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14 05 10 crescere come donne e come educatrici

La grande potenzialità della Donna è quella di crescere come persona anche dalle situazioni più drammatiche. L'effetto della consapevolezza acquisita è il desiderio di prevenire le aberrazioni sia in Italia che all'estero. Prevenire si può, diffondendo ed educando ad una nuova comunicazione tra i generi. Urgente è l'educazione delle mamme perché trasmettano il valore del rispetto della figura materna e della Donna come persona.

Delicious – Emily’s Miracle of Life: The Movie (Subtitles)

Become part of a very special chapter in Emily's life. Emily’s only just started her very own cooking blog, when she receives some wonderful news. She's pregnant!

Please remember to subscribe if you wish these videos to continue. And let us know if there are other Snuggford stories you would like to see.

Chapter 1: 00:03:31
Chapter 2: 00:26:09
Chapter 3: 00:49:30
Chapter 4: 01:14:08
Chapter 5: 01:35:37
Chapter 6: 01:57:57

*Play Now at GameHouse:

Words at War: Apartment in Athens / They Left the Back Door Open / Brave Men

Greece entered World War II on 28 October 1940, when the Italian army invaded from Albania, beginning the Greco-Italian War. The Greek army was able to stop the invasion and even push back the Italians into Albania, thereby winning one of the first victories for the Allies. The Greek successes and the inability of the Italians to reverse the situation forced Nazi Germany to intervene in order to protect her main Axis partner's prestige. The Germans invaded Greece and Yugoslavia on 6 April 1941, and overran both countries within a month, despite British aid to Greece in the form of an expeditionary corps. The conquest of Greece was completed in May with the capture of Crete from the air, although the Fallschirmjäger suffered such extensive casualties in this operation that the Germans abandoned large-scale airborne operations for the remainder of the war. The German diversion of resources in the Balkans is also considered by some historians to have delayed the launch of the invasion of the Soviet Union by a critical month, which proved disastrous when the German army failed to take Moscow.[citation needed]

Greece itself was occupied and divided between Germany, Italy and Bulgaria, while the King and the government fled into exile in Egypt. First attempts at armed resistance in summer 1941 were crushed by the Axis, but the Resistance movement began again in 1942 and grew enormously in 1943 and 1944, liberating large parts of the country's mountainous interior and tying down considerable Axis forces. However, political tensions between the Resistance groups resulted in the outbreak of a civil conflict among them in late 1943, which continued until the spring of 1944. The exiled Greek government also formed armed forces of its own, which served and fought alongside the British in the Middle East, North Africa and Italy. The contribution of the Greek war and the merchant navies in particular was of special importance to the Allied cause.

Mainland Greece was liberated in October 1944 with the German withdrawal in the face of the advancing Red Army, while German garrisons continued to hold out in the Aegean Islands until after the war's end. The country was devastated by war and occupation, and its economy and infrastructure lay in ruins. Greece suffered more than 400,000 casualties during the occupation, and the country's Jewish community was almost completely exterminated in the Holocaust. By 1946, however, a vicious civil war erupted between the British and American-sponsored conservative government and leftist guerrillas, which would last until 1949.

You Bet Your Life: Secret Word - Water / Face / Window

Julius Henry Groucho Marx (October 2, 1890 -- August 19, 1977) was an American comedian and film and television star. He is known as a master of quick wit and widely considered one of the best comedians of the modern era. His rapid-fire, often impromptu delivery of innuendo-laden patter earned him many admirers and imitators. He made 13 feature films with his siblings the Marx Brothers, of whom he was the third-born. He also had a successful solo career, most notably as the host of the radio and television game show You Bet Your Life. His distinctive appearance, carried over from his days in vaudeville, included quirks such as an exaggerated stooped posture, glasses, cigar, and a thick greasepaint mustache and eyebrows. These exaggerated features resulted in the creation of one of the world's most ubiquitous and recognizable novelty disguises, known as Groucho glasses, a one-piece mask consisting of horn-rimmed glasses, large plastic nose, bushy eyebrows and mustache.

Groucho Marx was, and is, the most recognizable and well-known of the Marx Brothers. Groucho-like characters and references have appeared in popular culture both during and after his life, some aimed at audiences who may never have seen a Marx Brothers movie. Groucho's trademark eye glasses, nose, mustache, and cigar have become icons of comedy—glasses with fake noses and mustaches (referred to as Groucho glasses, nose-glasses, and other names) are sold by novelty and costume shops around the world.

