Oh Paradis

OH PARADIS LYON

Oh paradis restaurant spectacle Lyon
Oh Paradis, tout savoir sur le nouveau restaurant spectacle, privatisation de soirées, Lyon, France - Réservation au 04 78 08 59 31.

Oh paradis restaurant spectacle Lyon.

Oh paradis restaurant spectacle Lyon
Oh Paradis, tout savoir sur le nouveau restaurant spectacle, privatisation de soirées, Lyon, France - Réservation au 04 78 08 59 31.

Oh paradis restaurant spectacle Lyon 1

Oh paradis restaurant spectacle Lyon
Oh Paradis, tout savoir sur le nouveau restaurant spectacle, privatisation de soirées, Lyon, France - Réservation au 04 78 08 59 31.

OH PARADIS / New York New York

Oh paradis restaurant spectacle Lyon
Oh Paradis, tout savoir sur le nouveau restaurant spectacle, privatisation de soirées, Lyon, France - Réservation au 04 78 08 59 31.

OH PARADIS Diner Spectacle Restaurant 13 rue Sainte Catherine 69001 LYON

Restaurant diner spectacle a Lyon 69001 13 Rue Sainte Catherine 69001 LYON Fabian chante en live ohparadis@live.fr

Oh Paradis - Restaurant Spectacle a LYON.2013.10

OH PARADIS 13 rue Sainte Catherine 69001 LYON

Restaurant diner spectacle a Lyon 69001 13 Rue Sainte Catherine 69001 LYON ohparadis@live.fr

Oh Paradis - Restaurant Spectacle a LYON 2013.8

Oh Paradis - Restaurant Spectacle a LYON.2013. 5

Lyon, France - French Paradise

O privire asupra orasului Lyon din Franta. Imaginile le-am surprins in timpul plimbarii din ultima mea zi acolo. Daca vreti sa vedeti mai multe imagini si sa cititi despre experienta mea acolo intrati aici:



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Léon Campagnola - O Paradis!

Léon Campagnola (1875-1955) was a French tenor who was active on both sides of the Atlantic during the first quarter of the 20th century. Born in Marseilles, Campagnola began his vocal studies as a baritone at the Conservatory of his hometown. He later transferred to the Paris Conservatory where he studied with renowned baritone Théophile-Adolphe Manoury (1846-1909). Under Manoury’s tutelage, the young singer perfected his technique and retrained his voice from baritone to tenor. He made his operatic stage debut in Versailles as Vincent in Mireille in 1903. The following season, Campagnola travelled to Belgium to accept a contract in Mons. Much of the tenor’s early career was spent in Belgium, with appearances in Ghent, Antwerp and Brussels. Campagnola was essaying mostly lyric roles in such works as Mireille, Lakmé, Mignon, The Barber of Seville, The Pearl Fishers and La Dame Blanche during this period and was offered the role of Léopold in La Juive at the Théâtre du Capitole à Toulouse. The young tenor made a huge impression in this secondary role, which led to Campagnola being offered the role of Des Grieux in the first French performances of Puccini’s Manon Lescaut in 1907.

Engagements in the major houses of Geneva, Lyon, Marseilles and Bourdeaux followed and in 1910, Campagnola was invited to the Opéra de Paris, where he made his debut as Roméo in Gounod’s opera. Reports that general manager Andreas Dippel had engaged Campagnola to appear at the Metropolitan Opera proved to be false. Although he never sang at the Met, Campagnola DID make his U.S. debut in Philadelphia on February 5, 1913 as Wilhelm Meister in Mignon. This production was part of a North American tour that included appearances in Baltimore, Boston, Chicago, Los Angeles and New York.

Campagnola returned to Europe before war clouds began to loom. Although he made a single appearance at Milan’s La Scala in 1917 (as des Grieux in Massenet’s Manon), he found himself increasingly relegated to the French and Belgian provinces. At the relatively young age of 52, Campagnola, still at the peak of his powers, made the decision to leave the stage. He retired to the town of Aulus-les-Bains in the Pyrenees, where he devoted himself to teaching voice. Campagnola also found time for his favorite hobby, painting, and spent numerous hours creating portraits and landscapes. Shortly after Christmas, 1954, the retired tenor began work on a new painting, another landscape. Stubbornly insisting on working outdoors in the frigid temperatures, he caught a chill and soon developed a bronchial infection. He reluctantly took to his bed but refused medical treatment, preferring instead to relax at home, drinking strong coffee and puffing away on his pipe. Not surprisingly, the old tenor’s condition worsened and he had to be taken to the hospital in Marseilles. It was there, in the place of his birth, that Campagnola passed away on January 11, 1955, just one month shy of his 80th birthday.

Léon Campagnola boasted a diverse repertoire of over 30 roles in such operas as Lakmé, Werther, Roméo et Juliette, Faust, Hérodiade, Thaïs, Le Jongleur de Notre Dame, Alceste, Louise, Carmen, La Reine Fiamette, I Gioielli della Madonna, Die Meistersinger, Tosca, La Bohème, Cavalleria Rusticana, Pagliacci and Rigoletto. His many recordings, made between 1911 and 1926 for Pathé, Victor and H.M.V., showcase a large, well controlled spinto voice coupled with an expressive and eloquent approach to the music. In this recording, Campagnola sings “O Paradis!” from Meyerbeer’s L’Africaine. This was recorded for H.M.V. in Paris on October 21, 1911.

