.1.2 The Stop Position
00:20:59 5.1.3 Air Power
00:22:22 6 Other Actions
00:23:16 6.1 Patrols
00:24:46 6.2 Externals
00:26:34 7 Technical
00:26:43 7.1 Equipment and Armaments
00:31:56 8 Miscellaneous
00:32:05 8.1 Communications
00:33:52 8.2 Deployments
00:34:51 8.3 Medical
00:35:38 8.4 Enemy Armaments
00:37:39 8.5 Training, Culture, Foreign Volunteers and Women
00:42:15 8.6 Nicknames, Mascots and Commando Insignia
00:49:16 9 Casualties
00:51:16 10 Conclusion
00:53:41 11 Notes and references
00:53:55 12 External links



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Speaking Rate: 0.917761146552304
Voice name: en-AU-Wavenet-D


I cannot teach anybody anything, I can only make them think.
- Socrates


SUMMARY
=======
The 1st Battalion, Rhodesian Light Infantry (1RLI), commonly The Rhodesian Light Infantry (RLI), was a regiment formed in 1961 at Brady Barracks (Bulawayo, Southern Rhodesia) as a light infantry unit within the army of the Federation of Rhodesia and Nyasaland. Barely a year after its creation, it was relocated to Cranborne Barracks (Salisbury) where its headquarters remained for the rest of its existence. The Regiment became part of the Southern Rhodesian Army when the Federation dissolved at the start of 1964 and later that year reformed into a commando battalion — Rhodesia's equivalent of the 75th Ranger Regiment (United States).
After Rhodesia's Unilateral Declaration of Independence on 11 November 1965, the RLI became one of the country's main counter-insurgency units during the Rhodesian Bush War, which pitted the government security forces against the rival guerrilla campaigns of Zimbabwe African National Liberation Army (ZANLA) and Zimbabwe People's Revolutionary Army (ZIPRA).
An all-white regiment, the RLI was made up wholly of professional soldiers until 1973, when capable conscripted national servicemen were first introduced. Foreign volunteers from across the world, many veterans of foreign conflicts, also joined and became a key part of the Regiment. The RLI was nicknamed The Saints or The Incredibles, and regarded, through astounding success with both internal Fireforce operations in Rhodesia and external preemptive strikes against guerrillas based in Mozambique and Zambia, as one of the world's foremost exponents of counter-insurgency warfare.
So prominent were the airborne aspects of typical RLI operations that the battalion became a parachute regiment in 1976. The RLI served under the short-lived government of Zimbabwe Rhodesia in 1979, and the interim British government that followed. After serving under the new government of Zimbabwe for a brief period, the unit was disbanded in October 1980.
The RLI's tactics and training contributed to repeated successes in its counter-insurgency operations. The advantage this gave them... says United States Army Lieutenant-Colonel Dave Grossman, ...added up to nothing less than total tactical superiority. Alexandre Binda writes that the RLI ...earned for itself an enviable reputation as one of the world's foremost anti-terrorist forces, while Major Charles D. Melson, chief historian of the United States Marine Corps, calls it The Killing Machine.