Louisiana Museum of Modern Art, Copenhagen | allthegoodies.com
The famous museum at Humlebæk, half an hour drive from Copenhagen, is an oasis both for art, architecture and surroundings. An art collection of 3000 pieces, temporary exhibitions, great architecture, a beautiful park, cafe and a lagre museum shop and bookstore.
LOUISIANA Museum Of Modern Art - Denmark
A walk around the Sculpture Garden at the Louisiana Museum of Modern Art, Humlebaek, Northern Zealand, Denmark.
Louisiana Museum of Modern Art - Impressions
En dag på Louisiana Museum of Modern Art, Humlebæk, nord for København, Danmark. Louisiana bliver ofte kaldt måske det smukkeste museum i verden eller mit yndlings museum i verden. Interaktionen mellem arkitektur, kunst og natur er unik. Et levende kulturhus for alle andre.
/
A day at the Louisiana Museum of Modern Art, Humlebæk, just north of Copenhagen, Denmark. Louisiana is often called probably the most beautiful museum in the world or my favourite museum in the world. The interaction between art, architecture and nature is unique. A living house of culture for all ages. Enjoy!
Filmed by David Kahr, autumn 2010
Louisiana Museum of Modern Art, July 2010
A collage of my own videos and photos from Louisiana Museum of Modern Art, July 29, 2010.
The museum is located in Humlebæk on Sjelland, Denmark (north of Copenhagen) -
The works of art in the video:
0:30-0:34 Henry Moore
0:58-1:06 Henry Moore
1:06-1:10 Joel Shapiro
1:19-2:15 Henry Moore
2:15-2:43 Alberto Giacometti
2:48-3:11 Jean Dubuffet
3:18-3:30 Henry Heerup
3:30-4:18 Jean Tinguely
4:18-5:03 Yayoi Kusama
5:04-5:32 Alexander Calder
5:56-6:06 Joel Shapiro
6:30-6:41 Alexander Calder
Everything shot with Fujifilm Finepix compact digital camera.
KUSAMA EXHIBIT... IN COPENHAGEN? (Louisiana Museum of Modern Art) - RomeAroundTheWorld Day 8
It was a rainy day in Copenhagen Denmark, so we opted to do indoor activities today! The Louisiana Museum of Modern Art has been recommended by so many people, so we thought we'd take the train 30 hours away to check it out! Don't forget to thumbs up, subscribe and comment! :D
LATEST VLOGS:
Day 7: Copenhagen Travel Vlog
Day 6: First Time in Copenhagen
DAY 5: Day Trip to Norcia
DAY 4: Italian Family Dinner
DAY 3: Plane and Train to Italy!
DAY 2: London's Must Visit Spots
DAY 1: Europe Travel Vlogs start now!
- - - - - - - - - - - - -
PLACES IN THIS VLOG
Democratic Coffee Bar
Krystalgade 15, 1172 København, Denmark
Lousiana Museum of Modern Art
Gl Strandvej 13, 3050 Humlebæk, Denmark
Meille
Sankt Peders Stræde 24A, 1453 København, Denmark
- - - - - - - - - - - - -
FOLLOW ME HERE:
Instagram:
Facebook:
Twitter:
** For business inquiries only: ohitsrome@gmail.com
- - - - - - - - - - - - -
SONG 1
Solidarity - Guustavv (Epidemic Sound)
SONG 2
Clouds Above - Guustavv (Epidemic Sound)
End Credit Song:
Khandi - Ooyy (Epidemic Sound)
#RomeAroundTheWorld #Denmark #Copenhagen
Louisiana Museum of Modern Art - Denmark
Louisiana Museum of Modern Art - Denmark
Louisiana Art Museum
'The Louisiana Museum of Modern Art is an art museum located on the shore of the Øresund Sound in Humlebæk, 35 km (22 mi) north of Copenhagen, Denmark. The most visited art museum in Denmark, it has an extensive permanent collection of modern and contemporary art, dating from World War II to the present day; in addition, it has a comprehensive programme of special exhibitions. The museum is also acknowledged as a milestone in modern Danish architecture, and is noted for its synthesis of art, architecture, and landscape. The museum occasionally also stages exhibitions of work by the great impressionists and expressionists, e.g. Claude Monet was the focus of a major exhibition in 1994.'
CPH ART & CULTURE: Louisiana Museum of Modern Art 2018
My first time visiting Louisiana.
I hope you enjoy it.
