Performance Black & White and the Grey matter in between 002
The idea of the performance arose during the preparation of the solo exhibition by Lawrence Chikwa in May 2016 in Lusaka, Zambia (Modzi Arts). More specifically, the performance has been inspired on Chikwa’s painting “The newly graduates”, which addresses the colonial past of Zambia.
Jess Steward about First graduates”:
This piece is a powerful critique of colonialism and specifically the paternalism that was a basic component of it. The standing white man is attired in full white, setting himself apart from his surroundings, the people and the clay that he stands on. A group of small adults sit below a blackboard marked with simple statements that would be taught to children. The knowledge the people have, has clearly not been accounted for, or thought to be of worth, and the primacy is given to the systems of the foreign, colonizing people. Especially poignant is the inclusion of two elderly men who are being infantilized not only by the requirement of their presence in the lesson but also by the fact that they are forced to wear shorts, like young boys, rather than the pants of the male colonist. (Text: Jess Steward).
Camiel van Lenteren: “As a performance artist I like to create performances that result in an outcome , which together with the performance story line, photo’s (and / or film) and the “outcome materials” creates the, what I call, “steady state” artwork. The outcome here is about “Black and White” thinking connected to old postcolonial thoughts, which all came to life when I first saw “First Graduates” in the studio of Lawrence Chikwa”.
Description of the performance:
A white man and a black woman presented themselves to the public and changed clothes. White in white clothes and Black in black clothes. The two placed themselves at their “working spaces”, each provided with different materials. White materials included mealie meal flour (Mais flour), coffee creamer and body lotion. The black and brown materials where mainly charcoal and red/brown earth taken from the Lusaka area.
The performance started with the performers washing themselves with clear water. Next, they attempted to turn themselves into “the other” colour, finding out that this is quite hard. After trials and errors, the performers turned to canvases that hung on the walls. One black canvas and one white canvas. The black canvas was attacked with white materials and the white canvas with black and brown materials.
All this time there was silence, the performers had no contact. This changed when the white canvas was turned black/brown and the black canvas was almost transformed into white. At that moment, the performers started to look at each other’s creations and to each other’s odd appearances. It didn’t stop there, as they then started to try out what happens if white material was applied on black and brown and the other way around. Mixing up the colours. This mixing continued until the performers where satisfied with the results and with each other. They then hugged, bowed to the camera and walked out of the scene together as brothers in arms, gladly as they were that mixing of colours doesn’t end up in greyness.