Venezia in un Minuto S01/07 - Conoscete la Bauta?
La bauta è tra le figure veneziane più note, ma il nome non si riferisce alla sola maschera. Scoprite nel video come l'intero travestimento rendesse irriconoscibile la persona che lo indossava.
Authentic Venetian Artisan: Sergio Boldrin, Mask Maker in Venice, Italy I Venezia Autentica (HD)
| Sergio Boldrin speaks with Venezia Autentica about his work and life as an artisan in Venice, Italy
(to see the subtitles click on cc at the bottom of video's window}
Type of production: Venetian Masks
Shop name: Bottega dei Mascareri
Website:
Personal Website:
Find us:
Website: veneziaautentica.com
Facebook/Google+: Venezia Autentica
Twitter/Instagram: @Veneziaautentic
Special thanks to Sergio Boldrin.
Footage and Video by Venezia Autentica
All rights reserved.
Unmasking the Venice Carnivale
(11 Feb 2009) SHOTLIST
Venice - January 23th, 2009
1. Wide shot of gondoliers rowing through Venice's Grand Canal
Venice - February 2008
2. Medium of masks and hats on display at Piazza San Marco
3. Various of people wearing masks and costumes on the streets of Venice
Venice - January 23th, 2009
4. Wide shot of the exterior of an artisan mask shop in Venice
5. Medium shot of shop window with a big-nosed mask and various masks on display
6. Wide shot of interiors of Ca' Macana artisan mask store in Venice with customers looking at masks on display
7. Various of artist and shop owner Mario Belloni making a mask in his studio
8. SOUNDBITE: (Italian) Mario Belloni, Shop Owner, Ca' Macana artisan mask shop in Venice
Interestingly, masks in Venice were used in daily life. They were part of the official image of nobility
9. Close of Mario Belloni removing mask from clay block
10. Various of Mario Belloni decorating the mask with black paint
11. SOUNDBITE: (Italian) Mario Belloni, Shop Owner, Ca' Macana artisan mask shop in Venice, trying on mask (partly overlaid with previous shot)
And what did they wear, mostly? They wore this� Which was called 'Bauta.' Now pay attention, the first document mentioning the Bauta dates back to the 13th century. The Bauta was a hood, you see� And it was made mainly of this part that would make you completely unrecognizable, if you used your mask� The mask was called 'Volto' (Italian for 'Face') and allowed you to drink and eat without taking it off� You see? A hat kept everything together. In the 1700s it was usually a 'Tricorno' (Italian for Cocked Hat). Men and women showed up in public this way, completely in incognito, and they were free to do whatever they liked - mind that this happened for over six months a year.
12. Medium of customers browsing Ca'Macana artisan mask shop
13. Various of masks on display in Ca'Macana artisan mask shop
14. SOUNDBITE: (Italian) tourist from Bologna who bought masks for her children (name not available)
There is a big Carnival tradition here in Venice, so you can't leave Venice without buying that kind of product, especially if it is artisanal and not made in China
15. Close set up shot of a German tourist trying on a golden, long-nosed mask
16. SOUNDBITE (German), Vanessa Wendel, tourist from Nuremberg:
I really like wearing these masks, it feels so elegant. It makes me think about the movie Eyes Wide Shut where people go to this elegant ball, wearing elegant clothes and these masks. It just feels great wearing them. Some of them are a bit strange because they cover up all of your face and it's difficult to breathe, but it's a great feeling.
17. Close shot of a young woman trying on a mask in front of the mirror
18. SOUNDBITE: (Portugese) Tamara Barreto, tourist from Rio de Janeiro:
Basically, the masks (that we use at the Rio de Janeiro Carnival) look the same as here in Venice. We copy the masks from here when we use masks, so they look like these ones.
19. Pan left to right of different coloured Carnival masks for women on display in rows on table
20. Medium shot of white masks with golden embroidery and red devil masks on display
Venice - February 2008
21. Various of people wearing masks and costumes at balls
22. Low wide shot of people in costumes dancing at ball
LEAD IN :
The annual Venice Carnival is the highlight of the famous Italian city's calendar.