————————————————————————
Address: Gl Strandvej 13, 3050 Humlebæk
Homepage:
Google Map:
————————————————————————
Music:
Smany - Music (A Himitsu Remix)
Stories (Available on Spotify)
A Himitsu
Soundcloud:
Spotify: spoti.fi/25LtgMM
Contact: x.jonaz@gmail.com
Cecily Brown Interview: Totally Unaware
“The phone is obviously the death of society and culture.” With her powerful painting ‘Where, When, How Often and with Whom’ as the point of departure, the influential British-born painter Cecily Brown here discusses how the sense of fragmentation in her work reflects her perception of our contemporary world.
“I never think of painting as a cathartic thing, but I definitely think it’s a way of processing things.” Brown feels that one of the reasons why she became a painter, is that she wants to respond to the things she sees, and she attributes the sense of fragmentation, which pervades her work, to having lived in New York for 25 years: “The experience of living in a very busy city inevitably feeds into the way I see things and understand them.” Her paintings are made by drawing partly on the things lying around her in the studio, and she feels these many different images feed into her work both directly and indirectly. The central image in her painting ‘Where, When, How Often and with Whom’ is based on a disturbing news photograph of a Muslim woman on the beach in Nice in 2016, who was forced to remove her burkini (a bathing suit respecting Islamic rules of female modesty) by four police officers: “It’s just a very violent image and seems very eloquent about our times.” Moreover, she feels that the many bystanders are part of what makes the photos so disquieting: “These white tourists are all just sitting around observing… they appear as complicit voyeurs.” Voyeurism, Brown continues, has always been a huge part of her work, where there’s nearly always a watching figure. In continuation of this, Brown adds that the figures in her painting can be seen to be unaware of each other though they are in the same physical space. This, she feels, is also the case in our world, where many people are so caught up in their phones, that they hardly notice each other: “One of the incredibly sad things about our time is how isolated people are.”
Cecily Brown (b. 1969) is a British painter. Brown creates vivid, atmospheric depictions of fragmented bodies, often in erotic positions in the midst of swells of colour and movement. This has made many compare her to painters such as Francis Bacon and Francisco Goya, and she is furthermore credited as one of the central figures in the resurgence of painting since the turn of the century. Brown has exhibited extensively, including at The Saatchi Gallery in London and the Whitney Museum of American Art in New York. Solo shows have also been held at prominent venues such as Gagosian Gallery in Beverly Hills, New York and London, Contemporary Fine Arts in Berlin and Kunsthalle in Mannheim. She lives and works in New York City.
Cecily Brown was interviewed by Marc-Christoph Wagner at the Louisiana Museum of Modern Art in Humlebæk, Denmark in November 2018 in connection with the exhibition ‘Where, When, How Often and with Whom.’ In the video, Brown discusses her triptych painting ‘Where, When, How Often and with Whom’ (2017).
Camera: Klaus Elmer
Edited by: Klaus Elmer
Produced by: Marc-Christoph Wagner
Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2018
Supported by Nordea-fonden
FOLLOW US HERE!
Website:
Facebook:
Instagram:
Twitter:
Tal R on Marsden Hartley
“A great painting always speaks with two tongues. It says: I’m a flower, and it says: I’m not a flower. His paintings are always like that.” Watch the praised Danish artist Tal R express his appreciation of American painter Marsden Hartley (1877-1943), who has made a painting that he considers “the most ridiculous idea, but also one of the most beautiful paintings I’ve ever seen.”
Tal R considers Hartley’s paintings more relevant than ever: “They’re not about perfection, they’re not about finding yourself, they’re not about a straight road. They’re really like people’s lives – going left and right.” The sense of unfulfillment in Hartley’s paintings attracts him, and is precisely what he believes makes artwork great: “It’s like an arm reaching out for something that you don’t quite get.” Tal R also discusses the ornamented paintings Hartley did during World War I, and how he turned the cruelty of the war into beautiful uniforms: “He creates this kind of colourful mathematics about something that is anything but colourful.” All wars, Tal R continues, have something naïve and childish about them, and a painting such as this can point out this childishness. Finally, Tal R argues that at the end of his life, Hartley doesn’t become a better painter “… he actually becomes worse and worse in a good way.”
Tal R (b. 1967) is a Danish painter and former guest professor at Kunstakademie Düsseldorf. Born Tal Rosenzweig in Tel Aviv to a Danish mother and Czechoslovakian Jewish father, the family moved to Denmark, where Tal R was raised. The title of the series of paintings featured in the film, ’Habakuk’ (2017), is Tal R and his sister’s nickname for their father. Tal R is widely considered to be one of the main forces in bringing painting back after conceptual art dominated the art scene in the 1990s. His work has been shown internationally, e.g. at ARoS Aarhus Kunstmuseum in Aarhus, Pinakothek der Moderne in Munich, Contemporary Fine Arts in Berlin, Camden Arts Centre in London and Louisiana Museum of Modern Art in Humlebæk, Denmark.
