Julia Stoschek Collection. Number Two: Fragile / Interview with Julia Stoschek / part 2/2
In the second part of the interview with Julia Stoschek, the art collector talks about her relationship with the artists, the reasons for making the collection public, the choice of Düsseldorf as location for the collection, the specific challenges of collecting media art, and role models.
“Number Two: Fragile”, the second exhibition at Julia Stoschek Collection, features works by Bruce Nauman, Vito Acconci, Hannah Wilke, Katharina Sieverding, Marina Abramovic, Chris Burden, Terence Koh, Janet Cardiff and Georges Bures Miller, Mika Rottenberg, Peggy Ahwesh, Walead Beshty, Björk (Enzyclopedia Pictura), John Bock, Patty Chang, Jen DeNike, Nathalie Djurberg, Cheryl Donegan, Kate Gilmore, Douglas Gordon, Cao Guimarães, Alex McQuilkin, Nandipha Mntambo, Lutz Mommartz, Rob Pruitt, Adam Putnam, Pipilotti Rist, Tjorbí¸rn Rí¸dland, Rosemarie Trockel and Aaron Young.
An exhibition catalogue will be published by Hatje Cantz Verlag in spring 2009.
Interview with Julia Stoschek, Julia Stoschek Collection, Düsseldorf / Germany. October 11, 2008. Part 2/2.
More videos on contemporary art, design, architecture:
Connect:
Browse our Archive:
Find Artists, Designers, Architects:
Art TV pioneer Vernissage TV provides you with an authentic insight into the world of contemporary fine arts, design and architecture. With its two main series No Comment and Interviews, art tv channel VernissageTV attends opening receptions of exhibitions worldwide, interviews artists, designers, architects. VTV provides art lovers with news, reports and features from the international art scene. VernissageTV: the window to the art world. Das Fenster zur Kunstwelt. La fenêtre sur le monde de l'art. A janela para o mundo da arte. La ventana al mundo del arte. نافذة على عالم الفن. 到艺术世界的窗口。Окно в мир искусства. Since 2005.
Julia Stoschek Collection. Number Two: Fragile / Interview with Julia Stoschek / part 1/2
“Number Two: Fragile” is the title of the second exhibition of works from the Julia Stoschek Collection. This time collector Julia Stoschek put together an exhibtion that focuses on corporeality in videos, installations and photography. The 54 works in the show were selected to shed light on the themes of self-dramatization, pain, transformation, physicality and fragility.
On the occasion of the opening of “Number Two: Fragile” Julia Stoschek sat down with VernissageTV’s Karolina Zupan-Rupp to talk about the new exhibition and her collection. In the first part of the interview, Julia Stoschek talks about the concept behind “Fragile” and the three major installations of the show: Mika Rottenberg’s “Cheese” (2007) and “Dough” (2005/06), being shown together for the first time; Janet Cardiff and Georges Bures Miller’s “The Killing Machine” (2007); and Terence Koh’s installation “Snow White” that was created specifically for “Number Two: Fragile”. The fairy-tale inspired “Snow White” consists of a room with a cube of neon tubes suspended from the ceiling, a glass coffing, porcelain chrysanthemums and a live performance recorded in the same room in which Julia Stoschek and Terence Koh are the protagonists.
Interview with Julia Stoschek, Julia Stoschek Collection, Düsseldorf / Germany. October 11, 2008. Part 1/2.
More videos on contemporary art, design, architecture:
Connect:
Browse our Archive:
Find Artists, Designers, Architects:
Art TV pioneer Vernissage TV provides you with an authentic insight into the world of contemporary fine arts, design and architecture. With its two main series No Comment and Interviews, art tv channel VernissageTV attends opening receptions of exhibitions worldwide, interviews artists, designers, architects. VTV provides art lovers with news, reports and features from the international art scene. VernissageTV: the window to the art world. Das Fenster zur Kunstwelt. La fenêtre sur le monde de l'art. A janela para o mundo da arte. La ventana al mundo del arte. نافذة على عالم الفن. 到艺术世界的窗口。Окно в мир искусства. Since 2005.
Die Mäzenin Julia Stoschek | euromaxx
Die Industriellentochter hat sich ganz der Kunstförderung verschrieben Sie gehört zu einer neuen jungen Generation von Kunstsammlern und Mäzenen in Deutschland.
