Palladio Museum, Barbarano Palace, Vicenza, Veneto, Italy, Europe
Palazzo Barbaran Da Porto is a palazzo in Vicenza, Italy designed in 1569 and built between 1570 and 1575 by Andrea Palladio. Since 1994 the palace is part of the City of Vicenza and the Palladian Villas of the Veneto World Heritage Site by UNESCO. In the palace is located the Palladio Museum and the Centro Internazionale di Studi di Architettura Andrea Palladio (CISA). The sumptuous residence realised between 1570 and 1575 for the Vicentine noble Montano Barbarano is the only great city palace that Andrea Palladio succeeded in executing in its entirety. In his History of Vicenza of 1591, Iacopo Marzari records Montano Barbarano as a man “of belles lettres and most excellent musician”. Various flutes figure in the 1592 inventory of the palace, confirming the existence of an intensive musical activity there.
At least three different autograph projects survive, preserved in London, which document alternative hypotheses for the building’s plan, all quite different from the actual one and testimony to a complex design process. Barbarano, in fact, requested Palladio to respect the existence of various houses belonging to the family and already existing on the area of the new palace. Moreover, once the project was finalised Barbarano acquired a further house adjoining the property, which resulted in the asymmetrical positioning of the entrance portal. In any case, the constraints imposed by the site and by a practical patron became the occasion for courageous and refined solutions: Palladio’s intervention is magisterial, elaborating upon a sophisticated project for “restructuring” which blended the diverse pre-existing structures into a unified edifice. In 1998, after a twenty-year restoration, the Palace has been opened to the public. The exhibition activities began in March 1999. On the ground floor, a magnificent four-columned atrium welds together the two pre-existing building lots. In realising the scheme, Palladio was called upon to resolve two problems: one statical, how to support the floor of the great hall on the piano nobile; the other compositional, how to restore a symmetrical appearance to interiors compromised by the oblique course of the perimeter walls from the pre-existing houses. Departing from the model of the wings of the Theatre of Marcellus in Rome, Palladio divided the interior into three aisles, placing centrally four Ionic columns which allowed the reduction of the span of the central cross-vaults, set against lateral barrel vaults. He thus achieved a very statically efficient framework capable of bearing the floor of the hall above without any difficulty. The central columns were then tied to the perimeter walls by fragments of rectilinear entablature, which absorb the irregularities of the atrium plan: in this way he realised a sort of system of “serlianas”, a stratagem conceptually similar to that of the Basilica loggias. Palladio even adopted the unusual type of Ionic capital derived from the Temple of Saturn in the Forum Romanum because it permitted him to mask the slight but significant rotations necessary to align the columns and engaged columns. To decorate the palace, in several campaigns Montano employed some of the greatest artists of his time: Giovanni Battista Zelotti (who had already intervened in the interiors of Palladio’s Villa Emo at Fanzolo), Anselmo Canera and Andrea Vicentino; the stuccoes were entrusted to Lorenzo Rubini (who contemporaneously executed the external decorations of the Loggia del Capitanio) and, after his death in 1574, to his son Agostino. The net result was a sumptuous palace capable of rivalling the residences of the Thiene, the Porto and of the Valmarana, a palace which permitted its patron to represent himself to the city as a ranking member of the Vicentine cultural élite.
Visiting Italy: Palladio Museum, Vicenza
Visiting Italy is my view of the landscapes, the towns, the museums visited by me and by my family. Enjoy Visiting Italy.
Vicenza - Palladio Museum a Palazzo Barbarano
Palazzo Barbarano o Barbaran Da Porto è un edificio realizzato a Vicenza fra il 1570 e il 1575 dall'architetto Andrea Palladio. È attualmente la sede del Centro Internazionale di Studi di Architettura Andrea Palladio (CISA) e del Palladio Museum. Con il Palladio Museum gli studiosi raccolti nel Centro palladiano raccontano ad un largo pubblico le proprie ricerche nel mentre si stanno svolgendo; in particolare - ma non esclusivamente - quelle su Andrea Palladio. Gruppi di studiosi lavorano su progetti di ricerca che diventano i temi delle stanze del museo, ognuna delle quali ha tendenzialmente la durata di un anno sulla base di un programma triennale.
Non è il mausoleo di un eroe morto, è piuttosto un luogo dove far crescere una cultura dell'architettura, lontano dalle ciniche logiche della professione, che consumano saperi senza produrne di nuovi. Il Palladio Museum lavora su Palladio, ma senza attualizzarlo, e men che meno proporlo come modello formale per l'oggi. Indaga il passato con gli strumenti della filologia e attenzione ai contesti, indispensabili per cercare di comprendere un mondo sfumato e lontano, e al tempo stesso vicinissimo e molto concreto, ogni volta che camminiamo fra palazzi, ville o chiese costruite secoli fa. La missione del Palladio Museum è leggere alla radice temi e concetti significativi anche nel nostro presente, rappresentandoli e discutendoli con l'orizzonte di creare una piattaforma culturale per l'architettura di domani.
