IGA and Dollarama, Boulevard Sir-Wilfrid-Laurier, Saint-Lambert, Québec, Canada
website:
Charles street, Laflèche, Saint-Hubert, Longueuil, Québec, Canada
website:
Condo à vendre rue Parent Longueuil Greenfield Park Flex Immobilier
Beau condo de 2 chambres situé dans un rond point, donc tranquillité au rendez-vous! Un espace de stationnement au garage est à l’usage exclusif du condo. L’immeuble est localisé à distance de marche du grand Parc Empire, Aréna Cynthia Coull, bibliothèque et des services offerts par le boulevard Churchill. Moins de 5 minutes du boulevard Taschereau, de l’Hôpital Charles-Le Moyne et du Pont Victoria. En 2 mots : Localisation Exceptionnelle!!!
Des petits extras qui rendent ce condo agréable à vivre :
-Immense chambre des maîtres avec walk-in.
-Foyer au bois dans le salon pour vous réchauffer le coeur durant les soirées frisquettes ????
-Salle de bains munie d’un bain podium et d’une douche-céramique.
-Espace de rangement dans le garage au sous-sol.
Tranquillité au Coeur de l’action vous attendent!
Pour plus d'informations et de photos consultez l'annonce #19290 sur Fleximmobilier.com
Guide pour économiser au cinéma Explications
Avec le prix des billets, le popcorn, les boissons et le stationnement, une sortie en famille au cinéma peut coûter cher. Mais selon l’endroit où l’on va, il est possible d’économiser plusieurs dollars sur ses achats, a constaté Le Journal en analysant les prix d’entrée de 20 grands complexes cinématographiques de Montréal et ses environs.
Combien coûte une soirée au cinéma pour une famille avec deux enfants ? Étonnamment, les prix diffèrent beaucoup d’un cinéma à l’autre, a-t-on remarqué en consultant les grilles tarifaires des différents complexes de la grande région de Montréal.
Par exemple, une famille de deux adultes et deux enfants devra débourser plus de 72 $ (incluant le stationnement et la nourriture) pour aller voir un film un samedi soir au cinéma Banque Scotia au centre-ville de Montréal. Or, la même famille pourrait économiser une quinzaine de dollars et payer 57,38 $ pour aller voir le même film le même jour au cinéma StarCité, à côté du Stade olympique.
Même constat sur la Rive-Sud, où une sortie au cinéma du Dix-30 coûtera quelques dollars de plus qu’une sortie dans les complexes cinématographiques de Saint-Bruno, Greenfield Park ou Longueuil.
Une question de marché
Qu’est-ce qui explique une si grande différence de prix ?
«Les prix fluctuent toujours selon le marché où le cinéma est situé, explique le vice-président à l’exploitation de la chaîne de cinémas Cineplex, Daniel Séguin. Ça s’explique par différentes raisons comme les coûts opérationnels qui sont différents d’un endroit à l’autre, mais aussi par la compétition qui est plus forte dans certains marchés. Ça dépend aussi des installations. Les installations du cinéma de Brossard (Dix-30) ne sont pas les mêmes qu’au cinéma de Saint-Bruno, par exemple.»
Cinq astuces pour payer moins cher
Choisissez les mardis ou les matinées
C’est un classique. Dans tous les cinémas de Montréal et ses environs, les billets sont considérablement moins chers le mardi. Selon l’établissement, le prix d’entrée peut varier entre 6 $ et 8 $ par personne (adulte ou enfant). Certains complexes offrent aussi des rabais pour les séances en matinée. C’est le cas notamment des cinémas Guzzo où le spectateur payera seulement 8 $ par billet pour les séances qui débutent avant 15 h.
Évitez le centre-ville et certains grands centres
En consultant la liste des prix, on constate que les prix d’entrée de certains cinémas, notamment ceux du centre-ville de Montréal, sont plus chers que la moyenne. S’il faut en plus ajouter des frais de stationnement (souvent payant dans ce secteur), la facture peut grimper rapidement.
