The Hungarian theater of Kolozsvár/Cluj Napoca
The Hungarian Theater of Kolozsvár/Cluj Napoca is the backbone of Hungarian cultural life in Transylvania.
Here's our interview with Director of the Hungarian Theatre Gábor Tompa prior to this year's Interferences International Theater Festival.
TransylvaniaNOW - where yesterday meets tomorrow
transylvanianow.com
video: Blanka Székely
[Wikipedia] Romanian National Opera, Cluj-Napoca
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The Romanian National Opera, Cluj-Napoca (Romanian: Opera Naţională Română din Cluj-Napoca) is one of the national opera and ballet companies of Romania. The Opera shares the same building with the National Theatre in Cluj-Napoca.
Hungarian Cultural Days of Kolozsvár/Cluj Napoca
The largest cultural festival in Transylvania, the Hungarian Cultural Days of Kolozsvár/Cluj Napoca attracts a large audience each year and provides a colorful display of Hungarian cultural life in Transylvania and the Carpathian Basin.
Follow TransylvaniaNOW's Blanka Székely as she explores this year's Hungarian Days.
TransylvaniaNOW - Where yesterday meets tomorrow
transylvanianow.com
Video:Blanka Székely
Deschiderea noii stagiuni 2018-2019 a Operei din Cluj
Noua stagiune 2018-2019 a Operei Naționale Române din #Cluj, deschisă cu un concert în aer liber în Piața Avram Iancu sâmbătă, 1 septembrie.
Childrens' Chorus: Háry János Act II Feb 10, 2018 Kolozsvári Magyar Opera.
Highlight reel captured with my phone. Sorry about the quality on this one. Maybe next time. Filmed at the Kolozsvári Opera House in Cluj.
DISCLAIMER: THE PERFORMANCES AND MUSIC CONTAINED WITHIN; ARE THE INTELLECTUAL PROPERTY RIGHTS OF THEIR COMPOSERS, PUBLISHERS AND COPYRIGHTS. ON THIS OCCASION, I HAVE AN ASSOCIATION WITH THE ARTIST(S), MUSICIANS, PLAYERS, RECORD LABELS OR THEIR AFFILIATES. THIS IS SIMPLY FOR THE PURE ENJOYMENT OF THE MUSIC AND INTRODUCTION TO CULTURAL EVENTS. Video Courtesy: Harry J. Kasabian kasabiankinescope.com
Opera Naţională Română Cluj, G. Bizet - Carmen
Solist: Sorin Lupu. Concert de deschidere a stagiunii 2017-2018. Piaţa Avram Iancu, Cluj.
MEET THE DANCERS | Romanian National Opera Cluj-Napoca | Gusti
MEET THE DANCERS is a project which i started in order to present the dancers of the Romanian National Opera Cluj-Napoca.
Hope you enjoy!
Evgheni Oneghin - Opera Națională Română Cluj
17 februarie 2019. Tenor: Hector Lopez. Orchestra ONR Cluj, dirijor: Gheorghe Victor Dumănescu
Ferenc Farkas, Antiche danze ungheresi del 17 secolo Antique Hungarian Dances
Ferenc Farkas, Antiche danze ungheresi del 17. secolo (Antique Hungarian Dances)
(arr. Lajos Lences for oboe and orchestra)
1. Intrada
2. Slow dance
3. Shoulder-blade dance
4. Dance of the Prince of Transylvania
5. Dance of Lazar Apor
6. VI Chorea
7. VII Leaping Dance
Lajos Lencsés, oboe
Franz Liszt Chamber Orchestra
Ferenc Farkas (15 December 1905 – 10 October 2000) was a Hungarian composer.
Born into a musical family (his father played the cimbalom and his mother played the piano) in Nagykanizsa, Farkas began his musical studies in Budapest, at the Protestant Gymnasium (Grammar School) and later attended the Music Academy, where he studied composition with Leó Weiner and Albert Siklós.
After his graduation in 1927, he worked as a repetiteur and conductor at the Municipal Theatre of Budapest and collaborated with the Diaghilev Ballet. From 1929 to 1931, he attended Ottorino Respighi's masterclass at the Accademia Nazionale di Santa Cecilia in Rome. The years he spent in Rome had a decisive influence on him. He became acquainted with Italian and Mediterranean culture to which he felt a deep attraction. About this he said: My principal aim has always been to attain for myself a latin clarity and proportion.
Farkas returned to Budapest in the autumn of 1931. As he could not find any other assignments, he played the piano in various theatre orchestras. In 1932 he met the director Paul Fejos for whom he composed several film scores, first in Hungary, then in Vienna and Copenhagen. This collaboration was to be for Farkas the beginning of an impressive series of “applied” music (music for around 75 films and 44 theatre plays and radio plays).
In the spring of 1934 he conducted research of his own into traditional Hungarian music by collecting folk songs in Somogy County: When I got back from my travels abroad, it became clear to me that the work and research of Bartók and Kodály raised crucial problems that we as Hungarians, had to resolve ourselves. .
