IASA 2014 Hill Auditorium University of Michigan, Ann Arbor, MI
The IASA 2014 Kalyara show was held in the beautiful Hill Auditorium, University of Michigan, Ann Arbor on Friday, November 7, 2014. Complete Kalyara show link:
Graduate Ann Arbor Video : Ann Arbor, Michigan, United States
Graduate Ann Arbor Video : Ann Arbor, Michigan, United States
Property Location With a stay at Graduate Ann Arbor in Ann Arbor, you'll be minutes from Kempf House and University of Michigan. This 4-star hotel is within close proximity of Power Center for the Performing Arts and Hill Auditorium.Rooms Make yourself at home in one of the 204 air-conditioned rooms featuring refrigerators and flat-screen televisions. Complimentary wired and wireless Internet access keeps you connected, and satellite programming provides entertainment. Bathrooms have bathtubs or showers and complimentary toiletries. Conveniences include desks and coffee/tea makers, and housekeeping is provided daily.Amenities Take advantage of recreation opportunities such as a fitness center, or other amenities including complimentary wireless Internet access and concierge services.Dining Enjoy a meal at a restaurant or in a coffee shop/café. Or stay in and take advantage of the hotel's room service (during limited hours). Quench your thirst with your favorite drink at a bar/lounge.Business, Other Amenities Featured amenities include complimentary high-speed (wired) Internet access, a 24-hour business center, and complimentary newspapers in the lobby. Limited parking is available onsite.
Check-in from 16:00 , check-out prior to 11:00
Parking, 24 hours Front Desk Service, Low mobility guests welcome, Restaurant/cafe, Bar, Business centre, Gym, Pets allowed, Laundry service, Concierge service.
TV, Air conditioning.
Hotel adress: 615 East Huron Street, Ann Arbor, United States
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Bob Dylan - November 6, 2019 - Hill Auditorium - Ann Arbor, Michigan
My Artwork and photography can be viewed and purchased here;
Your support is very much appreciated.
01. intro
02. Things Have Changed
03. It Ain't Me, Babe
04. Highway 61 Revisited
05. Simple Twist Of Fate
06. Can't Wait
07. When I Paint My Masterpiece
08. Honest With Me
09. Tryin' To Get To Heaven
10. Make You Feel My Love
11. Pay In Blood
12. Lenny Bruce
13. Early Roman Kings
14. Girl From The North Country
15. Not Dark Yet
16. Thunder On The Mountain
17. Soon After Midnight
18. Gotta Serve Somebody
(encore)
19. Ballad Of A Thin Man
20. It Takes A Lot To Laugh, It Takes A Train To Cry
Bob Dylan - guitar, piano, harp
Tony Garnier - bass
Matt Chamberlain - drums
Charlie Sexton - lead guitar
Bob Britt - guitar
Donnie Herron - violin, pedal steel, lap steel
Hill Auditorium Renovation and Expansion
Hill Auditorium is the largest performance venue on the University of Michigan campus, in Ann Arbor, Michigan. The auditorium was named in honor of Arthur Hill (1847-1909), who served as a regent of the university from 1901 to 1909.
Victors for Michigan Campaign Kickoff at Hill Auditorium
On November 8, 2013, the University of Michigan kicked off the Victors for Michigan campaign. One of the most ambitious fundraising campaigns in public higher education, it will raise funds for student support, engaged learning, and bold ideas.
Hill Auditorium - Quinn Evans Architects
RJD2 [Live at Hill Auditorium in Ann Arbor, MI]
Clip of RJD2 performing at Hill Auditorium for the 50th anniversary of the Peace Corps.
April 1, 2011
UMS Presents: A Space for Music, A Seat for Everyone
UMS Presents A Space for Music, A Seat for Everyone: 100 Years of UMS Performances in Hill Auditorium
Originally broadcast on Detroit Public Television (WTVS) on May 19, 2013
For more information visit: ums.org/hill100
SYNOPSIS:
One of the most celebrated venues in the United States, Hill Auditorium opened on May 14, 1913.