Nat Perrin, close friend of Groucho Marx and writer of several Marx Brothers films, inspired John Astin's portrayal of Gomez Addams on the 1960s TV series The Addams Family with similarly thick mustache, eyebrows, sardonic remarks, backward logic, and ever-present cigar (pulled from his breast pocket already lit).

Alan Alda often vamped in the manner of Groucho on M*A*S*H. In one episode, Yankee Doodle Doctor, Hawkeye and Trapper put on a Marx Brothers act at the 4077, with Hawkeye playing Groucho and Trapper playing Harpo. In three other episodes, a character appeared who was named Captain Calvin Spalding (played by Loudon Wainwright III). Groucho's character in Animal Crackers was Captain Geoffrey T. Spaulding.

On many occasions, on the 1970s television sitcom All In The Family, Michael Stivic (Rob Reiner), would briefly imitate Groucho Marx and his mannerisms.

Two albums by British rock band Queen, A Night at the Opera (1975) and A Day at the Races (1976), are named after Marx Brothers films. In March 1977, Groucho invited Queen to visit him in his Los Angeles home; there they performed '39 a capella. A long-running ad campaign for Vlasic Pickles features an animated stork that imitates Groucho's mannerisms and voice. On the famous Hollywood Sign in California, one of the Os is dedicated to Groucho. Alice Cooper contributed over $27,000 to remodel the sign, in memory of his friend.

In 1982, Gabe Kaplan portrayed Marx in the film Groucho, in a one-man stage production. He also imitated Marx occasionally on his previous TV sitcom Welcome Back, Kotter.

Actor Frank Ferrante has performed as Groucho Marx on stage for more than two decades. He continues to tour under rights granted by the Marx family in a one-man show entitled An Evening With Groucho in theaters throughout the United States and Canada with piano accompanist Jim Furmston. In the late 1980s Ferrante starred as Groucho in the off-Broadway and London show Groucho: A Life in Revue penned by Groucho's son Arthur. Ferrante portrayed the comedian from age 15 to 85. The show was later filmed for PBS in 2001. Woody Allen's 1996 musical Everyone Says I Love You, in addition to being named for one of Groucho's signature songs, ends with a Groucho-themed New Year's Eve party in Paris, which some of the stars, including Allen and Goldie Hawn, attend in full Groucho costume. The highlight of the scene is an ensemble song-and-dance performance of Hooray for Captain Spaulding—done entirely in French.

In the last of the Tintin comics, Tintin and the Picaros, a balloon shaped like the face of Groucho could be seen in the Annual Carnival.

In the Italian horror comic Dylan Dog, the protagonist's sidekick is a Groucho impersonator whose character became his permanent personality.

The BBC remade the radio sitcom Flywheel, Shyster and Flywheel, with contemporary actors playing the parts of the original cast. The series was repeated on digital radio station BBC7. Scottish playwright Louise Oliver wrote a play named Waiting For Groucho about Chico and Harpo waiting for Groucho to turn up for the filming of their last project together. This was performed by Glasgow theatre company Rhymes with Purple Productions at the Edinburgh Fringe and in Glasgow and Hamilton in 2007-08. Groucho was played by Scottish actor Frodo McDaniel.

The Great Gildersleeve: Disappearing Christmas Gifts / Economy This Christmas / Family Christmas

Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.

In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.

Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).

The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.

Our Miss Brooks: Deacon Jones / Bye Bye / Planning a Trip to Europe / Non-Fraternization Policy

Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name.

Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School.
Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win.
Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags.
Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections.
Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts.
Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty.
Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend.
Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks.
Jacques Monet (Gerald Mohr), a French teacher.

Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role.

Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try.

Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very feline in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews.

Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton, she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne.

For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended.

The Great Gildersleeve: Labor Trouble / New Secretary / An Evening with a Good Book

The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.

On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. You're a haa-aa-aa-aard man, McGee! became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of Gildersleeve's Diary on the Fibber McGee and Molly series (Oct. 22, 1940).

He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family.

Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.

In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.

Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).

The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.

Calling All Cars: Gold in Them Hills / Woman with the Stone Heart / Reefers by the Acre

The Los Angeles Police Department (LAPD) is the police department of the city of Los Angeles, California.