From 1935 he taught at the Budapest City Music School. From 1941-44 he was professor of composition and director at the Conservatory of Kolozsvàr (today Cluj-Napoca in Romania) and he conducted the city's Opera Chorus. At the end of 1944, because of the war, he had to go back to Hungary. During the siege of Budapest, he worked as the deputy conductor of the Opera Chorus.
In 1946, he was sent to Székesfehérvár where he founded and managed the Conservatory. He was nominated professor of composition at the Franz Liszt Music Academy of Budapest in 1949, a post he held until his retirement in 1975. As a professor he was to have his greatest influence in the second half of the century. Among his students were: György Kurtág, György Ligeti, and Miklós Kocsár.
The music on my channel is meant to introduce a large audience to music by unknown classical composers and unknown classical music by famous composers in the music period of about 1870 till about 1970.
The program presents works by relatively unknown composers and unknown music by well-known composers and has no commercial purposes.
Tens of thousands of people around the world learn about unknown music through our channel (educational task) and unite the people from the many countries who give their comments and reactions. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to YouTube, and it will be our care to remove immediately the video accordingly.
INTERFERENCES 2012 International Theatre Festival, Cluj
INTERFERENCES 2012 International Theatre Festival, Cluj
INTERFERENCIÁK 2012 Nemzetközi Színházi Fesztivál, Kolozsvár
Festivalul Internaţional de Teatru INTERFERENŢE 2012, Cluj
huntheater.ro/interferences
Organized and hosted by the Hungarian Theatre of Cluj - huntheater.ro
Liana Gota - promo Madame Butterfly
Giacomo Puccini: Madama Butterfly operă în trei acte.
Interpretează:
soliștii, corul și orchestra Operei Naționale Române din Cluj-Napoca.
Dirijor:David Crescenzi
Regia:Matteo Mazzoni
O producție TVR
Realizator:Liana GOTA
Flowers for Tarja - Opera Rock Show Miskolc 2010
Tarja Turunen - Opera Rock Show Miskolc, Hungary 12-06-2010.
Hungary: Operaház Budapest (1/21) 2011-03-19(Sat)1636hrs
- Magyar Állami Operaház 1884-ben nyitotta meg kapuit.
- Ungarische Staatsoper zu Budapest wurde im Jahr 1884 eröffnet.
- Il Teatro dell'Opera di Budapest è stato inaugurato nel 1884.
- L'Opéra d'État hongrois a ouvert ses portes en 1884.
- Hungarian State Opera House in Budapest opened in 1884.
洪牙利國立歌劇場は明治十七年に開館した。
Gioachino Rossini, Il barbiere di Siviglia - Figaro's aria
Gioachino Rossini, Il barbiere di Siviglia; Conductor- József Horváth; Stage director: Attila Demény; Stage director assistent: Annamária Gombár; Figaro - Ludovic Kendi; Berta - Mária Mányoki; Don Basilio - Zoltán Nagy; Bartolo - Cristian Hodrea; Hungarian Opera, Cluj-Napoca, Romania
3rd April 2008
hungarianopera.ro
Gioachino Rossini, Il barbiere di Siviglia, Bartolo's aria
Gioachino Rossini, Il barbiere di Siviglia, Bartolo's aria; Conductor- József Horváth; Stage director: Attila Demény; Stage director assistent: Annamária Gombár; Rosina - Yolanda Covacinschi; Dr. Bartolo - Cristian Hodrea; Hungarian Opera, Cluj-Napoca, Romania; 3rd April 2008; hungarianopera.ro
Ferenc Farkas, Divertimento for Orchestra
Ferenc Farkas, Divertimento for Orchestra
1. Allegro leggiero
2. Allegro giocoso
3. Tempo di minuetto
4. Intermezzo
5. Allegro
MÁV Symphony Orchestra
Péter Csaba, conductor
Ferenc Farkas (15 December 1905 – 10 October 2000) was a Hungarian composer.
Born into a musical family (his father played the cimbalom and his mother played the piano) in Nagykanizsa, Farkas began his musical studies in Budapest, at the Protestant Gymnasium (Grammar School) and later attended the Music Academy, where he studied composition with Leó Weiner and Albert Siklós.
After his graduation in 1927, he worked as a repetiteur and conductor at the Municipal Theatre of Budapest and collaborated with the Diaghilev Ballet. From 1929 to 1931, he attended Ottorino Respighi's masterclass at the Accademia Nazionale di Santa Cecilia in Rome. The years he spent in Rome had a decisive influence on him. He became acquainted with Italian and Mediterranean culture to which he felt a deep attraction. About this he said: My principal aim has always been to attain for myself a latin clarity and proportion.
Farkas returned to Budapest in the autumn of 1931. As he could not find any other assignments, he played the piano in various theatre orchestras. In 1932 he met the director Paul Fejos for whom he composed several film scores, first in Hungary, then in Vienna and Copenhagen. This collaboration was to be for Farkas the beginning of an impressive series of “applied” music (music for around 75 films and 44 theatre plays and radio plays).
