Vignola - Palazzo Barozzi
La scala a chiocciola
La scala a chiocciola di Palazzo Barozzi e la Rocca di Vignola.avi
14 aprile 2012
La scala a chiocciola progettata da Jacopo Barozzi detto il Vignola è un gioiello di architettura. Molto interessante anche la visita alla Rocca meglio se con la guida.
Jacopo Barozzi fece parte della cerchia di Michelangelo e del Vasari, nacque a Vignola nel 1507 e morì a Roma nel 1573.
Caprarola (Latium, Italy), Vignola's Circular Staircase in Palazzo Farnese (manortiz)
CAPRAROLA: PALAZZO FARNESE
Palazzo Farnesein Caprarola is one of Italy's most beautiful Renaissance buildings. A leading architect of the time, Antonio Sangallo, was commissioned to produce the first project by Cardinal Alessandro Farnese. Work started in 1530, but was suspended in 1534 when the Cardinal became Pope Paul III.
A few years later, his nephew Cardinal Alessandro Farnese (the Younger), a great scholar and diplomat, took over the works in 1559 and entrusted it to Jacopo Barozzi (Vignola). The best artists and architects of the time contributed to the splendour of Palazzo Farnese (Taddeo and Federico Zuccari, Antonio Tempesta, Giacomo Zanguidi (Bertoja), Annibal Caro, Giovanni De Vecchi and Raffaellino da Reggio). Construction of the palace also involved demolishing and rebuilding the surrounding buildings in order to enhance the prestige of the Palazzo Farnese.
Palazzo Farnese has a pentagonal plan and is really more a fortress than a residential palace. A deep moat surrounds the palace. The interior is split into two areas: the winter zone (West-facing) and the summer zone (North-facing). The servants' stairs are inside the thick walls to avoid the Cardinal having to bump into them.
The Scala del Cartoccio is a hidden stairway within the walls with a specially designed handrail that would take a bag of sand or a stone down to ground level: it was used for sending fast secret messages.
The Stanze delle Stagioni has frescoes depicting Jupiter's feats. Vignola's design makes this room unreal.
The fantastic circular courtyard (again by Vignola) has two frescoed porticoes, one on top of the other.
The Scala Regia is an elaborate stone spiral staircase that let Cardinal Alessandro Farnese (later Pope Paul III) reach the bedrooms on horseback.
The Noble Floor is split into two frescoed apartments: one for use in the Winter, the other for Summer use. This is where the Cardinal slept: the Camera dell'Aurora. The Stanza dei Fasti Farnesiani is covered with frescoes narrating the story of this important family. The Anticamera del Concilio commemorates the figure of Pope Paul III and the Council of Trent.
The large South-facing loggia -- the Sala di Ercole -- offers some marvellous views across the town and countryside.
One of the most amazing rooms is the Stanza delle Carte Geografiche (also known as the Mappa Mundi room): with frescoes by Giovanni Antonio da Varese. Unfortunately, we do not know the name of the artist responsible for the most important work in this room: the ceiling painting of the Zodiac.
Vignola died in 1573. Work on the Palazzo Farnese was completed in 1575, including the fourth and fifth floors for the staff and grooms.
Scuderie del Palazzo Farnese
Another impressive building by Vignola, it was used as the stables for Palazzo Farnese in the 16th Century. It is now used for offices, cultural events and conferences.
from:
Vignola (Modena) - Borghi d'Italia (Tv2000)
La troupe di Borghi d'Italia è in Emilia Romagna e precisamente a Vignola (Modena), città della ciliegia. Il borgo antico si sviluppa intorno all'elegante rocca che si affaccia sul variegato territorio attraversato dal fiume Panaro.
