OMG Sri Lankan Seafood at MINISTRY OF CRAB! | Food Tour in Colombo, Sri Lanka!
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Nelum Kole Restaurant - To begin the day we started off at Nelum Kole Restaurant, a Sri Lankan food restaurant serving a massive buffet of different Sri Lankan food dishes. Overall, the food was good, but not the best Sri Lankan food I had. Flavors tasted too similar to each other. It is a good place to taste variety though.
Dilmah Tea Lounge - After lunch we headed to a Dilmah Tea Lounge and drank a few teas all of which were very good.
Ministry of Crab - Rated as one of Asia’s 50 Best Restaurants, Ministry of Crab is one of the most iconic restaurant serving seafood and especially Sri Lankan crabs in Colombo. It’s a high end restaurant, with prices that go with it, but I do have to admit that it was extremely tasty. The river shrimp, the black pepper crab was delicious. Price - about 30,000 LKR ($165.53) per OMG crab - I think it’s overpriced - but it is good.
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Tim:
Thank you for watching this Sri Lankan food video! You can watch the entire Sri Lanka food and travel series here:
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Selena Gomez - Hands To Myself
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Music video by Selena Gomez performing Hands To Myself. (C) 2015 Interscope Records
Rare video of Sri Lanka in the 1920's: Locals working in Rice Paddies and Riding Elephants
Watch this early black and white 16 mm film for a rare look at Sri Lanka in the late 1920'w, where famers work with ox and plow in the rice paddies, and men ride elephants through the streets. This is part of a series of short films taken by American tourists to document their travels through India, Tibet, and Sri Lanka
How to Trim a Baby's Hair
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No matter how bald your baby is at birth, eventually you'll find yourself washing mashed banana out of her hair after every meal. Here's how to give her a trim.
Step 1: Choose time
Choose a time of day when your baby is generally in good spirits and neither hungry nor tired.
Step 2: Place in high chair
Place her in a high chair, or any chair with a restraining belt, and buckle her in. Pretend you're a real hairdresser and start chatting her up as soon as she's seated. It doesn't matter what you say, just be upbeat and reassuring.
Tip
Some babies are more willing to sit still on a loved one's lap. If yours is too, recruit your spouse or a friend to be the chair.
Step 3: Wrap towel
Wrap the towel gently around her shoulders and pin it in place, or put the bibs on her, one facing forward and one backwards. And keep talking!
Step 4: Keep baby busy
Hand the baby a favorite book, toy, or snack to keep her distracted and happy—and her hands busy and out of the way.
Step 5: Spray & gather
Concentrate on the area most in need of a trim. Spray the hair and comb it smooth, then gather it between your index and middle fingers without bunching up the hairs.
Tip
If the baby is reluctant to have her hair spritzed and trimmed, spritz and snip your own to demonstrate that it doesn't hurt.
Step 6: Cut hair
Pull the hair gently down and snip just below your fingers in one cut. Release the hair and let it spring back into place. If it's curly hair, pull it down as far as it will go before trimming to avoid cutting it too short.
Step 7: Talk & distract
Any time your baby gets fussy, hand her a new distraction. And don't stop talking!
Tip
If she's fussy because the cut hair is falling against her skin, brush it off with a soft, clean brush. A large makeup brush works well for this.
Step 8: Clip strays
Re-comb the spot you've trimmed and clip any stray hairs you've missed.
Tip
Your baby's hysterical and you're not done yet? Don't torture either one of you; stop cutting and do the finishing touches while she's asleep.
Step 9: Trim rest of hair
Trim and neaten up other sections of hair in the same way. Now your baby will be prettier than ever—and you'll be cleaning the mashed banana off the floor instead.
Did You Know?
Babies born with hair often lose all of it during the first 6 months, but don't worry—it grows back!
Show Me Marriage Equality Bus to Iowa
On Friday, May 1st, 17 same-sex couples from Missouri boarded the first Show Me Marriage Equality Bus. They were joined by a dozen clergy members, advocates, photographers, filmmaker and several reporters. Their destination was Iowa City where they legally married in what was called, the first Midwest victory for Marriage Equality. The day marked an historic day as Missourians and the Nation witnessed these couples getting legally married.
Iowa's first dealings with same-sex marriage came in 1998, after recent court cases starting in Hawaii found that denying the right to marry to same-sex couples was incompatible with the Equal Protection Clause of the state constitutions of most states. Iowa legislators hurried to pass a local Defense of Marriage Act to prohibit marriage between gay and lesbian couples to avoid a similar court challenge.
In 2005, Lambda Legal filed a lawsuit on behalf of six Polk County same-sex couples and their children who were denied marriage licenses in Iowa, arguing that this denial violated the liberty and equal protection clauses in the state constitution. In 2007, the Polk County District Court ruled in favor of the couples, prompting the county to appeal to the Iowa Supreme Court. On April 3, 2009, the Iowa Supreme Court unanimously upheld the District Court's ruling holding that there was no important governmental interest in denying citizens marriage licenses based on their sexual orientation. Licenses were originally to be available 21 days after the ruling, on April 24, but the date has been pushed back to April 27.
Here is a great video of our last bus courtesy the St. Louis Post-Dispatch
Street View on Google Maps
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Google Maps Playlist: | Check out the new experience of Street View on Google Maps. Learn the new ways to enter Street View, look at our full screen mode, navigate through driving directions, and more.
Street View is a feature of Google Maps that allows you to quickly and easily view and navigate high-resolution, 360 degree street level images of various cities around the world.
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The Great Gildersleeve: Leroy's Laundry Business / Chief Gates on the Spot / Why the Chimes Rang
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
Suspense: Stand-In / Dead of Night / Phobia
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, Backseat Driver, which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with Death on My Hands: A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's The Man Who Went Back to Save Lincoln or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.
Calling All Cars: Lt. Crowley Murder / The Murder Quartet / Catching the Loose Kid
The Los Angeles Police Department (LAPD) is the police department of the city of Los Angeles, California.
The LAPD has been copiously fictionalized in numerous movies, novels and television shows throughout its history. The department has also been associated with a number of controversies, mainly concerned with racial animosity, police brutality and police corruption.
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
Calling All Cars: The 25th Stamp / The Incorrigible Youth / The Big Shot
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
The Great Gildersleeve: Marjorie the Actress / Sleigh Ride / Gildy to Run for Mayor
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.
On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. You're a haa-aa-aa-aard man, McGee! became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of Gildersleeve's Diary on the Fibber McGee and Molly series (Oct. 22, 1940).
He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family.
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.