The spectacular and colourful revival of traditional masked balls and elaborate costumes of the 18th century sees the city burst into life with music, theatre and dance.
STORYLINE:
The festivities and the tradition of wearing masks at the Venice carnival has existed since the 13th century.
Donning a mask and cloak he explains the traditions ....
You can license this story through AP Archive:
Find out more about AP Archive:
【K】Italy Travel-Venice[이탈리아 여행-베네치아]베니스 화려한 가면의 비밀/Mask/Bauta/Festival/Carnival/Venezia
■ KBS 걸어서 세계속으로 PD들이 직접 만든 해외여행전문 유투브 채널 【Everywhere, K】
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[한국어 정보]
네치아의 가면은 먼저 틀을 만드는 것에서부터 시작한다. 평범한 얼굴 모양의 틀에서부터 신화 속 인물이나 동물의 얼굴까지, 다양한 얼굴의 가면 틀은 흙을 빚어 만든다. 이렇게 만든 틀에 양털이 섞인 질긴 종이를 발라 만드는 베네치아의 가면은 사실 모양보다는 그 장식에 공예가의 예술이 담긴다. “이것은 페스트 의사라는 가면입니다. 연극용 가면이 아니고, 실제로 베네치아에 페스트가 돌았을 때 의사들이 사용한 거죠. 원래는 프랑스 가면인데 향신료를 채웠습니다. 질병에 감염되는 것을 막아준다고 생각했다고 해요. 이건 카사노바 가면이에요. 사실 카사노바만의 가면은 아니고, 카사노바도 썼던 가면이죠. 진짜 이름은 ‘바우타’입니다.“ 베네치아 가면의 유래는 중세시대로 거슬러 올라간다. 축제 기간에 귀족 흉내를 내면서 그들에 대한 불만을 달래던 서민들의 놀이가 나중에는 귀족들의 오락으로까지 번져갔다. 가면은 이들에게 평상시에는 할 수 없었던 일들을 감행하게 하는 용기를 주었다. “베네치아의 가면들은 신분을 숨기기 위해 일 년 내내 사용됐습니다. 애인을 만나러 갈 때, 도박장에 갈 때, 다른 여성을 만나러 갈 때도 썼죠.“
[English: Google Translator]
Mask of your teeth will start by first creating a mold. Up face of mythical figures or animals from the framework of the common face shape, face masks framework of various makes kneading the clay. Thus making Venetian masks made of sturdy paper and rub the wool is mixed with the mold shape than the fact that the art of craftsmen damginda in its decoration. This is a mask that plague doctor. Not a mask for theater, doctors did actually use when the plague is turned on Venice. The original mask was filled with spices inde France. I think that that prevents the infection to disease. It's Mask Casanova. In fact, not only masks of Casanova, Casanova's mask also wrote. The real name is 'Bout other.' Venice Mask of origin dates back to the Middle Ages. Play Dawn of the populace soothe the discontent of the nobility imitates throwing them later went to the festival spread to the entertainment of the nobility. Has had the courage to go to venture to these things could not be there everyday. Mask of Venice have been used throughout the year in order to hide their identity. When you go to visit a loved one, when you go to the casino, I wrote when going to see the other woman.
[Italian: Google Translator]
Maschera dei vostri denti inizierà creando innanzitutto uno stampo. Up di fronte a figure mitiche o di animali dal quadro della forma comune volto, viso quadro maschere di varie marche impastare la creta. Rendendo così maschere veneziane fatte di carta robusta e strofinare la lana è mischiata con la forma dello stampo che il fatto che l'arte di artigiani damginda nella sua decorazione. Si tratta di una maschera che affliggono medico. Non una maschera per il teatro, i medici ha effettivamente utilizzare quando la peste è acceso Venezia. La maschera originale era pieno di spezie inde la Francia. Penso che che impedisce l'infezione di malattia. E 'Maschera Casanova. In realtà, non solo maschere di Casanova, la maschera di Casanova anche scritto. Il vero nome è 'Bout altro' . Venezia Maschera di origine risale al Medioevo. Gioca alba della popolazione lenire il malcontento della nobiltà imita gettarli poi è andato alla diffusione festival per l'intrattenimento della nobiltà. Ha avuto il coraggio di andare a rischio per queste cose non poteva essere lì ogni giorno.
