Lakshminarayana Temple Hosaholalu | Krishnarajapet tourism Mandya tourism | Temple Karnataka tourism
Lakshminarayana temple Hosaholalu , Mandya Temple is an Ancient Hoysala Temple located at Krishnarajapet Mandya Karnataka India. The ancient Lakshminarayana Temple is located in Hosaholalu.It is one of the historic temples in Karnataka. The stone carved temples are part of Mandya Tourism and Karnataka tourism.
The famous temple of Lakshminarayana of ancient times has become an unknown temple of Karnataka in recent times.
It was built by King Vira Someshwara of the Hoysala Empire in 1250 C.E. The dating of the temple is based on the style of the sculptures and architecture that compares closely with the contemporary Hoysala monuments at Javagal, Nuggehalliand Somanathapura. The town of Hosaholalu is about 60 kilometres (37 mi) from Hassanand 45 kilometres (28 mi) from the heritage city of Mysore, the cultural capital of Karnataka state.
The temple is a splendid example of a trikutavimana (three shrined) temple though only the central shrine exhibits a tower (superstructure or Shikhara) on top. The lateral shrines are square in construction with five projections and no special features. The central shrine is well decorated and its tower has a sukanasi(called nose) which is actually a lower tower over the vestibule that connects the shrine (cella containing the image of the deity) to the hall (mantapa). The sukanasi looks like an extension of the main tower over the central shrine. The material used for the temple construction is chloritic schist, more commonly known as Soapstone. The temple is built on a jagati (platform), a Hoysala innovation that elevates the temple by about a metre.
According to art critic Gerard Foekema, the temple as a whole exhibits the new style and belongs to the 2nd phase of Hoysala building activity (13th century), with two sets of eaves, and six moldings at the base of the outer wall. The first eave is located where the superstructure meets the temple outer wall and the second eave runs around the temple and about a metre below the first eave. In between the two eaves are decorative miniature towers on pilasters (called Aedicule), with sculptured wall images of Hindu deities and their attendants below the second eave. Being a Vaishnava temple (a Hindu sect), most of the images represent some form of Hindu god Vishnu, his consort and his attendants. There are a hundred and twenty such images. In all there are twenty four sculptures of Vishnu standing upright holding in his four arms the four attributes, a conch, a wheel, a lotus and a mace in all possible permutations. Below the panel of deities is the base of the wall consisting of six decorative rectangular moldings of equal width which run all around the temple.
The six horizontal mouldings are intricately sculptured and are called friezes. Seen from top to bottom; the first frieze depicts birds (hansa), the second depicts aquatic monsters (makara), the third frieze has depictions of Hindu epics and other mythological and puranic stories narrated in the clockwise direction (direction of devotee circumambulation), the fourth frieze has leafy scrolls, the fifth and sixth friezes have a procession of horses and elephants respectively. In the frieze that depicts the epics, the Ramayana starts from the western corner of the southern shrine and the Mahabharata starts from the northern side of the central shrine vividly illustrating the demise of many heroes of the famous war between Pandavas and Kauravas.
The interior of the temple consists of a closed hall (mantapa) of modest size with four polished lathe turned pillars supporting the roof. The four central pillars divide the hall into nine equal bays (compartments) and nine decorated ceilings. The sanctum of the three shrines contain the images of Venugopala, Narayana in the middle and Lakshminarasimha; all forms (Avatar) of Vishnu.
Archakaru Sriyutha Rajabattaru mobile number is 9986088530 and 8123406753
Hosaholalu Lakshminarayana Temple Krishnarajpet
The Lakshminarayana Temple is located in Hosaholalu, a small town in the Mandya district of Karnataka state, India. It was built by King Vira Someshwara of the Hoysala Empire in 1250 C.E. The dating of the temple is based on the style of the sculptures and architecture that compares closely with the contemporary Hoysala monuments at Javagal, Nuggehalli and Somanathapura. The town of Hosaholalu is about 60 kilometres (37 mi) from Hassan and 45 kilometres (28 mi) from the heritage city of Mysore, the cultural capital of Karnataka state.