Marsden Hartley (1877-1943) was an American painter, poet and essayist, who has been hailed as “America’s first great modern painter of the 20th century.” The work of Hartley, who lived most of his life nomadically between Europe and the USA, can be regarded as a bridge between European and American modernism. His first critical success came with an exhibition at the photographer and gallerist Alfred Stieglitz’ 291 Gallery in New York in 1909. Financed by Stieglitz, he went to Europe in 1912, spending much of his time in Germany, where he met Franz Mark, Wassily Kandinsky and other members of the innovative group of painters Der Blaue Reiter group with whom he exhibited at the famous Erster Deutscher Herbstsalon in Berlin in 1913. Despite his central position on the art scene of the time, Hartley has largely remained a neglected name in the USA and an unknown figure in Europe, perhaps because of the many-faceted character of his oeuvre, which has made it difficult to place him in the history of art.
Tal R was interviewed by Marc-Christoph Wagner in spring 2019 in connection with the retrospective exhibition ‘Marsden Hartley – The Earth is All I Know of Wonder’ at the Louisiana Museum of Modern Art in Humlebæk, Denmark. The retrospective is the first major exhibition of his work in Europe since 1960.
Camera: Jakob Solbakken
Produced by: Marc-Christoph Wagner and Mathias Ussing Seeberg
Edited by: Roxanne Bagheshirin Lærkesen
A complete list of works shown in the film can be found in the end credits
Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2019
Supported by Nordea-fonden
FOLLOW US HERE!
Website:
Facebook:
Instagram:
Twitter:
Inside Architecture: ARoS Art Museum
The ARoS Aarhus Kunstmuseum is an art museum in Aarhus, Denmark. The museum was established in 1859 and is the oldest public art museum in Denmark outside Copenhagen. On 8 April 2004, ARoS Aarhus Kunstmuseum opened with exhibitions in a brand new modern building, 10 storeys tall with a total floor area of 20,700 m² and designed by Danish architects Schmidt Hammer Lassen. Today ARoS is one of the largest art museums in northern Europe with a total of 816,468 visitors in 2015.
Apart from the large galleries with both permanent and changing exhibitions, the ARoS building features an arts shop, a dining café and a restaurant. The architectural vision of the museum was completed in 2011, with the addition of the circular skywalk Your rainbow panorama by Ólafur Elíasson. The installation has helped boost the museum's attendance, making it the second most visited museum in Denmark, just behind the well-known Louisiana Museum in Humlebæk.
Cablenet cable installation - Louisiana Museum of Modern Art, Copenhagen - S3i & Cecil Balmond
S3i are proud to have manufactured and installed a ground breaking art installation at the Louisiana Museum of Modern Art in Copenhagen, Denmark. As part of the Frontiers of Architecture exibition running from June to October 2007.
With its new series, The Frontiers of Architecture, Louisiana Museum of Modern Art concentrates on some of the most significant phenomena that have been influencing architecture over the past few years. The choice of Cecil Balmond as the pivotal figure in the first of these exhibitions turns the focus on the constructional and aesthetic principles underlying architecture, thus offering the visitor a sneak preview of the latest architectural visions.
Louisiana Museum, Humlebaek, Denmark
Louisiana, museum of modern art / May 2013
Louisiana, Humlebæk, Denmark
Gleaming Lights of the Souls by Yayoi Kusama
naedk.wordpress.com
Cecil Balmond exhibit - Louisiana Museum -Humlebaek, Denmark
Cecil Balmond exhibit
TAL R :
Shortly before he turned fifty, we had the unique pleasure of spending six months with Danish artist Tal R, while he was in the process of making his grand series of nine enormous railcar-paintings, ‘Habakuk’. Watch the intimate and biographical film.
“There’s one character, in the world of characters, that I like the most, and that character is the colon.” Tal R uses the colon to illustrate the relationship between the past, present and future. In this film, Tal R – on the brink of turning fifty – looks forwards as well as backwards and shares what being an artist and a human being means to him, and why the two can’t be separated.
It’s the pictures that have something capricious within them that truly touches the Danish painter: “If you want an aesthetic discussion about when a picture is fabulous, it’s when something in the picture is an unpredictable movement.” Furthermore, as an artist, you have to be as mystified as the observer: “For instance, if an artist paints a store front, part of the drama is imagining what’s inside the store.”
What happens when something from the outside “breaks” or “besmirches” culture? Tal R feels that this is when progress happens: “Within most contexts it’s a catastrophe if you don’t speak the language, but I think nothing opens up language more than those so-called linguistic catastrophes.”