Finora i progetti di ricerca hanno riguardato la comunicazione, la tecnologia, il rapporto con l'economia e con il paesaggio, il disegno di organismi complessi. Essi sono temi chiave per Palladio, e sono alla base della concezione dei Quattro Libri così come dei progetti urbani, delle ville in campagna e delle chiese veneziane; al tempo stesso sono temi di una agenda contemporanea.
Vicenza Museo Civico by Andrea Palladio in 4k
Travel videos show Vicenza Museo Civico in Vicenza.
The information of Vicenza Museo Civico is found at
Video was taken in September, 2019 with Sony A7Rmk3 with 24-105f4G.
Music: Mozart: Concerto in C For Flute and Harp, K 299 - 1. Allegro 10:25, 2. Andantino 9:10, 3. Rondo 10:05, Wolfgang Schultz, Nicanor Zabaleta, Karl Boem, Vienna Philharmonic Orchestra
More (108) videos for Venice, Vienna, Romania, Torino, Verona, Vicenza, Spain, and Japan are available at
VIAGGIANDO 29-12-12 PALLADIO MUSEUM
In questa puntata Piero Brazzale ci porta a Vicenza a visitare il Palladio Museum .
Incontri al Palladio Museum: Christian Greco
Christian Greco, direttore del Museo Egizio di Torino
L’avventura archeologica del Museo Egizio
In occasione della mostra Andrea Palladio. Il mistero del Volto (3 dicembre 2016 - 18 giugno 2017) viene tenuto un ciclo di incontri al Palladio Museum (contra' Porti 11 Vicenza).
Inaugura il ciclo di conferenze Christian Greco, direttore del Museo Egizio di Torino.
Calendario completo degli incontri in
Vicenza - Speciale Capoluoghi d'Italia (TV2000)
Con la nuova puntata di Capoluoghi vi portiamo a Vicenza, città del Palladio, Patrimonio dell’UNESCO. Nel corso del programma incontriamo il sindaco, il vescovo e gli altri protagonisti della vita cittadina. Visitiamo il centro storico, la Cattedrale, la Basilica Palladiana, il Teatro Olimpico, il Palladio Museum, la Basilica Santuario di Monte Berico, il Museo Diocesano, la chiesa di Santa Corona e la Basilica dei Santi Felice e Fortunato. Poi ci inoltriamo nel sottosuolo per conoscere la Vicenza romana e in seguito percorriamo l’antica Romea Strata che attraversa la città. Non mancano i piatti tradizionali e le altre tipicità del luogo. Buona visione!
Palladian Basilica, Vicenza, Veneto, Italy, Europe
The Basilica Palladiana is a Renaissance building in the central Piazza dei Signori in Vicenza, north-eastern Italy. The most notable feature of the edifice is the loggia, which shows one of the first examples of what have come to be known as the Palladian window, designed by a young Andrea Palladio, whose work in architecture was to have a significant effect on the field during the Renaissance and later periods. Since 1994, the Basilica Palladiana, together with other Palladian buildings in and around Vicenza, has been part of the UNESCO World Heritage Site City of Vicenza and the Palladian Villas of the Veneto. The building was originally constructed in the 15th century and was known as the Palazzo della Ragione, having been designed by Domenico da Venezia to include two pre-existing public palazzi. The building, which was in the Gothic style, served as the seat of government and also housed a number of shops on the ground floor. The 82-metre (269 ft)-tall Torre Bissara precedes this structure, as it is known from as early as 1172; however, its height was increased on this occasion, and its pinnacle was finished in 1444. It has five bells in the chord of E. The 15th-century edifice had an upside-down cover, partly supported by large archivolts, inspired by the one built in 1306 for the eponymous building of Padua. The Gothic façade was in red and gialletto marble of Verona, and is still visible behind the Palladio addition. A double order of columns was built by Tommaso Formenton in 1481-1494 to surround the palace. However, two years after its completion, the south-western corner collapsed. In the following decades, the Vicentine government called in architects such as Antonio Rizzo, Giorgio Spavento, Antonio Scarpagnino, Jacopo Sansovino, Sebastiano Serlio, Michele Sanmicheli and Giulio Romano to propose a reconstruction plan. However, in 1546 the Council of One Hundred chose a 40-year-old local architect, Palladio, to reconstruct the building starting from April 1549. Palladio added a new outer shell of marble classical forms, a loggia and a portico that now obscure the original Gothic architecture. He also dubbed the building a basilica, after the ancient Roman civil structures of that name.