The temple of Sri.Lakshmi Narayana at Hosaholalu is another master piece of Hoysala art. The temple is situated at a distance of 2 kms from the taluk head quarters of Krishna Raja Pete in Mandya District.
This temple is a Trikutachala and is facing East direction. The temple complex houses Sri.Lakshmi Narayana facing East, Sri.Venu Gopala Swamy facing North and Sri.Lakshmi Narasimha facing South direction.
There is a structural addition to the main entrance built during the Vijayanagara times and one can easily identify the structure which are similar to Dravidian style of construction. The Garuda Khamba is missing or not present and it needs to be either rebuilt.
The moment one enters the temple, one can find fine carvings on the pillar at the entrance, with 16 corners, 32 corners and 64 corners respectively, the first four pillars are star shaped and the remaining four pillars in the Navaranga are bell shaped with extra ordinary carvings on them.
As we go around the Navaranga, one can find an intrinsic work executed in the roof and enjoy the beauty of the same, each roof top is different from the other and posses unique design and locking mechanism such as single washer, double washer, hexagonal nut, etc.,
As we enter the temple from East, one can spot the Ganesh idol being carved and housed between the Sri.Venu Gopala Swamy and Sri.Lakshmi Narayana, the intent of this is to have a look at Ganesha at the first instance and then proceed towards watching Venu Gopala.
The original Venu Gopala Swamy has been restored at Kanamabadi, but recently during 1950's a new image was sculpted and restored here. One can see the small idol of the original image on the door way of the same.
The Lakshmi Narayana idol is very beautiful and one can observe the Dashavathara being sculpted in the Prabhavali. The idol itself is very cute and attracts ones attention by the delicate work executed. On the entrance of the Garbhagirha, one can find the Dwarapalakas, who are standing with greater details of the ornaments and clothes they are wearing. Also they are housed in a mantapa which is decorated with Nagara, Dravida, Kalinga, Vesera and Bhumija style of Gopuras or Vimanas.
Also, one can find the fine lace work or embroidery work being executed on the entrance of the Garbha griha. A small idol representing Vishnu has been identified on the roof top as well.
After we proceed from Lakshmi Narayana, one can spot the Parvathi idol in the form of Mahishasura Mardini and the craftsmenship is at its peak. One can clearly find the rib cage of Mahishasura being crushed due to the extreme pressure exerted from the foot of Mahishasura Mardhini.
The Lakshmi Narasimha idol is beautifully carved and Sri.Lakshmi is seated on the left thigh of Sri.Narasimha.
After having a view of the temple from inside, one has to see the very minute information present on the pillars and the roof. With a keen sight, one can find Sri.Anajeneya Swamy drinking Coconut water on the Right Hand side pillar before the entrance of Sri.Lakshmi Narayana Garbhagirha. The carving is so small and it can be covered with a thumb.
While coming out of the temple one really feels the workmanship executed on the pillars especially and each pillar is having unique design, also to the surprise, there is one masterpiece which is executed on the pillar with 64 corners, one can insert a small pin behind the corners and also on the top of it, one can see the intricate design work being executed and the hollow behind the work is simply amazing.
As one walks out with so much detailing present every where, you will be really excited to take a walk along the Pradakshin patha on the pedestal.
The whole Pradakshina Patha is covered with intense details of Bhagavatha, Ramayana & Mahabharatha in great depths on the railings. The images of Vishnu, Lakshmi, Parvathi, Shiva, Brahma, Ganapathi, etc., along with other dieties can be found across the temple.
This is one place where great details regarding the Ramayana and Mahabharatha epics are present. One can find a similar work executed at Amrithapura and Halebeedu, but they appear to be incomplete and some of the scenes appears to be missing. It really takes you by surprise as you understand each scene and thorough understanding of these epics is not required as the picture by themselves are self explanatory.
