Polychoral Splendour Music from the four galleries of the Abbey Church of Muri
The young Heinrich Schütz's four-year sojourn with Giovanni Gabrieli proved to be one of the most fruitful educational journeys to Italy undertaken by German musicians, artists and writers. Following his return, Schütz presented his Psalms of David in 1619: an impressive result of his encounter with the Italian musical style. These Teutsche Psalmen auf Italienische Manier (German Psalms in the Italian Manner) are consistently based on the polychoral style with which Schütz had become acquainted in the Venetian tradition of cori spezzati. As first organist of St Mark's, Venice, Gabrieli included in his compositions the architecture of this ecclesiastical building in a unique way, placing the singers and instrumentalists, who were divided into as many as four choirs, in facing galleries, thus achieving remarkable sonic and spatial effects.
On this recording the Cappella Murensis and the ensemble Les Cornets Noirs make use of the four galleries in the Abbey Church at Muri, following the historic model: in the works for two, three and four choirs, voices and instruments blend with a total of four continuo organs, producing a unique sound. The inclusion of the two large historic Bossart organs (Epistle and Gospel Organ) as continuo instruments creates an additional dynamic palette. Rather than being constantly present as soloists, the vocal parts are often integrated, as instruments, into the overall sound, thus appearing all the more prominent in solo passages. This supports the compelling contrast between expansive tutti and concertante sections characteristic of this music.
With magnificent Sonatas and Canzonas by Giovanni Gabrieli, Les Cornets Noirs, led by the cornettists Gebhard David and Bork-Frithjof Smith, once more showcase themselves as one of the leading European ensembles in the field of early baroque music.
With Italy in mind, the abbots and master builders designed the octagonal nave of the Abbey Church at Muri with its four galleries especially for polychoral music-making. The Cappella Murensis under its founder Johannes Strobl and Les Cornets Noirs regularly perform here using several choirs spaced widely apart.
CAPPELLA MURENSIS:
Siri Karoline Thornhill, Stephanie Petitlaurent - Sopran
Rolf Ehlers, Jürgen Ochs, Mirko Ludwig, Manuel Warwitz – Tenor
Simon Schnorr, Kees Jan de Koning - Bass
LES CORNETS NOIRS:
Gebhard David, Bork-Frithjof Smith - Cornetto
Amandine Beyer, Cosimo Stawiarski - Violino
Simen van Mechelen, Henning Wiegräbe, Eckart Wiegräbe, Detlef Reimers, Franck Poitrineau, Joseph Bastian - Trombone
Markus Märkl, Jörg-Andreas Bötticher David Blunden, Angelika Hirsch - Organo
Matthias Müller, Tore Eketorp - Violone in G
Johannes Strobl - musical director
Heinrich Schütz (1585-1672): Warum toben die Heiden, SWV 23 (Psalmen Davids)
Giovanni Gabrieli (ca. 1555-1612): Canzon primi toni a 8, C 170 (Sacrae Symphoniae)
Heinrich Schütz: Saul, Saul, was verfolgst du mich?, SWV 415 (Symphoniarum sacrarum tertia pars)
Giovanni Gabrieli: Canzon quarti toni a 15, C 185 (Sacrae Symphoniae)
Heinrich Schütz: Komm, Heiliger Geist, Herre Gott, SWV 417 (Symphoniarum sacrarum tertia pars)
Giovanni Gabrieli: Canzon VIII a 8, C 202 (Canzoni et Sonate)
Heinrich Schütz: Ich danke dem Herrn von ganzem Herzen, SVW 34 (Psalmen Davids)
Giovanni Gabrieli: Sonata XVIII a 14, C 211 (Canzoni et Sonate)
Heinrich Schütz: Vater unser, der du bist im Himmel, SWV 411 (Symphoniarum sacrarum tertia pars)
Giovanni Gabrieli: Canzon in echo duodecimi toni a 10, C 180 (Sacrae Symphoniae)
Heinrich Schütz: Zion spricht: Der Herr hat mich verlassen, SWV 46 (Psalmen Davids)
Giovanni Gabrieli: Canzon septimi toni a 8, C 171 (Sacrae Symphoniae)
Heinrich Schütz: Alleluja! Lobet den Herrn, SWV 38 (Psalmen Davids)
Heinrich Schütz: Ach Herr, straf mich nicht in deinem Zorn, SWV 24 (Psalmen Davids)
Heinrich Schütz: Wohl dem, der den Herren fürchtet, SWV 30 (Psalmen Davids)
Heinrich Schütz: Siehe, es erschien der Engel des Herren Joseph im Traum, SWV 403 (Symphoniarum sacrarum tertia pars)
recording: July 25 - 28, 2011
recording location: Abbey Church of Muri
equipment: Sennheiser MKH 20, MKH 40, Neumann KM 130, KM 140, Brüel & Kjær 4006, RME Micstasy, ADI8QS
Stax SRM Monitor, Dynaudio Air 20, ME Geithain RL 906
recording format: pcm, 44,1 kHz / 24bit
recording producer: Dipl.-Tonmeister Ludger Böckenhoff
editing: Dipl.-Tonmeister Bernhard Hanke
video, art direction and design: AB•Design
audite 92652
EAN 4022143926524
Claudia Acuna sueno contigo @ musig-im-ochsen, muri, switzerland
musig-im-ochsen präsentierte am Sonntag 11. April 2010 um 20:30 im Saal des Hotel Ochsen in Muri
Claudia Acuña
Die Stimme eines Engels
Als Claudia Acuña vor knapp anderthalb Jahrzehnten von Chile nach New York flog, begann für die Sängerin ein grosses Abenteuer, verfügte sie doch zu diesem Zeitpunkt weder über grosse Englischkenntnisse noch über das nötige Kleingeld, um ein Musikstudium in Angriff nehmen zu können. Acuña hielt sich mit Gelegenheitsjobs über Wasser und nahm an zahlreichen Jam-Sessions teil, wo sie ihr bereits beachtliches Können verfeinerte. Dank ihrer wunderschönen Stimme, frischen Ideen und sehr viel natürlichem Charme gelang ihr der Aufstieg in die Beletage des Jazz quasi über Nacht. Jetzt tourt sie durch Europa und macht auch halt im Ochsen in Muri.
Claudia Acuna vocals
Richie Barshay drums
Ben Zwerin bass
Juan Herrera gitarre
Kloster Muri 10 Juli 2018
Oberägeri ZG: Neogotische Kirche [4K]
30.09.2018 13:40 CEST
MUSICAL JOURNEY OF SWITZERLAND PART IV with Diane Bish
9704 MUSICAL JOURNEY OF SWITZERLAND PART IV Music and scenes of Switzerland including Muri Abbey, Lausanne Cathedral, Ollon, Geneva, Bern and St. Moritz. Music includes Widor Allegro from Symphony no. 2, Haydn Pieces for Flute, Hark, Ten Thousand Harps & Voices, Lemmens Fanfare, R. Schumann Reverie, Mozart Sonata in C, R. Donahue Sonata no. 3, Handel Allegretto.
Wandelkonzert im Kloster
Muri AG
Muri AG - Klosterkirche
Die ehemalige Klosterkirche im Aargauischen Muri in der Schweiz ist eines der spektakulärsten sakralen Bauwerke in der Schweiz. Die Hauptorgel und die beiden Lettnerorgeln aus dem frühen 17. Jahrhundert sind von unschätzbarem Wert und gehören zu den bedeutendsten Kircheninstrumenten überhaupt.
Die Klosterkirche Muri ist die ursprüngliche Stammkirche der Habsburger. Die Herzen des letzten Österreichischen Kaiserpaares sind hier beigesetzt. Unter dem Chorgitter fand man die sterblichen Überreste der allerersten Habsburger (Radbot, Ita etc.)
J.S. Bach, Little Prelude & Fugue in F BWV 556 - Diane Bish
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Diane travels to and plays the Schott organ built in 1630 at Muri Abbey, Switzerland.
Rebecca Martin - God is in the Details
Rebecca Martin with Guests Gretchen Parlato and Becca Stevens @ Rockwood Music Hall (NYC) on August 31st 2010.
Mary & Gianni | 15.6.19 - Emotional Wedding in Monastery church Switzerland
????????????????Mary + Gianni | 15.6.19 – The Wedding Trailer ????
The beautiful story of Mary and Gianni in their amazing wedding in Monastery church Muri – Switzerland.
Wir haben uns vor langer langer Zeit kennengelernt.
Wir haben sehr viel zusammen erlebt mit unseren Alfa Romeo’s umso spezieller war es für mich, euren grössten Tag als einzigartige Erinnerung festzuhalten.
Mann war ich an diesem Tag aufgeregt wie nie zuvor!
Als ich euch und euren Gästen den Trailer noch vor der Hochzeitstorte präsentieren durfte!
Ihr könnt euch auf den ganzen Film freuen!
Grazie mille per tutto!