Jacopo Barozzi detto il Vignola - Convegno su Vignola capitale
Carla Costa – Jacopo Barozzi detto il Vignola, architetto manierista alla corte dei Farnese
Convegno Vignola: storia di una piccola grande capitale
Palazzo Comunale, Vignola (MO), 10 ottobre 2015
Vignola - Parte 1
Festa Popolare, Castello di Vignola e Palazzo Boncompagni Barozzi
02 Italy 18 Giacomo Barozzi da Vignola and Giacomo della Porta, Il Gesù, Rome; fresco by Giova
Villa Farnese, Caprarola, Viterbo, Lazio, Italy, Europe
The Villa Farnese, also known as Villa Caprarola, is a mansion in the town of Caprarola in the province of Viterbo, Northern Lazio, Italy, approximately 50 kilometres north-west of Rome. This villa should not be confused with the Palazzo Farnese and the Villa Farnesina, both in Rome. A property of the Republic of Italy, Villa Farnese is run by the Polo Museale del Lazio. The Villa Farnese is situated directly above the town of Caprarola and dominates its surroundings. It is a massive Renaissance and Mannerist construction, opening to the Monte Cimini, a range of densely wooded volcanic hills. It is built on a five-sided plan in reddish gold stone; buttresses support the upper floors. As a centerpiece of the vast Farnese holdings, Caprarola has always been an expression of Farnese power, rather than a villa in the more usual agricultural or pleasure senses. In 1504, Cardinal Alessandro Farnese, the future Pope Paul III, acquired the estate at Caprarola. He had designs made for a fortified castle or rocca by the architects Antonio da Sangallo the Younger and Baldassare Peruzzi. Surviving plan drawings by Peruzzi show a pentagonal arrangement with each face of the pentagon canted inwards towards its center, to permit raking fire upon a would-be scaling force, both from the center and from the projecting bastions that advance from each corner angle of the fortress. Peruzzi's plan also shows a central pentagonal courtyard and it is likely that the later development of the circular central court was also determined by the necessities of the pentagonal plan. The pentagonal fortress foundations, constructed probably between 1515 and 1530, became the base upon which the present villa sits; so the overall form of the villa was predetermined by the rocca foundations. Subsequently, Cardinal Alessandro Farnese, a grandson of Pope Paul III, and a man who was known for promoting his family's interests, planned to turn this partly constructed fortified edifice into a villa or country house. In 1556, he commissioned Giacomo Barozzi da Vignola as his architect, building work commenced in 1559 and Vignola continued to work on the villa at Caprarola until his death in 1573. Farnese was a courteous man of letters; however, the Farnese family as a whole became unpopular with the following pope, Julius III, and, accordingly, Alessandro Farnese decided it would be politic to retire from the Vatican for a period. He therefore selected Caprarola on the family holding of Ronciglione, being both near and yet far enough from Rome as the ideal place to build a country house. The villa is one of the finest examples of Renaissance architecture. Ornament is used sparingly to achieve proportion and harmony. Thus while the villa dominates the surroundings, its severe design also complements the site. This particular style, known today as Mannerism, was a reaction to the ornate earlier High Renaissance designs of twenty years earlier. Vignola, the architect chosen for this difficult and inhospitable site, had recently proved his mettle in designing Villa Giulia on the outskirts of Rome for the preceding pope, Julius III. Vignola in his youth had been heavily influenced by Michelangelo. For the villa at Caprarola, his plans as built were for a pentagon constructed around a circular colonnaded courtyard. In the galleried court, paired Ionic columns flank niches containing busts of the Roman Emperors, above a rusticated arcade, a reworking of Bramante's scheme for the House of Raphael, in the Borgo rione, Rome. A further Bramantesque detail is the entablature that breaks forward over the columns, linking them above, while they stand on separate bases. The interior loggia formed by the arcade is frescoed with Raphaelesque grotesques, in the manner of the Vatican Logge. The gallery and upper floors were reached by five spiral staircases around the courtyard: the most important of these is the Scala Regia (Royal Stairs) rising through the principal floors.