Lakshminarayana temple
Hosaholalu K.R.Pet Mandya
Lakshmi Narayana Temple, Hosaholalu
Hosaholalu, a village that has now become part of the extended town of Krishnarajapete (K. R. Pet), houses possibly the best carved Hoysala temple in the district of Mandya. Astonishingly, not much information is available about the temple and as to who commissioned it, but it is established that it was built around 1250 CE during the reign of King Vira Someshwara.
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Hosaholalu Sri Lakshminarayana Swamy Temple - Nectar in Stone 9
#hosaholalu #karnataka #travegu
Hosaholalu Sri Lakshminarayana Swamy Temple - Nectar in Stone 9
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A star in the Land of Sugar
Sri Lakshminarayana Swamy Temple,
Hosaholalu, Krishnaraja Pete taluk,
Mandya district,
Karnataka state, India
Nectar in Stone 9
Lakshminarayana Temple is located in Hosaholalu, a small town in the Mandya district of Karnataka state, India.
It was built by King Vira Someshwara of the Hoysala Empire in 1250 Current Era
The architecture is Like a diamond inside the star.
This temple sits in the center of a majestic star shaped platform, trikutachala or three celled structures of the temple.
It is a trikuta temple as it consists three cells, one each at west, south and north. These three cells are connected to a common navaranga that is the hall.
Lakshminarayana is the main deity at the center and with Shree krishna on the left and Shree Lakshmi Narasimha on the right.
Reference:
This temple is a Trikutachala and is facing East direction. The temple complex houses Sri.Lakshmi Narayana facing East, Sri.Venu Gopala Swamy facing North and Sri.Lakshmi Narasimha facing South direction.
There is a structural addition to the main entrance built during the Vijayanagara times and one can easily identify the structure which are similar to Dravidian style of construction. The Garuda Khamba is missing or not present and it needs to be either rebuilt.
The moment one enters the temple, one can find fine carvings on the pillar at the entrance, with 16 corners, 32 corners and 64 corners respectively, the first four pillars are star shaped and the remaining four pillars in the Navaranga are bell shaped with extra ordinary carvings on them. Creator ID: dmlkZW8gY3JlYXRlZCBieSB0cmF2ZWd1
Lakshmi Narayana Temple Hosaholalu Hoysala Temple Documentary
Lakshminarayana Temple of Hosaholalu is a hoysala temple built by king vira someshwara in 1250CE. Lakshmi narayana temple of Hosaholalu is one among the many lesser known hoysala temples built between 11th and 13th century. This hoysala temple is located at a distance of 2km from Krishnaraj pete in Mandya district of Karnataka.
The Lakshminarayana temple is built on a platform which has a stellate shape as in other Hoysala temples. There is a structural addition to the main entrance built during the Vijayanagara period. The interior of the temple consist of a closed hall with four lathe tuned pillars. The four pillars divide the hall into nine equal bays. The ceilings of the 9 bays are carved with unique structure which brings out the talent of the sculptors of that age.
Lakshminarayana temple belongs to the second phase of Hoysala construction. The whole pradakshina path is covered with sculptures from Hindu epics Ramayana and Mahabharata. The image of Vishnu, Lakshmi, Parvathi, Shiva, Brahma and Ganapathi along with other deities can be found across the temple. The temple consists of two sets of eaves and six moldings at the base of the outer wall. The first eave is located where the superstructure meets the temple outer wall and the second eave runs around the temple and about a meter below the first eave. There are 120 images around the temple. Being a Vaishnava temple, there are 24 sculptures of Vishnu standing upright holding in his four arms the four attributes, a conch, a wheel, a lotus and a mace. The six horizontal moldings at the base of the outer wall are intricately sculptured and are called frieze. The first frieze depicts birds, the second depicts Makara (aquatic monster), the third frieze has depictions from Hindu epic and other purana stories narrated in clockwise direction. The fourth frieze has leafy scrolls, the fifth and sixth frieze have procession of horses and elephants respectively.