99 SECONDS OF: CYPRIEN GAILLARD / Julia Stoschek Collection
Number Eleven: Cyprien Gaillard
26 September 2015 - 31 July 2016
JULIA STOSCHEK COLLECTION
Schanzenstrasse 54, 40549 Duesseldorf
The upcoming exhibition at the JULIA STOSCHEK COLLECTION is dedicated to French artist Cyprien Gaillard (1980 born in Paris, lives and works in New York and Berlin).
Cyprien Gaillard often starts a new work by seeking out artefacts, monuments or architectural creations which seem to have lost their significance in the present time. His nomadic gaze takes in backdrops both urban and natural, manicured or wild, focussing on spots where beauty has evolved from decay or where violence has left scars on the landscape. Thus the artist vividly depicts the times and places where our present-day economic and cultural needs interact with architectural legacies or the cultural heritage of a region. Each of Gaillard’s film works orbits in its own ways the myths surrounding the various settings, describing how outworn utopian urges or belief systems collide with current social conditions and political realities.
The exhibition offers a concentrated overview of Gaillard’s films alongside works on paper in sculptural displays, from the mid-2000s to recent work purpose − made for the presentation at the JULIA STOSCHEK COLLECTION.
Video: Isabel Hernandez
© IKS 2016
iks-medienarchiv.de
julia-stoschek-collection.net
NUMBER FOUR: DEREK JARMAN – SUPER8, JSC DÜSSELDORF, 11 SEPTEMBER 2010 – 26 FEBRUARY 2011
NUMBER FOUR: DEREK JARMAN – SUPER8, JULIA STOSCHEK FOUNDATION, Düsseldorf, 11 September 2010 – 26 February 2011
The JULIA STOSCHEK FOUNDATION, in collaboration with James Mackay, and as part of the Quadriennale 2010 in Duesseldorf, presents the first comprehensive retrospective of the experimental film works of Derek Jarman from his Super8 archives. It represents the first solo exhibition of an artist in the JULIA STOSCHEK COLLECTION.
The British painter, film maker, set designer and writer Derek Jarman (1942–1994) is best known to the wider public primarily as the director of stylistically influential feature films and music videos from the 1980s and early 1990s. Less well-known, but vital to his oeuvre, are the over 60 Super8 films that Jarman filmed from 1970 until his death in 1994. Taken from the subjective-personal perspective of his hand-held camera, the scenic arrangements mediate Jarman’s artistic approach in which life and art constantly connect with one another as a matter of course. The often autobiographical film documents, which he himself called a “cinema of small gestures”, are defined by spontaneity and lightness on the one hand and symbolism and mythology on the other.
The 24 digitalised films from the Super8 archive, complemented by a 16mm sound film and the BlueRay version of a 35mm feature film, are distributed over both floors of the exhibition space as well as in the basement cinema. To begin with the first floor contains 12 films covering the social and (sub)cultural world of Jarman and his circle of friends. The overlapping of documentation and staging is constantly fluid here and this is further reflected stylistically in the works. Two sound films, presented individually, break this sequence: in the first space “TG: Psychic Rally in Heaven” (1980), an early music-video experiment, originally recorded on Super8 for the British industrial-music group Throbbing Gristle, and in front of the second space, “Imagining October” (1984), which will be shown – not least because of its references to Sergei Eisenstein and Soviet film – in its original format, as a 16mm sound film.
On the second floor 11 films from the group of works covering rituals, mythology and landscape are displayed. The works are deliberately presented in the completely open space surrounding the centrally placed, boxed projection of “Art of Mirrors I-III” (1973). Between them, the various works from 1971 to 1978 generate panoramically stylistic and content-based references.
The exhibition ends in the cinema space in the basement where Derek Jarman’s final, elegiac feature film “Blue” (1993) can be seen.
Simon Fisher Turner, who was responsible for the soundtracks of many of Jarman’s feature films from the 1980s onwards, has developed a special sound concept with atmospheric and space-specific soundscapes for the exhibition.
A catalogue has been published by Verlag der Buchhandlung König, Cologne to accompany the exhibition. It contains an essay by Jon Savage, which sets selected works in the context of their respective contemporary backgrounds. Derek Jarman himself speaks about his creative work in an interview with Simon Field and Michael O’Pray from 1985.