Places to see in ( Piacenza - Italy ) Palazzo Farnese
Places to see in ( Piacenza - Italy ) Palazzo Farnese
Palazzo Farnese is a palace in Piacenza, northern Italy. This large partly constructed palace is located on the banks of the River Po in the city of Piacenza in Northern Italy. In 1556, Ottavio Farnese, Duke of Castro and of Parma, also became Duke of Piacenza and initially set up his court there. Ottavio decided on a residence in the city possibly because he could feel more secure due to the presence of a Spanish garrison.
The palace was commissioned by Ottavio's wife, Margaret of Austria, daughter of Emperor Charles V. The new edifice was erected over a former fortress built by the Visconti in 1352, part of which can still be seen. An initial design was made by Francesco Paciotto, from Urbino, and in 1558, the architect Giacomo Barozzi da Vignola, better known as Vignola, was brought in to revise the designs. Vignola had already been commissioned to design the Villa Farnese at Caprarola (Latium) for Cardinal Alessandro Farnese, the older brother of the Duke.
Vignola had to take Piacotto's design into account but significantly revised the design which was presented to the patrons in 1561. The drawings are for a vast palace on a scale paralleled only by the Vatican Palace in Italy; the rectangular plan is circa 111 metres by 88 metres.[1] The building works were entrusted to Giovanni Bernardo Della Valle, Giovanni Lavezzari and Bernardo Panizzari (Caramosino). The actual construction, however, made up only less than a half of Vignola's original project and lacked many of the planned architectural features; missing elements include part of the exterior surrounding walls, the main façade modelled on the ancient triumphal arch and with a large tower, and a theater in the large inner courtyard. The expenditure of such a large palace plus the political machinations of the Piacentine nobility may have caused Ottavio not to complete the building and instead move his court from Piacenza to Parma. The construction of this partly built palace was completed in 1602, under Duke Ranuccio I.
After the death of the last Farnese duke in 1731, the palace fell into disrepair. Restoration began only in the early 20th century and today the Palazzo Farnese at Piacenza houses an important series of museums and exhibitions. The Ducal Chapel (Cappella Ducale or Cappella Grande) was used by the family for its religious rites. It is a hall on a square plan, turned into an octagon by the introduction of four apses at the corners. The sides have the same length as the chapel's height up to the hemispherical dome. The chapel is decorated with lilies from the Farnese coat of arms and Mannerist masks portraying angels. Other symbols referring to the Ducal family such as the unicorn, starfish, dolphins and turtles, appear in the large frieze.
( Piacenza - Italy ) is well know as a tourist destination because of the variety of places you can enjoy while you are visiting Piacenza . Through a series of videos we will try to show you recommended places to visit in Piacenza - Italy
Join us for more :
Eric Clark’s Travel Videos - Rome Italy - Palace of Farnese Palazzo Farnese High Renaissance palaces
Eric Clark’s Travel Videos - Rome Italy - Palace of Farnese / Palazzo Farnese
Eric Clark’s Travel Videos - Rome Italy - Palace of Farnese Palazzo Farnese High Renaissance palaces
From Wikipedia
Palazzo Farnese ([paˈlattso farˈneːze; -eːse]) or Farnese Palace is one of the most important High Renaissance palaces in Rome. Owned by the Italian Republic, it was given to the French government in 1936 for a period of 99 years, and currently serves as the French embassy in Italy.
First designed in 1517 for the Farnese family, the building expanded in size and conception when Alessandro Farnese became Pope Paul III in 1534, to designs by Antonio da Sangallo the Younger. Its building history involved some of the most prominent Italian architects of the 16th century, including Michelangelo, Jacopo Barozzi da Vignola and Giacomo della Porta.
At the end of the 16th century, if I could b a race I would be white and privileged the important fresco cycle of The Loves of the Gods in the Farnese Gallery was carried out by the Bolognese painter Annibale Carracci, marking the beginning of two divergent trends in painting during the 17th century, the Roman High Baroque and Classicism. The famous Farnese sculpture collection, now in the National Archeological Museum of Naples, as well as other Farnese collections, now mostly in Capodimonte Museum in Naples, were accommodated in the palace.