[Information]
■클립명: 유럽103-이탈리아01-15 화려한 가면의 비밀/Mask/Bauta/Venezia
■여행, 촬영, 편집, 원고: 홍현진 PD (travel, filming, editing, writing: KBS TV Producer)
■촬영일자: 2006년 2월 February
[Keywords]
도시,downtown,도심, 시가지, urban, city, metropolitan,특산품,local products,기념품, souvenir,유럽,Europe,유럽,이탈리아,Italy,italia,이태리,홍현진,2006,2월 February,베네치아,venice,venezia,베니스
Venetian mask, Venice, Veneto, Italy, Europe
Venetian masks are a centuries-old tradition of Venice, Italy. The masks are typically worn during the Carnival (Carnival of Venice), but have been used on many other occasions in the past, usually as a device for hiding the wearer's identity and social status. The mask would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters. Venetian masks are characterised by their ornate design, featuring bright colours such as gold or silver and the use of complex decorations in the baroque style. Many designs of Venetian masks stem from Commedia dell'arte. They can be full-face masks (e.g. the bauta) or eye masks (e.g. the Columbina). Near the end of the Republic, the wearing of masks in daily life was severely restricted. By the 18th century, it was limited only to about three months from December 26. The masks were traditionally worn with decorative beads matching in colour. Bauta (sometimes referred as baùtta) is a mask which covers the whole face, this was a traditional piece of art, with a stubborn chin line, no mouth, and lots of gilding. The mask has a square jaw line often pointed and tilted upwards to enable the wearer to talk, eat and drink easily without having to remove the mask thereby preserving their anonymity. The Bauta was often accompanied by a red cape and a tricorn.
In 18th century, the Bauta had become a standardized society mask and disguise regulated by the Venetian government. It was obligatory to wear it at certain political decision-making events when all citizens were required to act anonymously as peers. Only citizens had the right to use the Bauta. Its role was similar to the anonymizing processes invented to guarantee general, direct, free, equal and secret ballots in modern democracies. It was not allowed to wear weapons along with the mask, and police had the right to enforce. The Columbina (also known as Columbine and Columbino) is a half mask often highly decorated with gold, silver, crystals and feathers. It is held up to the face by a baton or tied with ribbon as with most other Venetian masks. The columbine was popularised by an early actress in the Commedia dell'arte of the same name. It is said it was designed for her because she did not wish to have her beautiful face covered completely. The Medico Della Peste with its long beak is one of the most bizarre and recognisable of the Venetian masks. The striking design has a macabre history originating from 17th century French physician Charles de Lorme who adopted the mask together with other sanitary precautions while treating plague victims The mask is white consisting of a hollow beak and round eye holes covered with crystal discs creating a bespectacled effect. Today, the masks are often more decorative. The doctors who followed de Lorme's example wore the usual black hat and long black cloak as well as the mask, white gloves and a stick (to move patients without having to come into physical contact). They hoped these precautions would prevent them contracting the disease. Those who wear the 'plague doctor' mask often wear the associated clothing of the beak doctor costume. The popularity of the Medico della Peste among carnivale celebrants can be seen as a memento mori. Popular in Venice as it brought out the beauty of feminine features such as the female head, body and mind. The mask was held in place by the wearer biting on a button or bit and was finished off with a veil. Servetta Muta translates as 'mute maid servant'. This mask has not been widely worn since 1760. The larva, also called the volto mask, is mainly white, and typically Venetian. It is worn with a tricorn and cloak. It is thought the word larva comes from the Latin meaning mask or ghost. Like the bauta, the shape of the mask allowed the wearer to breathe, drink, and speak easily without having to remove the mask. These masks were made of fine wax cloth and so were light and comfortable to wear, making them ideal for a night of socializing and dancing. Arlecchino (French: Arlequin, English: Harlequin) typically depicted in multicoloured costume comprised of diamond shaped patterns. Brighella (French: Brighelle), a cunning and mischievous servant. He is associated with Bergamo. Pulcinella (related to the Italian: pulcino or chick) is a crooked-nosed hunchback. He was the model for Punch in the English puppet theatre Punch and Judy. He is associated with Naples. La Ruffiana (Old Woman) is usually a mother or gossipy townswoman who intrudes into the lives of the Lovers. Scaramuccia (French: Scaramouche) a roguish adventurer and swordsman who replaced Il Capitano in later troupes
BEHIND THE SCENES IN VENICE | RV ITALY | EP 22
We are in Venice Italy and we went on a great tour with Passeggiate Italiane tours. We also did a great mask making session. Being able to Make masks and see a Gondola being made was such an amazing day.