Designed by the renowned architect Albert Kahn and boasting one of the world's finest acoustical designs, Hill Auditorium has been a true cultural incubator for the arts community in southeast Michigan for the past 100 years. With a rich history of performances by the world's top artists, Hill Auditorium is a shining example of how investment in the arts cultivates a vibrant, engaged community.
In many ways, Hill Auditorium is more than a gathering place for music enthusiasts; it has been the beating heart of civic life in Ann Arbor for a century and has created a self-perpetuating reputation for attracting top talent to the venue, the university, and the city itself. Through concert recordings, news articles, and anecdotal interviews, A Space for Music, A Seat for Everyone: 100 Years of UMS Performances in Hill Auditorium provides historical context for the auditorium's role as UMS's primary concert venue and highlights its evolving community function.
CREDITS:
Executive Producers
UMS, AnnArbor.com & MLive Media Group, Detroit Public Television
Producer, Director, Editor and Writer
Sophia Kruz
Writers
Anna Prushinskaya, Truly Render
Narrator
Pamela Lewis
Supervising Sound Editor
Rishi Daftuar
Original Score
Howard White
Sponsored by
AnnArbor.com, a part of MLive Media Group
Detroit Public Television
2018 Ann Arbor Michigan
my footage of Forest Hill Cemetery 65-80 acres in Ann Arbor MI.
Aug. 2018
UMich Symphony Band - Henry Fillmore - Rolling Thunder (1916)
University of Michigan Symphony Band
Rolling Thunder (1916)
Henry Fillmore
Michael Haithcock, conductor
November 22, 2019
Hill Auditorium
University of Michigan
Ann Arbor, MI
recorded and filmed by
Cory Robinson and Charles Steen
audio and video post-production by
Dave Schall
(daveschallacoustic.com)
The Head and the Heart - Let's Be Still - Live at Hill Auditorium in Ann Arbor, MI on 2-28-17
The Head and the Heart - Let's Be Still - Live at Hill Auditorium, University of Michigan, in Ann Arbor, MI on 2-28-17
Lupe Fiasco - Go Go Gadget Flow [Live at Hill Auditorium, Ann Arbor, MI]
Clip of Lupe Fiasco performing Go Go Gadget Flow at Hill Auditorium for the 50th anniversary of the Peace Corps.
April 1, 2011
Lupe Fiasco - Scream [Live at Hill Auditorium, Ann Arbor, MI]
Lupe Fiasco performing a new song called Scream at Hill Auditorium for the 50th anniversary of the Peace Corps.
April 1, 2011
Apologies for the poor quality, video taken with my phone.
Wilco - War On War (acoustic) - Hill Auditorium, Ann Arbor 24 Sept 2015
Wilco's final encore was a short set of songs played acoustically downstage. Recorded using CameraZOOM app on a Samsung Galaxy S5.
Top Tourist Attractions in Ann Arbor - Travel Michigan
Top Tourist Attractions in Ann Arbor - Travel Michigan:
Michigan Stadium, Ann Arbor Hands-On Museum, University of Michigan, Matthaei Botanical Gardens & Nichols Arboretum, Law Quadrangle, Main Street, Kerrytown, Michigan Theater, University of Michigan Museum of Art, Hill Auditorium, University of Michigan Museum of Natural History, Hudson Mills Metropark, Kelsey Museum of Archaeology, State Street
SLAMMIN live @ Hill Auditorium in Ann Arbor Michigan
SLAMMIN ALL Body Band live @ The famous Hill Auditorium in Ann Arbor Michigan. Where Bob Marley and many other greats have performed. Performing Michael Jackson's I Can't Help it.
A tour of Ann Arbor and the University of Michigan
A tour of Ann Arbor and the University of Michigan. Excellent people, facilities, vision, energy, expertise, courses, and programs.