The Basilica was an expensive project and took a long time to complete. Palladio received for the work an income of 5 ducats a month for most of his life. In 1614 thirty years after his death the building was completed, with the finishing of the main façade on Piazza delle Erbe. Drawings by Palladio, from his original proposal of 1546 to the final construction, have been preserved. His solution, which also encompasses the necessary measure to adapt the addition to the pre-existing structure, is based on the so-called serliana: this is a repetitive structure in which the round arcades are flanked by two rectangular openings; the latter were of different size, in order to match the variable size of the internal bay. In the angular arcades, the architrave openings become very narrow. The serliana had been already used in the Veneto some years before by Jacopo Sansovino for his Biblioteca Marciana (1537), as well as in the reconstruction of the Polirone Abbey by Giulio Romano (1540).
The loggias in the lower floor were in the Doric order; the associated entablature has a frieze which alternates metope and triglyphs. The upper-floor loggias, by contrast, are in the Ionic order, with a continuous frieze entablature. The parapet has statues by Giovanni Battista Albanese, Grazioli and Lorenzo Rubini. The clocktower has five bells in the chord of E major. Since 1994 the Basilica has been protected as part of the World Heritage Site also including the other Palladian buildings of Vicenza. The building now often hosts exhibitions in its large hall used for civic events. A large restoration project started in 2007. In 2014 it won the European Union Prize for Cultural Heritage / Europa Nostra Award.
Andrea Palladio the genius
Andrea Palladio was born in Padua and he moved to Vicenza where he settled. This town, as UNESCO has decreed, is the city of Palladio. 23 monuments in the town and 16 villas in its province are in the World heritage list. For sure all of them of this genius of the architecture.
Vicenza - Basilica Palladiana 2017
Places to see in ( Vicenza - Italy ) Corso Palladio
Places to see in ( Vicenza - Italy ) Corso Palladio
Corso Andrea Palladio is the main street in Vicenza , named after the second world war by the famous architect. About 700 meters long, it crosses the historical core of the city from west to east, respectively from Porta Castello to piazza Giacomo Matteotti. The course of the current course corresponds substantially to what, in Roman times, was the decumanus maximus of the city and, at the same time, the urban stretch of the consular Via Postumia . Also called strata major , after the construction of the early medieval city walls it was bordered to the west by the Porta Feliciana (very close, although not all coinciding with the Porta del Castello) and to the east by the Porta San Pietro (on the right bank of the Bacchiglione river, height of the bridge of St. Peter, time of the Angels).
During the Middle Ages and in modern times it retained its function as a link between the cities of the Veneto plain (respectively Verona and Padua), so that at its edges were opened inns, taverns and places for rental cars; Generally it was called Strata major , Strà grande , or simply Strà. It was also important public place. Already during the Middle Ages there were four points in which the public crier had to go to proclaim the decrees of the city government and the sentences of condemnation issued against the guilty: the door Sancti Petri , the plathea Sancte Corone , the domus illorum de Caldogno ( at the beginning of the current contrà Porti) and the canton of the red well (the intersection with the current Corso Fogazzaro)
The Course starts from the Porta Castello and from the Torrione (at No. 1) - the only remaining structures - of the mighty Castle built in 1343 by Antonio and Mastino II della Scala , who restored the Ezzelian fortress destroyed 50 years earlier, extending it into a a real castle, which occupied a square area, surrounded by deep pits, surrounded by towers at the four corners and the tower at the center. The current appearance of the Tower, with the projecting battlements with embrasures above corbels and with the addition of the lantern summit, almost certainly belongs to the Visconti period at the end of the fourteenth century
Next is Palazzo Marchi . A part of the castle, demolished in the nineteenth century, was replaced by this palace, whose high fence wall borders the course. The entrance, at the center of the wall, is given by an arched portal with a round arch, with a female head in an arch and crowned by a triangular tympanum with two reclining female figures holding a cartouche in the pediment
On the opposite corner of the square, at no. 13, there is the Palazzo Thiene Bonin Longare , the Vicenza headquarters of Confindustria , which has promoted its restoration. The palace, which Francesco Thiene had built on the family property, was designed by Andrea Palladio presumably in 1572 and built by Vincenzo Scamozzi after the death of the master; it was bought in 1835 by Lelio Bonin Longare. Since 1994 he has entered, along with other Palladian architecture in Vicenza, in the list of world heritage of ' UNESCO.The similarity with other Palladian projects - for example with Palazzo Barbaran da Porto - makes one think of the seventies of the sixteenth century, both in the design of the lower part of the facade and in the large double- order loggia overlooking the inner courtyard .