You can find the amazing walking tour in Venice at Passeggiate Italiane -
The mask making place we were treated to the amazing experience. La Bauta - labauta.com
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Maschere Veneziane Bauta - Venetian Masks Bauta - VeniceMask.eu
In questo video degli esempi delle nostre Maschere Veneziane modello Bauta.
Su Ampia raccolta di Maschere Veneziane, totalmente made in Italy, realizzate in cartapesta. Le maschere tipiche del Carnevale di Venezia.
In this video some pieces of our Venetian Masks Bauta model type.
Huge assortmente of Venetian Masks on , totally made in Italy, handmade in papier mache. The typical Venice Carnival Masks.
Fantasy masked revellers compete at the Venice Carnival
1. Close up of contestant, Santiago Garcia Pastor's masked face turning and looking through the camera
2. Close up Garcia Pastor's blue shoe with golden decorations and Swarovski stones
3. Mid of Garcia Pastor helping his wife, Juana de la Encarnaci�n Rodriguez get into her pink, Marie Antoinette costume
4. Medium Garcia Pastor zipping up his wife's costume
5. Close up Garcia Pastor arranging decoration on the back of the costume
6. Pan right Garcia Pastor arranging costume
7. Medium Juana de la Encarnaci�n Rodriguez wearing pink hat with feathers
8. Medium Garcia Pastor arranging mask on his wife's face
9. Tilt up Juana de la Encarnaci�n Rodriguez's costume
10. Medium Garcia Pastor arranging mask on his wife's face
11. Tilt up Santiago Garcia Pastor, contestant, wearing white and blue feathers
12. SOUNDBITE (Spanish), Santiago Garcia Pastor, contestant:
When I start working I imagine, I move myself to that historical period, for example this dress is from the Eighteenth century, so it's a Casanova suit, a venetian dress. There is the classic jacket, with pleats on the back in the style of the original dresses. So there's full outfit, and I create a fantasy in my mind
13. Tilt up from brocade waistcoat to Garcia Pastor arranging collar and feathers
14. Medium Garcia Pasto putting on blue jacket with golden decorations
15. Close up Garcia Pastor wearing white gloves
16. Medium Juana de la Encarnaci�n Rodriguez, Garcia Pastor's wife, arranging golden decoration on feathers
17. Medium Garcia Pastor putting golden mask on his face
18. Close up Juana de la Encarnaci�n Rodriguez tying mask on back of Garcia Pastor's head
19. Tilt up Garcia Pastor wearing hat
20. Wide Garcia Pastor showing his costume
21. Tilt down from tower bell to crowd in St Mark square
22. Medium crowd in St Mark square
23. Medium two women wearing red and beige costumes parading on stage at Best Masked Costume contest
24. Medium jury on stage voting
25. Pan left stage in St Mark square with contestants
26. Medium women in red costume sitting at bar in St Mark square
27. Medium couple of contestants parading about on stage
28. Wide jury voting on stage
29. Medium Stefano Nicolao, costume maker and member of the jury, voting on stage
30. SOUNDBITE (Italian), Stefano Nicolao, costume maker, and member of the jury:
Then throughout the centuries the Carnival has changed and many type of masks and characters were created. In the Renaissance period masks were inspired by (Italian comedy known as) Commedia dell'arte and to various crafts, then the highlight for Venice was in the Eighteenth century when a new mask called 'bauta' (Venetian mask) was invented. Bauta is a disguise used in order to stay anonymous.
