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House for an Art Lover

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House for an Art Lover
House for an Art Lover
House for an Art Lover
House for an Art Lover
House for an Art Lover
House for an Art Lover
House for an Art Lover
House for an Art Lover
House for an Art Lover
House for an Art Lover
House for an Art Lover
House for an Art Lover
House for an Art Lover
House for an Art Lover
House for an Art Lover
House for an Art Lover
House for an Art Lover
House for an Art Lover
House for an Art Lover
House for an Art Lover
House for an Art Lover
House for an Art Lover
House for an Art Lover
House for an Art Lover
House for an Art Lover
Phone:
+44 141 353 4770

Address:
10 Dumbreck Road | Bellahouston Park, Glasgow G41 5BW, Scotland

An art film is typically a serious, independent film, aimed at a niche market rather than a mass market audience. It is intended to be a serious, artistic work, often experimental and not designed for mass appeal, made primarily for aesthetic reasons rather than commercial profit, and contains unconventional or highly symbolic content.Film critics and film studies scholars typically define an art film as possessing formal qualities that mark them as different from mainstream Hollywood films. These qualities can include : a sense of social realism; an emphasis on the authorial expressiveness of the director; and a focus on the thoughts, dreams or motivations of characters, as opposed to the unfolding of a clear, goal-driven story. Film scholar David Bordwell describes art cinema as a film genre, with its own distinct conventions.Art film producers usually present their films at special theaters and at film festivals. The term art film is much more widely used in the United States, the United Kingdom and Australia, compared to the rest of Europe, where the term is associated more with auteur films and national cinema . Since they are aimed at small, niche-market audiences, art films rarely acquire the financial backing that would permit large production budgets associated with widely released blockbuster films. Art film directors make up for these constraints by creating a different type of film, one that typically uses lesser-known film actors and modest sets to make films that focus much more on developing ideas, exploring new narrative techniques and attempting new film-making conventions. A certain degree of experience and knowledge is generally required to fully understand or appreciate such films. Film critic Roger Ebert called Chungking Express, one mid-1990s art films, largely a cerebral experience that one enjoys because of what you know about film. This contrasts sharply with mainstream blockbuster films, which are geared more towards escapism and pure entertainment. For promotion, art films rely on the publicity generated from film critics' reviews; discussion of the film by arts columnists, commentators and bloggers; and word-of-mouth promotion by audience members. Since art films have small initial investment costs, they only need to appeal to a small portion of mainstream audiences to become financially viable.
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