Lakshminarayana temple of Hosaholalu is located at a distance of 2km from the taluk headquarters Krishna raja pet in Mandya district of Karnataka. By road Hosaholalu is 60km from Mandya, 50km from Mysore and 160km from the state capital Bangalore.
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Lakshminarayana Temple- A Hoysala treasure
Lakshmi Narayana Temple, Sindhaghatta
Sindhaghatta is a small town near Krishnarajapete in Mandya district, Karnataka, close to the state highway of Channarayapatna - Mysore. The town has two little known Hoysala temples, one of them being the still worshipped Lakshmi Narayana Temple. Inscriptions found in and around the town date the temple back to the times of king Vishnuvardhana, but according to those records, the temple continued to receive funds even during the reins of Veera Ballala II.
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Hedathale Lakshmikantha Swami temple Mysore tourism Nanjangud tourism Karnataka Tourism
Lakshmikantha Swami temple ,Hedathale, Nanjangud tourism Mysore tourism, Karnataka Tourism, Karnataka temple. This was built in 1182 C E. Hoysala Veera Ballala III got this temple constructed. Lakshmikantha statue is in position of Shama sayanam or Mudra Dharana ( wearing of the symbol) .As per Sri Vaishnava Culture after Sudarshana Homa the Shanka chakra were heated and the Chakra was pressed on the right hand and Shanka on the left hand, causing a permanent mark, after which the person was considered purified. One specialty here is that generally behind Krishna, Venugopala generally is the Adishesha but in this temple Adishesha is not there.
The Lakshmi kantha Swamy temple situated at the center of the village is the centre of tourist activity in this village. This is an ancient temple and is at least 700 years old. It is an exquisite piece of Hoysala architectural marvel and is constructed in the trikootachala style with a triad of shrines around a central atrium. From the vantage point of the central atrium one can simultaneously view the three deities. Lakshmikantha (literally the Lord of Lakshmi) adorns the central sanctum sanctorum. Venugopala and Lakshminarasimha comprise the other two deities of the triad. A beautiful image of Andal adorns a corner of the central atrium. Another enclosure houses the images of Sri Ramanuja, Vedantha Desika and other alwars. Outside the main complex, at the entrance gate are shrines of Ganapathi and the Navagrahas. For most part of the last century, this temple was in a dilapidated state. But towards the turn of the last century, this temple was renovated due to the untiring efforts of Sr Veerendra Hegde, Sri Rangapriya Swami and the financial support of the TVS group. Sri Sri Rangapriya Sri Sri, was a prominent sanyasi in southern India and was instrumental in the revival of the Lakshmikantha swami temple.
The specialty of this place is that when the lights are on the statue looks like a normal statue, but when the lights are switched off , and in the light of the mangala arthi, it appears that the statue eyes looking straight at us, with a smiling face. The other speciality of the Mantapa or Chavadi at this temple is that it is a 16 faced Mantapa consisting of 16 seats. Bhimanna Dandanayaka the palyegara (ruler) got this 16 faced Chavadi (a place of assembly) constructed, because he had 16 daughters and after their marriage.
The king and the queen had a desire to see their daughters frequently, but if they visit their daughters turn by turn, then the administrative requirements of the place would suffer as they were 16 of them. So they would fix a day and invite all of them over. The Kind Queen daughters and the son in laws would all gather here and enjoy the singing concert, a dance programme, or some cultural programme performed at the stage like platform at the center of the Mantapa from morning to evening.
To avoid any confusion as to which one was which son in law they got each pair seated together in numerical order.
Also earlier generations there was a practice, that the Mother in law would not see her son-in –law directly face to face. Keeping that practice in mind the Chavadi was designed such that the King can see all 32 people that is all of his daughters and son in laws but the queen can only see her daughters. The daughters husband sitting next to them are not visible to Queen.