31. Wide Anna Marconi, winner of the contest, on stage
32. Tilt up Anna Marconi on stage wearing a costume called 'In search of lost time'
33. SOUNDBITE (Italian), Anna Marconi, winner of contest:
My mask is called 'In search of lost time', so it's dedicated to Proust. I looked at my childhood toys and tried to remember the time when I was a child in order to be happy again. Regarding materials, fabrics and paints, I made it all myself, so I feel it's totally mine, and I'm expressing my personality.
34. Tilt up from wagon with toys to Marconi waving
35. Pan left finalists including Marconi on stage in St Mark square
LEADIN
Marie Antoinette and Casanova were the inspiration behind some of the fabulous and colourful carnival costumes on show in Venice.
But in the end it was the French novelist, Marcel Proust, who sparked the design that won this year's Best Masked Costume competition.
STORYLINE:
It's a dazzling swirl of feathers, gold and powder blue.
Each outfit took about one month to produce.
wacky
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How Venetian Paper-maché masks are made
La Fucina dei Miracoli is the oldest mask workshop in Italy, making Venetian masks according to the 14th century tradition since 1975. This video gives you the chance to see true craftspeople create the most beautiful masks in the world.
Shop online maschere.it
INTERVISTE AL TRANCIO, l'ingrediente segreto delle maschere veneziane
Edoardo lavora all'atelier La bauta dove crea maschere per il Carnevale di Venezia secondo il metodo tradizionale e con l'utilizzo di un ingrediente immancabile.
La bauta è il nome di una maschera che copriva buona parte del volto e che veniva utilizzata - per mantenere l'anonimato - anche al di fuori del Carnevale.
Le INTERVISTE AL TRANCIO di Martina Fragale sono chiacchiere da bar (o da strada) che cercano di aprire nuovi spaccati su varie tematiche. Cavallo di battaglia è il tema dell'innovazione, interpretata però in senso molto lato come capacità di coltivare nuovi sguardi sul mondo (magari, a volte, chiamando in causa anche il passato).
La maschera
Venezia, un carnevale ricco di storia.
【K】Italy Travel-Venice[이탈리아 여행-베네치아]이태리 전통가면/La Bottega dei Mascareri/Mask/Artisan/Venezia
■ KBS 걸어서 세계속으로 PD들이 직접 만든 해외여행전문 유투브 채널 【Everywhere, K】
■ The Travels of Nearly Everywhere! 10,000 of HD world travel video clips with English subtitle! (Click on 'subtitles/CC' button)
■ '구독' 버튼을 누르고 10,000여 개의 생생한 【HD】영상을 공유 해 보세요! (Click on 'setting'-'quality'- 【1080P HD】 ! / 더보기 SHOW MORE ↓↓↓)
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[한국어 정보]
유독 문의 사진이 눈에 띄는 한 가게. 유명 배우와 찍은 사진들로 가득하다. 들어가 보니, 무언가를 만들고 있는데 알고 보니 볼드린씨는 지금도 전통 방식으로 가면을 만드는, 전시회도 가질 만큼 유명한 가면장인이다. “영화에서 사용된 가면이 있어요?” “이건 큐브릭 영화에 사용됐어요” “다른 가면은요?” “‘베네치아의 상인’에서 알파치노의 가면이에요. 코메디아 델 아르테(16-18세기 유행한 이탈리아 즉흥극)의 가면이에요. 매우 중요한 가면이에요. 스탠리 큐브릭의 영화에 나왔고요. 베네치아뿐만 아니라 이탈리아 전역에서도 매우 유명해요”
[English: Google Translator]
As long as the picture of the poisonous door is conspicuous, it is shop. It is full of famous actors and photographs taken. As I walked in, I was making something, and Mr. Bulldrin is still a famous masseur who is also famous for having exhibitions to make masks in a traditional way. Is there a mask used in the movie? It's used in Kubrick movies. In other masks? It's Al Pacino's mask in 'The Venetian Trader.' It's the mask of the comedian del Arte (16th-18th century fashionable Italian improvisation). It's a very important mask. I'm in Stanley Kubrick's movie. It is very famous not only in Venice but also throughout Italy
[Italy: Google Translator]
Finché l'immagine della porta velenosa è evidente, è un negozio. È pieno di attori famosi e fotografie scattate. Mentre entravo, stavo facendo qualcosa, e il signor Bulldrin è ancora un famoso massaggiatore che è anche famoso per avere mostre per fare maschere in modo tradizionale. C'è una maschera usata nel film? È usata nei film di Kubrick. In altre maschere? È la maschera di Al Pacino in Il mercante veneziano . È la maschera del comico del Arte (improvvisazione italiana alla moda del XVI-XVIII secolo). È una maschera molto importante. Sono nel film di Stanley Kubrick. È molto famoso non solo a Venezia ma anche in tutta Italia