The side instead - with the ground floor covered with mild ashlar, the tall French windows on the first floor crowned with alternately triangular and curved tympanum, the little protruding balustrade balconies - is the work of Scamozzi, considering the resemblance with Palazzo Trissino al Duomo . Even the deep atrium, substantially indifferent to the order grid, could be scrapped.
( Vicenza - Italy ) is well know as a tourist destination because of the variety of places you can enjoy while you are visiting Vicenza . Through a series of videos we will try to show you recommended places to visit in Vicenza - Italy
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【K】Italy Travel-Vicenza[이탈리아 여행-비첸차]아치형 건축물 바실리카 팔라디아나/Basilica Palladiana/Andrea Palladio/Arch
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비첸차 중심인 광장 옆에 또 다른 건축, 바실리카 팔라디아나. 15세기 궁전을 성당으로 변경하고자 연 공모전에서 당대 유명 건축가들을 제치고 신출내기였던 팔라디오의 도안이 당선되면서, 팔라디오가 세상에 알려진 건축이다. 최근 복원 공사를 마치고 관광객을 맞이하고 있다. 고대 로마건축의 기본에 따라 아치를 이용하면서 정갈한 스타일을 만들고자 한 팔라디오. 건축당시 벽에 아치형을 설명했던 흔적도 그대로 남아있다. 팔라디오는 기존의 건축가들과 달리 종교적 의미를 담는 건축보다 저택과 같은 일반 건축물에 주력했다. 사방에서 봐도 모두 똑같은 모습이 특징인 빌라 로톤다는 팔라디오의 최고의 걸작으로 손꼽힌다.
[English: Google Translator]
Another building beside the piazza in the center of Vicenza, Basilica Pala diana. In order to change the 15th century palace into a cathedral, the palace was chosen as the newest protagonist in the contest. After the recent restoration work, tourists are welcomed. It is an arm radio to create an elegant style using arches according to the basics of ancient Roman architecture. At the time of construction, the traces reminiscent of the archetype on the wall remained intact. Unlike the existing architects, Pall Radio focused on common buildings such as the mansion rather than the architecture with religious significance. Villa Rotonda is considered one of the best masterpieces of Pal Radio, featuring the same look from all sides.
[Italy: Google Translator]
Un altro edificio accanto alla piazza nel centro di Vicenza, la Basilica Pala Diana. Per trasformare il palazzo del XV secolo in una cattedrale, il palazzo fu scelto come il nuovo protagonista del concorso. Dopo i recenti lavori di restauro, i turisti sono i benvenuti. È una radio a braccio per creare uno stile elegante utilizzando archi secondo le basi dell'architettura romana antica. Al momento della costruzione, le tracce che ricordano l'archetipo sulla parete sono rimaste intatte. A differenza degli architetti esistenti, Pall Radio si concentrava su edifici comuni come la villa piuttosto che l'architettura con un significato religioso. Villa Rotonda è considerata uno dei migliori capolavori di Pal Radio, con lo stesso look da tutti i lati.
[Information]
■클립명: 유럽103-이탈리아20-05 아치형 건축물 바실리카 팔라디아나
■여행, 촬영, 편집, 원고: 홍은희 PD (travel, filming, editing, writing: KBS TV Producer)
■촬영일자: 2018년 5월May
[Keywords]
성/궁전,palace,사람,man,건물,architecture,유럽Europe이탈리아Italyitalia이태리홍은희20185월베네토VenetoVenetoEmilia-RomagnaMay걸어서 세계속으로
Palladio: America's Architectural Grandfather
The grand buildings of Washington, D.C. would look quite different were it not for the work of Palladio. Read more at Smithsonian.com
Interviste agli architetti protagonisti della mostra Margraf al Cisa Palladio Museum VI
Per la prima volta verrà esposto il materiale conservato presso l’Archivio Storico Margraf – Industria Marmi Vicentini – alla mostra Architettura e marmo: dialoghi tra ingegno e materia. Hossein Amanat e Fariborz Sahba: dove la struttura è spiritualità” – che si terrà dal 20 ottobre al 19 novembre 2017 presso il Cisa-Palladium Museum di Vicenza.
Qui di seguito le interviste esclusive ai protagonisti della mostra: gli architetti Hossein Amanat e Fariborz Sahba, e l'industrial designer Raffaello Galiotto che parleranno dei proprio progetti esposti al CISA Palladio Museum. Inoltre abbiamo Giovanni Franco Masello e Silvio Xompero, i maggiori esponenti di Margraf che racconteranno l'importanza della manodopera del marmo.