Le nouveau restaurant diner spectacle a Lyon 69001

Le nouveau restaurant diner spectacle a Lyon 69001 13 Rue Sainte Catherine 69001 LYON ohparadis@live.fr

Le nouveau restaurant diner spectacle a Lyon 69001

Le nouveau restaurant diner spectacle a Lyon 69001 13 Rue Sainte Catherine 69001 LYON ohparadis@live.fr

Le nouveau restaurant diner spectacle a Lyon 69001

Le nouveau restaurant diner spectacle a Lyon 69001 13 Rue Sainte Catherine 69001 LYON ohparadis@live.fr

Le nouveau restaurant diner spectacle a Lyon 69001

Le nouveau restaurant diner spectacle a Lyon 69001 13 Rue Sainte Catherine 69001 LYON ohparadis@live.fr

Agustarello Affre - O Paradis!

Agustarello Affre (1858-1931) was born Auguste Affre in Saint-Chinian in the south of France. He began his working life as a carpenter but also sang in the local chorale. When the choir entered a singing competition in Narbonne in 1883, Affre was the tenor soloist. So impressed were the judges that they introduced the 25-year-old singer to the mayor of Narbonne, himself a great music lover. The mayor arranged for a stipend that would cover the expenses of Affre’s vocal studies. The fledgling opera singer studied privately in Narbonne before taking up studies in Toulouse in 1885. In 1887, Affre enrolled in the Conservatoire de Paris, where he worked with baritone Edmond Duvernoy and bass Pierre Gailhard. Gailhard, then director of the Opéra de Paris, was so taken with Affre’s talent, that he underwrote his tuition and offered him a position at the Opéra upon the completion of his studies.

Affre’s official debut came about on January 22, 1890 as Edgardo in Lucia di Lammermoor. With the exception of a few brief absences, the Opéra de Paris remained Affre’s artistic home until his departure in 1908. During his 18 seasons there, Affre sang some 30 roles such as Raoul in Les Huguenots, Vasco da Gama in L’Africaine, Jean of Leyden in Le Prophète, both Eléazar and Léopold in La Juive, Fernand La Favorite, Don Gomez in Henri VIII, Laërtes in Hamlet, Don José in Carmen, both Roméo and Tybalt in Roméo et Juliette, Arnold in Guillaume Tell, Radames in Aïda, the Duke in Rigoletto as well as the title roles in Samson et Dalila, Ascanio, Lohengrin, Sigurd and Faust. He also created the role of the Touranien prisoner in the world premiere of Massenet’s Le Mage in Paris in 1891, as well as Polyeucte in the first performance of Saint-Saëns’ La Gloire de Corneille in Paris in 1906. In addition, Affre sang the role of Renaud in the Opéra’s revival of Gluck’s Armide in 1905.

In addition to his long association with the Opéra, Affre appeared to great acclaim in Lyon, Marseilles, Aix-les-Bains, Brussels and London. Following his retirement from the Opéra de Paris, the tenor decided that he wanted to end his career with an extended tour a land he had not yet seen, the Americas. Affre landed in the U.S. in 1911 and spent the next three seasons in San Francisco, New Orleans and Havana. These appearances (sadly, not well documented) seem to have been Affre’s final operatic performances. Following a two-year stint as director of the French Opera House in New Orleans, the tenor returned to France in 1915, where he offered his services by singing special concerts for soldiers at the French front. He then retired, still at the peak of his powers, not wanting advancing age or vocal decline to tarnish his reputation. Wealthy from a lucrative career of 25 years, Affre retreated to his estate on the French Riviera, where he enjoyed the next decade and a half as a man of leisure. Although much of his time was devoted to his favorite hobby…fishing…he continued to offer his voice for the occasional charity event or church service. In 1931, while attending Christmas services at the parish church, the septuagenarian tenor sang Adam’s “Cantique de Noël”. Those in attendance marveled at the still magnificent voice and ringing high notes. At the conclusion of his solo, however, Affre fainted and was taken home, unconscious, by friends and family. The victim of an apparent stroke, Affre died two days later on December 27, at the age of 73.

Affre made over 300 recordings for G&T, Zonophone, Odeon, Columbia, Pathé and other labels between 1902 and 1912, including complete recordings of Carmen and Roméo et Juliette. His voice, to judge from his records, was a massive instrument, dark and robust with trumpet-like high notes (he was, after all, referred to as “The French Tamagno”). According to his daughter, the power of his top notes was so intense that a handkerchief was placed over the recording horn to reduce distortion! As an interpreter, however, he comes across as one dimensional at times (his stage deportment was sometimes described as such), but his ability to thrill is omnipresent. Here, Affre sings O Paradis! from Meyerbeer's L'Africaine. This recording was made in Paris for the Pathé label in 1911.

Vanessa Paradis - Marilyn Et John

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Music video by Vanessa Paradis performing Marilyn Et John. (C) 2013 Barclay / Veranda

Paradis Porsche Saint Tropez 2017

Découvrez en quelques secondes notre présence au Paradis Porsche de Saint-Tropez où Meguiar's est partenaire de l'événement. Merci à toutes celles et ceux qui sont venus à notre rencontre et à tous les membres bénévoles du Porsche Club Méditerranée.

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