Plou Et Fils

Bretagne: Les plus belles chansons du peuple Breton (Fils de Lorient, Son Atlantel...)

???? Retrouvez les plus belles chansons populaires bretonnes à travers cette compilation d'1h
☑️ Téléchargez ces titres : /
???? Abonnez-vous à Chansons, Folklore et Variété :

↓TRACKLIST↓

1. Soldat Louis - Fils de Lorient : 00:00
2. Ronan Le Bars Group - Tro Breizh : 04:03
3. Red Cardell, Bagad Kemper - Ton Bale Loeiz Ar Moign : 07:50
4. Hamon Martin Quintet - Notre-dame des oiseaux de fer : 09:49
5. Rozenn Talec, Yannig Noguet - Gali Galant : 13:40
6. Denez - An Old Story : 17:19
7. Nolwenn Korbell - Me No Like : 20:54
8. 'Ndiaz - An Anglezed / Nilopolitano (Kas a barh) : 24:57
9. Didier Squiban, Bernard Le Dréau, Jérôme Kerihuel - My Sea Song : 31:14
10. Jean-Charles Guichen - Solo de l'ankou : 35:24
11. Soïg Siberil - E kreiz an noz / Ar majenn : 39:27
12. Les soeurs Goadec - Kaourantennig e ti Eliziza (1) : 44:42
13. Eostiged Ar Stangala - Le combat, Pt. 1 (Plinn) : 47:48
14. Gwennyn - Donezon : 52:07
15. Soldat Louis - Tirer des caisses : 55:30
16. Pevar Den - Heuliad dañs plinn ton simpl : 59:35
17. Ampouailh - Ober troig mezv : 01:02:09
18. Régis Huiban - Le Grand-Pont : 01:07:50
19. Cédric Le Bozec, Soïg Sibéril - Coat Braz 3 : 01:12:16
20. Andrea Seki - Son Atlantel : 01:14:19

2/2 - Patrick Vanden, Peintre - Autour de l'art????????????????????

Intervieweur : Xavier Hernandez, psychologue clinicien et l'ensemble des internautes mobilisés pour l'occasion. + d'infos ⬇︎⬇︎⬇︎

???? Tous les sujets abordés autour de cette série thématique sont regroupés dans cette playlist :

Date de tournage : 16/03/16 [Réupload de la vidéo]
Pour contacter Patrick, une boite mail dédiée par lui pour l'interview : weloveartineurope@gmail.com

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???? Si vous souhaitez nous aider à faire coexister cette richesse humaine par la différence même de points de vue, en proposant votre propre témoignage (en lien avec le présent sujet ou au sein plus largement de l'une de nos séries thématiques, n'hésitez pas à nous écrire !).
Quelque soit le sujet qui vous tient à coeur, vos propres témoignages restent les bienvenus ! Chaque personne vit une histoire unique, une expérience qu'il peut choisir de partager, et qui pourra aider sans nul doute un nombre incalculable de personnes ! ???? collectifhumainvisible@gmail.com
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???????????? : Sous-titrage : Nadia Arab, Merci à elle pour son travail !
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???? Et si l'on se parlait un peu plus vrai ? Et si l'on faisait de la différence davantage une source de richesse que de division ? Que se passerait-il au sein de notre lien social si l'on réinjectait un peu plus d'humanité entre et autour de nous ?

???? Bienvenue sur cette chaîne !
Le « collectif l’Humain visible » est un projet bénévole initié par des professionnels du soin et du social en collaboration... avec vous ! Grâce à votre intérêt, participation et soutien continus, nous poursuivons ce grand recueil de témoignages autour de ces questions essentielles : Pris dans des mouvements parfois de déshumanisation, qu'est-ce qui fait toujours l'Humain en l'Homme ?
Et comment chacun peut contribuer à le cultiver voire l'élever ? Voilà, à ciel ouvert, un vaste champ de recherche participative : la parole vous est donnée !
Alors... Et si nous partagions notre Autre regard sur le monde ?

???? Nos formats de témoignages :
Micros-trottoirs, Interviews longues, Reportages, Vidéos en Face caméra, Tables rondes et Cycles de rencontre pour (re)croiser les regards et faire vivre la plus grande des richesses : la complémentarité de points de vue

???? 8 séries thématiques clefs, interconnectées, sont à votre disposition sur cette chaîne YouTube pour s'inviter à requestionner toujours un peu plus nos propres représentations de la différence :
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???????? Subtitles : This French-English translation has been possible thanks to the PerMondo project : Free translation of website and documents for non-profit organisations. A project managed by Mondo Agit. Translator : Christa Levy, Proofreader : Karen Lapprand.
A big THANK YOU goes to them !

???? The visible Human collective is a voluntary project which is creating series of interactive testimonies on YouTube, through a mixture of street interviews, interviews and reports.
Themed series concerning the notion of what makes a Person Human. Overlapping differing perspectives, nurturing social ties and bringing people face to face with the other on the basis of a difference which may unite rather than cause rejection…
So what if we shared our other view of the world ?
(???? Fr & Engl subs in progress : volunteers are welcome !)