Deutsches Wirtschaftsforum 2017: Kunstsammlerin und Unternehmerin Julia Stoschek
Am 15. November 2017 veranstalteten wir das 9. Deutsche Wirtschaftsforum in der Frankfurter Paulskirche. Mit Julia Stoschek, Gesellschafterin der BROSE-Unternehmensgruppe, haben wir über den Kunstmarkt und ihre Erfahrungen als Unternehmerin gesprochen.
NUMBER NINE: ELIZABETH PRICE, JSC Düsseldorf, 6 SEPTEMBER 2014 – 1 FEBRUARY 2015
NUMBER NINE: ELIZABETH PRICE, JULIA STOSCHEK COLLECTION, Düsseldorf
6 SEPTEMBER 2014 - 1 FEBRUARY 2015
The current JULIA STOSCHEK COLLECTION exhibition will be dedicated to British artist and 2012 Turner Prize winner Elizabeth Price (born 1966 in Bradford, Great Britain, lives and works in London).
Since 2006, Elizabeth Price has mainly worked with digital moving images. The key focus of her conceptual, institution-critical works has been to examine the significance of cultural artifacts, collections and archives.
Each work initially arises from an idea on a place and its history. In an analytical approach to the location, Price then explores the broadest variety of different sources of material and devises dramas to occur in that location, which feature no direct human action. Instead historical artifacts, archival images and documents are used to enact social occurrences and play out collective fears and desires. Images, texts and sounds are composed in episodes that we migrate to through sections variously reminiscent of pedagogic lectures, cinematic melodrama or commercial advertising. In this process-based practice, categorizations and referential systems shed their original meaning, develop a life of their own, and expand in time and space through the rearrangement by narration in video.
An exhibition has been organized in close collaboration with Elizabeth Price, showing works from the JULIA STOSCHEK COLLECTION and one piece on loan from the artist. The scenography of the exhibition corresponds to the videos in that it unfolds in a special rhythmic sequence that includes the interiors and spatial elements of the installation. This exhibition offers the first in-depth overview in Germany of Price’s oeuvre to date.
The show will be accompanied by a comprehensive line-up consisting of STUDIO 54, a film program compiled by the artist, a multi-part concert series entitled “The Architecture of Sound” and a lecture by the artist (23 January 2015, 7:30 p.m.).
On Collecting (Julia Stoschek, private collector) | DLD15
The Julia Stoscheck Collection is an international private collection of contemporary art with focus on time based media especially visual arts, photography and installations.
DLD (Digital-Life-Design) is a global network on innovation, digitization, science and culture which connects business, creative and social leaders, opinion-formers and influencers for crossover conversation and inspiration.
Visit our Website:
Follow us on Twitter:
Check our Facebook:
Julia Stoschek Art Collector | euromaxx
Julia Stoschek from Düsseldorf has a collection of 400 works by leading contemporary video artists.
Stadt Düsseldorf Oberkassel 2016 Diashow
Diashow.Musik bei Lyonn-Empty Bed
IAN CHENG – EMISSARIES, JSC BERLIN, 27 APRIL – 1 JULY 2018
The JULIA STOSCHEK COLLECTION is delighted to present the complete trilogy of the EMISSARIES (2015 – 2017) by us-american artist Ian Cheng for the first time in Germany.
Ian Cheng creates live simulations that explore the nature of mutation and our capacity to relate to change. Drawing on principles of video game design and cognitive science, the simulations are populated with characters programmed with behavioral drives, but left to self-evolve amidst otherworldly environmental conditions.
EMISSARIES is a trilogy of live simulations about cognitive evolution, past and future, and the ecological conditions that shape it. It is composed of three interconnected episodes, each centered on the life of a narrative agent – the Emissary – who attempts to achieve a series of narrative goals, only to be disrupted by the underlying simulation and deviate into new directions. In this way, EMISSARIES imagines stories that can break their classical determinism, and simulations that acknowledge the influence of inner fictions on how we act upon the external world: Stories shape an agent, an agent shapes the world, the worls shapes back.
The presenation includes the computer-generated simulations EMISSARY FORKS AT PERFECTION (2015), EMISSARY IN THE SQUAT OF GODS (2015) and EMISSARY SUNSETS THE SELF (2017) as well as 64 drawings from the making of EMISSARIES. On display for the first time, the drawings offer a unique insight into how Cheng´s complex simulations arise.