Utilisez les cartes de fidélité
Si vous allez souvent au cinéma, il serait peut-être judicieux de vous procurer une carte de fidélité. Dans les cinémas de Cineplex, par exemple, la carte Scène offre la possibilité d’accumuler des points à l’achat de chaque billet (ou de nourriture) et d’obtenir des rabais intéressants. Les cinémas Guzzo offrent aussi une carte de fidélité pour les clients réguliers.
Optez pour les séances en format traditionnel
On le sait, le prix d’un billet pour une séance en 3D coûte trois dollars de plus que pour une séance en format traditionnel (ou 2D). Pour une famille de quatre, cela représente une douzaine de dollars qui s’ajoutent à la facture. Si on choisit d’aller voir le film en IMAX ou en UltraAVX, on payera entre 4 $ et 6 $ de plus par personne que pour une séance en format traditionnel.
Surveillez les combos pour la nourriture
Pour plusieurs familles (surtout pour les enfants), le popcorn est un élément incontournable d’une sortie au cinéma. Mais, là encore, il faut surveiller les prix. Le prix d’un sac de popcorn peut varier entre 6 $ et 9 $. Mais certains combos offrant le popcorn et une boisson permettent parfois d’économiser quelques dollars. Il est aussi souvent plus avantageux d’acheter un popcorn en grand format qu’on se partagera que d’en acheter plusieurs en petits formats.
D’autres options bon marché
Le cinéparc
Une activité familiale parfaite qui coûte généralement moins cher qu’une sortie au cinéma. Selon le cinéparc, une famille de deux adultes et deux enfants peuvent voir deux films en une soirée pour un prix total variant entre 20 $ et 25 $.
Le Cinéma Dollar (à Côte-Saint-Luc)
On y présente des films sortis quelques mois plus tôt pour un prix d’entrée de seulement 2,50 $ par personne.
Le programme Films en famille
Certains cinémas de la chaîne Cineplex (dont ceux de Kirkland, Laval et Brossard) présentent le samedi matin à 11 h des films sortis dans la dernière année, mais qui ne sont toutefois pas des primeurs. Le prix d’entrée ? Seulement trois dollars par personne !
BOXING DAY AT DIX-30 BROSSARD QC.
via YouTube Capture
Vidéo Appartements à louer Montréal - 1620 Avenue Victoria
Pour plus d'informations sur ces appartements à louer Montréal , visitez notre site web
Appartements Le Victoria
1620, avenue Victoria, Greenfield Park, QC
Site facile d'accès par l'autoroute 132, situé entre les ponts Champlain et Jacques-Cartier, près de tous les services dont l'hôpital Charles-Lemoyne, des épiceries, des pharmacies et des restaurants. Ces appartements à louer à Greenfield Park se trouvent à quelques minutes seulement du très sympathique centre-ville de St-Lambert!
Une station d'autobus est située à proximité ainsi que la station de train de banlieue conduisant au centre-ville de Montréal.
L'immeuble de 9 étages dispose d'une buanderie et de deux aires de stationnement dont une intérieure, l'autre extérieure.
Appelez maintenant (514) 513-1778
2011 Mercedes-Benz ML350 BlueTEC 4MATIC
Mercedes-Benz Rive Sud
4844 Boul. Taschereau
in Greenfield Park, QC J4V 2J2
Learn More:
Ressentez toute la puissance de son moteur V8 turbo, venez essayer le Mercedes-Benz Classe M 2011. Affichant moins de 80 000 km au compteur, ce VUS 4 portes met la priorit�� sur le confort, la s��curit�� et son c��t�� pratique. Ce v��hicule propose une polyvalente transmission int��grale coupl��e �� une transmission automatique et un moteur 6 cylindres de 3,0 L. Parmi les principales caract��ristiques on retrouve un syst��me �� t��l��d��verrouillage, l'ouverture automatique de la glace du conducteur, le si��ge conducteur �� commande ��lectrique, le r��troviseur central avec fonction anti��blouissement automatique, des r��troviseurs ext��rieurs avec fonction anti��blouissement automatique, climatiseur avant avec commande automatique de temp��rature bizone, plaques de protection des ��l��ments m��caniques, et beaucoup plus. Comporte une t��l��commande int��gr��e d'ouvre-porte de garage, une autre des options distinctives de ce v��hicule. Avec des phares �� haute intensit�� lumineuse pour ��clairer la route, vous b��n��ficierez d'une visibilit�� optimale en toutes circonstances. Le toit ouvrant assist�� illumine l'habitacle de lumi��re naturelle. Mercedes-Benz a mis la s��curit�� des occupants au coeur de ses pr��occupations avec les ��quipements suivants: rideaux gonflables pour prot��ger la t��te, coussins gonflables lat��raux �� l'avant, syst��me antipatinage, syst��me d'assistance au freinage, appuis-t��te avant anti-coup de fouet, la mise hors de fonction du syst��me d'allumage, et freins �� disque aux 4 roues avec antiblocage. Les essuie-glaces �� balayage intermittent se mettent automatiquement en marche d��s la premi��re goutte de pluie. Voici un v��hicule d'occasion certifi�� qui a pass�� haut la main l'exigent processus de certification de Mercedes-Benz. Ce qui nous rend fiers, c'est vous offrir uniquement des v��hicules de grande qualit��. Passez nous voir ou appelez-nous pour obtenir plus d'information.