Tal R (b. 1967) is a Danish painter and former guest professor at Kunstakademie Düsseldorf. Born Tal Rosenzweig in Tel Aviv to a Danish mother and Czechoslovakian Jewish father, the family moved to Denmark, where Tal R was raised. The title of the series of paintings featured in the film, ’Habakuk’ (2017), is Tal R and his sister’s nickname for their father. Tal R is widely considered to be one of the main forces in bringing painting back after conceptual art dominated the art scene in the 1990s. His work has been shown internationally, e.g. at ARoS Aarhus Kunstmuseum in Aarhus, Pinakothek der Moderne in Munich, Contemporary Fine Arts in Berlin, Camden Arts Centre in London and Louisiana Museum of Modern Art in Humlebæk, Denmark.
Tal R was interviewed by Kasper Bech Dyg and Marc-Christoph Wagner from December 2016 to May 2017.
A film by: Kasper Bech Dyg and Marc-Christoph Wagner
Camera: Klaus Elmer
Additional footage: Nikolaj Jungersen & Rasmus Quistgaard
Edited by: Kasper Bech Dyg & Klaus Elmer
Soundmix: Torsten Larsen
Produced by: Kasper Bech Dyg and Marc-Christoph Wagner
Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2017
Supported by Nordea-fonden
FOLLOW US HERE!
Website:
Facebook:
Instagram:
Twitter:
Louisiana Børnehus / Children's Wing
Indtryk fra Børnehuset på Louisiana Museum of Modern Art in Humlebæk nord for København. Et inspirerende og entusiastisk første møde med kunsten. /
Impressions from the Children's Wing at the Louisiana Museum of Modern Art in Humlebæk, north of Copenhagen. Inspirational and enthusiastic first meetings with art.
Filmed by David Kahr
HELLE SODERBERG Alberto Giacometti al Louisiana Museum of Modern Art, Copenaghen
Liu Xiaodong Interview: We Humans are Strange Animals
“Artists are like small angels, who fly back and forth,” says the pre-eminent Chinese painter Liu Xiaodong, who believes that the open-mindedness of artists can inspire us to broaden our outlook: “Painting is not directly related to changing society but it is close to having an effect.”
In the mind of an artist, Xiaodong argues, there is no such thing as national boundaries, and because they don’t do much practical work, artists rely on their imagination: “He can look and then paint what he sees and show it to you… We need artists to travel between countries to communicate this innocent view of the world.”
“We humans are very strange animals. We always dream about going to far-away places.” Xiaodong also talks about his urge to visit the remote corners of the world, and the addictive nature of painting: “I will be happy during those days I work and paint. Just like smoking allows you to feel happy for ten minutes.”
Liu Xiaodong (b. 1963) is considered one of China’s leading artists. In his often large-scale paintings, Xiaodong depicts the lives, narratives and landscapes of modern humanity, finding his subjects in places all over the world, where he settles down and spends time with those he wants to portray. He lives and works in Beijing but has undertaken projects in e.g. Tibet, Japan, Italy, the UK, Cuba and Greenland. Xiaodong’s work has been the subject of numerous solo exhibitions worldwide including Palazzo Strozzi in Florence, Kunsthalle Düsseldorf, Seattle Art Museum, and Ullens Center for Contemporary Art in Beijing. His work has also been included in group exhibitions including the Gwanju Biennale (2014), the Shanghai Biennale (2000 and 2010), the 15th Biennale of Sydney and the Venice Biennale (2013 and 1997).
Liu Xiaodong was interviewed by Marc-Christoph Wagner at Lisson Gallery in London in January 2019 in connection with the exhibition ‘Liu Xiaodong: Weight of Insomnia’. The interview is made in connection with the exhibition ‘Expedition to Uummannaq, Greenland’ (21.3.2019 – 10.6.2019) at the Louisiana Museum of Modern Art in Humlebæk, Denmark:
Camera: Kyle Stevenson
Produced by: Marc-Christoph Wagner
Edited by: Roxanne Bagheshirin Lærkesen
Cover photo: Cropped version of ‘Green Pub’, 2013, London, United Kingdom by Liu Xiaodong
Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2019
Supported by Nordea fonden
FOLLOW US HERE!
Website:
Facebook:
Instagram:
Twitter:
Little Janey-Waney (Stabile Mobile) by Alexander Calder at Louisiana MOMA, Denmark
Installation view of Little Janey-Waney (Stabile Mobile) by Alexander Calder at Louisiana Museum of Modern Art, Denmark on June 1, 2017