Hedathale is a village in the southern state of Karnataka, India. It is located in the Nanjangud taluk of Mysore district in Karnataka. At the bank a river in rishis (Sage) used to do Homa, Havana and poornahavathi which is done at the end. At that time, somewhere a Rakshasa would come running at and stamp that homa or pour blood over it .This way he would spoil their homa. The rishis when to Koundilya Maharishi and requested him for a solution to their problem. So Koundilya Maharishi does penance to Narayana and when Narayana appears he requests for the Rakshasa to be killed. Narayana Kills the Rakshasa, cuts that Rakshasas head and throws it to the left side. The village his head fell is known as Yedathale which means Yeda (left) thale(head) and in common usage has become Hedathale.
Archakar S V Narayan contact number: 9880552361
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Sri Lakshmi Narayana Perumal Temple | Palakkad | Teerthayatra | 3rd December 2017 | ETV AP
Theertha Yatra is a journey across the sacred stretches of india. A travel guide to pilgrimage centers dotting all over the land stretching from Amarnath in the North to Madurai in the South, Puri in the East to Dwaraka in the West one program showcasing it all...
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Valavanadu Laxmi Narayana Temple; Viswasam athalla Ellaam
MUST VISIT ! Lakshminarayana Temple, Hosaholalu, Mandya.
Lakshminarayana Temple is located in Hosaholalu, a small town in the Mandya district of Karnataka state, India. It was built by King Vira Someshwara of the Hoysala Empire in 1250 C.E.
Bhoo Varahaswamy Temple Kallahalli Mandya tourism Karnataka tourism | Revathi Nakshatra Abhisheka
Bhoo Varahaswamy Temple Kallahalli Mandya Karnataka South India is a famous kallahalli temple of Mandya tourism and Karnataka tourism. Bhu varaha swamy believer throng the Bhu varaha swamy temple in Mandya to get their property and house construction problems. Bhoo varahaswamy temple krishnarajpete Karnataka is visited not only by locals but also by people from nearby state.
Bhoo varahaswamy temple in mandya has been recently renovated. Bhoo varahaswamy kallahalli also known as kallahalli bhoo varahaswamy temple or varahanatha kallahalli Karnataka or kallahalli varahaswamy temple or kallahalli bhu varaha swamy temple or kallahalli varahaswamy or kallahalli mandya or kallahalli bhoo varahaswamy or varahanatha kallahalli temple
Bhoo Varahaswamy Temple Mysore. The ancient stone statue has a beautiful shine to it even after so many years.
Located near Mysore is the Bhoo Varahaswamy Temple also known as Bhu varahaswami, which is dedicated to the third incarnation of the Lord Vishnu or the wild Boar form, is also known as Pralaya Varaha Swami and Adi Varaha Mahishi. In this avatar Lord Vishnu appeared as a boar to rescue Goddess Bhoodevi / Mother Earth from the demon Hiranyaksha. Bhoo Varahaswamy temple is one of the unique temples of Karnataka dedicated to Mother Earth.
The temple is located in a tiny village named Kalhalli,K R Pete ,Mandya, near Mysore in Karnataka. This temple lies on the banks of the River Hemavati. The third incarnation of Vishnu is the wild boar form, better known as Varahaswamy. The idol is 18 feet in height and is made of grey stone. The idol is in a sitting position with the goddess Bhoodevi seated on his left lap. Bhoodevi idol is 3.5 feet tall. An idol of the Lord Hanuman is also sculpted under the main idol. Bhoo Varahaswamy Temple is extremely famous among the locals and it is believed that the deity has mysterious powers.
It is said that Bhoo Varahaswamy idol was installed by Sage Gautama more than 2500 years ago. It is believed that the great sage Gautama performed penance at this temple and that is why the temple has significance among the locals. It’s a monolith made of grey stone. The horns of the deity are lighter in colour and the eyes have the red tinge. But it is difficult to establish if it was carved out or if it was self formed.