The LAPD has been copiously fictionalized in numerous movies, novels and television shows throughout its history. The department has also been associated with a number of controversies, mainly concerned with racial animosity, police brutality and police corruption.

The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.

The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.

Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.

Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.

The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.

Words at War: Der Fuehrer / A Bell For Adano / Wild River

The town of Adano is a fictional Sicilian port town modeled after the real town of Licata, one of the disembarkation town of the Allied Occupation of Italy. Just like Adano, the town of Licata has a shipping and sulfur industry, a fishing port, and its largest church is the Church of Sant'Angelo. Additionally, Benito Mussolini did have Licata's 700 year old bell melted to make ammunition.[5] Major Joppolo is based on the American military governor of Licata named Frank E. Toscani. John Hersey visited Toscani for four or five days during the war and created Victor Joppolo from him, even noting that he held a job as a civilian clerk in the New York City Sanitation Department.[6] General Marvin is an obvious depiction of the World War II General Patton, who was known for his bitterness and cruelty, but also his effectiveness.

Führer was the unique name granted by Hitler to himself, and this in his function as Vorsitzender (chairman) of the Nazi Party. It was at the time common to refer to party leaders as Führer, yet only with an addition to indicate the leader of which party was meant. Hitler's adoption of the title was partly inspired by its earlier use by the Austro-German nationalist Georg von Schönerer, whose followers also commonly referred to as the Führer without qualification, and who also used the Sieg Heil-salute.[3] Hitler's choice for this political epithet was unprecedented in German. Like much of the early symbolism of Nazi Germany, it was modeled after Benito Mussolini's Italian Fascism. Mussolini's chosen epithet il Duce or Dux if Latin ('the Leader') was widely used, though unlike Hitler he never made it his official title. The Italian word Duce (unlike the German word Führer) is no longer used as a generic term for a leader, but almost always refers to Mussolini himself.

After Hitlers' appointment as Reichskanzler (Chancellor of the Reich) the Reichstag passed the Enabling Act which allowed Hitler's cabinet to promulgate laws by decree. One day before the death of Reichspräsident Paul von Hindenburg Hitler and his cabinet issued a decree, that dissolved the office of the president and made Hitler Hindenburg's successor. However this move was in breach of the Enabling Act. Hitler adopted Führer und Reichskanzler, combining his positions in party and government, as his title.[1][2] Ostensibly Hitler did not use the title president out of respect for Hindenburg's achievements as a heroic figure in World War I (though the decree, rather impiously, was already passed before Hindenburg's death on August 2, 1934).

In popular reception, the title of Führer and Chancellor was soon understood to mean Head of State and Head of Government -- a view that becomes even more accurate[citation needed] seeing that he was given by propaganda the title of Führer des deutschen Reiches und Volkes (Leader of the German Reich and People), the name the soldiers had to swear to. However, it keeps some meaning as Leader of Party and Head of Government with reference to the confusing relationship of party and state, including posts in personal union as well as offices with the same portfolio Hitler wanted to fight for his favour. The style of the Head of State was changed on July 28, 1942 to Führer des Großdeutschen Reiches (Leader of the Greater German Reich). In his political testament, Hitler also refers to himself as Führer der Nation.[4]

Nazi Germany cultivated the Führerprinzip (leader principle),[5] and Hitler was generally known as just der Führer (the Leader). One of the Nazis' most-repeated political slogans was Ein Volk, ein Reich, ein Führer — One People, One Nation, One Leader.

According to the Constitution of Weimar, the President was Commander-in-chief of the Armed Forces. Unlike President, Hitler did take this title (Oberbefehlshaber) for himself. When conscription was reintroduced in 1935, Hitler had himself promoted to the new title Oberster Befehlshaber der Wehrmacht (Supreme Commander of the Armed Forces), which meant then a presidential position over the Wehrmacht in fact led by another (newly instituted) Commander-in-chief, the Minister for War. Following the Blomberg--Fritsch Affair in 1938, Hitler took the responsibilities of this commander-in-chief for himself, though he kept on using the older formally higher title of Supreme Commander, which was thus filled with a somewhat new meaning. Combining it with Führer, he used the style Führer und Oberster Befehlshaber der Wehrmacht (Leader and Supreme Commander of the Wehrmacht), yet a simple Führer since May 1942.