3793.Cultrd.TV: Julia Stoschek Collection - Aufbau Number Five
Die Kuratorin der Stoschek Collection, die Kuratorin gewährte in der Umbau-Phase zur Neupräsentation 'Number Five' einen Einblick in die Räume der Sammlung.
Ab dem 25. Juni wird in der JULIA STOSCHEK COLLECTION diese Neupräsentation der Sammlung zu sehen sein.
Die 44 Werke von insgesamt 35 KünstlerInnen umfassende Ausstellung dokumentiert bisher noch nie gezeigte Arbeiten, Neuerwerbungen der letzten Jahre sowie ortsspezifische, räumliche Interventionen. Für jede Arbeit wurde eine sorgfältig durchdachte Präsentationsarchitektur initiiert.
Statt einer thematischen Zusammenstellung verfolgt die Konzeption der Ausstellung verschiedene inhaltliche Stränge und spiegelt aktuelle Themen der zeitgenössischen Kunstproduktion wider.
Der Titel CITIES OF GOLD AND MIRRORS rekurriert nicht nur auf den in der Ausstellung gezeigten Film von Cyprien Gaillard, sondern steht metaphorisch für die Auseinandersetzung mit gesellschaftspolitischen Fragestellungen in Hinblick auf Stadtentwicklung und Urbanismus und der Beziehung des Menschen zur Architektur und zu seinen persönlichen Sehnsüchten und Eitelkeiten.
[ ]
St Antonius Düsseldorf-Oberkassel
Beginn von Gerüstbauarbeiten
Visiting medical equipment fair in Düsseldorf 1080p
Trip to Düsseldorf with the company VVPROING. Visiting the fair MEDICA and after city sightseeing. Video by P.N.
BANKINGLOUNGE - Düsseldorf
BANKINGLOUNGE in Düsseldorf in Kooperation mit der Börse Düsseldorf. Referenten: Thomas Dierkes (Börse Düsseldorf) und Karl Matthäus Schmidt (quirin bank AG). Moderation der podiumsdiskussion durch Stefanie Burgmaier (Börse Online)
9. Gesellschaft Düsseldorf Oberkassel Rückblick 2014
gesellschaft-oberkassel.de
PERFORMANCE: ALLORA & CALZADILLA, JSC AT ZKM, 15 MARCH 2014
HIGH PERFORMANCE. Time-based media art since 1996. The JULIA STOSCHEK COLLECTION guests at ZKM
Since 1995, Allora & Calzadilla have developed a complex artistic vocabulary utilizing films, installations, performances, and sculpture. Their artistic practice engages with history and contemporary geo-political realities, exposing their complicated dynamics, destabilizing and re-ordering them in ways that can be alternately humorous, poetic, and revelatory.
Düsseldorf-based JULIA STOSCHEK COLLECTION is presenting key works from its collection of time-based media art at the ZKM | Karlsruhe in the exhibition High Performance. Time-Based Media Art since 1996 – it runs from March 16 through June 22, 2014. With large-format video works and films as well as multi-channel installations, the exhibition demonstrates conclusively how video art as an artistic medium has lost none of its power in the 50 years of its existence.
In NUMBER THREE: HERE AND NOW they presented “Stop, Repair, Prepare: Variations on Ode to Joy“, which was originally exhibited at Haus der Kunst, Munich in 2008. Blending sculpture and performance, Allora & Calzadilla have carved a hole in the center of an early 20th-century Bechstein piano, creating a void through which the performer stands to play the Fourth Movement of Beethoven’s Ninth Symphony. Commonly known as the Ode to Joy, this famous final chorus has long been invoked as a musical representation of human fraternity and universal brotherhood in contexts as ideologically disparate as the Chinese Cultural Revolution, Ian Smith’s White Supremacist Rhodesia, and the Third Reich among many others. Today it is the official anthem of the European Union. Expanding the notions of both a prepared-piano and a player piano, the performer must reach over the keyboard and resituate his/her fingering of the keys both upside down and backwards while at times physically mobilizing the instrument to trace a path through the gallery. This structurally incomplete version of the ode (the hole in the piano renders two full octaves inoperative) creates variations on the corporeal as well as sonic dimension of the player/instrument dynamic, the signature melody being played, and its pre-established connotations. With Stop, Repair, Prepare, Allora & Calzadilla explore the fluid and organic relationships inherent in music, exposing the varied dynamics between composition and meaning, instrument and performance, while tracking the political and artistic sentiments involved in music’s history.