In the spring of 1934 he conducted research of his own into traditional Hungarian music by collecting folk songs in Somogy County: When I got back from my travels abroad, it became clear to me that the work and research of Bartók and Kodály raised crucial problems that we as Hungarians, had to resolve ourselves. .
From 1935 he taught at the Budapest City Music School. From 1941-44 he was professor of composition and director at the Conservatory of Kolozsvàr (today Cluj-Napoca in Romania) and he conducted the city's Opera Chorus. At the end of 1944, because of the war, he had to go back to Hungary. During the siege of Budapest, he worked as the deputy conductor of the Opera Chorus.
In 1946, he was sent to Székesfehérvár where he founded and managed the Conservatory. He was nominated professor of composition at the Franz Liszt Music Academy of Budapest in 1949, a post he held until his retirement in 1975. As a professor he was to have his greatest influence in the second half of the century. Among his students were: György Kurtág, György Ligeti, and Miklós Kocsár.
The music on my channel is meant to introduce a large audience to music by unknown classical composers and unknown classical music by famous composers in the music period of about 1870 till about 1970.
The program presents works by relatively unknown composers and unknown music by well-known composers and has no commercial purposes.
Tens of thousands of people around the world learn about unknown music through our channel (educational task) and unite the people from the many countries who give their comments and reactions. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to YouTube, and it will be our care to remove immediately the video accordingly.
Ferenc Farkas, Piccola musica di concerto
Ferenc Farkas, Piccola musica di concerto
1. Allegro
2. Andante
3. Scherzo
4. Allegro
Lajos Lencsés, oboe
Janos Rolla, violin
Franz Liszt Chamber Orchestra
Ferenc Farkas (15 December 1905 – 10 October 2000) was a Hungarian composer.
Born into a musical family (his father played the cimbalom and his mother played the piano) in Nagykanizsa, Farkas began his musical studies in Budapest, at the Protestant Gymnasium (Grammar School) and later attended the Music Academy, where he studied composition with Leó Weiner and Albert Siklós.
After his graduation in 1927, he worked as a repetiteur and conductor at the Municipal Theatre of Budapest and collaborated with the Diaghilev Ballet. From 1929 to 1931, he attended Ottorino Respighi's masterclass at the Accademia Nazionale di Santa Cecilia in Rome. The years he spent in Rome had a decisive influence on him. He became acquainted with Italian and Mediterranean culture to which he felt a deep attraction. About this he said: My principal aim has always been to attain for myself a latin clarity and proportion.
Farkas returned to Budapest in the autumn of 1931. As he could not find any other assignments, he played the piano in various theatre orchestras. In 1932 he met the director Paul Fejos for whom he composed several film scores, first in Hungary, then in Vienna and Copenhagen. This collaboration was to be for Farkas the beginning of an impressive series of “applied” music (music for around 75 films and 44 theatre plays and radio plays).
In the spring of 1934 he conducted research of his own into traditional Hungarian music by collecting folk songs in Somogy County: When I got back from my travels abroad, it became clear to me that the work and research of Bartók and Kodály raised crucial problems that we as Hungarians, had to resolve ourselves. .
From 1935 he taught at the Budapest City Music School. From 1941-44 he was professor of composition and director at the Conservatory of Kolozsvàr (today Cluj-Napoca in Romania) and he conducted the city's Opera Chorus. At the end of 1944, because of the war, he had to go back to Hungary. During the siege of Budapest, he worked as the deputy conductor of the Opera Chorus.
In 1946, he was sent to Székesfehérvár where he founded and managed the Conservatory. He was nominated professor of composition at the Franz Liszt Music Academy of Budapest in 1949, a post he held until his retirement in 1975. As a professor he was to have his greatest influence in the second half of the century. Among his students were: György Kurtág, György Ligeti, and Miklós Kocsár.
The music on my channel is meant to introduce a large audience to music by unknown classical composers and unknown classical music by famous composers in the music period of about 1870 till about 1970.
The program presents works by relatively unknown composers and unknown music by well-known composers and has no commercial purposes.
Tens of thousands of people around the world learn about unknown music through our channel (educational task) and unite the people from the many countries who give their comments and reactions. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to YouTube, and it will be our care to remove immediately the video accordingly.
Gioachino Rossini, Il barbiere di Siviglia - Dunque io son
Gioachino Rossini, Il barbiere di Siviglia - Dunque io son; Conductor- József Horváth; Stage director: Attila Demény; Stage director assistent: Annamária Gombár;
Rosina - Yolanda Covacinschi; Figaro - Ludovic Kendi
Hungarian Opera, Cluj-Napoca, Romania
3rd April 2008
hungarianopera.ro
Mihaela Panainte Procesul, Teatrul Național Cluj
Il Barbiere di Sivglia- Rossini- scena Fiorello & Il Conte
Fiorello - Vlad Crosman
Conte Almaviva - Tony Bardon
Hungarian State Opera House Cluj-Napoca Romania
conductor: Cristian Sandu
stage direction: Anca Mihut
mai 2010