'Search' by Ciarán Taylor and Carpet Theatre at dlr LexIcon - Highlight Video
by Ciarán Taylor and Carpet Theatre.
Performer Devisers: Ruth Lehane, Karl Quinn and Felipe Jóia
Live Music by Tim Doyle
Masks by Pau Cirer
dlr LexIcon 20 September 2019
'Search' was commissioned by Dún Laoghaire-Rathdown County Council as part of the Per Cent for Art Programme under the Department of Housing, Planning, and Local Government.
The Play
Cathal comes to the library to return Angela's books, where he is drawn into a frantic search among the shelves for a lost book that holds Angela's secret. He must find it before he loses his mind, but the mysterious librarian is always one step ahead.
Commission
The commission was to create a performance for DLR’s Culture Night event at dlr LexIcon, Dún Laoghaire. Ciarán Taylor is a director-deviser who specialises in site-specific creations. He describes his initial approach: ‘The Lexicon is a landmark public building with a striking design, which culminates on the fifth floor in an impressive reading area at a very tall window overlooking Dún Laoghaire harbour and Dublin Bay. I wanted to bring the audience through the building from bottom to top, creating a story set in the place that would allow the them to look at the building in a new way, and link it to a world of imagination. I wanted to make a play about reading, and libraries as a source and repository for our imaginations.’
Devising
‘We began with no story or script. Working with three actors and then a musician, we spent time observing different parts of the building, and how it is used by the people who go there. I was inspired by reading Susan Orlean’s The Library Book, which also became the image of ‘the red book’ central to the plot and design of the play.’
Promenade
Search was conceived as a promenade performance where the audience follow the action through the Lexicon library on a voyage of the imagination- moving through a building already abuzz with other activities and performances for Culture Night.
The Play
The time sequence of the play is out of order at the beginning. It follows the logic of the locations on the journey from floor one to five. Cathal is an older man. His wife Angela has recently died. He finds her bag of library books and is drawn to return them. He arrives by car to the Lexicon car park, where she had recently been. As he figures out the automatic book return machine a note falls from one of the books. The red book disappears on the conveyor belt back into the library system. The note refers to this red book, which he is now desperate to retrieve. He is drawn on a desperate search through the library to find it. The book begins to take on magical properties, while Angela and the mysterious librarian seem to be leading him to the fifth floor.
He has flashback memories of Angela along the way: their first meeting among the shelves of the college library, her reading under a parasol on holiday, reading the same book over her shoulder. We see a mysterious librarian retrieving the magical red book from the storage area on level 2 . He is always one step ahead of Cathal in his search. His book trolley takes on a strange power, buffeting Cathal in his turmoil.
A frantic cat and mouse chase among the shelves of the fifth floor accelerates to a streak of red as Cathal is drawn to the window overlooking the bay. The red book is there. He reads the important passage marked by Angela with a feather. He sees a vision of her one more time, but beyond his reach on the other side of the glass. When he looks again she is gone. He goes to leave with the book, his precious connection to Angela. The librarian asks for it back. Library books are only on loan. They hold our collective knowledge, which must be shared and passed on. A young woman picks the book from the trolley. Cathal is given another book. He sits and begins to read. He looks out to sea. The memory of Angela is with him, but no longer haunts him. She has brought him to a place of contemplation, a place to look out to sea at the endless horizon, a place to re-find the joy of reading, which they once shared.
Ciarán Taylor
Carpet Theatre previously created the site specific '50 Ways to Leave Dún Laoghaire' at the Dún Laoghaire ferry terminal, and 'Sightless Cinema' and 'Flood' - a play in the dark, at Lexicon.
Ciarán Taylor is artistic director of Carpet Theatre. He studied directing at the University of Kent at Canterbury, and devising at Ecole Jacques Lecoq, Paris. He has written/devised and directed nineteen diverse productions with the company, which have toured Ireland and abroad. He has been Theatre Artist in Residence at MermaidArts Centre, and Leitrim Artist in Schools.
Rock to the Top (2017-2018) was commissioned for South Dublin County’s In Context 4 programme of public art, which brought peope out to experience the Dublin Mountains to build a cairn over a full year. The Flood (with support from DLR / HSE Arts and Health Partenership), his multi-sensory audio play in the dark, toured Ireland in 2017.