Jefferson e Palladio: la mostra raccontata dai curatori. 07 Canova
Guido Beltramini, direttore del Centro Internazionale di Studi di Architettura Andrea Palladio introduce alla visita della mostra Jefferson e Palladio. Come costruire un mondo nuovo, al Palladio Museum di Vicenza dal 23 settembre 2015 al 28 marzo 2016.
Places to see in ( Vicenza - Italy ) Palazzo Chiericati
Places to see in ( Vicenza - Italy ) Palazzo Chiericati
The Palazzo Chiericati is a Renaissance palace in Vicenza, designed by Andrea Palladio. Palladio was asked to design and build the palazzo by Count Girolamo Chiericati. The architect started building the palace in 1550, and some further work was completed under the patronage of Chiericati's son, Valerio. However, the palazzo was not fully finished until about 1680, possibly by Carlo Borella. Palladio also designed a country home, the Villa Chiericati, for the family.
The palazzo was built in an area called piazza dell'Isola (island square, currently Piazza Matteotti), which housed the wood and cattle market. At that time, it was an islet surrounded by the Retrone and Bacchiglione streams, and to protect the structure from the frequent floods, Palladio designed it on an elevated position: the entrance could be accessed by a triple Classic-style staircase.
The palazzo's principal façade is composed of three bays, the central bay projecting slightly. The two end bays have logge on the piano nobile level, while the central bay is closed. The façade has two superimposed orders of columns, Tuscan on the lower level with Ionic above. The roofline is decorated by statuary.
Since 1855 the building has housed the Museo Civico (‘City Museum’) and, more recently, the city's art gallery. It has received international protection since 1994, along with the other Palladian buildings of Vicenza, as part of a World Heritage Site. (The site originally designated was Vicenza, City of Palladio which included the city of Vicenza and its immediate surroundings. In 1996 UNESCO expanded the World Heritage Site to include villas outside the core area and renamed it City of Vicenza and the Palladian Villas of the Veneto).
( Vicenza - Italy ) is well know as a tourist destination because of the variety of places you can enjoy while you are visiting Vicenza . Through a series of videos we will try to show you recommended places to visit in Vicenza - Italy
Join us for more :
Italy Travel - Amazing Vicenza
Vicenza is a Mecca for those who love great architecture. Considered to be Palladio's home it boasts several of his greatest works. We were able to visit these important sights:
Palazzo Chiericati
1550 Andrea Palladio combined town palace & suburban villa
(once on river harbor) now Vicenza Civic Museum
Teatro Olimpico
1580 Andrea Palladio, completed by son Silla.
Stage scenery Vicenzo Scamozzi
Casa Cogollo
1559 Andrea Palladio, exterior façade by A.P. massive, classical
Loggia del Captaniato,1565 Andrea Palladio
Completed 20 years after Basilica, (stands directly opposite)
Palladian Basilica
1549 Andrea Palladio, façade of medieval building,
double order of classical loggias
Pallazo Iseppo da Porto
1544 Andrea Palladio, like most in-town Palladian villas, a remodel, new plans forced into existing footprints
Several Palazzi of Venetian Gothic style
Dome & Portal of Cathedral
Dome: 1565 Andrea Palladio
North portal added 1575
Gothic façade remains
Palazzo Porto Breganze
1571 Andrea Palladio, incomplete first of 3 proposed
segments, building is distinct departure from more formal
Palazzo Thiene Bonin Longare
1572 Vicenzo Scamozzi based on designs by Andrea Palladio
blend of villa & public building features
Loggia Valmarana,
16th century Giardino Salvi, ascribed to Palladio by unesco,
(despite uncertainty)
Villa la Rotunda
1566 Andrea Palladio temple-villa, Palladio's icon,
principles taken in part from Roman Pantheon
Villa Valmarana Ai Nani
1669, 1720, Franceso Muttoni, frescoes by Tiepolo 1757,
stables, guest house rival actual villa
Jefferson e Palladio: la mostra raccontata dai curatori. 03 le sale
Fulvio Lenzo, docente dell'Universita IUAV di Venezia, introduce alla visita delle sale della mostra Jefferson e Palladio. Come costruire un mondo nuovo, al Palladio Museum di Vicenza dal 23 settembre 2015 al 28 marzo 2016.
#vivvisits // Verona & Vicenza, Italy
A Semester Abroad // Amazing Carlo Scarpa Museum, Juliet's House, Palladio's City & Breathtaking Panorama Views.
Follow me on my northern Italy trip! Venice up next~
Music //