Portadown John Mc Keown Singing Penny Arcade.
Euphoria Nightclub Portadown
Promotional video
Andre Shoukri
thats why Andre Shoukri kicked out by the UDA
Thomas Mckeown at it again
Add his snap tmckeown0
HOW TO GET HD BROWS
Thank you so much to Laura Dossett for doing this video with me
The Red Lion Hotel 05 June 10 THE WAY IT WAS
FM Karaoke at the Red Lion Hotel present The Way it Was on 05 June 2010
Glasgow Rangers - Penny Arcade
Penny Arcade
A light shown in the night some way ahead,
blue turned into green then it was red
And stirring the night love music played
the light I saw in the night was a penny arcade
Step up and play each machine seemed to say,
as I walked round and round the penny arcade
Just ring the bell on the big bagatelle
and youll make all those colored lights cascade
And music played at the penny arcade,
yes it played and it played, played all the time
Roll up and spend your last dime
At first I thought it a dream that I was in,
lost, lost in a sea of glass and tin
But no, so dipping my hand in the back of my jeans
I grabbed a handful of coins to feed the machine
Step up and play each machine seemed to say,
as I walked round and round the penny arcade
Just ring the bell on the big bagatelle
and youll make all those colored lights cascade
And music played at the penny arcade,
yes it played and it played, played all the time
Roll up and spend your last dime
And music played at the penny arcade,
yes it played and it played, played all the time
Roll up and spend your last dime
So, step up and play each machine seemed to say,
as I walked round and round the penny arcade
Just ring the bell on the big bagatelle
and youll make all those colored lights cascade
And music played at the penny arcade,
yes it played and it played, played all the time
Roll up and spend your last dime
Step up and play each machine seemed to say,
as I walked round and round the penny arcade
Just ring the bell on the big bagatelle
and youll make all those colored lights cascade
And music played at the penny arcade,
yes it played and it played, played all the time
Roll up and spend your last dime
Marie O'Reilly (freelance Irish singer/composer)
Marie O'Reilly is a freelance Irish Singer, living and working in Ireland, England and Europe. She is a Music and French Graduate of University College, Dublin, Eire, and subsequently studied Singing at the Guildhall School of Music and Drama in London, England. Since her return to live in Ireland in 2009, Marie has done an increasing amount of performing, and her songs and choral music are being widely recognised, bought and sung by many Choral groups, singers and instrumentalists.
She has become well-known for her performance and recording of Traditional Irish Songs in the Irish language, and her newly-written Bi-lingual songs in Irish and English. She performs them and her uncle's songs regularly at Concerts, Recitals, Schools Workshops, and Festivals abroad, and in the South-East of England and the London area. She has also played on many Radio Programmes in England and Ireland to talk about and sing her songs ; and she also has performed them in USA, France, Italy, Germany, and Poland.
She has also written :
Solo and Choral Arrangements of her new Hymns and Christmas Carols,
Children's Songs to Poems in Irish and English,
Children's Stories to music,
Incidental music for 'Big Maggie' ( by John B.Keane ), and 'The Business of Good Government' ( by Margerita D'Arcy) .
Solo and Choral arrangements of Traditional Irish Hymns and Songs,
Many Psalms and 3 Mass Settings.
Many arrangements of JOE BRACKEN's music (her Uncle, a fondly remembered 'Singing priest' ) .
She performs primarily as a Singer ; however, as she grew up accompanying herself on the Piano, this aspect of her work has meant that she performs as a 'Singer-Songwriter', playing and singing her own and other original songs to her own piano accompaniment.
She also plays and accompanies freelance : particularly for Singers and Instrumentalists, and for Ballet/Dance ( including Tap Dance examinations ).
Contact Marie : moreilly@imagine.ie
Calling All Cars: Muerta en Buenaventura / The Greasy Trail / Turtle-Necked Murder
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
The Great Gildersleeve: Gildy Proposes to Adeline / Secret Engagement / Leila Is Back in Town
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.