Spira Mirabilis: The Orchestra without conductor (2013)
The orchestra Spira Mirabilis is an atypical and international ensemble which was created by a group of musicians in order to put instrumentalists at the center of the musical creation process. This documentary catches a glimpse of their practice methods, based on mutual listening, debate and generosity.
Click here to watch Spira Mirabilis perform Robert Schumann's Symphony No. 1:
Click here to watch the documentary about the Ensemble Spira Mirabilis during their rehearsals:
Click here to watch the co-founder Lorenza Borrini's first violin solo:
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Made up of musicians playing in the best international orchestras, the Spira Mirabilis gathers young people from a dozen of different countries. Spira mirabilis is mostly based in the town of Formigine in Italy but had residencies also in Germany, UK, Switzerland, France and Poland. Their goal: not creating a new orchestra to give concerts with, but founding an ensemble of talented musicians they can rehearse and study with. Gerald Caillat has filmed them while they were rehearsing Schumann's Symphony No. 1 before a performance at the Teatro Comunale di Modena... without any conductor!
Incendio a a La Maddalena
Intervento dei vigili del fuoco per spegnere auto in fiamme
Cressi set Pluma bag
Set composto da pinne Pluma, maschera Perla e aeratore Gamma, contenuti in un'elegante e comoda borsa per il trasporto, adatto per il nuoto, snorkeling e apnea.
Maschera Perla
Una maschera particolarmente indicata per l'apnea, lo snorkeling e per l'impiego con autorespiratore.
Ha vetri separati, un morbido facciale, dotato di flangia interna d'appoggio, che si adatta alla maggior parte dei contorni facciali, offrendo un elevato comfort.
Il volume interno è decisamente ridotto, ottimo per l'apnea.
Realizzata in morbido silicone ipoallergenico trasparente oppure dark, dispone di robuste fibbie ad azionamento rapido per la regolazione del cinghiolo.
Areatore Gamma
Aeratore progettato principalmente per lo snorkeling.
Il tubo, di forma curva per rimanere il più aderentre possibile alla testa, è a sezione variabile e termina superiormente con un paraspruzzi sagomato, che limita l'ingresso di acqua e spruzzi dall'estremità superiore, senza ostacolare la ventilazione.
Il boccaglio, realizzato in morbido silicone, ha un'angolatura studiata per un uso prolungato senza indolenzimenti delle gengive.
Inferiormente il tubo termina con un pozzetto assiale di raccolta dell'acqua, dotato di una valvola ellittica di scarico, che rende veramente facile e agevole l'espulsione dell'acqua.
Il sistema di aggancio rapido al cinghiolo della maschera è scorrevole sul tubo dell'aeratore per un posizionamento ottimale.
Pinne Pluma
Pluma è una pinna straordinaria nella sua categoria, che si avvale di una tecnologia costruttiva fin'ora riservata solo ai modelli tecnici concepiti espressamente per l'apnea e per l'immersione con l'autorespiratore.
Utilizza infatti lo stesso sistema costruttivo Cressi (brevettato) di stampaggio in 3 materiali, per ottenere prestazioni elevate, grande leggerezza e facilità di pinneggiata, straordinario comfort.
La pala è realizzata in polipropilene, un materiale leggero e nervoso al tempo stesso, caratterizzato da un ritorno elastico molto energico e immediato.
Due costolature laterali di rinforzo e altre nervature presenti sul lato inferiore della pala ne garantiscono una flessione progressiva e controllata.
Il risultato è una pinneggiata piuttosto potente ma fluida , poco stancante, proprio come dev'essere su una pinna di questa categoria.
L'alloggiamento del piede si sviluppa interamente sul lato inferiore della pala, per garantire un'elevata protezione durante la pinneggiata, anche in acqua bassa e in prossimità di rocce e scogli.
E' realizzato in morbida termogomma, con forme studiate al computer per ottimizzare il comfort e consentire un uso prolungato della pinna.
La suola è interamente rigida e dotata di ampi inserti antiscivolo, sia per una protezione totale del piede, sia per una trasmissione ottimale degli sforzi gamba-pinna.
A chi è destinata
Pluma è la pinna perfetta per lo snorkeling, il nuoto e l'apnea non troppo impegnativa.
La sua estrema leggerezza ne fa un'ottima pinna per i viaggi aerei all'estero.
Scuba diving in Thailand. Andaman sea, January 2017.
My first video editing experience with GoPro Studio. A very long video with several errors of sequence, but .... it's okay. The next time will be better.
Qualche tranquilla immersione con acqua calda, 30°..., e bello leggero: muta corta da 3mm e 10 lt in alluminio.
Passavo da quelle parti e non potevo esimermi dal fare qualche tuffo, ma pensavo di meglio ... aveva piovuto nei giorni prima e c'era stato un po' di mare, ma quasi quasi preferisco le secche profonde in Liguria o il Mediterraneo di Ustica e dintorni, bisognerebbe farci una settimana blu, sperando nel bel tempo, forse un'altra volta ... .