The Groucho Marx Show: American Television Quiz Show - Door / Food Episodes
Contestant teams usually consisted of one male and one female, most selected from the studio audience. More Groucho:
Occasionally, famous or otherwise interesting figures were invited to play (e.g., a Korean-American contestant who was a veteran and had been a prisoner of war during the Korean War).
After his signature introduction of Here he is: the one, the only... by Fenneman and finished by a thunderous GROUCHO! from the audience, Marx would be introduced to the music of Hooray for Captain Spaulding, his signature song. After which, Groucho would be introduced to the contestants and engage in humorous conversation for a lengthy period of time where Groucho both improvised his responses and employed prepared lines written by the show's writers using preshow interviews.
Some show tension revolved around whether a contestant would say the secret word, a common word revealed to the audience at the show's outset. If a contestant said the word, a toy duck resembling Groucho with a mustache and eyeglasses, and with a cigar in its bill, descended from the ceiling to bring a $100 bill. A cartoon of a duck with a cigar was also used in the opening title sequence. In one episode, Groucho's brother Harpo came down instead of the duck, and in another a model came down in a birdcage with the money. Marx sometimes slyly directed conversation to encourage the secret word to come up. The duck was also occasionally replaced with a wooden Indian figure.
After the contestants' introduction and interview, the actual game began. Couples chose from a list of 20 available categories before the show, then tried to answer a series of questions within that category. From 1947--1956, couples were asked four questions.
1947--1953 -- Each couple began with $20, wagering part or all of their bankroll for each question.
1953--1954 -- Each couple now began with $0, but selected values from $10 to $100 (in $10 increments). A correct answer added the value of the question to their bankroll, while an incorrect answer did nothing. According to co-director Robert Dwan in his book As Long As They're Laughing, Guedel changed the scoring format because too many couples were betting, and losing, most or all of their money.
1954--1956 -- The format was slightly altered to start each couple with $100. Incorrect answers now cut their bankroll to that point in half.
1956--1959 -- Two couples (reduced from three) answered questions until they either gave two consecutive incorrect responses or answered four consecutive questions correctly for a prize of $1,000.
1959--1961 -- For the last two seasons, couples picked four questions worth $100, $200, or $300 each, potentially winning up to $1,200. Winning at least $500 qualified the team to go for the jackpot question.
From 1947--1956, if the couple ended with $25 or less, Marx asked an elementary consolation question for a total of $25 (later $100) which did not count toward the scores. The questions were made easy in hopes that nobody would answer incorrectly, and included such examples as Who is buried in Grant's Tomb?, When did the War of 1812 start?, How long do you cook a three-minute egg?, and What color is an orange? The question about Grant's Tomb became such a staple of the show that both Marx and Fenneman were shocked when one man got the question wrong by answering No one. As the contestant then pointed out, Grant's Tomb is an above ground mausoleum.
In all formats, one of the two players on the team could keep their half of the winnings while the other risked their half. In this case, all amounts being played for were divided in half.
1947--1956 -- The highest-scoring couple was given one final question for the jackpot, which began at $1,000 and increased by $500 each week until won (reaching $6,000 at least once, in 1952). In the event of a tie, the tied couples wrote their answers on paper and all couples who answered correctly split the jackpot.
