Bazeilles : La Maison de la dernière Cartouche
Les 31 août et 1er septembre 1870, les régiments d'infanterie et d'artillerie de marine réunis sous la Division Bleue résistent héroïquement face à l'envahisseur Prussien. Le musée de « la Maison de la dernière Cartouche » témoigne de la résistance acharnée d'une poignée d'hommes jusqu'à l'épuisement totale des munitions. Ce fait d'arme, acte fédérateur des troupes de marine, est commémoré chaque année par les marsouins et bigors.
Bazeilles
1870 - Combats de Bazeilles
Combats de Bazeilles
Maison de la dernière cartouche
Général de Vassoigne
Musée de la Dernière Cartouche
Bazeilles Ardennes 1870
ᴴᴰ Les Dernières Cartouches (1870-1897) Guerre Franco-Allemande
« Je désire raconter nos défaites dans ce qu'elles ont eu d'honorable pour nous, et je crois donner ainsi un témoignage d'estime à nos soldats et à leurs chefs, un encouragement pour l'avenir. Quoi qu'on en dise, nous n'avons pas été vaincus sans gloire, et je crois qu'il est bon de le montrer ! »
(Alphonse de Neuville, 1881)
Les Dernières Cartouches est un célèbre tableau historique et patriotique créé par Alphonse de Neuville en 1873. Il immortalise le combat désespéré et héroïque de la poignée de braves qui, sous les ordres du commandant Arsène Lambert blessé, défendirent la dernière maison du village de Bazeilles, dans les Ardennes, jusqu'à la dernière cartouche le 1er septembre 1870.
Face à cette trentaine de Français acharnés, un régiment Bavarois qui bombarde la maison mais subit de lourdes pertes et se livrera le lendemain à un massacre sur les villageois en signe de représailles...
Quant à l'auberge Bourgerie, désormais connue comme la « Maison de la Dernière Cartouche », elle a été conservée en l'état afin de devenir un musée.
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livres:
*Jules Claretie
L'art et les artistes français contemporains: avec un avant-propos sur le Salon de 1876
Charpentier
1876
« M. Alphonse de Neuville a pris soin d'indiquer sur sa toile le lieu du combat qu'il a voulu peindre. C'est à Balan, près de Sedan (journée du 1er septembre) que se passe cette défense d'une maison cernée par l'ennemi. Rien de plus poignant que cette toile, Les Dernières Cartouches.
Une poignée de soldats, lignards, turcos, chasseurs à pied, officiers et soldats, réfugiés, postés dans une maison du faubourg de Sedan, s'y défendent avec un acharnement farouche. Le logis est effondré; un obus vient d'y éclater et a semé autour de lui ces mille débris de l'explosion, les plâtres et les cadavres. Les balles ont brisé les carreaux, constellé les murailles, broyé les armoires. Les chaises dépaillées, les armes cassées traînent à terre. On a porté dans une alcôve un pauvre soldat mort, dont les survivants, à bout de munitions, se disputent la giberne et les cartouches. Par la fenêtre, deux ou trois soldats enragés sont, protégés par des matelas, le coup de fusil contre les assaillants. Un officier de la ligne épaule son arme et combat en simple soldat. Un autre, blessé à la jambe, se traîne furieux jusqu'à la fenêtre, comme pour y lutter encore. La mort est partout, dans cette chambre où monte une fumée de combat. Un soldat, accoté contre une armoire, soulève d'un geste dolent son poignet brisé, comme le conscrit d'Horace Vernet dans le tableau de la Barrière de Clichy. Un autre, l'épaule broyée, s'appuie, pour ne point tomber, au chambranle d'une porte ouverte qui laisse apercevoir, dans une autre pièce, un nouveau groupe héroïque de soldats combattant toujours. Il y a une véritable fièvre, une furie de carnage dans cette scène où rugit la colère de la défaite. Ces rideaux déchiquetés, ces meubles émiettés, ce casque prussien qui roule sur le parquet parmi tant de débris, donnent bien l'idée de la lutte acharnée que soutiennent des gens qui veulent mourir.