[Information]
■클립명: 유럽103-이탈리아20-10 이태리 전통가면
■여행, 촬영, 편집, 원고: 홍은희 PD (travel, filming, editing, writing: KBS TV Producer)
■촬영일자: 2018년 5월May
[Keywords]
시장/상점,market,공장/작업장,factory,기타등장,appear,유럽Europe이탈리아Italyitalia이태리홍은희20185월베네치아venicevenezia베니스May걸어서 세계속으로
Unsilenced Masks - VENICE - Italy
The carnival of Venice (or Carnevale di Venezia in Italian)
Masks have always been a central feature of the Venetian carnival; traditionally people were allowed to wear them between the festival of Santo Stefano (St. Stephen's Day, December 26) at the start of the carnival season and midnight of Shrove Tuesday.
As masks were also allowed during Ascension and from October 5 to Christmas, people could spend a large proportion of the year in disguise. Maskmakers (mascherari) enjoyed a special position in society, with their own laws and their own guild.
In 1797 Venice became part of the Austrian-held Kingdom of Lombardy-Venetia when Napoleon signed the Treaty of Campo Formio. The Austrians took control of the city on January 18, 1798 and it fell into a decline which also effectively brought carnival celebrations to a halt for almost two centuries.
Carnival was outlawed by the fascist government in the 1930s. It was not until a modern mask shop was founded in the 1980s that Carnival enjoyed a revival.
Carnival starts around two weeks before Ash Wednesday and ends on Shrove Tuesday (Fat Tuesday or Mardi Gras), the day before Ash Wednesday.
Venetian masks can be made in leather or with the original papier-mâché technique. The original masks were rather simple in design and decoration. They often had a symbolic and practical function. Nowadays, most of them are made with the application of gesso and gold leaf and are all hand-painted using natural feathers and gems to decorate. Most masks sold in the tourist shops in Venice have nothing to do with the original Venetian masks.
Bauta is a mask which covers the whole face, with a stubborn chin line, no mouth, and lots of gilding. One may find masks sold as Bautas that cover only the upper part of the face from the forehead to the nose and upper cheeks, thereby concealing identity but enabling the wearer to talk and eat or drink easily. It tends to be the main type of mask worn during the Carnival. It was used also on many other occasions as a device for hiding the wearer's identity and social status. It would permit the wearer to act more freely in cases where he or she wanted to interact with other members of the society outside the bounds of identity and everyday convention. It was thus useful for a variety of purposes, some of them illicit or criminal, others just personal, such as romantic encounters.
The moretta is an oval mask of black velvet that was usually worn by women visiting convents. It was invented in France and rapidly became popular in Venice as it brought out the beauty of feminine features. The mask was finished off with a veil.
The larva, also called the volto mask, is mainly white, and typically Venetian. It is worn with a tricorn and cloak. It is thought the word larva comes from the Latin meaning mask or ghost. It is easy to imagine the effect of a Venetian all dressed in black with a white mask and a black tricorn, going past in the moonlight. Like the bauta, the shape of the mask allowed the bearer to breathe and drink easily, and so there was no need to take it off, thus preserving anonymity. These masks were made of fine wax cloth and so were much lighter and were not irritating to wear making them ideal for eating, dancing and flirting.
The Mask-Makers
The mascherari, or mask-makers, from the days of Doge Foscari onwards, had their own statute dated 10 April 1436.
They belonged to the fringe of painters and were helped in their task by sign-painters who drew faces onto plaster in a range of different shapes and paying extreme attention to detail.