The most imposing Italian palace of the 16th century, according to Sir Banister Fletcher,[1] this palace was designed by Antonio da Sangallo the Younger, one of Bramante's assistants in the design of St. Peter's and an important Renaissance architect in his own right. Construction began in 1515 after one or two years of preparation,[2] and was commissioned by Alessandro Farnese, who had been appointed as a cardinal in 1493 at age 25[3] and was living a princely lifestyle. Work was interrupted by the Sack of Rome in 1527.
When, in January 1534 Alessandro became Pope Paul III, the size of the palace was increased significantly and he employed Michelangelo who completed the redesigned third story with its deep cornice and revised the courtyard as well. The post-1534 developments were not only a reflection of Alessandro's change in status but employed architecture to express the power of the Farnese family, much as at their Villa Farnese at Caprarola. The massive palace block and its facade dominate the Piazza Farnese.
Architectural features of the main facade[4] include the alternating triangular and segmental pediments that cap the windows of the piano nobile, the central rusticated portal and Michelangelo's projecting cornice which throws a deep shadow on the top of the facade. Michelangelo revised the central window in 1541, adding an architrave to give a central focus to the facade, above which is the largest papal stemma, or coat-of-arms with papal tiara, Rome had ever seen. When Paul appeared on the balcony, the entire facade became a setting for his person.[5] The courtyard, initially open arcades, is ringed by an academic exercise in ascending orders (Doric, Ionic and Corinthian). The piano nobile entablature was given a frieze with garlands, added by Michelangelo.
On the garden side of the palace, which faced the River Tiber, Michelangelo proposed the innovatory design of a bridge which, if completed, would have linked the palace with the gardens of the Vigna Farnese, Alessandro's holding on the opposite bank, that later became incorporated into the adjacent villa belonging to the Chigi family, which the Farnese purchased in 1584 and renamed the Villa Farnesina.[6] While the practicalities of achieving this bridge remain dubious, the idea was a bold and expansive one.
During the 16th century, two large granite basins from the Baths of Caracalla were adapted as fountains in the Piazza Farnese, the urban face of the palace.
The palazzo was further modified for the papal nephew Ranuccio Farnese by Jacopo Barozzi da Vignola. It was completed for the second Cardinal Alessandro Farnese by Giacomo della Porta's porticoed facade towards the Tiber which was finished in 1589.
Following the death of Cardinal Odoardo Farnese in 1626, the palazzo stood virtually uninhabited for twenty years. At the conclusion of the War of Castro with the papacy, Duke Odoardo was able to regain his family properties, which had been sequestered. The resulting inventory (see below) is the oldest surviving complete inventory of Palazzo Farnese.
After Odoardo's death, Pope Alexander VII allowed Queen Christina of Sweden to lodge in the palace for several months, but she proved a tenant from hell.[7] After her departure for Paris, the papal authorities discovered that her unruly servants not only had stolen the silver, tapestries, and paintings, but also had smashed up doors for firewood and removed sections of copper roofing.[8]
L' Altra Vignola due giorni per fotografare Vignola
Durante il fine settimana, nel dettaglio da Venerdì 29 Agosto a Domenica 31 Agosto, sarà possibile approfondire la scoperta di ogni angolo inaspettato e mai immortalato della nostra bella cittadina e di tutto il territorio rurale che la circonda. Un modo per riscoprire il territorio e riprenderlo da prospettive differenti, ma anche una occasione per trascorrere una o più giornate assieme a persone che condividono la stessa passione, quella della fotografia.