UMMGC - Michigan Medley
Michigan Medley
I. 'Tis of Michigan We Sing
II. A Toast to Michigan
III. I Want to Go Back to Michigan
The University of Michigan Men's Glee Club 148th Annual Fall Concert
Hill Auditorium, Ann Arbor, MI
November 17, 2007
Máscaras for Orchestra by Roberto Kalb
Máscaras for Orchestra
Music by Roberto Kalb
Hill Auditorium, University of Michigan, Ann Arbor, Michigan
Oriol Sans, Conductor
University Philharmonia Orchestra
UMich Symphony Band - Michael Daugherty - Bells for Stokowski (2002)
University of Michigan Symphony Band
Bells for Stokowski (2002)
Michael Daugherty
Michael Haithcock, conductor
September 27, 2019
ALMOST BAROQUE
Hill Auditorium
University of Michigan
Ann Arbor, MI
recorded and filmed by
Dave Schall and Cory Robinson
(daveschallacoustic.com)
Publisher:
Peermusic Classical, BMI (Americas and Asia)
Faber Music (Europe, Australia and New Zealand)
Instrumentation: Piccolo, 3 flutes, 2 oboes, English horn, 5 clarinets, 2 bassoons, contrabassoon; soprano sax, alto sax, tenor sax, baritone sax; 4 horns, 4 trumpets, 3 trombones, 2 baritones, tuba; 2 contrabassi; timpani, 4 percussion; guitar, 2 harps, organ
PROGRAM NOTE
Bells for Stokowski (2002) for symphonic band was commissioned by a consortium including the University of Michigan (Michael Haithcock), Arizona State University (Gary Hill), Baylor University (Kevin Sedatole), University of Colorado (Allan McMurray), Ithaca College (Steve Peterson), Louisiana State University (Frank Wickes), Michigan State University (John Whitwell), Riverside, CA Community College (Kevin Mayse),University of Tennessee (Gary Sousa), University of Texas (Jerry Junkin), and Texas Tech University (John Cody Birdwell). Its first performance was given by the University of Michigan Symphony Band, conducted by Michael Haithcock, in the Michigan Theater, Ann Arbor, Michigan, on October 2, 2002. It was performed by the Arizona State University Wind Ensemble, conducted by Gary Hill, at the National Conference of the College Band Directors National Association, Minneapolis, Minnesota, on March 27, 2003.
Bells for Stokowski is a tribute to one of the most influential and controversial conductors of the 20th century. Born in London, Leopold Stokowski (1882-1977) began his career as an organist. As maestro of the Philadelphia Orchestra (1912-36), he became famous for interpreting classical music in brilliant new ways, and expanding his audience’s expectations of what might they hear in the concert hall. In Philadelphia, Stokowski boldly conducted American music alongside European traditional and new orchestral repertoire. Stokowski created a sensation by conducting world premieres of avant-garde composers such as Igor Stravinsky and Edgar Varese, and he enraged classical purists with his lavishly Romantic orchestral transcriptions of Bach. Appearing as a conductor in various Hollywood films, Stokowski’s 1940 collaboration with Walt Disney in Fantasia resulted in the first stereophonic recording of an orchestral soundtrack. It was in Philadelphia that he created the famous “Stokowski sound,” making the orchestra sound like a pipe organ. His fascination with timbre led him to experiment with the seating of players, moving sections of the orchestra to different parts of the stage. These dramatic spatial arrangements appealed to the eye as well as the ear.
In Bells for Stokowski I imagine Stokowski in Philadelphia visiting the Liberty Bell at sunrise, and listening to all the bells of the city resonate. The composition begins with two percussionists, placed on opposite ends of the stage, performing stereophonically on identical ringing percussion instruments such as chimes, crotales, sleigh bells, bell trees, and various non-pitched metals. A saxophone quartet introduces an original theme that I have composed in the style of Bach. This baroque fantasy is modulated in my musical language through a series of tonal and atonal variations. Later in this composition I also introduce my own “transcription” of Bach’s C Major Prelude from The Well-Tempered Klavier.
In keeping with Stokowski’s musical vision, I look simultaneously to the past and the future of American concert music. I utilize multiple musical canons, polyrhythms, and counterpoints to achieve a complex timbral layering throughout Bells for Stokowski. With unusual orchestrations and an alternation between chamber and tutti configurations, I recreate the musical effect of Stokowski’s experimental seating rearrangements. In the coda I evoke the famous “Stokowski sound,” by making the symphonic band resound like an enormous, rumbling Gothic organ.
–Michael Daugherty