The Glass Slippers Masquerade Ball - Venice Carnival - 2018
Shoot by: Daniel Metcalf & Adam Shaikh
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Next Events:
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The Glass Slippers Masquerade Ball - 2019
The Glass Slippers Masquerade Ball
Venice 2019
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【K】Italy Travel-Venice[이탈리아 여행-베네치아]베니스 가면축제/Mask Festival/San Marco Square/Piazza/Carnival/Venezia
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[한국어 정보]
가면 축제가 시작됐다. 고요하기까지 했던 산마르코 광장은 하룻밤 만에 수 천 명의 사람들로 가득 찼다. 저마다 쓰고나온 가면들. 산마르코 광장은 가면을 쓰는 즐거움과 가면을 쓴 사람을 보는 즐거움을 동시에 선사한다. 아예 본격적으로 복장을 차린 사람들은 금세 카메라를 든 구경꾼들에게 휩싸였다. 이들은 이렇게 구경거리가 된 것을 즐기고 있었다.“우리는 매년 새로운 의상을 가지고 여기에 옵니다. 내 말 알아듣겠어요? 잘 들려요? 이 복장은 제 스타일이에요. 해마다 다른 색깔을 써요. 이건 작년 의상이고요. 10년간 해마다 의상을 새롭게 했어요.“ 가면 축제는 갖가지 아이디어의 경연장이다. 저마다의 개성을 살린 가면과 복장. 그 속에 살고 있는 자신들은 다른 세상에 살고 있다고 말하는 것 같은 눈빛들이다.
[English: Google Translator]
Mask festival began. San Marco Square was filled with quiet before thousands of people in one night. Each one wearing masks came in. San Marco square is the pleasure and enjoyment to see the masked man writing a mask at the same time. People altogether charin outfit was quickly engulfed in earnest will to any spectator camera. I was enjoying the spectacle thus: We come here every year with a new outfit. Did you understand me? I can hear you well? This dress is my style. Every year I write a different color. This year yigoyo costumes. 10 years was a new costume every year, festival masks are all sorts of ideas arena. Animated masks and costumes the individuality of each one. Eyes are likely to say that they are living in a world different to live in it.
[Italian: Google Translator]
Festival Maschera iniziato. Piazza San Marco è stato riempito con calma davanti a migliaia di persone in una sola notte. Ognuno indossando maschere arrivato. Piazza San Marco è il piacere e il divertimento di vedere l'uomo mascherato scrivere una maschera allo stesso tempo. La gente del tutto vestito charin stato rapidamente inghiottito in seria volontà a qualsiasi telecamera spettatore. Essi stavano godendo lo spettacolo così: Siamo venuti qui ogni anno con un vestito nuovo. Mi hai capito? Ti sento bene? Questo vestito è il mio stile. Ogni anno scrivo un colore diverso. Costumi di quest'anno yigoyo. 10 anni è stato un nuovo costume ogni anno , le maschere del festival sono tutti i tipi di idee arena. Maschere animate e costumi della individualità di ciascuno. Gli occhi sono propensi a dire che stanno vivendo in un mondo diverso di vivere in essa.
[Information]
■클립명: 유럽103-이탈리아01-16 가면축제, 중세로 돌아간 사람들/Mask Festival/San Marco Square/Piazza/Venezia
■여행, 촬영, 편집, 원고: 홍현진 PD (travel, filming, editing, writing: KBS TV Producer)
■촬영일자: 2006년 2월 February
[Keywords]
에디터,,도시,downtown,도심, 시가지, urban, city, metropolitan,공원/광장,park, square,plaza, fountain, satue,축제,축제,,festival,카니발, 행진, 퍼레이드, Carnival, Parade, Fiesta, party,특산품,local products,기념품, souvenir,유럽,Europe,유럽,이탈리아,Italy,italia,이태리,홍현진,2006,2월 February,베네치아,venice,venezia,베니스
L'antica arte dei maschereri veneziani - official spoiler
Amazing short video that explain the different steps to mask by hand. The venetian artisans want help visitors to appreciate this ancient art waring imitation or copy.
This video is related to the Special International Prize for the Best Face Mask La Natura Fantastica - Carnival 2014
venice masks kubrick
Among the many makers of papier-mâché masks in Venice, Il Canovaccio crafts workshop founded in 1995 boasts a feature of excellence: it supplied the masks for the famous sequences of the film Eyes Wide Shut -- the last masterpiece by Stanley Kubrick.The proprietor presents the steps in the making of a little masterpiece.