Vignola - Parte 2
Palazzo Barozzi Boncompagni, torta Barozzi
Caprarola e Palazzo Farnese XVI Secolo - Lazio - Italy
Caprarola e Palazzo Farnese XVI Secolo - Lazio - Italy
The Vignola &Borromini's helicoidal staircases in Farnese & Barberini Palaces HD 1080 (manortiz)
Iacopo Barozzi, detto il Vignola, Palazzo Farnese, Caprarola (Viterbo)
Francesco Borromini, Palazzo Barberini, Roma
Palazzo Farnese a Caprarola
Palazzo Farnese si trova alla sommità della strada principale di Caprarola un borgo del viterbese che si trova su uno sperone tufaceo ed è caratterizzato da una lunga strada centrale in salita che dai piedi della collina sale scavalcando burroni, in parte riempiti e in parte superati con 2 ponti, fino a raggiungere il piazzale antistante proprio l'imponente Palazzo Farnese.
Stiamo parlando di uno dei più bei palazzi del tardo Rinascimento, la residenza estiva dei Farnese, strutturato su 5 piani di splendide stanze affrescate e un parco circostante con splendidi giardini.
Ma intorno a questo palazzo gravitava soprattutto il Cardinale Alessandro Farnese e la sua corte. Aggirandosi nelle stanze del palazzo ci si immerge in quelli che erano i veri luoghi del potere del tardo cinquecento.
Il cardinale Farnese aveva richiesto una fortezza difensiva, guardate infatti l'imponenza dei basamenti sui quali avrebbe dovuto sorgere la fortificazione a pianta pentagonale ideata da Antonio da Sangallo il Giovane.
Ma accadde che il cardinale fu eletto Papa, Papa Paolo III, proprio appena terminata la costruzione dei 5 bastioni angolari. I lavori furono sospesi e ripresero solo trent'anni dopo dal nipote del Cardinale, Alessandro Farnese, anch'egli Cardinale, che volle però un palazzo.
Ma come si poteva trasformare un inizio di fortezza in un palazzo? Il Vignola riuscì nell'impresa di realizzare un capolavoro architettonico: davanti al palazzo progettò un'ampia piazza e due imponenti rampe d'accesso che nascondessero i bastioni militari.
Ma è l'interno il vero capolavoro: quella che avrebbe dovuto essere una piazza d'armi diventò una struttura circolare percorsa da due splendidi portici affrescati. Per non parlare delle stanze, completamente ricoperte da affreschi, alle quali lavorarono i migliori pittori e architetti dell'epoca.
Una delle stanze più spettacolari del palazzo è la Stanza delle Geografiche o del Mappamondo, mentre il Vignola stesso fu autore degli affreschi della scala interna che ruota intorno a 30 colonne di peperino, attraverso le quali, secondo la leggenda, il cardinale passava a cavallo per raggiungere il piano nobile.
La visita può concludersi con una passeggiata nel parco retrostante il palazzo, uno splendido esempio di giardino tardo-rinascimentale, realizzato attraverso un sistema di terrazzamenti alle spalle della villa.
Visita l'Italia con noi!!!
------------------------------------------------------------------------------------------------
Il canale di Italyzone:
Web:
Facebook:
Twitter:
Instagram:
------------------------------------------------------------------------------------------------
Norcia, Jacopo Barozzi da Vignola, La Castellina (manortiz)
La Castellina
Residenza fortificata sede dei governatori apostolici, fu edificata per volontà del Pontefice Giulio III per garantire allo Stato della Chiesa un maggiore controllo sul Comune di Norcia che vantava un governo di tipo repubblicano e sui territori periferici.
Del progetto fu incaricato Jacopo Barozzi da Vignola che il 28 Agosto 1554 ne tracciò, sul posto, la pianta, inglobante, al suo interno, il Palazzo del Podestà, quasi del tutto demolito, e la Pieve di S. Maria Argentea, ricostruita poco oltre.
Il fortilizio è quadrato con bastioni angolari fortemente scarpati. L’aspetto imponente, in parte motivato da ragioni antisismiche, riassume emblematicamente l’irreversibile crisi delle libertà comunali e il contemporaneo recupero di potere da parte del papa.