???????????????? Sous-titres français et anglais sont en cours sur l'ensemble de nos vidéos.
Toute aide reste précieuse et la bienvenue !
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???? Musique :
Together With You - JR Tundra (Bibliothèque audio YouTube)
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ur handitan motxiladun umeak (+subs)

Help us caption & translate this video!

Luge mfr

luge la mf de doulaincourt!

EPTV 12-03-2010 Atelier couture.avi

Franky 62 raconte sa journée a l école

The Great Gildersleeve: Gildy the Athlete / Dinner with Peavey / Gildy Raises Christmas Money

Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.

In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.

Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).

The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.

My Friend Irma: The Red Hand / Billy Boy, the Boxer / The Professor's Concerto

My Friend Irma, created by writer-director-producer Cy Howard, is a top-rated, long-run radio situation comedy, so popular in the late 1940s that its success escalated to films, television, a comic strip and a comic book, while Howard scored with another radio comedy hit, Life with Luigi. Marie Wilson portrayed the title character, Irma Peterson, on radio, in two films and a television series. The radio series was broadcast from April 11, 1947 to August 23, 1954.

Dependable, level-headed Jane Stacy (Cathy Lewis, Diana Lynn) began each weekly radio program by narrating a misadventure of her innocent, bewildered roommate, Irma, a dim-bulb stenographer from Minnesota. The two central characters were in their mid-twenties. Irma had her 25th birthday in one episode; she was born on May 5. After the two met in the first episode, they lived together in an apartment rented from their Irish landlady, Mrs. O'Reilly (Jane Morgan, Gloria Gordon).

Irma's boyfriend Al (John Brown) was a deadbeat, barely on the right side of the law, who had not held a job in years. Only someone like Irma could love Al, whose nickname for Irma was Chicken. Al had many crazy get-rich-quick schemes, which never worked. Al planned to marry Irma at some future date so she could support him. Professor Kropotkin (Hans Conried), the Russian violinist at the Princess Burlesque theater, lived upstairs. He greeted Jane and Irma with remarks like, My two little bunnies with one being an Easter bunny and the other being Bugs Bunny. The Professor insulted Mrs. O'Reilly, complained about his room and reluctantly became O'Reilly's love interest in an effort to make her forget his back rent.

Irma worked for the lawyer, Mr. Clyde (Alan Reed). She had such an odd filing system that once when Clyde fired her, he had to hire her back again because he couldn't find anything. Useless at dictation, Irma mangled whatever Clyde dictated. Asked how long she had been with Clyde, Irma said, When I first went to work with him he had curly black hair, then it got grey, and now it's snow white. I guess I've been with him about six months.

Irma became less bright as the program evolved. She also developed a tendency to whine or cry whenever something went wrong, which was at least once every show. Jane had a romantic inclination for her boss, millionaire Richard Rhinelander (Leif Erickson), but he had no real interest in her. Another actor in the show was Bea Benaderet.



Katherine Elisabeth Wilson (August 19, 1916 -- November 23, 1972), better known by her stage name, Marie Wilson, was an American radio, film, and television actress. She may be best remembered as the title character in My Friend Irma.

Born in Anaheim, California, Wilson began her career in New York City as a dancer on the Broadway stage. She gained national prominence with My Friend Irma on radio, television and film. The show made her a star but typecast her almost interminably as the quintessential dumb blonde, which she played in numerous comedies and in Ken Murray's famous Hollywood Blackouts. During World War II, she was a volunteer performer at the Hollywood Canteen. She was also a popular wartime pin-up.

Wilson's performance in Satan Met a Lady, the second film adaptation of Dashiell Hammett's detective novel The Maltese Falcon, is a virtual template for Marilyn Monroe's later onscreen persona. Wilson appeared in more than 40 films and was a guest on The Ed Sullivan Show on four occasions. She was a television performer during the 1960s, working until her untimely death.

Wilson's talents have been recognized with three stars on the Hollywood Walk of Fame: for radio at 6301 Hollywood Boulevard, for television at 6765 Hollywood Boulevard and for movies at 6601 Hollywood Boulevard.

Wilson married four times: Nick Grinde (early 1930s), LA golf pro Bob Stevens (1938--39), Allan Nixon (1942--50) and Robert Fallon (1951--72).

She died of cancer in 1972 at age 56 and was interred in the Columbarium of Remembrance at Forest Lawn Cemetery in Hollywood Hills.

NYSTV - Nephilim Bones and Excavating the Truth w Joe Taylor - Multi - Language

Joe Taylor is an artist, musician, sculptor, paleontologist and founder creator of Mt. Blanco Fossil Museum, the largest working non-evolutionist fossil museum the world.

The talk delves into forbidden archeology, the manipulation and control of the educational system, especially when it comes to paleontology, elongated skulls, giant skeletons, the knowledge of which is being suppressed.