Silvano
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Credits:
Music: Phoria - Loss
Marco Enrico Bossi: Fantasia a due organi at Einsiedeln Abbey
ボッシ: 2台のオルガンのファンタジー
第1オルガン: ニコラ・チッタディン
第2オルガン: 正木叔子
Two Organs Duo
Primo: Nicola Cittadin (Mauritiusorgel)
Secondo: Yoshiko Masaki (Marienorgel)
At Einsiedeln Abbey in Switzerland
On July 22. 2014 Live
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Benedectine Einsiedeln Abbey, Switzerland
Absolutely stunning interiors at one of Europe's oldest Abbey Churches. The Baroque style architecture dating back to the 18th century is one of the finest you can see. We were fortunate to have the company of the Abbeys youngest monk, Father Phillip, who walked us through the church. Organ music being practiced by a monk and his nephew resonated through the Abbey, touching our very souls. It's an experience that will never leave me. Must sees include the shrine of the Black Madonna, and the Abbey library.
The Abbey is one of the prime pilgrim spots for Catholics from across the world, and interestingly for people of all faiths
Barrel organ of Mysteries of Paris played on flute
The melody of Mysteries of Paris played on the golden flute in the monastery church of Muri AG (Switzerland).
รับพลังกันค่ะ :Live Einsiedeln Kloster CH ; Facebook@Vanda Vshape
สังเกตช่วงเวลา 0.26-1.28 จังหวะนี่จะได้พบกับแสง Higher self energy สังเกตดีๆนะค่ะ
Bound For The Promised Land arr. Diane Bish
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Diane travels to and plays the Schott organ built in 1630 at Muri Abbey, Switzerland.
GREAT ORGANS & CHURCHES OF SWITZERLAND (The Joy of Music with Diane Bish)
1201 GREAT ORGANS & CHURCHES OF SWITZERLAND Diane travels to Switzerland and plays the great organs of St. Gallen Monastery (M. Drischner “Chorale Prelude”); Engleberg Monastery (C. M. Widor “Toccata”); Stadtkirche of Winterthur (Myerbeer/Bish “Coronation March”); Einsiedeln Abbey (J. Lemmens “March Pontificate”); the Hofkirche in Lucerne (C. M. Widor “Finale from Symphony #4”); and the Muri Abbey (J. S. Bach “Little Prelude & Fugue”). Diane also plays her arrangement of “Heavenly Sunlight” while breathtaking scenes of Switzerland are shown.
Dario Castello - Sonata decima a 3, Libro secondo (Paintings by Canaletto) HD
Composer: Dario Castello
From Sonate Concertate in stil moderno Libro secondo (Published in Venice 1644)
Paintings by Canaletto
Photography: Leonardo Cerante (2011)
Recorded by Les Cornets Noirs in the Abbey Church of Muri (Switzerland) with Amandine Beyer, Cosimo Stawiarski (baroque Violins) and Adrian Rovatkay (baroque Bassoon).
a'=425 Hz
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Melchior Franck: Paradisus Musicus (1636): Sihe umb Trost
Konzertmitschnitt,
8. Februar 2015
Predigerkirche Basel
MELCHIOR FRANCK
Concerto
SIHE, UMB TROST WAR MIR SEHR BANGE
Aus: Paradisus Musicus, Geistliches Musicalisches Lustgartlein / In welchem die vornemsten tröstlichen Hauptsprüche aus allen Capitteln des Geistreichen Propheten Esaiae zusammen getragen / und zum Christlichen Exercitio mit 2. 3. und 4. Stimmen neben dem Basso ad Organum von newen componiret und in Druck verfertiget / von Melchior Francken Fürstl. S. Capellmeistern zu Coburgk. ...
Nürnberg 1636
Besetzung: Cantus I/II, Continuo
Text: Jesaia 38, 17
Sihe / umb trost war mir sehr bange /
Du aber hast dich meiner Seele hertzlich angenommen /
das sie nicht verdürbe /
Denn du wirffst alle meine Sünde hinter dich zurücke.
Soprano: Miriam Feuersinger, Jessica Jans
Violone: Matthias Müller
Tiorba: Miguel Rincón
Organo: Jörg-Andreas Bötticher
Konzertmitschnitt:
Albert Jan Becking
Fotos:
Gordon Young - Prelude in Classic Style - Diane Bish - Program #9704
Call 1-800-933-4844 or visit to order the full 1/2 hour program #9704
Musical Journey of Switzerland IV, available on DVD.
Organist Diane Bish performs Gordon Young's Prelude in Classic Style on the 1744 Bossart organ at the Muri Abbey (Kloster Muri), in Muri, Switzerland.