There is a legend of the King Veera Ballala behind this temple. It is believed that while hunting, the King got lost in the forest and he rested under a tree. While resting, he noticed a strange thing happen, he saw a dog chasing a rabbit and after reaching a particular point, the rabbit started chasing the dog.This made the King believe that the place had certain magical powers, and he dug up the place only to find the deity of Varahaswamy hidden under the layers of earth. Post this incident, the King built a temple and used to offer prayers every day. The ancient Bhoo Varahaswamy Temple built by the Hoysala king Veera Ballala III was undiscovered and unprotected until a few years back
The village Kalhalli is located on the Bangalore -Mysore highway. The village is at a distance of 32 kms from Pandupura under the Mandya district. The nearest bus stop is at a distance of 2 kms from the village.
Javagal Sri Lakshmi Narasimha temple
Javagal temple is an example of mid-13th century Hoysala architecture. Javagal is located about 50 km from Hassan city and about 20 km from Halebidu in Karnataka state.
The temple, whose main deity is Narasimha, was built in 1250 A.D. by the Hoysala Empire King Vira Someshwara.
A must visit temple in a calm and crowd free atmosphere.
Sri Lakshmi Narasimha temple - Nuggehalli
11th Century Hindu temple built during Hoyasala period
Munnekollala, Lakshmi Narayan Temple
Good friday in karnatak, Marathalli
Panchalingeshwara Temple Govindanahalli KR Pete tourism Mandya tourism Karnataka tourism
Panchalingeshwara Temple at Govindanahalli KR Pete tourism, Mandya tourism Karnataka tourism
Panchalingeshwara Temple (also spelt Panchalingeshvara) in Govindanahalli, K R Pete, Mandya district, Karnataka state, India, was constructed around 1238 A.D. during the reign of the Hoysala empire King Vira Someshwara. The name Panchalingeshwara literally means five linga pancha-kuta (quintuple) style. The temple is protected as a monument of national importance by the Archaeological Survey of India. The famous sculptor of Hoysala times, Ruvari Mallitamma, is known to have made contributions to the temple.
Panchalingeshwara Temple or Panchalingeshvara in Govindanahalli is a rare example of a panchakuta (five shrines with five towers) construction in Hoysala architecture. A long pillared hall on the east connects the individual mantapa together. The entrance to the temple complex is via two porched entrances.
Govindanahalli is about 6 km from Kikkeri. Kikkeri is on Srirangapatna-Channarayapatna road. It is located 161 km from Bangalore, 75 km from Mysore and 60 km from Hassan.
Govindanahalli – A Panchakuta Temple
Introduction – Govindanahalli is a village in Mandya district of Karnataka. The town was once famous for its breed of milk-cows.
Inscriptions –
1. On a stone in Panchalingeshvara Temple – Epigraphia Carnatica vol VI, no 39 – refers to the reign of the Hoysala king Someshwara – dated Saka 1159, corresponding 1237 CE – the inscription starts with obeisance to Ganadhipati, Shambhu, Varaha and describes the Chandra vamsha starting from Brahma. Brahma begot Atri, Atri begot Chandra (Moon). In this lineage of Chandra was born Yadu, mentioned in epics. In this Yadava lineage was born Sala. Story of Sala slaying tiger with a danda is described in detailed. Once Sala went to see goddess Vasanti whose adobe was in forest near Shashapura and who was the guardian deity of the kings of his lineage. In this forest he met a sage, who was deep immersed in his tapa. There came a tiger, and the sage directed Sala to kill the tiger in his own language as ‘hoy Sala’. Thus kings in his lineage came to be known as Hoysala. From Sala was born Vinayaditya, and from him was born Ereyanga. Ereyanga begot Vishnu, the latter begore Narasimha (I). Narasimha’s son was Ballala. Ballala’s queen was Padmala. From this queen, Ballala begot Narasimha (II) and a daughter named Somala. Narasimha’s son was Soyideva (Someshwara) who was ruling at Dvaravati. Then starts the family of Bogayya, father of Ketana, grand-father of Bhoganna and Mallanna. Bhoganna and Mallanna served as the danda-nayaka (ministers) under the Hoysala king Someshwara. This king Someshwara, while residing at Pandya-mandala, which he subdued with his extensive mighty prowess, made a grant of the great village Tenginaghatta to his army chiefs Bhoganna and Mallanna. Village Tenginaghatta with his eleven hamlets was turned into an agrahara. Bhoganna and Mallanna forwarded this grant of Tenginaghatta agrahara to several Brahmans of different gotras in presence of Sri Ramanatha at Setu. The same grant is also notified in Kannada language.