1956--1957 -- For a brief period following the format change, couples who won the front game could wager half on another question worth $2,000.
1957--1959 -- Winning couples now faced a wheel with numbers from 1--10, selecting one number for $10,000. If the number selected was spun, a correct answer to the jackpot question augmented the team's total winnings to that amount; otherwise, the question was worth a total of $2,000.
1959--1961 -- For the last two seasons, the format was slightly altered to eliminate the risk and add a second number for $5,000.
Suspense: The Dead Sleep Lightly / Fire Burn and Cauldron Bubble / Fear Paints a Picture
The Three Witches or Weird Sisters are characters in William Shakespeare's play Macbeth (c. 1603--1607). Their origin lies in Holinshed's Chronicles (1587), a history of England, Scotland and Ireland. Other possible sources influencing their creation aside from Shakespeare's own imagination include British folklore, contemporary treatises on witchcraft including King James I and VI's Daemonologie, Scandinavian legends of the Norns, and ancient classical myths concerning the Fates, the Greek myths of the Moirai and the Roman myths of the Parcae. Portions of Thomas Middleton's play The Witch were incorporated into Macbeth around 1618.
Shakespeare's witches are prophets who hail the general Macbeth early in the play with predictions of his rise as king. Upon committing regicide and taking the throne of Scotland, Macbeth hears the trio deliver ambiguous prophecies threatening his downfall. The witches' dark and contradictory natures, their filthy trappings and activities, as well as their intercourse with the supernatural all set an ominous tone for the play.
In the eighteenth century the witches were portrayed in a variety of ways by artists such as Henry Fuseli. Since then, their role has proven somewhat difficult for many directors to portray, due to the tendency to make their parts exaggerated or overly sensational. Some have adapted the original Macbeth into different cultures, as in Orson Welles's performance making the witches voodoo priestesses. Film adaptations have seen the witches transformed into characters familiar to the modern world, such as hippies on drugs or goth schoolgirls. Their influence reaches the literary realm as well in such works as The Third Witch and the Harry Potter series.
Come and Go, a short play written in 1965 by Samuel Beckett, recalls the Three Witches of Shakespeare's Macbeth. It features only three characters, all women, named Flo, Vi, and Ru. The opening line: When did we three last meet? [28] recalls the When shall we three meet again? of Macbeth: Act 1, Scene 1.[29] The Third Witch, a 2001 novel written by Rebecca Reisert, tells the story of the play through the eyes of a young girl named Gilly, one of the witches. Gilly seeks Macbeth's death out of revenge for killing her father.[30]
J. K. Rowling has cited the Three Witches in Shakespeare's Macbeth as an influence in her Harry Potter series. In an interview with The Leaky Cauldron and MuggleNet, when asked, What if [ Voldemort ] never heard the prophecy?, she said, It's the 'Macbeth' idea. I absolutely adore 'Macbeth.' It is possibly my favourite Shakespeare play. And that's the question isn't it? If Macbeth hadn't met the witches, would he have killed Duncan? Would any of it have happened? Is it fated or did he make it happen? I believe he made it happen.[31] On her website, she referred to Macbeth again in discussing the prophecy: the prophecy (like the one the witches make to Macbeth, if anyone has read the play of the same name) becomes the catalyst for a situation that would never have occurred if it had not been made.[32] More playfully, Rowling also invented a musical band popular in the Wizarding world called The Weird Sisters that appears in passing in several books in the series as well as the film adaptation of Harry Potter and the Goblet of Fire. The third Harry Potter movie's soundtrack featured a song by John Williams called Double Trouble, a reference to the witches' line, Double double, toil and trouble. The lyrics of the song were adapted from the Three Witches' spell in the play.
Calling All Cars: Lt. Crowley Murder / The Murder Quartet / Catching the Loose Kid
The Los Angeles Police Department (LAPD) is the police department of the city of Los Angeles, California.
The LAPD has been copiously fictionalized in numerous movies, novels and television shows throughout its history. The department has also been associated with a number of controversies, mainly concerned with racial animosity, police brutality and police corruption.
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.