Mais la figure la plus réussie, à coup sûr, du tableau, c'est celle du petit chasseur qui, suant et harassé, ayant brûlé toutes ses cartouches, s'assied à demi contre le lit où est étendu un camarade mort, et là, calme, les mains dans les poches, inutile, étant désarmé, attend, impassible et muet, que l'ennemi entre et que la mort vienne. Voilà qui est tout à fait trouvé, et d'un mouvement, d'une expression, qui ne sentent point l'école. Il y a de tout, dans le regard de ce brave garçon, dont le képi glisse sur le front moite : le sentiment du devoir accompli, l'accablement de la déroute, la colère et l'impassibilité de l'homme résolu. Une telle invention fait grand honneur à M. de Neuville, et le succès qu'obtient cette toile, Les Dernières Cartouches, prouve combien l'artiste a touché juste et a fait vrai. Ce qui manque à ce tableau si remarquable, d'une composition si mâle et si dramatique, c'est la couleur qu'a M. Detaille. »
*Charles Habeneck
Les régiments-martyrs
Pagnerre
1871
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vidéos:
*Georges Méliès
Bombardement d'une maison
Star Film (restauration)
1897
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disques:
*Musique de l'Air de Paris
Hommage Funèbre Aux Tambours Français
Corelia
2008
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internet:
*La maison de la dernière cartouche
*Musée Maison de la Dernière Cartouche
1870 - la bataille décisive de Sedan - Arte (2006)
Le 1er septembre 1870, une partie de l'armée allemande, commandée par von Moltke, prend d'assaut le petit village de Bazeilles, dans les Ardennes françaises. Son adversaire, le général Mac-Mahon, est contraint de se replier sur Sedan, où l'artillerie allemande, avec ses 400 canons modernes, sème la panique. Des heures durant, Napoléon III arpente le champ de bataille et espère être atteint par un obus prussien pour mourir en héros. Il n'en sera rien et, contre l'avis de certains de ses généraux, il fait hisser le drapeau blanc. Le souverain est fait prisonnier avec plus de 100 000 de ses hommes. Six mois après sa victoire, Guillaume Ier est proclamé empereur dans la galerie des Glaces du château de Versailles et la Prusse engage l'unification de l'Allemagne.
La dernière cartouche
M de Bronze et Prix du Public du Festival 3M 2015
Le récit d'un crime presque réussi.
Réalisation : Albin Bernard
derniere cartouche
me voici tiran mes derniere cartouche
Georges Méliès: The Last Cartridges (1897)
The Last Cartridges (French: Les Dernières Cartouches, also released as Bombardement d'une Maison; Star Film Catalogue no. 105) is an 1897 French short silent film directed by Georges Méliès, based on the 1873 painting of the same name by Alphonse de Neuville. The film recreates the defense of a house at Bazeilles, on September 1, 1870 at the Battle of Sedan during the Franco-Prussian War.
The film was a great success and inspired the Lumière, Pathé and Gaumont studios to film imitations.
The cover Image is the painture Les dernires cartouches by Alphonse Marie Adolphe de Neuville that inspired this movie,
Breve Storia del Cinema - Il cinema di Méliès:
Bazeilles - Récit des combats
Récit des combat de Bazeilles
Julien Courbet - Service Maximum
Reportage sur Cartridge World dans l'émission Service Maximum avec Julien Courbet et Josiane Balasko. Comment améliorer son pouvoir d'achat. Recharger vos cartouches d'imprimantes et économisez sur vos impressions!
Commémoration de la bataille de Bazeilles à Lunel 2015
Le 8 mai à Bazeilles
Un char Renault de sortie pour l'occasion dans les Ardennes. Voyez l'interview du maire (DVD) de Bazeilles.
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Bazeilles - Cérémonie à l'Ossuaire
Cérémonies de Bazeilles - septembre 2011
Cérémonie à l'Ossuaire - Allocution du général GEORGES Père de l'Arme
live Marine home: special coraux (nourrissage, brassage, identification et placement dans votre bac)
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CYPRIEN - LE PATRON DE YOUTUBE
Bonjour, je suis Jean-Daniel YouTube, le créateur de YouTube. Venez, je vous fais visiter ma fabuleuse entreprise.