Subscribe here:

freetruthproductions.com


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You Bet Your Life: Secret Word - Tree / Milk / Spoon / Sky

Julius Henry Groucho Marx (October 2, 1890 -- August 19, 1977) was an American comedian and film and television star. He is known as a master of quick wit and widely considered one of the best comedians of the modern era. His rapid-fire, often impromptu delivery of innuendo-laden patter earned him many admirers and imitators. He made 13 feature films with his siblings the Marx Brothers, of whom he was the third-born. He also had a successful solo career, most notably as the host of the radio and television game show You Bet Your Life. His distinctive appearance, carried over from his days in vaudeville, included quirks such as an exaggerated stooped posture, glasses, cigar, and a thick greasepaint mustache and eyebrows. These exaggerated features resulted in the creation of one of the world's most ubiquitous and recognizable novelty disguises, known as Groucho glasses, a one-piece mask consisting of horn-rimmed glasses, large plastic nose, bushy eyebrows and mustache.

Groucho Marx was, and is, the most recognizable and well-known of the Marx Brothers. Groucho-like characters and references have appeared in popular culture both during and after his life, some aimed at audiences who may never have seen a Marx Brothers movie. Groucho's trademark eye glasses, nose, mustache, and cigar have become icons of comedy—glasses with fake noses and mustaches (referred to as Groucho glasses, nose-glasses, and other names) are sold by novelty and costume shops around the world.

Nat Perrin, close friend of Groucho Marx and writer of several Marx Brothers films, inspired John Astin's portrayal of Gomez Addams on the 1960s TV series The Addams Family with similarly thick mustache, eyebrows, sardonic remarks, backward logic, and ever-present cigar (pulled from his breast pocket already lit).

Alan Alda often vamped in the manner of Groucho on M*A*S*H. In one episode, Yankee Doodle Doctor, Hawkeye and Trapper put on a Marx Brothers act at the 4077, with Hawkeye playing Groucho and Trapper playing Harpo. In three other episodes, a character appeared who was named Captain Calvin Spalding (played by Loudon Wainwright III). Groucho's character in Animal Crackers was Captain Geoffrey T. Spaulding.

On many occasions, on the 1970s television sitcom All In The Family, Michael Stivic (Rob Reiner), would briefly imitate Groucho Marx and his mannerisms.

Two albums by British rock band Queen, A Night at the Opera (1975) and A Day at the Races (1976), are named after Marx Brothers films. In March 1977, Groucho invited Queen to visit him in his Los Angeles home; there they performed '39 a capella. A long-running ad campaign for Vlasic Pickles features an animated stork that imitates Groucho's mannerisms and voice. On the famous Hollywood Sign in California, one of the Os is dedicated to Groucho. Alice Cooper contributed over $27,000 to remodel the sign, in memory of his friend.

In 1982, Gabe Kaplan portrayed Marx in the film Groucho, in a one-man stage production. He also imitated Marx occasionally on his previous TV sitcom Welcome Back, Kotter.

Actor Frank Ferrante has performed as Groucho Marx on stage for more than two decades. He continues to tour under rights granted by the Marx family in a one-man show entitled An Evening With Groucho in theaters throughout the United States and Canada with piano accompanist Jim Furmston. In the late 1980s Ferrante starred as Groucho in the off-Broadway and London show Groucho: A Life in Revue penned by Groucho's son Arthur. Ferrante portrayed the comedian from age 15 to 85. The show was later filmed for PBS in 2001. Woody Allen's 1996 musical Everyone Says I Love You, in addition to being named for one of Groucho's signature songs, ends with a Groucho-themed New Year's Eve party in Paris, which some of the stars, including Allen and Goldie Hawn, attend in full Groucho costume. The highlight of the scene is an ensemble song-and-dance performance of Hooray for Captain Spaulding—done entirely in French.

In the last of the Tintin comics, Tintin and the Picaros, a balloon shaped like the face of Groucho could be seen in the Annual Carnival.

In the Italian horror comic Dylan Dog, the protagonist's sidekick is a Groucho impersonator whose character became his permanent personality.

The BBC remade the radio sitcom Flywheel, Shyster and Flywheel, with contemporary actors playing the parts of the original cast. The series was repeated on digital radio station BBC7. Scottish playwright Louise Oliver wrote a play named Waiting For Groucho about Chico and Harpo waiting for Groucho to turn up for the filming of their last project together. This was performed by Glasgow theatre company Rhymes with Purple Productions at the Edinburgh Fringe and in Glasgow and Hamilton in 2007-08. Groucho was played by Scottish actor Frodo McDaniel.

Our Miss Brooks: Easter Egg Dye / Tape Recorder / School Band

Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name.

Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School.
Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win.
Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags.
Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections.
Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts.
Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty.
Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend.
Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks.
Jacques Monet (Gerald Mohr), a French teacher.

Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role.

Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try.

Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very feline in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews.

Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton, she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne.

For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended.