iClick Media - Massage Party (08 Feb 2018)
iClick Media is a digital agency with offices in Singapore, Indonesia and India.
To reward our staff, iClick Media periodically organises outings and parties. This is 1 of the massage party conducted at iClick Media. We invited professional masseurs and manicurists to head down to our office to give our staff a much needed break!
One Year Later... | Critical Role RPG Episode 95
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It’s been one year since we last saw Vox Machina, but the gang is getting back together for a group vacation to the Bay of Gifts! Thanks to our friends at Wyrmwood Gaming for sponsoring Critical Role! Check out their handcrafted goods at
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The Animal Kingdom - Full Movie - GOOD QUALITY (1932)
The Animal Kingdom (also known as The Woman in His House in the UK) is a 1932 American pre-Code comedy-drama film directed by Edward H. Griffith based upon a comedy of manners of the same name by Philip Barry.
The film stars Leslie Howard, Ann Harding, Myrna Loy, William Gargan, Ilka Chase, and Neil Hamilton. Howard, Gargan, and Chase also starred in the play when it opened on Broadway on 12 January 1932.
PLOT
Successful and passionate publisher Tom Collier (Leslie Howard) marries socialite Cee Henry (Myrna Loy) despite loving his open-minded mistress, Daisy Sage (Ann Harding). As Tom becomes an established member of the upper class, his deceitful wife convinces him to publish books solely for profit and sacrifice his intellectual pursuits. When Daisy sees what Tom has become, she criticizes his transformation, forcing him to choose between staying with Cee and following his heart.
CAST
Ann Harding as Daisy Sage, illustrator and artist
Leslie Howard as Tom Collier
Myrna Loy as Mrs. Cecelia 'Cee' Thomas Collier
William Gargan as 'Red' Regan, Tom's Butler
Neil Hamilton as Owen, a lawyer
Ilka Chase as Grace - Cee's Friend
Henry Stephenson as Mr Rufus Collier
Leni Stengel as Franc Schmidt, Cellist, and Daisy's friend
Don Dillaway as Joe Fiske - One Of Tom's Authors
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Auburn Coach Wife Kristi Malzahn Agrees with Match & eHarmony: Men are Jerks
My advice is this: Settle! That's right. Don't worry about passion or intense connection. Don't nix a guy based on his annoying habit of yelling Bravo! in movie theaters. Overlook his halitosis or abysmal sense of aesthetics. Because if you want to have the infrastructure in place to have a family, settling is the way to go. Based on my observations, in fact, settling will probably make you happier in the long run, since many of those who marry with great expectations become more disillusioned with each passing year. (It's hard to maintain that level of zing when the conversation morphs into discussions about who's changing the diapers or balancing the checkbook.)
Obviously, I wasn't always an advocate of settling. In fact, it took not settling to make me realize that settling is the better option, and even though settling is a rampant phenomenon, talking about it in a positive light makes people profoundly uncomfortable. Whenever I make the case for settling, people look at me with creased brows of disapproval or frowns of disappointment, the way a child might look at an older sibling who just informed her that Jerry's Kids aren't going to walk, even if you send them money. It's not only politically incorrect to get behind settling, it's downright un-American. Our culture tells us to keep our eyes on the prize (while our mothers, who know better, tell us not to be so picky), and the theme of holding out for true love (whatever that is—look at the divorce rate) permeates our collective mentality.
Even situation comedies, starting in the 1970s with The Mary Tyler Moore Show and going all the way to Friends, feature endearing single women in the dating trenches, and there's supposed to be something romantic and even heroic about their search for true love. Of course, the crucial difference is that, whereas the earlier series begins after Mary has been jilted by her fiancé, the more modern-day Friends opens as Rachel Green leaves her nice-guy orthodontist fiancé at the altar simply because she isn't feeling it. But either way, in episode after episode, as both women continue to be unlucky in love, settling starts to look pretty darn appealing. Mary is supposed to be contentedly independent and fulfilled by her newsroom family, but in fact her life seems lonely. Are we to assume that at the end of the series, Mary, by then in her late 30s, found her soul mate after the lights in the newsroom went out and her work family was disbanded? If her experience was anything like mine or that of my single friends, it's unlikely.
And while Rachel and her supposed soul mate, Ross, finally get together (for the umpteenth time) in the finale of Friends, do we feel confident that she'll be happier with Ross than she would have been had she settled down with Barry, the orthodontist, 10 years earlier? She and Ross have passion but have never had long-term stability, and the fireworks she experiences with him but not with Barry might actually turn out to be a liability, given how many times their relationship has already gone up in flames. It's equally questionable whether Sex and the City's Carrie Bradshaw, who cheated on her kindhearted and generous boyfriend, Aidan, only to end up with the more exciting but self-absorbed Mr. Big, will be better off in the framework of marriage and family. (Some time after the breakup, when Carrie ran into Aidan on the street, he was carrying his infant in a Baby Björn. Can anyone imagine Mr. Big walking around with a Björn?)