Adesso si torna alla routine : lago, buio, freddo, acqua dolce a 6°, muta stagna, sottomuta, bibo e 2/3 stage ... EVVIVA !!!
Se non avete la pazienza di vederlo tutto ( vi posso capire ...) potete saltare 6.53-13.13 , prima e dopo è un poco più dinamico anche se meno fluido. Qualcosa di bello c'è, tipo a 2.30, 3.54, 13.25, 13.40 ...
NYSTV - The Secret Nation of Baal and Magic on the Midnight Ride - Multi - Language
This is the Midnight Ride with David Carrico on NYSTV with Jon Pounders talking about the true occult origins of the US.
See whoever controls the narrative has spin control over the status quo. They decide what's moral or immoral. What's sane and insane. What's possible and not possible. And they especially decide the heros and the villians.
You won't find this information on TV or in your history books. Very informative as always. Check out NYSTV, relevant talk. Not distractions like the rest of the media.
I'm still trying to get these out as fast as possible, and there are a few errors on the subtitles towards the end in some languages. Sorry about that and I'll try to fix them as soon as I can.
Afrikaans
አማርኛ
العربية
Azərbaycanca / آذربايجان
Boarisch
Беларуская
Български
বাংলা
བོད་ཡིག / Bod skad
Bosanski
Català
Нохчийн
Sinugboanong Binisaya
ᏣᎳᎩ (supposed to be Burmese but it doesn't show...)
Corsu
Nehiyaw
Česky
словѣньскъ / slověnĭskŭ
Cymraeg
Dansk
Deutsch
Ελληνικά
Esperanto
Español
Eesti
Euskara
فارسی
Suomi
Võro
Français
Frysk
Gàidhlig
Galego
Avañe'ẽ
ગુજરાતી
هَوُسَ
Hawai`i
עברית
हिन्दी
Hrvatski
Krèyol ayisyen
Magyar
Հայերեն
Bahasa Indonesia
Igbo
Ido
Íslenska
Italiano
日本語
Basa Jawa
ქართული
Қазақша
ភាសាខ្មែរ
ಕನ್ನಡ
한국어
Kurdî / كوردی
Коми
Kırgızca / Кыргызча
Latina
Lëtzebuergesch
ລາວ / Pha xa lao
Lazuri / ლაზური
Lietuvių
Latviešu
Malagasy
官話/官话
Māori
Македонски
മലയാളം
Монгол
Moldovenească
मराठी
Bahasa Melayu
bil-Malti
Myanmasa
नेपाली
Nederlands
Norsk (bokmål / riksmål)
Diné bizaad
Chi-Chewa
ਪੰਜਾਬੀ / पंजाबी / پنجابي
Norfuk
Polski
پښتو
Português
Romani / रोमानी
Kirundi
Română
Русский
संस्कृतम्
Sicilianu
सिनधि
Srpskohrvatski / Српскохрватски
සිංහල
Slovenčina
Slovenščina
Gagana Samoa
chiShona
Soomaaliga
Shqip
Српски
Sesotho
Basa Sunda
Svenska
Kiswahili
தமிழ்
తెలుగు
Тоҷикӣ
ไทย / Phasa Thai
Tagalog
Lea Faka-Tonga
Türkçe
Reo Mā`ohi
Українська
اردو
Ўзбек
Việtnam
Хальмг
isiXhosa
ייִדיש
Yorùbá
中文
isiZulu
中文(台灣)
tokipona
Our Miss Brooks: Deacon Jones / Bye Bye / Planning a Trip to Europe / Non-Fraternization Policy
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name.
Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School.
Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win.
Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags.
Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections.
Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts.
Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty.
Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend.
Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks.
Jacques Monet (Gerald Mohr), a French teacher.
Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role.
Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try.
Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very feline in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews.
Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton, she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne.
For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended.
Suspense: The Name of the Beast / The Night Reveals / Dark Journey
The Number of the Beast (Greek: Ἀριθμὸς τοῦ θηρίου, Arithmos tou Thēriou) is the numerical value of the name of the person symbolized by the beast from the sea, the first of two symbolic beasts described in chapter 13 of the Book of Revelation. In most manuscripts of the New Testament the number is 666, but the variant 616 is found in critical editions of the Greek text, such as the Novum Testamentum Graece.
Most scholars believe that the number of the beast equates to Emperor Nero, whose name in Greek when transliterated into Hebrew, retains the value of 666, whereas his Latin name transliterated into Hebrew, is 616. The mark of the beast is used to distinguish the beast's followers. Revelation 13:17 says that the mark is the name of the beast or the number of his name. Because of this, it is widely thought among dispensationalists that the mark will be some future representation of the actual number 666. It has also been speculated that the mark may be an Imperial Roman seal, or the Emperor's head on Roman coins.