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Accessoiriste Marion Quillet / Maquillage FX Christophe Pizetta / Réalisateur Antoine Barillot / Maquillage Justine Vandenbussche / Chef opérateur Camille Salvan / Opérateur son Benjamin Le Calvé / Mixage son Antoine Caracci / Stylisme Mathilde Bordes / Directeur de production Paul Esteves / Chargé de production Agnes Lepeu Antoine Vialle / Régisseur Bertrand Fecci / Décor Webedia
Suspense: My Dear Niece / The Lucky Lady (East Coast and West Coast)
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, Backseat Driver, which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with Death on My Hands: A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's The Man Who Went Back to Save Lincoln or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.
The First Tank-on-Tank Battle in History - The Zeebrugge Raid I THE GREAT WAR Week 196
At Villers-Bretonneux, German and British tanks clash marking the first tank-on-tank battle in history. In the same week, the most successful flying ace of World War 1 is shot down over France: Manfred von Richthofen dies after scoring 80 victories. Meanwhile, the British Navy attempts to eliminate the German U-Boat threat with a daring raid on Zeebrugge and Ostende.
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» WHAT ARE YOUR SOURCES?
Videos: British Pathé
Pictures: Mostly Picture Alliance
Background Map:
Literature (excerpt):
Gilbert, Martin. The First World War. A Complete History, Holt Paperbacks, 2004.
Hart, Peter. The Great War. A Combat History of the First World War, Oxford University Press, 2013.
Hart, Peter. The Great War. 1914-1918, Profile Books, 2013.
Stone, Norman. World War One. A Short History, Penguin, 2008.
Keegan, John. The First World War, Vintage, 2000.
Hastings, Max. Catastrophe 1914. Europe Goes To War, Knopf, 2013.
Hirschfeld, Gerhard. Enzyklopädie Erster Weltkrieg, Schöningh Paderborn, 2004
Michalka, Wolfgang. Der Erste Weltkrieg. Wirkung, Wahrnehmung, Analyse, Seehamer Verlag GmbH, 2000
Leonhard, Jörn. Die Büchse der Pandora: Geschichte des Ersten Weltkrieges, C.H. Beck, 2014
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» WHAT IS “THE GREAT WAR” PROJECT?
THE GREAT WAR covers the events exactly 100 years ago: The story of World War I in realtime. Featuring: The unique archive material of British Pathé. Indy Neidell takes you on a journey into the past to show you what really happened and how it all could spiral into more than four years of dire war. Subscribe to our channel and don’t miss our new episodes every Thursday.
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The Art of Self-Defense
Casey (Jesse Eisenberg) just can't seem to win. Attacked on the street, humiliated at his job and even emasculated by his dog, he joins a local karate dojo led by the enigmatic Sensei (Alessandro Nivola) to learn how to defend himself. In the midst of his training, Casey becomes friendly with a female instructor (Imogen Poots) and soon realizes he is caught in a bizarre world of outcasts, fraternal rituals and hilarious hyper-masculinity.
You Bet Your Life: Secret Word - Tree / Milk / Spoon / Sky
Julius Henry Groucho Marx (October 2, 1890 -- August 19, 1977) was an American comedian and film and television star. He is known as a master of quick wit and widely considered one of the best comedians of the modern era. His rapid-fire, often impromptu delivery of innuendo-laden patter earned him many admirers and imitators. He made 13 feature films with his siblings the Marx Brothers, of whom he was the third-born. He also had a successful solo career, most notably as the host of the radio and television game show You Bet Your Life. His distinctive appearance, carried over from his days in vaudeville, included quirks such as an exaggerated stooped posture, glasses, cigar, and a thick greasepaint mustache and eyebrows. These exaggerated features resulted in the creation of one of the world's most ubiquitous and recognizable novelty disguises, known as Groucho glasses, a one-piece mask consisting of horn-rimmed glasses, large plastic nose, bushy eyebrows and mustache.
