Odaru Fall

Rokuhoudou Yotsuiro Biyori 1st PV Announces April 2018 Premiere, Four Main Voice Cast

Tomomi Kamiya (A Good Librarian Like a Good Shepherd) directs the adaptation for ZEXCS
Following the initial announcement in October, the official website and Twitter for the upcoming TV anime adaptation of You Shimizu's heartful story manga Rokuhoudou Yotsuiro Biyori finally launched today on December 9 with a 30-second teaser PV to announce its April 2018 premiere in Japan and four main voice cast.

The one-off manga series has been serialized in Shinchosha's bimonthly manga magazine Go Go Bunch
since its first issue in October 2013, and currently seven tankobon volumes are available in Japan. The
story is told in a popular Japanese-style cafe named Rokuhoudou that has four specialists: Sui (tea/the
owner of the cafe), Gure (latte art), Tsubaki (sweets), and Tokitaka (cooking). While serving for their
customers, the four sometimes help solving troubles in their life.

Tomomi Kamiya, who directed the TV anime A Good Librarian Like a Good Shepherd as a member of Team
Nico, directs the adaptation alongside series composition writer Deko Akao (Noragami, Urara Meiro-chou)
and character designer Kei Ajiki (Monogatari series). ZEXCS (DIABOLIK LOVERS, Frame Arms Girl) works
on anime production.

アイドルマスター 『IM@S ALLSTARS MEDLEY』 (Romaji lyrics)

Lyrics stolen from

Sorry for any spelling mistakes or any mis-labeled songs.

Lyrics here:
go my way! go my uee!
ganbatte yukimashou
ichiban daisuki na
watashi ni naritai

1 2 1 2 3 GO!

nonsutoppu de itte mimashou
tte omottara mata akashingou
sonna tokiwa hekoma naide
haiwai ga aru faito!

kamisama nee kamisama
onegai yume o
mo mo mo motto choudai

mirakuru dokokuru matteiru yorimo
hajimete mimashou
hoppu suteppu janpu!

kiramekirarai zutto chutto
chikyuude kagayaku hikari
kiramekirari motto more (mowa) tto
watashi o watashi o yobitai

tokime kirari kitto kyuntto
kagami o mireba cho raburi
tokime kirari gutto gyutto
watashi o watashi o yobitai

go my way! go my maee!
harikitte yukimashou
subete no kagayaki
kono yubine tomare

fure fure ganbare sa ikou
fure fure ganbare saikou

omoide o arigatou
yuuki made moraeta
kanashimiya setsuna sa
kyoude subete

sagashi tainoni
koi o yume miru ohimesama wa
itsuka
suteki na oujisama ni meguri aeru

oikakete nigeru furi o shite
sotto moguru watashi maameido
tsukamaete suki da yo to itte hoshii
ima daibingu

dakara kowaku nai
dokodemo ikitai tokoroe ikeru
kagayaita mirai

massugu nine
(mae no jibun wa)
riraito shiyou
ureshii koto de
tanoshii koto de

here we go! here we go! kimi to
wake up! wake up! subete
kakko warai tsukete
namidamo kitto atatakai yone (aitai)

daisuki honey (meeru mo)
sakuranbou mitai (keitai mo)
samishi gariya (naranai)
zutto mitete zettai yo (teazu)

saa ippai ippai tabeyouyo
hayaoki dekita gohoubi
hora minnade tabeyouyo
ohirumade motsuyou

(kimi o ima kanjitara)
zutto

kitto watashi ga ichiban
demo anata mo sokosoko kamo
sorya watashi ni kuraberu kara
chotto bu waruinoyo
motto biggu ni naranakya
mou nanika no machigai desho
mada watashi ni kizuite nai
okureta hito tachimo

kono miryoku biimu de (hanasa naiwa)
haato o rokku on (ni do to wa)
suru no

(shifuku no jigoku kara)
dokomade ochiru ochiru kono mama
futari de ikeru ikeru takamie
doredake moeru moeru ichizuni
motomete toberu toberu dokomade

aoi tori
jiyuu to kodoku
futatsu no tsubasa de
anata o wasurenai
demo kinou niwa kaerenai

(kono sakamichi o noboru tabini)
anata ga sugu soba ni iruyouni
kanjite shimau
(jaane nante iwanaide)
watashi no tonari ni ite
(mata ne tte itte watashi no mono ni
naranakuteii soba ni irudakede ii)
furete hoshii

(ano ko ni moshi mo akitara)
sugu ni yobidashite
kowareru kuraini dakishimete

todo kanai [message]
fukushina raburinsu
hirumanu chikara o boku ni yakitsukete

(meto mege au)
shunkan suki da to kizuita
sukoshidake kono mama hitomi sorasa naide

Kosumosu Cosumosu tobidashite yuku
mugen to sora no kanata
Kosumosu Cosumosu mou tomare nai
imeegi o nurikaete (wow wow)
mirai

nayan demo shikatanai
ma sonna toki mo aru sa ashita wa chigau sa
guguttemo shikata nai
mayo wazuni susume yo

ae nai no? ne
ippai... (x4)
anata no koe o
so ippai...
ippai (x3)

kamisama no basudei
toku betsu dayo dare datte
shuyakuni nareru kara

mimi o suma sou
kikoeru yo ring a bell
itsumo yori mo sukoshi dake
suki da to omou

suki suki daisuki
marude jetto coaster mitaine
tobikkiri no mai best friend
dai suki yo

(it's my first stage)

love you love you anata e no afureru
konran shita kokoro modokashikute
love me love me watashi ni kizuitara
(susumou mainichi yumi ni mukatte bakuzento janai ito tekini)
sukoshi dake ishiki shite kudasai
(nakitai tokiniwa namida nagashite stress tamenai)

honno sasaina kotobani kizutsuita
dakedo amai mono tabete shiawase yo
kimagure ni tsukiaunomo taihen ne
waruitowa omoukedo yamarare nai

haru wa hana o ippai sakaseyou
natsu wa hikari ippai kagayakou
kiseki janakute un janakute
jibun o motto shinjiruno
aki wa yoru o me ippai nori koe
fuyu wa yuki o me ippai dakishime
waratte iiyo naite iiyo
datte megutte mata haru wa kurukara
tsunagu rainbow

motto takamete hatenaku kokoro no okumade
anata dake ga tsukaeru tekkuniku de
tokachitsukuchite
honnou uzumaku sanakani ochiteku tokimeki
koyoi dakeno yume
odoru wa hageshiku
nozomi no kagiri ni
moyasu wa hageshiku

The Great Gildersleeve: The First Cold Snap / Appointed Water Commissioner / First Day on the Job

The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.

On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. You're a haa-aa-aa-aard man, McGee! became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of Gildersleeve's Diary on the Fibber McGee and Molly series (Oct. 22, 1940).

Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.

In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.

Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).

The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.