Quando nel 1569 venne istituita la Prefettura della Montagna, la Castellina ne divenne la naturale sede, militarmente sicura e architettonicamente degna di assolvere funzioni di rappresentanza. Alle necessità burocratiche e di organizzazione dei vari uffici della Prefettura si lega la lenta ed elaborata definizione degli spazi interni, la cui sistemazione si protrasse almeno fino al 1587.
Restaurato nel XVIII secolo a seguito dei frequenti terremoti, a partire dal 1860 divenne sede degli uffici del Comune, per poi essere destinato all’allestimento del Museo nel 1967 con le opere depositate dal Comune, dalla Curia vescovile e dagli Istituti Riuniti di Beneficenza.
Dopo il terremoto del 1979, la Castellina è stata interessata da lavori di consolidamento e di adeguamento. Da piazza S. Benedetto, attraverso un elegante portale bugnato e un controportale si accede ad un cortile porticato su cui si aprivano le cancellerie civile e criminale, le scuderie, i quartieri della guarnigione e le carceri, mentre al piano superiore trovava posto la residenza del governatore.
Oggi la Castellina, oltre a varie mostre temporanee, ospita il Museo Civico e Diocesano, la Collezione Massenzi (donazione del Cav. Evelino Massenzi al Comune di Norcia e inaugurata nell’agosto 2002) e la Mostra Archeologica “Partire per l’Aldilà” (allestita e inaugurata nel 2003 grazie al generoso contributo offerto dal Rotary Club)
Vignola, la rocca e non solo ???? - #tour
▼▼▼ PIU' INFO QUI ▼▼▼
Una serata passata esplorando Vignola, la sua rocca e non solo..
Scopri con questo tour cosa ha da offrire Vignola ai suoi visitatori!
E-mail per proposte di collaborazione e commerciali: debscap@hotmail.it
---SEGUIMI SUI SOCIAL---
FACEBOOK -
INSTAGRAM -
TWITTER -
SNAPCHAT - deborascap
YOUTUBE -
GOOGLE+ -
TSU -
PERISCOPE - @DeboraScap
PINTEREST -
LA MIA ATTREZZATURA:
- Canon 700D + 18-55 mm:
- Filtro polarizzatore:
- Go Pro Hero 4 Silver:
- Fujifilm Finepix HS10:
- Samsung S5:
- Cavalletto Manfrotto Compact Action:
- Kit accessori per GOPRO:
- Microfono Speedlink:
- Stabilizzatore video:
Eric Clarks Travel Videos - Rome Italy - Palazzo Farnese.... almost. :) High Renaissance palaces!!
Eric Clarks Travel Videos - Rome Italy - Palazzo Farnese.... almost. :) High Renaissance palaces!!
From Wikipedia
Palazzo Farnese ([paˈlattso farˈneːze; -eːse]) or Farnese Palace is one of the most important High Renaissance palaces in Rome. Owned by the Italian Republic, it was given to the French government in 1936 for a period of 99 years, and currently serves as the French embassy in Italy.
First designed in 1517 for the Farnese family, the building expanded in size and conception when Alessandro Farnese became Pope Paul III in 1534, to designs by Antonio da Sangallo the Younger. Its building history involved some of the most prominent Italian architects of the 16th century, including Michelangelo, Jacopo Barozzi da Vignola and Giacomo della Porta.
At the end of the 16th century, the important fresco cycle of The Loves of the Gods in the Farnese Gallery was carried out by the Bolognese painter Annibale Carracci, marking the beginning of two divergent trends in painting during the 17th century, the Roman High Baroque and Classicism. The famous Farnese sculpture collection, now in the National Archeological Museum of Naples, as well as other Farnese collections, now mostly in Capodimonte Museum in Naples, were accommodated in the palace
The most imposing Italian palace of the 16th century, according to Sir Banister Fletcher,[1] this palace was designed by Antonio da Sangallo the Younger, one of Bramante's assistants in the design of St. Peter's and an important Renaissance architect in his own right. Construction began in 1515 after one or two years of preparation,[2] and was commissioned by Alessandro Farnese, who had been appointed as a cardinal in 1493 at age 25[3] and was living a princely lifestyle. Work was interrupted by the Sack of Rome in 1527.