Venetian samba, Carnival of Venice 2012, Venice, Veneto, Italy, Europe
The Carnival of Venice is an annual festival, held in Venice, Italy. The Carnival ends with the Christian celebration of Lent, forty days before Easter on Shrove Tuesday (Pancake Tuesday or Mardi Gras), the day before Ash Wednesday. The festival is famed for its elaborate masks. It is said that the Carnival of Venice was started from a victory of the Serenissima Repubblica against the Patriarch of Aquileia, Ulrico di Treven in the year 1162. In the honor of this victory, the people started to dance and make reunions in San Marco Square. Apparently, this festival started on that period and became official in the Renaissance. In the seventeenth century, the baroque carnival was a way to save the prestigious image of Venice in the world. It was very famous during the eighteenth century. It encouraged licence and pleasure, but it was also used to protect Venetians against the anguish for present time and future. However, under the rule of the King of Austria, the festival was outlawed entirely in 1797 and the use of masks became strictly forbidden. It reappeared gradually in the nineteenth century, but only for short periods and above all for private feasts, where it became an occasion for artistic creations. After a long absence, the Carnival returned to operate in 1979. The Italian government decided to bring back the history and culture of Venice, and sought to use the traditional Carnival as the centerpiece of its efforts. The redevelopment of the masks began as the pursuit of some Venetian college students for the tourist trade. Today, approximately 3 million visitors come to Venice every year for the Carnival. One of the most important events is the contest for la maschera più bella (the most beautiful mask) placed at the last weekend of the Carnival and judged by a panel of international costume and fashion designers. Masks have always been an important feature of the Venetian carnival. Traditionally people were allowed to wear them between the festival of Santo Stefano (St. Stephen's Day, December 26) and the start of the carnival season at midnight of Shrove Tuesday. As masks were also allowed on Ascension and from October 5 to Christmas, people could spend a large portion of the year in disguise. Maskmakers (mascherari) enjoyed a special position in society, with their own laws and their own guild. Venetian masks can be made of leather, porcelain or using the original glass technique. The original masks were rather simple in design, decoration, and often had a symbolic and practical function. Nowadays, most of them are made with the application of gesso and gold leaf and are all hand-painted using natural feathers and gems to decorate. The Columbina (also known as Columbine and as a Columbino) is a half-mask, only covering the wearer's eyes, nose, and upper cheeks. It is often highly decorated with gold, silver, crystals and feathers. It is held up to the face by a baton or is tied with ribbon as with most other Venetian masks. The Columbina mask is named after a stock character in the Commedia dell'arte: Columbina was a maidservent and soubrette who was an adored part of the Italian theatre for generations. It is said it was designed for an actress because she did not wish to have her beautiful face covered completely. In fact, the Columbina is entirely a modern creation. There are no historic paintings depicting its use on the stage or in social life. While both men and women now wear this mask, it began as a woman's analog to the bauta. Another classic character from the Italian stage, Pantalone, meaning he who wears the pants or father figure in Italian, is usually represented as a sad old man with an oversized nose like the beak of a crow with high brows and slanted eyes (meant to signify intelligence on the stage). Like other commedia masks, Pantalone is also a half mask. Arlecchino, meaning harlequin in Italian, is a zanni character of the commedia. He is meant to be a kind of noble savage, devoid of reason and full of emotion, a peasant, a servant, even a slave. His originally wooden and later leather half-mask painted black depicts him as having a short, blunt, ape-like nose, a set of wide, round, arching eyebrows, a rounded beard, and always a bump upon his forehead meant to signify a devil's horn. He is a theatrical counterpoint to and often servant of Pantalone, and the two characters often appeared together on the stage. Several distinct styles of mask are worn in the Venice Carnival, some with identifying names. People with different occupations wore different masks. There is little evidence explaining the motive for the earliest mask wearing in Venice. One scholar argues that covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history.
Венецианский карнавал. Венеция (Venice), Италия, 2017
Венецианский карнавал в феврале 2017.