Jennifer Allora (born 1974, USA) and Guillermo Calzadilla (born 1971, Cuba) have been collaborating since 1995. They have been the subject of numerous solo exhibitions around the world, including presentations at Haus der Kunst and Kunstverein Munich; Stedelijk Museum, Amsterdam; San Francisco Art Institute; Whitechapel Art Gallery and the Serpentine Gallery, London; Kunsthalle Zurich; The Renaissance Society, Chicago; and Palais de Tokyo, Paris. They have also been included in group exhibitions such as Prospect 1 New Orleans 2008; the 8th & 9th Lyon Biennales, 2005/2007; 2006 Whitney Biennial; 2005 Venice Biennale; How Latitudes Become Form Walker Arts Center, Minneapolis, 2003, and Common Wealth, Tate Modern, 2003. Allora & Calzadilla are based in San Juan, Puerto Rico, in 2009 they were DAAD scholarship holders in Berlin, Germany.
Donation from the JULIA STOSCHEK COLLECTION to the Museum of Modern Art, New York.
On loan from MoMA, New York.
Modified Bechstein Piano,
On Loan from Fondazione per l´Arte Moderna e Contemporanea CRT,
Castello di Rivoli Museo d´Arte Contemporanea, Rivoli
Hin & Weg | Die Empfehlung...Düsseldorf
Die Buchhändlerin Selinde Böhm lebt seit einem halben Jahrhundert in Düsseldorf. Ihre Buchhandlung liegt nicht irgendwo,sondern mitten in der Altstadt,im Geburtshaus des Dichters Heinrich Heine. Gemeinsam mit ihrem Mann betreibt die 56jährige die Buchhandlung Müller & Böhm. Es ist nicht zuletzt auch ihrem Engagement zu verdanken,dass das Heinrich Heine Geburtshaus vor nicht allzu langer Zeit vollständig saniert wurde und zu einem beliebten Treffpunkt für Literaturinteressierte wurde.
Kunst im Loft
Selinde Böhm interessiert sich nicht nur für Literatur,sondern auch für Kunst. Ihr erster Tipp führt in den linksrheinischen Stadtteil Oberkassel. Düsseldorf ist bekannt dafür,dass es seine Besucher immer wieder mit immer neuen Ausstellungsorten überrascht. Einer der neuesten ist die Julia Stoschek Collection. In einem ehemaligen Lagerhaus stellt die junge Mäzenin Julia Stoschek ihre Sammlung aus vor allem Videokunst. Darunter Werke von Olafur Eliasson,Pipilotti Rist oder Bill Viola. Die Privatsammlung kann man nur nach Voranmeldung besuchen.
Entspannung am Rhein
Von der Julia Stoschek Collection ist es nicht weit bis zum Niederkasseler Rheinufer. Dort säumen breite Wiesen und Pappelwälder den Rhein. Die Großstadt ist nur einen Brückenschlag entfernt und doch ganz weit weg. Hier döst man in der Sonne,schaut den vorbeifahrenden Schiffen zu und genießt das Leben. Selinde Böhm kommt gerne hierher,leiht sich ein Fahrrad und radelt flussabwärts. Da ich viel innen arbeiten muss bin ich natürlich froh,wenn ich mal raus kann. Und dann möchte ich gerne in der Natur sein,sagt sie. Für die Buchhändlerin ist eine Radtour am Rhein der perfekte Ausgleich zu ihrem Job.
Zünftiges in der Altstadt
Die Düsseldorfer Altstadt mit ihren unzähligen Kneipen und Restaurants ist ein Touristenmagnet. Mittendrin im feucht-fröhlichen Trubel arbeitet Selinde Böhm in ihrer Buchhandlung. Wenn sie mal Lust hat auf einen Besuch in einem alt eingesessenen Brauhaus hat,dann bevorzugt sie den stilleren Teil der Düsseldorfer Altstadt und geht ins Bender's Marie . Das Brauhaus serviert traditionelle rheinische Küche,das ortsübliche Alt-Bier und das angeblich beste Schnitzel der Stadt.