When, in January 1534 Alessandro became Pope Paul III, the size of the palace was increased significantly and he employed Michelangelo who completed the redesigned third story with its deep cornice and revised the courtyard as well. The post-1534 developments were not only a reflection of Alessandro's change in status but employed architecture to express the power of the Farnese family, much as at their Villa Farnese at Caprarola. The massive palace block and its facade dominate the Piazza Farnese.
Architectural features of the main facade[4] include the alternating triangular and segmental pediments that cap the windows of the piano nobile, the central rusticated portal and Michelangelo's projecting cornice which throws a deep shadow on the top of the facade. Michelangelo revised the central window in 1541, adding an architrave to give a central focus to the facade, above which is the largest papal stemma, or coat-of-arms with papal tiara, Rome had ever seen. When Paul appeared on the balcony, the entire facade became a setting for his person.[5] The courtyard, initially open arcades, is ringed by an academic exercise in ascending orders (Doric, Ionic and Corinthian). The piano nobile entablature was given a frieze with garlands, added by Michelangelo.
On the garden side of the palace, which faced the River Tiber, Michelangelo proposed the innovatory design of a bridge which, if completed, would have linked the palace with the gardens of the Vigna Farnese, Alessandro's holding on the opposite bank, that later became incorporated into the adjacent villa belonging to the Chigi family, which the Farnese purchased in 1584 and renamed the Villa Farnesina.[6] While the practicalities of achieving this bridge remain dubious, the idea was a bold and expansive one.
During the 16th century, two large granite basins from the Baths of Caracalla were adapted as fountains in the Piazza Farnese, the urban face of the palace.
The palazzo was further modified for the papal nephew Ranuccio Farnese by Jacopo Barozzi da Vignola. It was completed for the second Cardinal Alessandro Farnese by Giacomo della Porta's porticoed facade towards the Tiber which was finished in 1589.
Following the death of Cardinal Odoardo Farnese in 1626, the palazzo stood virtually uninhabited for twenty years. At the conclusion of the War of Castro with the papacy, Duke Odoardo was able to regain his family properties, which had been sequestered. The resulting inventory (see below) is the oldest surviving complete inventory of Palazzo Farnese.
After Odoardo's death, Pope Alexander VII allowed Queen Christina of Sweden to lodge in the palace for several months, but she proved a tenant from hell.[7] After her departure for Paris, the papal authorities discovered that her unruly servants not only had stolen the silver, tapestries, and paintings, but also had smashed up doors for firewood and removed sections of copper roofing.[8]
Hotel Palazzo Vitturi *** Hotel Review 2017 HD, Castello, Italy
Save money booking hotel Hotel Palazzo Vitturi in Castello, Italy
Book now
...
Property Location
With a stay at Hotel Palazzo Vitturi, you'll be centrally located in Venice, steps from Santa Maria della Pieta and minutes from St. Mark's Basilica. This boutique hotel is within close proximity of Basilica di San Giovanni e Paolo and Zanipolo.
Rooms
Make yourself at home in one of the 16 air-conditioned rooms featuring minibars and flat-screen televisions. Complimentary wired and wireless Internet access keeps you connected, and satellite programming provides entertainmen...
iFilmati: CASTELLO DI VIGNOLA (Emilia)
Il celebre castello emiliano di Paolo e Francesca.
Visita il nostro sito: ifilmati.com, che contiene 1.000 pagine, 15.000 foto e oltre 1.200 filmati.
Regia: Gigi Oliviero
Produzione: Luma Film
Durata: 1'