Groucho Marx was, and is, the most recognizable and well-known of the Marx Brothers. Groucho-like characters and references have appeared in popular culture both during and after his life, some aimed at audiences who may never have seen a Marx Brothers movie. Groucho's trademark eye glasses, nose, mustache, and cigar have become icons of comedy—glasses with fake noses and mustaches (referred to as Groucho glasses, nose-glasses, and other names) are sold by novelty and costume shops around the world.
Nat Perrin, close friend of Groucho Marx and writer of several Marx Brothers films, inspired John Astin's portrayal of Gomez Addams on the 1960s TV series The Addams Family with similarly thick mustache, eyebrows, sardonic remarks, backward logic, and ever-present cigar (pulled from his breast pocket already lit).
Alan Alda often vamped in the manner of Groucho on M*A*S*H. In one episode, Yankee Doodle Doctor, Hawkeye and Trapper put on a Marx Brothers act at the 4077, with Hawkeye playing Groucho and Trapper playing Harpo. In three other episodes, a character appeared who was named Captain Calvin Spalding (played by Loudon Wainwright III). Groucho's character in Animal Crackers was Captain Geoffrey T. Spaulding.
On many occasions, on the 1970s television sitcom All In The Family, Michael Stivic (Rob Reiner), would briefly imitate Groucho Marx and his mannerisms.
Two albums by British rock band Queen, A Night at the Opera (1975) and A Day at the Races (1976), are named after Marx Brothers films. In March 1977, Groucho invited Queen to visit him in his Los Angeles home; there they performed '39 a capella. A long-running ad campaign for Vlasic Pickles features an animated stork that imitates Groucho's mannerisms and voice. On the famous Hollywood Sign in California, one of the Os is dedicated to Groucho. Alice Cooper contributed over $27,000 to remodel the sign, in memory of his friend.
In 1982, Gabe Kaplan portrayed Marx in the film Groucho, in a one-man stage production. He also imitated Marx occasionally on his previous TV sitcom Welcome Back, Kotter.
Actor Frank Ferrante has performed as Groucho Marx on stage for more than two decades. He continues to tour under rights granted by the Marx family in a one-man show entitled An Evening With Groucho in theaters throughout the United States and Canada with piano accompanist Jim Furmston. In the late 1980s Ferrante starred as Groucho in the off-Broadway and London show Groucho: A Life in Revue penned by Groucho's son Arthur. Ferrante portrayed the comedian from age 15 to 85. The show was later filmed for PBS in 2001. Woody Allen's 1996 musical Everyone Says I Love You, in addition to being named for one of Groucho's signature songs, ends with a Groucho-themed New Year's Eve party in Paris, which some of the stars, including Allen and Goldie Hawn, attend in full Groucho costume. The highlight of the scene is an ensemble song-and-dance performance of Hooray for Captain Spaulding—done entirely in French.
In the last of the Tintin comics, Tintin and the Picaros, a balloon shaped like the face of Groucho could be seen in the Annual Carnival.
In the Italian horror comic Dylan Dog, the protagonist's sidekick is a Groucho impersonator whose character became his permanent personality.
The BBC remade the radio sitcom Flywheel, Shyster and Flywheel, with contemporary actors playing the parts of the original cast. The series was repeated on digital radio station BBC7. Scottish playwright Louise Oliver wrote a play named Waiting For Groucho about Chico and Harpo waiting for Groucho to turn up for the filming of their last project together. This was performed by Glasgow theatre company Rhymes with Purple Productions at the Edinburgh Fringe and in Glasgow and Hamilton in 2007-08. Groucho was played by Scottish actor Frodo McDaniel.
You Bet Your Life: Secret Word - Car / Clock / Name
Julius Henry Groucho Marx (October 2, 1890 -- August 19, 1977) was an American comedian and film and television star. He is known as a master of quick wit and widely considered one of the best comedians of the modern era. His rapid-fire, often impromptu delivery of innuendo-laden patter earned him many admirers and imitators. He made 13 feature films with his siblings the Marx Brothers, of whom he was the third-born. He also had a successful solo career, most notably as the host of the radio and television game show You Bet Your Life. His distinctive appearance, carried over from his days in vaudeville, included quirks such as an exaggerated stooped posture, glasses, cigar, and a thick greasepaint mustache and eyebrows. These exaggerated features resulted in the creation of one of the world's most ubiquitous and recognizable novelty disguises, known as Groucho glasses, a one-piece mask consisting of horn-rimmed glasses, large plastic nose, bushy eyebrows and mustache.