Venus & Apoll Stoschek Worringerplatz Manhunt Boston Marathon Mariechen Danz bombings suspects
Venus & Apoll Manhunt Boston Marathon Bombings am Worringerplatz ausgelagertes Experimentierfeld with Mariechen Danz
Two quasi parallel reality streams - delay 53''. -
Unter dem Titel VENUS & APOLL eröffnete die JULIA STOSCHEK FOUNDATION e.V. am 24. März 2012 ihren temporären Projektraum am Worringer Platz 8, Düsseldorf.
Ein- bis zweimal im Monat werden hier Performances, Konzerte, Lesungen, Diskussionsrunden, sowie Film- und Videoscreenings stattfinden.
Der Name VENUS & APOLL bezieht sich auf die ehemalige Nutzung der Räumlichkeiten als Friseur- und Kosmetiksalon. In seinem ursprünglichen, skurrilen Charme belassen, ist der Ort nicht als Erweiterung der Sammlungspräsentation in Düsseldorf-Oberkassel gedacht, sondern vielmehr als experimentelles Wirkungsfeld und Gegengewicht zum klassischen Ausstellungskontext der JULIA STOSCHEK COLLECTION.
19. APRIL 2013, 21 UHR INK SET EIN ABEND MIT MARIECHEN DANZ UND GÄSTEN
BOSTON — The suspect in the Boston Marathon bombings, whose flight from the police after a furious gunfight overnight prompted an intense manhunt that virtually shut down the Boston area all day, was taken into custody Friday night after the police found him in nearby Watertown, Mass., officials said.
The suspect, Dzhokhar A. Tsarnaev, 19, was found hiding in a boat just outside the area where the police had been conducting door-to-door searches all day, the Boston police commissioner, Edward Davis, said at a news conference Friday night.
A man had gone out of his house after being inside the house all day, abiding by our request to stay inside, Mr. Davis said, referring to the advice officials gave to residents to remain behind locked doors. He walked outside and saw blood on a boat in the backyard. He then opened the tarp on the top of the boat, and he looked in and saw a man covered with blood. He retreated and called us.
Over the course of the next hour or so we exchanged gunfire with the suspect, who was inside the boat, and ultimately the hostage rescue team of the F.B.I. made an entry into the boat and removed the suspect, who was still alive, Mr. Davis said. He said the suspect was in serious condition and had apparently been wounded in the gunfight that left his brother dead.
A federal law enforcement official said he would not be read his Miranda rights, because the authorities would be invoking the public safety exception ... extensively about other potential explosive devices or accomplices and to try to gain intelligence.
...
Shut down for manhunt, Boston business takes a hit
By Hilary Russ and Tiziana Barghini
(Reuters) - As Boston shut down during a day-long manhunt for a suspect in the marathon bombing that culminated on Friday, another cost was added to the human and emotional toll: lost business.
From the postponed baseball game at the Red Sox' beloved Fenway Park to canceled classes at Harvard University to empty cubicles at leading fund management firms, the New England city is likely to suffer hundreds of millions of dollars of economic losses for the day people stayed home, according to initial estimates.
There is an economic cost to the city of Boston in the near term, said David Gergen, a professor at Harvard Kennedy School. He added that the impact would be partially offset when the city resumes its everyday business.
The Boston metropolitan area, which includes nearby Cambridge and Quincy, is the ninth largest in the United States. Its annual gross domestic product is $325 billion, and it produced just under $1 billion in goods and services per day in 2011, according to the most recent data from the U.S. Bureau of Economic Analysis.
That is about 2 percent of the $45 billion in overall U.S. daily economic activity, said Paul Edelstein, director of financial economics at IHS Global Insight in Lexington, a city near Boston.
The total hit from the shutdown could be less than $1 billion, Edelstein said, in part because telecommuting has dampened the impact.
A lot of work is getting done, some businesses are open and there's going to be a bounce-back from a lot of this down the road, he said, referring to overtime pay for police and other emergency responders working long shifts.
Three people were killed and 176 were injured in Monday's bombings, the worst such attack on U.S. soil since September 11, 2011. In the aftermath, the usually busy Copley Square section of the city of 625,000 was paralyzed as investigators probed for evidence and shellshocked Bostonians and marathoners struggled to make sense of what happened.
...