2. On the pedestals of the dvarpalas of the Panchalingeshvara Temple – Epigraphia Carnatica vol VI, no 40 – on the right dvarpala is inscribed ‘ruvari Malitama’ and on the left dvarapala is inscribed ‘ruvari Malitamma’.
3. Below the images on the outer wall of the Panchalingeshvara Temple – Epigraphia Carnatica vol VI, no 41 – the inscribed labels are Keshava, Narayana, Madhava, Govinda, Vishnu, Madhusudana, Trivikrama, Vamana, Sridhara, Rishikeshi, Padumanabha, Damodara
Malitamma was a well-known Hoysala artist whose work is also found at various other Hoysala sites. His name is found at six places, Amruteshwara temple at Amruthapura, Lakshmi-Narasimha temple at Haranahalli, Lakshmi-Narasimha temple at Nuggehalli, Keshava temple at Somanathapura, Lakshmi-Narasimha temple at Javagal and this Panchalingeshwara temple. His first work was at Amruteshwara temple at Amruthapura which was constructed in about 1196 CE. His last work was at the Keshava temple at Somanathapura which was constructed in 1269 CE. His career spanned for about 73 long years. Govindanahalli would have been his second assignment after Amruteshwara temple.
These five garbha-grhas house five different aspects or manifestations of Shiva which are Sadyojata, Tatpurusha, Vamadeva, Aghora and Ishana. On lalata-bimba are depicted Shiva-Parvati sometimes accompanied with Nandi and sometimes with Ganesha and Kartikeya.
A unique sculpture of Vithoba or Vitthala is found in this temple. This suggest that Vithoba sect had penetrated till this territory and had influence over the Hoysala artists. Vithoba sect was a popular sect in Maharashtra, Karnataka, Goa and Andhra Pradesh.
Sri Lakshmi Narayana swami temple
Lakshmi Narasimha Temple, Javagal |Hassan | Karnataka
The Lakshminarasimha temple at Javagal (also called Javagallu) is an example of mid-13th century Hoysala architecture. Javagal is located about 50 km from Hassan city and about 20 km from Halebidu in Karnataka state, India. Halebidu is historically important as the erstwhile capital of the Hoysala empire. The temple, whose main deity is Narasimha (a form of the Hindu god Vishnu), was built in 1250 A.D. by the Hoysala Empire King Vira Someshwara.[1] This temple is a protected monument under the Karnataka state division of the Archaeological Survey of India.[2]
Sri Kote Ranganatha Swamy Temple Belathur KR Pete Mandya tourism Karnataka Temple Karnataka tourism
Sri Kote Ranganatha Swamy temple Belathur KR Pete Mandya Karnataka India. Mandya temples are famous ancient temples along which there are unknown temples in Karnataka.
Sri Kote Ranganatha Swamy temple is equivalent to tirupati, Tirupati Balaji temple, is located at Belathur, KR Pete, Mandya, Karnataka.
The ancient Hoysala temple is said to have been built during the time of Hoysala king Veera Ballala III. The beauty of Ranganatha Swamy statue with Lakshmi engraved on his chest remains damp irrespective of the weather or season.
The Ranganatha statue has three in one expression of happiness, anger and peace. this unknown temple of Karnataka was taken up for renovation after demolishing the original temple which was in ruins. The present temple construction has been stopped mid way for unknown reasons. The story of river cauvery and Hemavathi is an interesting one.
Archakar: Shashidhar
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Music: Days Are Long - Silent Partner