Groucho Marx was, and is, the most recognizable and well-known of the Marx Brothers. Groucho-like characters and references have appeared in popular culture both during and after his life, some aimed at audiences who may never have seen a Marx Brothers movie. Groucho's trademark eye glasses, nose, mustache, and cigar have become icons of comedy—glasses with fake noses and mustaches (referred to as Groucho glasses, nose-glasses, and other names) are sold by novelty and costume shops around the world.
Nat Perrin, close friend of Groucho Marx and writer of several Marx Brothers films, inspired John Astin's portrayal of Gomez Addams on the 1960s TV series The Addams Family with similarly thick mustache, eyebrows, sardonic remarks, backward logic, and ever-present cigar (pulled from his breast pocket already lit).
Alan Alda often vamped in the manner of Groucho on M*A*S*H. In one episode, Yankee Doodle Doctor, Hawkeye and Trapper put on a Marx Brothers act at the 4077, with Hawkeye playing Groucho and Trapper playing Harpo. In three other episodes, a character appeared who was named Captain Calvin Spalding (played by Loudon Wainwright III). Groucho's character in Animal Crackers was Captain Geoffrey T. Spaulding.
On many occasions, on the 1970s television sitcom All In The Family, Michael Stivic (Rob Reiner), would briefly imitate Groucho Marx and his mannerisms.
Two albums by British rock band Queen, A Night at the Opera (1975) and A Day at the Races (1976), are named after Marx Brothers films. In March 1977, Groucho invited Queen to visit him in his Los Angeles home; there they performed '39 a capella. A long-running ad campaign for Vlasic Pickles features an animated stork that imitates Groucho's mannerisms and voice. On the famous Hollywood Sign in California, one of the Os is dedicated to Groucho. Alice Cooper contributed over $27,000 to remodel the sign, in memory of his friend.
In 1982, Gabe Kaplan portrayed Marx in the film Groucho, in a one-man stage production. He also imitated Marx occasionally on his previous TV sitcom Welcome Back, Kotter.
Actor Frank Ferrante has performed as Groucho Marx on stage for more than two decades. He continues to tour under rights granted by the Marx family in a one-man show entitled An Evening With Groucho in theaters throughout the United States and Canada with piano accompanist Jim Furmston. In the late 1980s Ferrante starred as Groucho in the off-Broadway and London show Groucho: A Life in Revue penned by Groucho's son Arthur. Ferrante portrayed the comedian from age 15 to 85. The show was later filmed for PBS in 2001. Woody Allen's 1996 musical Everyone Says I Love You, in addition to being named for one of Groucho's signature songs, ends with a Groucho-themed New Year's Eve party in Paris, which some of the stars, including Allen and Goldie Hawn, attend in full Groucho costume. The highlight of the scene is an ensemble song-and-dance performance of Hooray for Captain Spaulding—done entirely in French.
In the last of the Tintin comics, Tintin and the Picaros, a balloon shaped like the face of Groucho could be seen in the Annual Carnival.
In the Italian horror comic Dylan Dog, the protagonist's sidekick is a Groucho impersonator whose character became his permanent personality.
The BBC remade the radio sitcom Flywheel, Shyster and Flywheel, with contemporary actors playing the parts of the original cast. The series was repeated on digital radio station BBC7. Scottish playwright Louise Oliver wrote a play named Waiting For Groucho about Chico and Harpo waiting for Groucho to turn up for the filming of their last project together. This was performed by Glasgow theatre company Rhymes with Purple Productions at the Edinburgh Fringe and in Glasgow and Hamilton in 2007-08. Groucho was played by Scottish actor Frodo McDaniel.